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g10 group backs Bangkok Pride bid to bring WorldPride to Asia in 2030 g10 group has announced its support for Bangkok Pride’s bid to host WorldPride 2030, backing a campaign that could see the world’s major LGBTQ+ celebration held in Asia for the first time. The UK-based LGBTQ+ digital media company believes Bangkok would be an outstanding host for WorldPride and that bringing the event to Thailand would represent an important moment for LGBTQ+ visibility, equality and international solidarity. Bangkok is now one of just two cities remaining in the race to host WorldPride 2030, alongside Barcelona. The final decision will be made by members of InterPride, with the successful host expected to be announced in January 2027. For g10 group, the Bangkok bid is about much more than staging a major Pride celebration. It represents an opportunity to put LGBTQ+ communities in Asia at the centre of the global Pride movement and to showcase the progress, diversity and creativity of Thailand to an international audience. A historic opportunity for Asia WorldPride is organised under the licence of InterPride and brings together Pride organisations and LGBTQ+ communities from around the world. The event promotes LGBTQ+ visibility and awareness internationally and can include Pride marches, festivals, cultural events and human-rights conferences. If Bangkok wins the 2030 bid, it would be the first time WorldPride has been held in Asia. That possibility is one of the reasons g10 group is supporting the campaign. For decades, some of the world's most prominent Pride events have taken place in North America, Europe and Australia. Bringing WorldPride to Bangkok would provide an opportunity for the global LGBTQ+ community to experience Pride in a different cultural setting and to hear directly from LGBTQ+ communities across Asia. It would also send a powerful message that the international Pride movement belongs to every region of the world. Thailand has already taken significant steps in LGBTQ+ equality. The Thai government notes that the country became the first in Southeast Asia to legalise same-sex marriage, while the Bangkok WorldPride bid has received support from national and local government, Pride organisations and private-sector partners. For g10 group, that combination of progress and ambition makes Bangkok an especially compelling candidate. Why g10 group is supporting the bid g10 group was created as a digital home for LGBTQ+ news, lifestyle, travel and stories from across the community. Its audience extends beyond the UK, with international LGBTQ+ destinations, events and issues increasingly forming an important part of its coverage. Supporting Bangkok's WorldPride campaign therefore feels like a natural extension of g10 group's mission. Bangkok is a city with a long-established reputation as a major international destination, but its importance to the LGBTQ+ community extends beyond tourism. The city's Pride movement has grown considerably in recent years, with Bangkok Pride becoming an increasingly visible part of the city's cultural calendar. Bangkok Pride Festival 2026 was held under the theme “Patch the World with Pride”, with organisers using the event to demonstrate Thailand's readiness to compete for the right to host a major international Pride event. The 2026 celebrations included a major Pride parade and brought together community organisations, government agencies, tourism bodies, businesses and LGBTQ+ networks. That broad coalition is an important part of Bangkok's WorldPride proposition. The bid is not simply a campaign by one organisation. Thailand's candidature has been supported by Bangkok Metropolitan Administration, the Pride City Network Thailand, government ministries, tourism organisations and other public and private-sector partners. Pride with a purpose WorldPride should be about more than colourful parades, parties and tourism campaigns. At its heart, Pride is about visibility, equality, human rights and the ability of LGBTQ+ people to live openly and safely. That is another reason g10 group believes Bangkok deserves serious consideration. Thailand's WorldPride campaign has presented the event as an opportunity to promote equality and human rights while creating a lasting social and economic legacy. The Thai government has said that its WorldPride preparations are intended to demonstrate readiness to welcome LGBTQ+ visitors from around the world while also supporting longer-term progress on equality and the development of an inclusive economy. The campaign has also received international diplomatic support. In July, Thailand's Ministry of Foreign Affairs and other partners held an event bringing together diplomatic representatives and Pride networks to build support for the Bangkok candidature. That international engagement matters because WorldPride is ultimately a global event. A successful Bangkok bid could provide a platform for conversations about LGBTQ+ rights across Asia, including the challenges faced by communities in countries where equality and acceptance remain more difficult to achieve. A message to LGBTQ+ people across Asia For many LGBTQ+ people, the significance of WorldPride coming to Bangkok would extend far beyond the millions of visitors who might attend. It could be an important moment of recognition. Hosting WorldPride in Asia would allow LGBTQ+ communities across the region to see their experiences reflected on one of the world's biggest LGBTQ+ stages. It would also give activists, campaigners, organisations and community groups an opportunity to share their work with a much wider international audience. g10 group believes that visibility matters. The international LGBTQ+ community is not a single, uniform group. It is made up of people with different cultures, languages, histories and experiences. A WorldPride in Bangkok would help underline that diversity. It could also encourage greater international collaboration between LGBTQ+ organisations in Europe, Asia and beyond. Bangkok's growing Pride profile Bangkok has already demonstrated that it can stage large-scale Pride celebrations. The 2026 Bangkok Pride Parade featured a major route through the city and formed part of a wider programme designed to showcase Thailand's LGBTQ+ community and its ambitions for WorldPride. The Tourism Authority of Thailand described the celebrations as part of the country's preparations for WorldPride 2030. The Thai government has also highlighted cooperation with civil society and Pride networks across the country. In 2026, initiatives involving the Pride City Network expanded the campaign beyond Bangkok, with dozens of provinces participating in efforts connected to equality and inclusion. That national approach could help ensure that a Bangkok WorldPride would not be confined to one city. Instead, it could become a wider celebration of LGBTQ+ Thailand. More than a tourism opportunity There is, inevitably, an economic dimension to hosting an event of this scale. WorldPride attracts international visitors, media attention and investment, while creating opportunities for hotels, restaurants, airlines, entertainment venues, cultural organisations and other businesses. Thailand's government has openly linked the Bangkok bid with tourism, the creative industries, the meetings and events sector and the development of what it describes as the country's “Pink Economy”. But g10 group believes the economic benefits should support, rather than overshadow, the community purpose of WorldPride. A successful bid should leave a legacy that can be felt after the flags have come down and international visitors have returned home. That means continued support for LGBTQ+ organisations, greater visibility, safer spaces, inclusive tourism and meaningful progress on equality. Why now? The timing could hardly be more significant. The world is continuing to experience both progress and setbacks on LGBTQ+ rights. In some countries, legal protections and social acceptance have expanded dramatically. Elsewhere, LGBTQ+ communities continue to face discrimination, violence and political pressure. Against that backdrop, WorldPride has an important role to play. It can provide a global platform for celebration, but it can also remind governments and communities that equality cannot be taken for granted. A WorldPride in Bangkok could bring that message to a part of the world where LGBTQ+ communities are incredibly diverse and where the international movement still has enormous potential to grow. g10 group: “Bangkok deserves our support” For g10 group, supporting Bangkok is therefore about recognising what the bid could mean for LGBTQ+ people both in Thailand and internationally. The organisation believes Bangkok has the opportunity to deliver a WorldPride that is energetic, welcoming, culturally distinctive and genuinely international. It could also help challenge the idea that the biggest LGBTQ+ events must always take place in the same familiar global cities. Bangkok offers something different. It offers the chance to put Asia at the heart of the WorldPride movement. It offers the chance to showcase Thai LGBTQ+ culture and creativity. And, perhaps most importantly, it offers the chance to build new connections between LGBTQ+ people across continents. With Bangkok and Barcelona now competing in the final stage of the 2030 race, the decision will ultimately rest with InterPride's membership. Whatever the final outcome, g10 group believes the Bangkok campaign has already helped demonstrate the growing strength and visibility of LGBTQ+ communities in Thailand. But we hope the next chapter is even bigger. g10 group is proud to support Bangkok Pride's bid for WorldPride 2030. We believe the time has come for WorldPride to come to Asia. And we believe Bangkok could be the city to make history.

