Brighton Dyke Pride: Creating Space for Community, Queer Joy and the Dyke Community Brighton Dyke Pride is putting community at the heart of Pride — and its co-founder Jen Benyovits tells g10 group why creating dedicated spaces for dykes and the wider queer community matters more than ever. Brighton has long been recognised as one of the UK's LGBTQ+ capitals, with a rich history of activism, community and queer culture. But despite that history, dedicated spaces for the dyke community have become increasingly difficult to find. That is one of the reasons Brighton Dyke Pride was created. Taking place on 5 September, Brighton Dyke Pride is a dyke-centred, not-for-profit DIY event created by and for the local community — while welcoming allies who want to celebrate alongside them. For co-founder Jen Benyovits, the event grew from a simple desire to create something different. "It was born out of a love for the dykes of our city and a feeling that corporate Pride doesn't serve our community," Jen explains. Rather than focusing on commercialisation, Brighton Dyke Pride aims to put people, community and queer joy first. The organisers want the event to be financially, physically and emotionally accessible, while creating an environment where people can come together without the pressure often associated with traditional Pride celebrations. Putting community before corporate Pride For Jen and the organising team, Brighton Dyke Pride is about creating an event that feels genuinely connected to the people it represents. "We wanted to create an event that is accessible to everyone, and centres joy rather than capitalism and drinking culture," she says. That approach has already struck a chord within Brighton's LGBTQ+ community, with organisers receiving messages from people excited that the city is getting an event specifically centred around dykes and community. And the need for those spaces is particularly significant in Brighton. As a native Brightonian, Jen says she feels proud that Brighton Dyke Pride has found its home in the city. "Brighton has such a rich LGBTQ+ history, politically and socially," she says. But that history exists alongside a changing LGBTQ+ landscape. Jen points to the closure of every lesbian bar in Brighton & Hove over the past decade as an example of why new spaces for the community are needed. "We crave spaces to come together," she says. Why a Dyke-centred Pride still matters While Pride has become a major part of the LGBTQ+ calendar, events specifically celebrating the dyke community remain important. For Jen, that importance goes far beyond simply having another event in the city's calendar. "We are living through some extremely turbulent political times and acknowledge that it's our community that keeps us safe," she says. Brighton Dyke Pride is also deliberately inclusive of trans people, with Jen making clear that supporting and celebrating the trans community is central to the organisers' approach. The event comes at a time when LGBTQ+ rights and particularly the rights of trans people remain subjects of intense political debate in the UK. "We want to show up for all of our trans friends and loved ones, and in our organising platform create spaces for them," Jen says. For Brighton Dyke Pride, inclusion isn't simply about who is invited through the gates. It is about how the event is organised and the kind of community it aims to build. A day of music, performance and queer joy So, what can people expect when they arrive at St Ann's Well Gardens on 5 September? Quite a lot. The programme will feature community stalls, DJs, cabaret, speeches, food, live music, line dancing and activities, all taking place in the surroundings of the beautiful gardens. Jen is particularly excited about the range of performers involved and the opportunity to bring their work to the event's audience. The daytime, outdoor format also forms an important part of the organisers' vision for accessibility. "It is a sober space in a park in the daytime with plenty of fun activities," Jen explains. The organisers hope that this will make Brighton Dyke Pride particularly welcoming to younger LGBTQ+ people, as well as those who may not feel comfortable in traditional nightlife or alcohol-focused environments. Come alone, find community One of the strongest messages from Jen is that you don't necessarily need to arrive with a group of friends. In fact, she actively encourages people who might be nervous about attending alone to come along. "Come solo!" she says. The organisers want Brighton Dyke Pride to be a place where people can meet others, make connections and find community — regardless of whether they already know people attending. That sense of collective ownership has already been one of the most rewarding aspects of putting the event together. "We are amazed to have had such a huge response from the city's wider queer community," Jen says. "Seeing the event take shape thanks to so many people in this city, not just dykes, has been a tiny bit magic." Looking towards the future Although this year's event is the immediate focus, the organisers are already thinking about what Brighton Dyke Pride could become. For Jen, the dream is simple: for it to become an annual fixture. "I think it would be a dream of ours to have this be an annual event," she says. With the closure of dedicated lesbian venues and an ongoing desire for community-led LGBTQ+ spaces, she believes Brighton needs more events that are created for the community rather than built around corporate interest Whether Brighton Dyke Pride becomes an annual event remains to be seen, but its first edition is already demonstrating that there is an appetite for something different. For one day in September, St Ann's Well Gardens will become a space for dykes, queer people and allies to come together, celebrate, connect and create a little more queer joy. And perhaps, as Jen puts it, "watch this space." Brighton Dyke Pride takes place on 5 September at St Ann's Well Gardens, Brighton.