The Red Ribbon calendar is back for 2027. We speak to Jordan Chan the brainchild of the calendar. The Red Ribbon Calendar is returning for 2027. What made you decide to bring the project back for another year, and what have you learned from the success of the previous calendar? I wanted to bring back the calendar for 2027 due to the success of last year’s calendar, which sold over 400 calendars and raised £3,400 which was split between Sussex Beacon and Terrence Higgins and leaned that the launch parties were a huge part of its success. Once again you’re raising money for Terrence Higgins Trust and The Sussex Beacon. Why was it important to continue supporting these two organisations, and what does their work mean to you personally? Yes, these two charities do fantastic work raising awareness for HIV as the country works towards 2030 Zero, and supports those living with HIV. Personally I have very close friends living with HIV, who rely on HIV charities and their support, but as a gay man, knowing the deviation the aids crisis had in the 80/90s, I want to to do my bit to help ensure our community never goes through that again. The calendar is about more than fundraising — it also aims to challenge stigma and encourage conversations around HIV. What do you hope people will take away from the 2027 calendar beyond the photographs themselves? Yes that’s right, we want to start conversations around HIV to help fight the stigma, encourage testing and safe sex, and also educate people on what treatments and prevention is out there! Those living with HIV should not have to face stigma and should be treated with the same dignity and respec You’re working again with Mwords Photography. How has your creative partnership developed, and can you give us a hint about what will make the photography and concept of the 2027 calendar different this time around? Yes this is actually our third calendar together, with this being the second red ribbon. I always wanted to create my own calendar, and raise money for charity, the first was for testicular cancer and the odd balls foundation, and now the red ribbon for the second year. Mark (Mwords) wanted to strip the calendar back making the red ribbon the front and centre, and went with black and white which I love. I could do the calendar without Mark and the boys! Looking ahead to the launch of the Red Ribbon Calendar 2027, what are your ambitions for this year — both in terms of the amount you hope to raise and the number of people you hope the campaign can reach? This years calendar is coming back bigger and better with the same locations for launch as last year but I’ve added Hastings! Saturday 24th October - Brighton at Bar Broadway Saturday 7th November - Hastings Forbidden Fruit Saturday 28th November - Kent La Margate Saturday 12th December - London Admiral Duncan and Village We want to sell more calendars than last year and raise even more money! I would like to the take the opportunity to thank all our sponsors for this years calendar too! 1 Million Gays Cafe Nucleus Forbidden Fruit Regency Tavern Thames Active La Margate Queer Kent Life Bar Broadway Pier Ceylon Bull Dog Margate Beach Club Friend of Dorothy Sukrew BUY YOUR CALENDAR NOW

NeuroQueerz brings a calmer, more inclusive Pride experience to Manchester Village Pride Pride is a celebration of identity, community, equality and belonging. For many LGBTQ+ people, it is one of the most important and joyful weekends of the year. But while Pride is often associated with packed streets, loud music, busy venues and huge crowds, that environment can be challenging for some members of the community. This Manchester Village Pride weekend, NeuroQueerz is helping to create a different kind of Pride experience by providing a dedicated Calm Space for neurodivergent LGBTQ+ people, their friends, allies and anyone who needs somewhere to step away from the hustle and bustle. Founded by Luke Boss, NeuroQueerz is focused on wellness, empowerment and belonging, with the aim of ensuring that neurodivergent people are not excluded from LGBTQ+ spaces simply because traditional Pride environments can sometimes feel overwhelming. The Calm Space isn't about taking people away from Pride. Instead, it is about giving people another way to experience it. As Luke explains: “Everybody knows how to celebrate or party but in different ways.” He believes that neurodivergent people should have the freedom to enjoy Pride on their own terms, whether that means spending hours celebrating with others or taking some time away from the crowds before heading back into the action. “Our aim is to NOT make this stereotypical and boring,” says Luke. “It is a place to socialise, chill out, and be in the Pride weekend mood!” A different way to experience Pride For neurodivergent LGBTQ+ people, sensory stimulation can sometimes become overwhelming. Loud music, flashing lights, crowded streets, queues, unfamiliar surroundings and constantly changing environments can all contribute to sensory overload. But, as Luke points out, neurodiversity affects everyone differently. “For some it impacts them so greatly that they avoid certain areas regardless, some it varies depending on the situation. Some, it's on a day-by-day basis how they are feeling, and for some, it doesn't impact them at all!” That individuality is central to the NeuroQueerz approach. Rather than assuming that every neurodivergent person needs the same support, the organisation wants people to have choices. The Calm Space can therefore be somewhere to spend a significant part of the day—or simply somewhere to recharge for an hour before returning to Pride. Luke describes the goal as providing people with “a place to be themselves whilst fulfilling their Pride limitations and expectations.” He believes everyone attending a Pride event should be able to decide what they want to experience and what they don't. “We want people to leave our space thinking they had a good time whether they spent the majority of the day here or if they used the space to escape from the chaos for an hour and get back to party mode!” Making Pride accessible beyond physical access Accessibility is often discussed in terms of physical access: ramps, accessible toilets, seating and step-free entrances. Those things remain vital, but Luke believes the conversation needs to go much further. For someone who is autistic, has ADHD or is otherwise neurodivergent, simply finding their way around a large Pride event can present its own challenges. Luke recalls attending a Pride where signage and instructions around wristbands and entrances were unclear. “Many regular street access points were closed off, and the signage was so few and far between that it frustrated me,” he says. Even instructions that appear straightforward to others can become difficult to process in a busy environment. “Things like street names don't make sense to me, especially in hectic environments,” Luke explains. His solution is simple but potentially transformative: make volunteers and staff available to physically guide people where necessary. “Someone may not be restricted from a physical aspect, but they would benefit from someone directing them more than telling them the street name and giving lefts and rights.” For Luke, accessibility can sometimes be as simple as someone saying, “Come with me, I'll show you.” A space where people don't have to choose between Pride and their wellbeing One of the biggest concerns for people who find busy environments difficult is the fear that leaving the main Pride celebrations means missing out. That is something NeuroQueerz hopes to challenge. Luke points out that without spaces where people can take a break, some neurodivergent people may simply decide not to attend Pride at all. “Some Neurodivergent peeps may not come to Pride as they don’t feel there is an environment they consider a safe space,” he says. For Luke, the answer is clear: Pride should have room for everyone. The NeuroQueerz Calm Space aims to make that principle a reality. Luke Boss: “I didn't go to a single Pride event until I was 30” Perhaps one of the most powerful aspects of Luke's story is that he understands personally what it can feel like to be unsure about attending Pride. “I didn't go to a single Pride event until I was 30,” he reveals. The main concerns were the crowds and the fear that there would be nothing to do or nobody to speak to. That changed when Luke finally attended his first Pride in 2019. “I loved it so much it was like being on holiday,” he says. Since then, he has attended many Pride events, both alone and with other people. His advice to anyone who is considering attending but feels uncertain is to do some research beforehand and find out what facilities and support are available. And for those attending Manchester Pride, Luke has a particularly direct invitation: “If you are considering Manchester Pride, then come to us for the calm space on Saturday and/or Sunday!” The space will also feature the Pride Parade on a large screen, and, Luke notes with a smile, no wristband is required. Has the LGBTQ+ community done enough? The question of inclusion within LGBTQ+ spaces is complicated. Luke believes attitudes are improving and says he has received tremendous support from organisations including LGBT Foundation, where he volunteers. However, he has also experienced discrimination within the LGBTQ+ community because of his disability. Despite that, he says he feels considerably more comfortable in gay bars than in regular bars. For Luke, there is still work to be done. “Most Neuroqueer or LGBTQ+ organisations do have a section for this either, but it is too small and does not go far enough,” he says.“That is what Neuroqueerz is here for!” The organisation is ultimately asking the wider LGBTQ+ community to think differently about what inclusion really means. One size does not fit all For Luke, one of the most important messages of NeuroQueerz is that there is no universal solution. “One size does NOT fit all,” he says. That principle is particularly important when discussing neurodivergence because people's experiences can vary enormously. Someone might love being surrounded by thousands of people one day but find the same environment impossible the next. Another person might never need a Calm Space but still appreciate knowing one is available. The important thing is having the choice. Luke also believes that neurodivergent people should be listened to when conversations about inclusion take place. “I hope more people soon recognise this,” he says. “We are a talented and fabulous community at the end of the day.” More than a Calm Space While Manchester Village Pride provides an important opportunity for NeuroQueerz to demonstrate what a more inclusive Pride environment can look like, Luke sees the organisation's work as something much bigger. He wants people to understand that neurodivergent LGBTQ+ people aren't simply a group that needs to be accommodated. They are an important part of the LGBTQ+ community with their own experiences, talents, ideas and voices. For Luke, seeing NeuroQueerz involved in creating a calmer and more inclusive Pride experience in Manchester represents a major accomplishment. “If it wasn’t us (me and my 2 fabulous other directors) hosting this, I would be grateful there is a space I can go to at regular intervals that is just outside the gay village.” That statement perhaps sums up the importance of the Calm Space better than anything else. It isn't about separating people from Pride. It is about making sure people can stay part of Pride. “As a Neuroqueer person, I can't stress how important a safe space is, whether it's online, in person, or a gadget you can turn on and do your own thing with.” At the heart of NeuroQueerz, Luke says, are three simple but powerful ideas: Wellness. Empowerment. Belonging. And perhaps that is exactly what an inclusive Pride should be about. Manchester Village Pride is a celebration for the whole LGBTQ+ community. By providing a Calm Space, NeuroQueerz is helping demonstrate that accessibility isn't about changing Pride into something quieter or less exciting. It is about giving more people the opportunity to experience it. Whether someone spends the entire weekend celebrating, drops into the Calm Space for a short break, watches the parade from a quieter environment or simply knows that somewhere safe is available if they need it, the message is the same: There is a place for you at Pride. And that can make all the difference. The Neuroqueerz Calm Space will run across both days of Manchester Village Pride — Saturday 29th and Sunday 30th August, from 12pm to 7pm, at the Holiday Inn, Manchester City Centre, 25 Aytoun St, Manchester, M1 3DT.

Your music blends industrial, electronic, and experimental sounds. What inspires you to create such a unique sonic world? It's important for me to be progressive. The futurism of sound is so exciting to me and I love exploring its possibilities. How far can you push a frequency? How distorted can a kick drum become before it turns into something completely new? A lot of my music comes from experimentation and accidents. There are all these unwritten rules about how songs are "supposed" to be made but I've never been interested in following them. I don't think there are any rules in art. My philosophy with making music feeds into the sonic world I create. I'm drawn to futurism, subversion, and this digital, almost synthetic feeling but it has to have an organic backbone. I'd describe my music as post-genre because I'm influenced by so many different sounds, although deep down I love hardcore electronic music. Glitch, noise, chaos and distortion feel incredibly cathartic to me. Ultimately, I think I'm just expressing what's going on in my brain. Making music is therapeutic, and the sound reflects that. Your stage name, Baby Tap, is memorable and intriguing. What's the story behind it, and what does it represent to you today? Baby Tap is pretty self-descriptive when you think about it. It's about tapping into the baby within: embracing that childlike part of yourself that's instinctive, playful, carefree and silly. I've always loved heavier music scenes like industrial, punk, digital hardcore and noise, but the name "Baby Tap" was my reaction to how serious, pretentious and masculine a lot of those spaces could feel. I love the juxtaposition of having this really playful name attached to such intense music. It still makes me laugh. More than anything, it's a reminder not to take myself too seriously. We all have an inner child, and I don't think becoming an adult means we have to lose that part of ourselves. Life is hard enough as it is. I actually think it's really important to stay silly. How has being part of the LGBTQ+ community shaped your music, performance style, or artistic journey? Where do I begin? Being queer is a huge part of my artistry. It's probably the biggest part of it, actually. As a queer man making rap and hardcore music, I naturally challenge a lot of the expectations those genres have carried for years. There are traditions within those scenes that have often centred masculinity in a very narrow way, so of course I'm going to flip that on its head. That's part of who I am. To me, being queer and being punk as fuck are completely intertwined. Both are about ripping up the script you've been handed and creating your own. Finding the freedom to be whoever I want to be goes hand in hand with the freedom I feel as an artist. They're impossible for me to separate. None of that would have been possible without the queer community. I can't begin to express how much the people around me have influenced me or how much love, hope and strength they've given me. I'm incredibly lucky to know the people I do, and I'm grateful for them every single day. Your visual aesthetic is just as striking as your music. How important is fashion and self-expression to your identity as an artist? Oh, thanks! Music always comes first, but it's all about identity, isn't it? Self-expression is incredibly important to me. Of course, from a branding perspective an image matters but I think it's boring and a bit soul-destroying if that's the only way you look at it. For me, it's much more personal. It's expression. It's drag. It's fantasy. People decorate their cars and their homes so why shouldn't they decorate themselves? I'm an artist, but I'm also a piece of art. The paint on my face, the shoes I wear, whatever I choose to put on my body — it can all express a feeling or make a statement. It's powerful. I remember when I was a kid, an adult criticised me for looking "like a cartoon." I rejected that idea immediately even though I was probably 8 years old. I remember looking at myself in the mirror and thinking, why wouldn't I want to be a cartoon? Cartoons are fucking joyful and the most fun! Why wouldn't I want to be a colourful character? How oppressive to think otherwise! My life experiences have created a character that is me, so I'm going to let myself be it, whatever it is. Sorry, but you're probably never going to catch me in boot-cut blue Levi's and a plain T-shirt. Not because there's anything wrong with that — I just wouldn't feel like myself. What message do you hope queer fans take away when they experience your music or see you perform live? That it's okay to be yourself unapologetically. Growing up queer, you're taught to make yourself smaller or quieter, to fit into whatever version of yourself makes other people comfortable. I want my music and my live shows to do the opposite. I want people to feel like they can take up space, be loud, be weird, be vulnerable, be joyful — whatever feels true to them. You've spoken about the importance of queer spaces and community. What changes would you like to see for LGBTQ+ artists in the UK music scene? I mean... I actually love it. I come across new queer artists and performers all the time, and they're incredible. They make me so happy. The changes I want to see for LGBTQ+ people are from the government and they boil down to basic human rights. As for the UK music scene? I think it fucking slaps. The biggest problems I see within music aren't exclusive to queer artists — they affect all musicians. Streaming has fundamentally changed how artists are discovered and paid, and so many of the platforms and opportunities musicians rely on have become increasingly monetised. It can feel like you have to pay just to be seen. I think we hit a bit of a sweet spot maybe fifteen years ago and it's been a tougher landscape ever since. I'm still optimistic though! There are so many brilliant artists making exciting, boundary-pushing work. That creativity hasn't gone anywhere. Your latest music feels deeply personal while remaining experimental. How do you balance vulnerability with creative freedom? I'm glad you said that! My new album is probably the most personal record I've written to date. Without sounding egotistical... well, I guess the album is about the ego. I wanted to talk about myself — to explore how I feel, how I'm doing, and who I am. Why not? It's so easy to overthink what you're making, but I've been trying to shut those voices up and trust myself more. I've been working on my imposter syndrome, and I know that if I love the music I'm making and it feels truthful to me, that's enough. I'll be as vulnerable or as vapid as I want — that's my business. It's my art, and it's going to be whatever I want it to be. Ultimately, I don't think about it. Full stop. I don't think creativity works like that. For me, it's instinct. It's intuition. I just follow where it wants to go and I have to trust whatever it is. Social media has become an essential tool for