You've achieved success across fitness, pageantry, and LGBTQ+ advocacy. What has been the most transformative moment in your journey from athlete to international ambassador? The most transformative moment in my journey was realizing that my greatest purpose was not winning titles or achieving personal success, but using those achievements to create meaningful impact for others. Competing in fitness and pageantry taught me discipline, resilience, and confidence. However, stepping onto the international stage as an ambassador for the LGBTQIA+ community showed me that visibility carries responsibility. Meeting people from different countries, hearing their stories, and understanding the challenges many still face transformed my perspective from personal achievement to community service. That shift changed everything. I no longer saw titles as a destination, but as a platform to advocate for inclusion, create safe spaces, raise awareness around LGBTQIA+ rights and gender-based violence, and inspire others to live authentically. That realization has been the defining moment of my journey and continues to guide the legacy I hope to leave behind As the 2024 champion of Mr Gay Nation SA, what responsibilities came with the title that surprised you the most? One of the biggest surprises that came with being the 2024 champion of Mr Gay Nation SA was realizing just how many people look to a titleholder for guidance, representation, and hope. The crown carries far more responsibility than recognition. I quickly learned that the role extends beyond appearances and events. It requires being a consistent advocate, a mentor, and a voice for those who may not yet feel seen or heard. People share their personal stories, struggles, and aspirations, and that trust is both humbling and motivating. What surprised me most was the impact that simple actions, listening, encouraging, showing up, and being authentic, could have on someone's life. The title taught me that true leadership is not about standing in the spotlight; it is about using that spotlight to illuminate opportunities for others and create lasting positive change within the LGBTQIA+ community. You earned a Top 3 placing in IFBB Athletic Physique competition. How has competitive bodybuilding shaped your mindset, confidence, and approach to leadership? Achieving a Top 3 placing in an IFBB Athletic Physique competition taught me lessons that extend far beyond the stage. Competitive bodybuilding instilled discipline, consistency, and mental resilience. It showed me that success is built through countless small decisions made every day, even when no one is watching. The sport also strengthened my confidence, not because of physical appearance, but because it taught me to trust the process, overcome setbacks, and push beyond perceived limits. Preparing for competition requires focus, sacrifice, and the ability to remain committed to a goal despite challenges. As a leader, those same principles guide me today. I believe in leading by example, staying accountable, and encouraging others to reach their full potential. Bodybuilding taught me that growth happens outside of your comfort zone, and that true strength is not just physical, but also mental, emotional, and rooted in perseverance. Those lessons continue to shape how I approach advocacy, mentorship, and leadership within the LGBTQIA+ community and beyond Representation in fitness spaces is still evolving. What challenges have you faced as an openly LGBTQ+ athlete, and how have those experiences influenced your advocacy work? As an openly LGBTQ+ athlete, one of the challenges I've faced has been navigating spaces where representation was limited and where assumptions or stereotypes still existed. There were moments when I felt the pressure to prove that my identity and my athletic ability were not mutually exclusive, but rather strengths that could coexist authentically. Those experiences taught me the importance of visibility. When LGBTQ+ individuals see people who are thriving in fitness, sport, and leadership while being unapologetically themselves, it helps break down barriers and challenge outdated perceptions. These challenges have directly influenced my advocacy work. They reinforced my commitment to creating inclusive environments where everyone feels welcomed, respected, and empowered to pursue their goals without fear of judgment. They also strengthened my belief that representation matters, not for recognition alone, but because it creates pathways for others to see what is possible. Today, I use my platform to encourage authenticity, promote diversity, and advocate for spaces where people are valued for their character, talent, and dedication rather than being defined by stereotypes. True inclusion happens when everyone has the opportunity to participate, succeed, and belong. Winning international recognition as Mr Gay World Tourism 2025 placed you on a global stage. What message did you most want to share about South Africa's LGBTQ+ community with the world? Winning the title of Mr Gay World Tourism 2025 gave me an incredible opportunity to showcase not only who I am, but also the resilience, diversity, and spirit of South Africa's LGBTQIA+ community. My message to the world was that South Africa is home to a vibrant LGBTQIA+ community that continues to break barriers, create change, and inspire others despite ongoing challenges. While our country has some of the most progressive constitutional protections for