artists. How do you stay authentic while navigating the pressures of being online? Ugh, social media sucks sometimes. I genuinely find it bad for my mental health, so I'm learning not to take it too seriously or spend too much time on it. It's great that we have these platforms where we can express ourselves, be cute, and share our work, but they're also tools for building a career. I've only recently started thinking about it that way, and it's actually been quite fun. I have a product, which is my music, and I have a brand, which is me. I'm going to use these platforms to get my music in front of the people who'll connect with it. Do I have time or patience for all of them? No, I don't, but I'll do the best I can without stressing myself out. It can be arduous and tedious. You have to step back and ask yourself: How am I going to use this? How am I going to get my music to the right audience? I'm still figuring that part out but I know the music deserves the chance. It's important you don't take other people too seriously either. Comparison is the thief of joy. We're all presenting idealised versions of ourselves online. That's not necessarily a bad thing but there is a lot of fantasy and editing involved. Saying all of that, though, there's an amazing sense of community that transcends oceans. I've met the most amazing people through it and they inspire me every day. If you could collaborate with any LGBTQ+ artist—past or present—who would it be, and what kind of track would you create together? Honestly? I want to make music with my friends. All of them. I want to go round to their houses, press record and see what happens. I want to make the most absurd fucking cacophonies imaginable. Secretly though... I've always wanted to make a thrash metal album with a band. Just one. I think it'd be so much fun. If we're talking dream collaborations, then Arca and SOPHIE are the absolute pinnacle of queer artistry for me. They've completely redefined what's possible in music. If Cobrah or Ashnikko ever wanted to do a song with me though... that song would be pure sex. Looking ahead, what's next for Baby Tap, and what can your fans expect from you over the next year? I've spent the last three years writing, producing and stressing over my new album. It's pretty much finished, and now I'm at that point where it's time to think about the next steps. I was shit-scared to start releasing this music but I've finally overcome the fear and started the process! I think my first single, Siberian Snowtrip, will actually be out by the time this interview is published, and that's absolutely wild to me. The new era has officially begun. Every album release feels like completely uncharted territory but I'm working harder than ever and I hope people can feel that. The rollout has started and I genuinely can't wait for people to hear my new music. I want to surprise people. I can't say too much yet, but you'll see. Once the album's out, I want to tour it. I want to take a month off from my day job and perform the house down to the biggest beats I've ever made. After all of that, I want to fuck off to Thailand by myself for two weeks, eat incredible food and forget about everything for a little while.

Manchester Village Pride 2026: Pride Comes Home to the Village Manchester is getting ready for a very different kind of Pride this August Bank Holiday – and for the LGBTQ+ community, it could be one of the most significant weekends in the city for years. From Friday 28 August to Monday 31 August 2026, Manchester's famous Gay Village will once again become the beating heart of Pride as Manchester Village Pride makes its debut under a new, community-led organisation. While Pride has a long and proud history in Manchester, 2026 represents a fresh start. Following the collapse of the previous Manchester Pride organisation in 2025, businesses, residents and community stakeholders came together to establish Manchester Village Pride CIC, a not-for-profit Community Interest Company. And its message for this year's event couldn't be more appropriate: "No Place Like Home." A Pride built around the Village For decades, Manchester's Gay Village has been at the centre of LGBTQ+ life in the city. This year, organisers are putting that history firmly back in the spotlight. Manchester Village Pride describes itself as a Pride that is "run by the community, for the community", with the Village at its heart. The new organisation is run by unpaid volunteers, while local Village venues provided £120,000 in start-up loans to help get the event off the ground. The new model also places a strong emphasis on supporting the LGBTQ+ community. Organisers say surplus funds will be reinvested into grassroots queer organisations and community initiatives rather than distributed as private profit. For Manchester, it is much more than simply changing the name on the Pride banner. It is an attempt to rebuild trust and reconnect the city's biggest LGBTQ+ celebration with its roots. Four days of Pride The weekend gets underway on Friday 28 August, with the Village opening its doors and live stages getting the celebrations started. Saturday is set to be the big day, with the Manchester Village Pride Parade taking place on 29 August. This year's theme, "No Place Like Home," reflects the decision to bring Pride back to the Gay Village and celebrate the community that has helped make Manchester one of the UK's most important LGBTQ+ cities. The parade will provide the colourful spectacle Manchester Pride is famous for, with community groups, charities, businesses and organisations marching through the city centre. But organisers are also keen to put community before commercial interests. LGBTQ+ charities and grassroots groups are not charged to take part in the parade, while commercial floats contribute towards supporting community participation. Music, drag and the Village party Once the parade is over, the party continues across the Gay Village. The main stage will showcase queer talent from Manchester and across the UK, while the Dance Arena will celebrate the city's legendary LGBTQ+ nightlife with house, techno and disco. The programme is expected to provide the usual mix of live music, DJs, drag, cabaret and plenty of opportunities to dance into the night. Acts announced for the 2026 celebrations include names such as Cascada and DJ Sammy, adding some serious pop nostalgia to the Bank Holiday party. One of the organisers' key commitments is that artists performing at Manchester Village Pride will be paid fairly, with the event working with Equity on professional standards and fair pay. That commitment is particularly significant given the financial difficulties surrounding the previous Pride organisation. Pride beyond Canal Street Although the Gay Village is very much the headquarters, Manchester Village Pride isn't limiting itself to Canal Street. A new Pride Fringe will bring LGBTQ+ arts, culture, film, comedy, exhibitions, club nights and other events to venues across the city. The programme includes the return of SCENE: Manchester LGBTQ+ Film & TV Festival, alongside events at cultural venues and celebrations hosted by businesses and community organisations. It means that even if you're not heading into the Village for the main party, there should be plenty happening elsewhere in Manchester. Monday: community, family and remembrance One of the most interesting changes comes on the Monday. 31 August will be dedicated to community, families and remembrance, with a Lifestyle & Community Expo in the Village. There will be activities including drag story time, face painting, bouncy castles and youth workshops, making Monday a more relaxed and family-focused part of the weekend. Importantly, Monday entry is free, reflecting the organisers' belief that the community and remembrance elements of Pride should be accessible to everyone. The weekend will conclude with the George House Trust Vigil at Sackville Gardens, providing an opportunity to remember those lost to HIV/AIDS and reflect on the history and continuing importance of the LGBTQ+ community. A new beginning for Manchester Pride There is inevitably going to be a sense of change hanging over this year's celebrations. Manchester has hosted Pride for decades, with the first event taking place in the Village in 1985. The new Manchester Village Pride CIC is therefore not starting from scratch – it is attempting to reconnect with a history that stretches back more than 40 years. That makes the first Manchester Village Pride of 2026 particularly interesting. It is a test of whether Pride can be rebuilt around community, transparency and the LGBTQ+ venues, organisations and people who have kept Manchester's queer scene alive. And judging by the plans, the answer is going to be celebrated with plenty of colour, music, glitter and dancing. The g10 group verdict Manchester Village Pride 2026 looks set to be less about simply putting on another huge party and more about asking what Pride actually means to the people who live, work and socialise in Manchester's LGBTQ+ community. With the Gay Village firmly back at the centre, a city-wide Fringe programme, the return of the parade, four days of events and a renewed emphasis on community and fair treatment of performers, this year's celebration feels like both a homecoming and a new beginning. So, whether you're a Manchester local or planning a Bank Holiday weekend visit, 28–31 August is one to put in the diary. Because this year, Pride isn't just coming to Manchester. Pride is coming home. Manchester Village Pride takes place from Friday 28 August to Monday 31 August 2026. The parade takes place on Saturday 29 August. Monday's Community & Family Day and Vigil are free to attend. Event information and ticket details are subject to change, so check the official Manchester Village Pride programme before travelling.

Your sound blends traditional country with a modern LGBTQ+ perspective—what drew you to country music as your primary genre? I think growing up I never felt like the kids around me liked the same music as me, they were all into rock and heavy metal. Then one day I saw a group of people doing a line dancing class to Shania Twain in the local supermarket carpark and I loved her sound. She’s been a big influence on me and my music and a cover some of her songs in my covers set as well. I was a country boy from then. Country has historically had a complex relationship with queer artists. What has your experience been as an LGBTQ+ artist in the UK country scene? I have been quite lucky so far, I haven’t experienced any homophobia at any of my shows, and iv played and queer and straight venues. The only hate I get is online. That used to bother me but its always a faceless profile and iv learnt to just ignore their words now Your new EP is getting attention—what’s the story or theme that ties the project together? I currently have 8 singles out on streaming platforms, and they each have a separate and unique story, so I knew I wanted the EP to have an overall theme and vibe. I also wanted it to reflect what modern country can sound like from a queer perspective. Its sexy and empowering. Can you walk us through the creative process behind the EP? Were there any songs that evolved in unexpected ways? The Day You Don’t Love Me is a heartfelt ballad I wrote after waking up from consecutive nightmares that my boyfriend had broken up with me. I woke up after the third of fourth time of having this same nightmare and knew I needed to write the song. It explores who you are when the person you love does love you anymore and I think it’s very beautiful and raw. On the flip side of that, Boys In The Barn, my sexy rodeo song on the EP was written based off a fantasy I have when I was drunk in park. Inspirations comes in all different forms! Is there a particular track on the new EP that feels especially personal or important to you? Why? Apart from The Day You Don’t Love Me, for obvious reasons mentioned above, I would say the lead song from the EP, He’s The Devil. It perfectly captures the vibe of the EP and with the help of some amazing friends, @matt1981h and @stefanowithef, it became the song to my first ever music video which is out now on YouTube. I’m very proud of it! How do your personal experiences influence your songwriting, especially when it comes to identity and storytelling? When I write music, the story always comes first. I want to take the listener on a journey. Almost all of my songs are drawn from personal experiences, whether its growing up in a small town, dealing with heartbreak, or facing adversity. I aim to make every story feel authentic and personal, so the listener can truly connect with it. Who are some of your biggest musical influences, both within country and outside of it? Shania Twain is a given, I think she’s amazing! I have also been really inspired by Lainey Wilsons’ story, especially how she was living in her camper trailer for 10 years while she constantly tried to break into the industry. That kind of perseverance is really empowering as a new. I’m also deeply inspired by musical theatre, which is why I love incorporating of drama into my own music. The UK country scene has been growing in recent years—how do you see your role within it? I love that the UK country scene is growing in popularity. I hope to be a big part in making sure that, as it grows, it does so inclusively, so everyone feels they have a voice and can find home in a country song. After all, “Y’all Means All.” (that’s one of my songs ) What do you hope listeners—especially queer listeners—take away from your music? I hope my listeners feel a sense of community from my music; I am small enough that I respond to every comment and I want to get to know my audience. I aim create a community that supports each other through music. I hope my music empowers them, gives the strength, and brings them joy. Looking ahead, how do you want your sound and message to evolve after this EP? I have so many plans already before the end of the year, I have new music after the EP, a UK pride tour and a Christmas EP all in the works. I’m constantly learning, evolving, and pushing myself to be better. I can’t wait to see where all this hard work takes me! https://youtu.be/GupALL678vc?si=XcE9BLxOIn9Qe42H https://open.spotify.com/artist/757uBkhdjpYHxyMtLuTpNC?si=ylzjGHc1QqebV_13HDG3Tg

Your Summer, Your Body, Your Rules: A Realistic Guide to Feeling Fit and Confident As temperatures rise and holiday plans start appearing in the group chat, many of us begin hearing the phrase “summer body” thrown around online. Social feeds fill with workout transformations, diet challenges, and unrealistic beauty standards that can leave people feeling pressured rather than empowered. At g10 Group, we believe getting “summer ready” shouldn’t mean shrinking yourself, starving yourself, or chasing perfection. Fitness is personal. Confidence is personal. And your body deserves care all year round — not punishment for a season. Whether you want to improve your energy, feel stronger, build confidence at the beach, or simply establish healthier habits, here’s how to approach summer fitness in a way that actually supports your physical and mental wellbeing. Redefining the “Summer Body” Let’s start with the truth: every body is already a summer body. Fitness culture has historically excluded LGBTQ+ people, especially those who are trans, non-binary, plus-size, disabled, or simply don’t fit conventional beauty standards. The pressure to look a certain way can become overwhelming, particularly during summer when bodies are more visible and social comparison intensifies. Instead of focusing purely on aesthetics, try reframing your goals around how you want to feel: More energised? More mobile? More confident? Less stressed? Stronger physically and mentally? That mindset shift can completely change your relationship with exercise. Start With Movement You Actually Enjoy You do not need to spend hours in the gym lifting weights while drinking expensive protein shakes. The best fitness routine is one you can realistically maintain. Some LGBTQ+ people may feel intimidated in traditional gym environments, especially if they’ve experienced judgment, harassment, or body dysphoria. The good news is fitness can happen anywhere. Try: Walking with friends Swimming Dance workouts Yoga or Pilates Cycling Home workouts on YouTube Hiking Recreational sports Queer-friendly fitness classes Movement should feel supportive, not like a punishment. Fuel Your Body — Don’t Fight It Extreme diets and “detox” trends dominate social media every summer, but they rarely lead to long-term health. Instead of cutting out entire food groups or obsessing over calories, focus on balance: Eat enough protein to support energy and muscle recovery Include fruits and vegetables regularly Stay hydrated, especially during hot weather Avoid skipping meals Allow yourself treats without guilt For many LGBTQ+ people, body image struggles can overlap with mental health challenges or disordered eating patterns. If your relationship with food feels stressful or controlling, speaking to a healthcare professional or registered nutritionist can help. Sleep and Stress Matter More Than You Think One of the most overlooked parts of fitness is recovery. You can work out every day, but if you’re sleeping poorly and living in constant stress, your body and mind will struggle to feel their best. Aim for: 7–9 hours of sleep Time away from screens Rest days between intense workouts Activities that reduce stress, such as meditation, journaling, or spending time with supportive people Confidence grows faster when your nervous system feels safe and rested. Fitness and LGBTQ+ Mental Health For many queer people, summer can bring mixed emotions. Pride season may feel empowering for some and emotionally exhausting for others. Social expectations around appearance can increase anxiety, especially on dating apps or in nightlife spaces. Remember: You do not owe anyone a certain physique Progress is not linear Comparison online is rarely reality Your worth is not measured by abs, weight, or clothing size Fitness should improve your quality of life — not damage your self-esteem. Small Changes Create Long-Term Results Forget “30-day transformations.” Sustainable progress usually comes from consistent small habits: Taking daily walks Cooking more meals at home Drinking more water Stretching regularly Moving your body a few times a week Those habits add up over time and are far more realistic than crash programmes. Confidence Looks Different on Everyone Some people feel their best after building muscle. Others feel empowered simply becoming more active or improving their mental health. There is no universal version of confidence. This summer, try focusing less on becoming “beach body ready” and more on becoming comfortable in your own skin. Wear the outfit. Go to the beach. Take the photo. Enjoy the moment. Your life should not start after you hit a certain weight or look a certain way. Getting fit for summer doesn’t need to involve shame, impossible standards, or toxic wellness culture. The healthiest approach is one rooted in self-respect, balance, and realistic goals. At the end of the day, confidence comes from caring for yourself — not punishing yourself. And no matter your shape, size, gender identity, or fitness level, you deserve to enjoy summer exactly as you are.

For readers who may be discovering you for the first time, how would you describe yourself and your career journey so far? I’ve been surrounded by music for as long as I can remember. As a child, I loved listening to my mum sing — she had a beautiful voice — and we always had great music playing at home, so I think that love of music was planted in me very early on. At school I was involved in musicals, and after winning a talent competition I started to take music even more seriously. I went on to study Drama at college until I was 20, and from there I began doing session work and really honing my craft. Over the years I’ve been lucky enough to work across so many different styles — Pop, Soul, Funk, even World Music, which was all before House Music became such a huge part of my life! I’ve been in various bands, worked with some incredible producers and artists, and gradually built a career that has taken me to some amazing places. A real game changer came when I was 27 and had the hit with Bizarre Inc. That was the moment things changed dramatically for me. It opened the door to television work and, more importantly, meant I could finally give up my part-time catering and cleaning jobs and actually sustain myself professionally as a vocalist. That was a very special moment because music was no longer something I was trying to fit around my life — it had become my life. There have been so many chapters since then that I couldn’t possibly squeeze them all into one answer, but what I can say is that my career has always been incredibly creative, sometimes completely unexpected, and always driven by my love of music. I’ve self-managed for most of my career, which has taught me an enormous amount about the business as well as the creative side. These days my husband Mikey manages me, and somehow everything has just clicked into place. After more than 35 years in this business, I feel like I’m in a really exciting chapter of my career — still learning, still creating, still pushing myself and, most importantly, still absolutely loving what I do. So I suppose if I had to describe my journey in a nutshell, I’d say it’s been a long, colourful, slightly bonkers, wonderfully unpredictable love affair with music — and I’m nowhere near finished yet! You’ve had such a varied career in music and entertainment. What have been some of the highlights that you look back on with the most pride? There are so many moments I look back on with pride, but one of the most special has to be performing on Top of the Pops in 1992. That was a childhood dream of mine, and what made it even more precious was that both my mum and dad were alive and well to see it happen. I left Drama school when I was around 20, and it took another seven years of working, learning, grafting and believing in myself to get to that moment. I can still remember my mum being on the phone to family afterwards because everyone was so incredibly happy and proud. To be able to give my parents that moment is something I will always treasure. I’m also incredibly proud to have performed at the Royal Albert Hall. There is something very special about standing on that stage — it’s one of those places where you really feel the history of music around you. And another unforgettable moment was performing at Downing Street during Gordon Brown’s time as Prime Minister. To go from a little girl dreaming about being a singer to finding myself performing in places like that is something I never take for granted. But I think what makes me most proud isn’t necessarily the venues or the television appearances. It’s the journey it took to get there. I’ve had to work incredibly hard, keep picking myself up, keep learning and keep believing in myself. After all these years, I’m still here, still singing and still excited about what comes next — and I think that’s something to be proud of too. What first inspired you to pursue a career in music, and who were some of your biggest influences when you were starting out? Without a doubt, one of my biggest influences was my mum. I loved her singing voice, it was beautiful. When she was a young woman she used to sing in church, and she had a beautiful, powerful voice. She would sing loudly and confidently above everyone else, and I remember people commenting afterwards about how wonderful her voice was. I loved seeing her receive those compliments, and I think somewhere in my little head I started to understand just how special it was to be able to move people with your voice. Music was also everywhere around me growing up. I was glued to the television watching all the great artists of the 60s and 70s — The Beatles, Diana Ross, Tom Jones, Dusty Springfield, Lulu, The Osmonds and the Jackson 5. I loved all of it! I’ve always had a very eclectic taste in music. I’ve never really wanted to put myself in one particular box, because for me great music is great music, whatever the genre. I think that’s probably stayed with me throughout my career. But if I had to choose the person who really first made me want to sing, it would always be my mum. She was the first voice that inspired me, and probably the first person who made me realise that singing could be something really powerful and joyful that you can share with the World. You’ve built a strong connection with LGBTQ+ audiences. What does the LGBTQ+ community mean to you, and why do you think music is so important in bringing people together? The LGBTQ+ community means a great deal to me. I feel so much love for them, and I’m grateful for the love and support they’ve shown me throughout my career. I’ve always believed that music should bring people together, not divide them. I’m colour-blind when it comes to people. I don’t judge anyone by their colour, gender or sexuality — I just see people, and I believe everyone deserves to live freely, peacefully and with love. We’re all human beings, and we should be celebrating what connects us rather than focusing on what makes us different. That’s what music can do. When people come together at a concert or hear a song that means something to them, all those barriers can disappear. For a few minutes, we’re simply sharing the same feeling, singing the same words and enjoying the same moment. If my music can help people feel accepted, uplifted and connected, then that means everything to me. I just want to spread love, peace and joy, and I hope my music can continue bringing people together. Looking back, was there a particular moment in your career when you realised that music could have a real impact on people’s lives? Oh, yes — absolutely. Yes, yes, yes, all day long! I’ve seen it happen right in front of me. When I’m performing, I can actually feel the energy coming back from the audience. You can see people’s faces change, you can feel the atmosphere lift, and you know that, for that moment, you’ve taken people somewhere else. It’s also what happens afterwards that really touches me. People will come up wanting selfies, wanting to talk to me, wanting to tell me what the music or the performance has made them feel. And then I’ll see the most beautiful, positive and uplifting comments online afterwards. That’s when you realise that what you do has gone beyond simply singing a song. Music is incredibly powerful. It can change your mood, lift you when you’re having a difficult day, bring people together and sometimes even give someone a feeling they didn’t know they needed. That’s one of the reasons I still love performing so much. Yes, I’m there to entertain, but if somebody leaves one of my shows feeling happier, lighter, more energised or simply with a big smile on their face, then I’ve done my job. But that’s the magic of music! What is it like performing for an LGBTQ+ audience, and are there any particular Pride or LGBTQ+ events that stand out in your memory? Performing for an LGBT audience is incredibly special to me. Manchester Pride was one of the first Prides to book me and bring me on board, and I opened or closed the event for seven years, back before it became bigger and more commercialised and started bringing in more expensive artists. I’ll always be grateful to Manchester Pride and to John Barry, who championed me back then as one of their favourite artists. They still support me now, which means a great deal. Manchester Pride definitely stands out as my favourite Pride, partly because of that history and because they believed in me so early on. Of course, I love performing to any audience who appreciates my music, but there’s something particularly powerful about singing to an LGBT audience. I’ve really enjoyed performing “The Real Me”, because it’s a song about refusing to take any more people’s prejudice or negativity. It’s about standing in your truth and not allowing anybody else’s judgement to define you. That’s been amazing to experience at Pride. You can feel that connection with the audience, because so many people understand exactly what that song is about. We’ve all been there and we’ve all suffered pain at various points in our lives and my LGBTQ plus community have all had to deal with prejudice, judgement or people trying to make them feel that they shouldn’t be their authentic selves. So, yes, Manchester Pride definitely stands out for me. It has a very special place in my heart, and performing “The Real Me” to that audience has been incredibly meaningful. Is there a song or performance from your career that holds a particularly special place in your heart — and why? “I’m Gonna Get You” holds a particularly special place in my heart. It came to light in 1992, and it has supported me ever since. That song has been such a constant throughout my career, and I’m incredibly grateful for everything it has brought into my life. There’s something very special about performing a song that people have grown up with and still remember and love all these years later. Whenever I sing “I’m Gonna Get You”, I can feel that connection with the audience straight away. People know the words, they sing along, they dance, and you can see the joy on their faces. It has taken me to so many places and introduced me to so many wonderful people. It’s also given me the opportunity to keep performing and connecting with audiences over the years, which means more to me than I can really put into words. I’m so proud of that song and everything it represents. It’s not just a hit from 1992 — it’s been a huge part of my life and has supported me throughout my career. So, yes, “I’m Gonna Get You” will always have a very special place in my heart. What can fans expect from you over the coming months? Are there any exciting projects, performances or collaborations on the horizon? There’s lots to look forward to over the coming months. I’m continuing to perform and connect with audiences, and I’m excited about the release of ‘The Real Me’ (TRM) and everything developing around it. It’s been wonderful to see how warmly the LGBTQ+ community has embraced TRM. And that support means so much to me, because I’ve always felt a strong connection with the community and the people who have supported my music. I love the freedom, and togetherness around TRM, and seeing people make it their own. they’re feeling it and they understand me when I explain what the song is all about and why l wrote it. So I’m looking forward to sharing more about the project, new music and what’s coming next. I’m so grateful people are still listening and joining me on the journey.So, keep watching this space! There’s plenty more to come, and I can’t wait to share it with everyone. Finally, what advice would you give to young LGBTQ+ people who are hoping to follow their dreams and make a career in music or entertainment? Oh, yes—absolutely! My advice is to be kind, encourage others to pursue their dreams and support people in being true to themselves. Not everyone will reach their goals, but if you don’t try, you’ll never know what’s possible. Be consistent, professional and dedicated—there’s always someone ready to step into your shoes. I respect everyone’s time, energy and investment in me, and I believe that commitment is what gets you noticed. If you enjoy what you do, create good music and appreciate the opportunity, you’re truly fortunate. Finally, thank you to Gavin and everyone at the g10 Group I love this community. You’ve always been kind to me so it’s easy to be kind back… Thank you once again for inviting me to do this interview.

You founded HIV The Naked Truth in 2020 with the mission of ending HIV stigma through the arts. What inspired you to combine creativity and activism in this way? As a former dancer I have always loved the arts - it’s the drug that motivated me to thrive and the fact I had a day off in 2020 on world aids day I wanted to create art at its best and it’s grown and grown over last 6 years it’s my baby! As someone living openly with HIV, what has been the most rewarding—and the most challenging—part of sharing your story publicly? I have always been an open book but I thought 5 years after my diagnosis I had nothing to fear and now have a family of people all looking out for each other and thriving with HIV my most beautiful friends are HIV +! Many people still hold outdated views about HIV. What are the biggest misconceptions you encounter today, and how do you hope to change them? That hiv is a death sentence - now on effective treatment you cannot pass the virus on U = U which means undetectable is Untransmittable. Also hiv stigma kills so don’t judge get tested and support us don’t hate us spread love The HIV The Naked Truth Nude Exhibition takes place at Phoenix Art Space in Brighton from 29 July to 2 August 2026. Why did you choose Brighton Pride week as the perfect time and place for this exhibition? Tbh it was the only week available in the galleries schedule but that said it fits in perfect time for Brighton pride the biggest pride festival in the UK and with an important cause to tackle hiv stigma! The exhibition features 14 LGBTQ+ HIV activists photographed nude. What message do you hope visitors take away after experiencing these powerful portraits and the personal stories behind them? I love all my models featured in the exhibit by Rod olukoya the naked body is so powerful and hiv can affect anyone from trans men to trans women to women it’s not just a gay man’s disease we are all equal and beautiful and should not be seen any different Nudity can be seen as both vulnerable and empowering. Why was it important for HIV The Naked Truth to use the naked body as a medium for challenge I think there’s nothing more beautiful than naked bodies of all shapes and sizes and I’m so proud of each model for baring their all for this special exhibit This exhibition supports Positive East and brings together activists from diverse backgrounds. How important is community collaboration in creating lasting change around HIV awareness and acceptance? I think community is key to battling stigma and change and we need work together in partnership and activism if we want to meet our 2030 goal of ending all hiv transmissions in the UK we can all do our part together we are so powerful ! You've had an incredible career as a professional dancer before becoming an HIV activist. How has your background in dance and performance influenced your approach to advocacy? I dreamed a dream of being a professional dancer I was and now my journey has taken me on an unplanned adventure that has taken me places I never dreamt of also met some incredible souls that are have touched me in a way I can’t explain I’m truly blessed! For LGBTQ+ people who have recently been diagnosed with HIV and may be struggling with fear or stigma, what message would you like to share with them today? You are not alone - you will be ok there is support out there for you and you are beautiful and powerful don’t be afraid ! Looking beyond the Brighton exhibition, what is your long-term vision for HIV The Naked Truth, and what does success in ending HIV stigma look like to you? Tbh I’m bipolar and adhd so anything could happen. I don’t know what’s in the bag for HIV the naked truth but I know we aren’t going anywhere as hope to make an impact with my creative team to end hiv stigma one sequin at a Time x

For people meeting you for the first time, who is GIO X, and what story are you telling through your music and art? My music is inspired by living and loving in a big city. There’s a darkness in my debut EP, but there’s beauty in everything if you’re willing to look for it. That’s the story I’m always trying to tell. You describe yourself as an unapologetically queer artist. What does living and creating unapologetically mean to you in 2026? Through my music career, I’ve realised there are three levels of filters when it comes to creativity: people you don’t know, people closest to you, and yourself. All three can be equally hard to please. At some point, I stopped trying to satisfy everyone and focused on what I wanted. If I finish a song, play it back, and it makes me feel something, I release it. And if I change my mind later, that’s fine too. I’ll make the next one better. How has your LGBTQ+ identity influenced your creative process, songwriting, performance style, or visual aesthetic? I come from a pretty conservative background, so expressing myself the way I wanted through art wasn’t always easy. It’s been a long journey. Along the way, I’ve met people who inspired me and encouraged me to put myself out there, and I’m really grateful for that. I think that freedom I’ve found naturally shows up in my music, performances, and visuals. Have there been any artists, activists, or cultural figures who inspired you to embrace your authentic self and pursue your career? Tove Lo. She’s incredibly talented and has the perfect amount of “I don’t give a fuck” energy. She’s just cool. The music industry has evolved significantly in its representation of queer artists. What progress have you seen, and where do you think more change is still needed? There’s always been a bit of irony when it comes to representation in the music industry. Queer people have played a massive role behind the scenes for decades, but we still don’t see enough of them front and centre. The industry will always support what makes money, and a lot of the formulas get repeated. That’s why it’s so important to support local talent. Go to the pubs, go to the small gigs, support your artist friends. Don’t just wait for the next manufactured pop princess to appear at the O2. Many LGBTQ+ young people look to artists for visibility and hope. What message would you like to share with queer people who are still finding their voice? Stop doom-scrolling and start networking with other queer artists. Community can change everything. What has been the most rewarding moment of your journey so far, and what challenges have helped shape you as an artist? Right after lockdown, I performed live for the first time in five years. Friends, family, and even people who didn’t know I was a singer were there. It was nerve-racking, but it was also one of the most rewarding moments of my life. It reminded me how much I love being on stage, and I haven’t stopped since. Your work often celebrates individuality and self-expression. How do you balance being vulnerable in your art while maintaining personal boundaries? I love being open in my music because that’s often where the strongest connections happen. At the same time, I keep some things just for myself. My lyrics are very metaphorical, and I’m not always going to tell you exactly what they mean. Wink, wink. What projects, collaborations, or creative goals are you most excited about right now, and what can your audience expect next from GIO X? I’m headlining the Fetish Awards UK on 11 July at the RVT, which I’m really excited about. I’ve been working on new music and visuals for the show, pushing myself and experimenting in new ways, and I can’t wait for people to experience it. If you could leave one lasting impact on LGBTQ+ culture and the music industry, what would you want your legacy to be? I’d love my legacy to be showing that there’s space for everyone in music. Every song matters, and every project is part of a bigger journey. If my work encourages people to be themselves and take up space unapologetically, that would mean a lot to me. What’s one thing people assume about GIO X that couldn’t be further from the truth? That I’m not socially awkward.

George, for anyone discovering you for the first time, how would you introduce yourself and the different strands of your work? I’m George Windsor, a singer-songwriter and performer from Staffordshire In England. I make pop music with a mix of dance, house and pop-rock influences, while also writing and collaborating for other artists and producers in the UK and especially the US. You’re involved with Inside Baseball, AYO Music Group and Kollective. How do those different projects fit together, and what does each allow you to explore creatively? Inside Baseball and AYO Music Group are part of a publishing and management team, alongside The Music Firm, helping me develop my career and connect with the right creative opportunities. Kollective handles my PPL registrations. I’m really fortunate to have a team spanning both the UK and LA, giving me support and connections on both sides of the Atlantic. Let’s talk about Inside Baseball. What was the original idea behind it, and how has that vision developed since you first became involved? Inside Baseball is one of the publishing partners and has been an important part of my journey as a songwriter and artist. Through that relationship, they connected me with AYO Music Group, who are my newest publishing and management partners. It’s been really exciting to see that relationship develop, particularly with the opportunities and connections it’s opened up for me in LA. What does AYO Music Group represent to you, and what do you think makes its approach to music and artists distinctive? AYO represents a really exciting new chapter for me. They’ve given me the opportunity to expand my work into the US while still having that close connection with my UK team. What I really value is their personal, artist driven approach, they genuinely take the time to understand me as an artist, my goals and where I want to take my music, rather than trying to fit me into a mould, the team behind AYO is phenomenal, you really do have some music industry leaders working from there! Where do you think the biggest opportunities are right now? I think one of the biggest opportunities is being able to build a genuinely global audience without being limited by where you’re based. Social media and streaming allow artists to connect directly with people, while collaborations and international relationships can open up completely new audiences. For me, that UK - US connection is something I’m really excited to explore. Tell us about Kollective. What are you trying to create with the project, and where would you like to see it go over the next few years? Kollective is my neighbouring rights representative rather than a project of my own. They specialise in representing artists and their neighbouring rights, making sure royalties are properly collected and accounted for across different territories. They represent an incomparable roster of artists, including Tom Grennan, MK, Sia and Wiz Khalifa, so I’m thrilled to have them representing my catalogue alongside artists of that calibre. For me, it’s about having the right people looking after an important part of the business behind my music. When you’re deciding whether to work with an artist, creative or project, what catches your attention? Is it talent, originality, personality, potential—or something harder to define? For me, it’s a combination of talent, personality and authenticity. Obviously the music has to excite me or what we are going to create, but I’m also really drawn to people’s experiences and what makes them interesting as individuals. When I’m writing, I’m fascinated by the stories people carry, even the things they might find difficult or vulnerable to talk about. I’d never want to exploit someone’s experiences, but I do think there’s something powerful about turning those stories into music and creating a message that might help someone else feel less alone. There are so many things I notice when I’m writing my own material and working with other people. Chemistry is a big part of it too, you can feel when something just clicks. Ultimately, I’m drawn to people with a unique perspective, something genuine to say and a real passion for what they do. Behind every successful creative project there are usually challenges that audiences never see. What has been one of the biggest lessons you’ve learned from building your career so far? One of the biggest lessons I’ve learned from making music is that some of the most meaningful songs can come from uncomfortable places. A lot of my writing comes from real experiences, emotions and things I’ve been through or witnessed, and sometimes putting those feelings into a song means being incredibly vulnerable. That can be a challenge, whether it’s me trying to open up to myself and submit to the words, thoughts and sounds, or working with other artists and helping them open up. Sometimes we need to get to the deepest, darkest parts of an experience, and that can be uncomfortable. But as an artist and a writer, I feel it’s my job to take those experiences and turn them into something completely different, a song. That said, I definitely don’t make music that’s all doom and gloom! I’m a pop artist at heart, and I love exploring different sides of pop, whether that’s house, dance, pop-rock or something completely different. Sometimes the inspiration can be deeply personal, and sometimes it’s simply about creating something that makes people want to dance, sing along or have a good time. I think that contrast is what makes someone an artist. Looking at the wider creative industries, do you think there is enough space and support for LGBTQ+ artists, creatives and entrepreneurs—and where would you still like to see progress? I think there is definitely more space and visibility for LGBTQ+ artists and creatives than there was when I first started, which is really positive. But I think there’s still a difference between being visible and being genuinely supported. For me, it’s about creating real opportunities, investing in LGBTQ+ artists, booking them, collaborating with them, giving them platforms and helping them build sustainable careers, rather than just celebrating LGBTQ+ talent during Pride. I’ve experienced some amazing support from the LGBTQ+ communities in Ireland, London and particularly LA, and it’s shown me how powerful that genuine support can be. I’d love to see more of that throughout the industry: not just celebrating LGBTQ+ creatives for who they are, but recognising their talent, their individuality and what they can bring creatively all year round, my favourite LGBTQ+ artists are Justin Tranter, an absolute powerhouse artist, songwriter and producer and Luke Bazulka from the band ‘The Scarlett Opera’ they are US based but my god, they can write and Luka’s voice is second to none. Finally, what’s next for George Windsor? What should people be watching out for from you, Inside Baseball, AYO Music Group and Kollective over the coming year? There’s a lot happening over the next year. Since AYO Music Group brought me to LA, my studio sessions have dramatically levelled up. I’ve been working with some incredible producers and writers, including Willy Beaman, who has an amazing catalogue of credits as a writer, producer and touring musician, and those sessions have really pushed me creatively. LA is going to be a much bigger part of my world moving forward. I’ll be spending a lot more time there, with some incredibly exciting meetings, writing sessions and collaborations already happening behind the scenes. I feel like I’m only just scratching the surface of what’s possible there, and I’m really excited about the relationships we’re building and where they could lead. Alongside that, I have a lot of new music coming out next year, with releases planned throughout the year, as well as more live shows and touring. It feels like I’m entering a really exciting chapter where everything I’ve been building; the music, the songwriting, the international relationships and the team around me, is starting to come together. There’s a lot happening behind the scenes that I can’t talk about yet, but I think people will start to see all of that very soon