LGBTQIA+ rights, many individuals still face discrimination, violence, and exclusion. It is therefore essential that we continue advocating for equality, visibility, and safe spaces for all. I wanted people across the globe to see that South Africa's LGBTQIA+ community is not defined by struggle alone. We are leaders, entrepreneurs, activists, artists, athletes, and changemakers. We contribute meaningfully to our society and deserve to live authentically, safely, and proudly. As an advocate, GBV activist, and representative on the international stage, I aimed to highlight the importance of unity, inclusion, and human dignity. My goal was to remind people that when we embrace diversity, we create stronger communities and a better future for everyone. Most importantly, I wanted every LGBTQIA+ person, especially young people, to know that their identity is their strength. Their voice matters, their story matters, and they belong Many young LGBTQ+ people struggle with self-acceptance and body image. What advice would you give to someone who is just beginning their journey toward confidence and authenticity? Many young LGBTQ+ people grow up feeling pressure to fit into boxes that were never designed for them. My advice is simple: your worth is not determined by how closely you match someone else's idea of beauty, masculinity, femininity, or success. Confidence does not appear overnight. It is built through small daily choices: choosing self-kindness over self-criticism, celebrating your progress instead of comparing yourself to others, and surrounding yourself with people who see and value the real you. Research shows that LGBTQ+ youth often face greater pressure around appearance and body image, making self-acceptance an especially important journey. I encourage people to focus less on how their body looks and more on what it allows them to do. Your body carries you through life. Most importantly, authenticity is a superpower. The moment you stop trying to be who others expect and start embracing who you truly are, you begin to build a confidence that no one can take away. Be patient with yourself. Growth is not a straight road. Every step toward self-acceptance is a victory worth celebrating. You've spoken about creating spaces where LGBTQIA+ individuals can thrive authentically. What does meaningful community empowerment look like to you in 2026? Meaningful community empowerment in 2026 goes beyond visibility. It is about creating environments where LGBTQIA+ individuals are not only accepted, but celebrated, protected, and given equal opportunities to succeed. For me, empowerment means ensuring that every person, regardless of their sexual orientation or gender identity, has access to safe spaces, quality education, healthcare, employment opportunities, and strong support networks. It means amplifying voices that have historically been marginalized and creating platforms where people can share their stories without fear. Empowerment also requires action. It is found in mentorship programs that help young people discover their potential, advocacy efforts that challenge discrimination, and community initiatives that address issues such as gender-based violence, mental health, homelessness, and social exclusion. In 2026, meaningful empowerment is about building sustainable communities where authenticity is a strength rather than a risk. It is about fostering leadership, encouraging allyship, and ensuring that the next generation grows up knowing they belong exactly as they are. As someone committed to advocacy and creating safe spaces, I believe our greatest success will be measured not by how many people we reach, but by how many lives we help transform. When individuals are empowered to live openly, confidently, and authentically, entire communities become stronger, more resilient, and more inclusive. Social media often showcases the highlights of success. What is a challenge, setback, or personal lesson that your followers rarely get to see behind the scenes? One of the biggest lessons my followers rarely see is that confidence is not something you achieve once and keep forever. Even as a titleholder, advocate, and public figure, there are moments of self-doubt, exhaustion, and uncertainty behind the scenes. Social media often captures the achievements, the events, the photoshoots, and the victories. What it doesn't always show are the long hours of preparation, the sacrifices, the difficult conversations, and the responsibility that comes with representing a community. There are times when balancing advocacy, leadership roles, professional commitments, and personal well-being can be incredibly challenging. A personal lesson I have learned is that resilience is not about never struggling. It is about continuing to move forward despite the challenges. Some of my greatest growth has come from setbacks, criticism, and moments when things did not go according to plan. Those experiences have taught me patience, humility, and the importance of staying grounded in my purpose. I have also learned that asking for support is a sign of strength, not weakness. None of us succeed alone. The encouragement of friends, family, mentors, and the LGBTQIA+ community has helped me navigate difficult moments and remain focused on creating positive change. If there is one message I hope people take away, it is that authenticity includes both the triumphs and the struggles. Growth happens in the moments nobody sees, and often the strongest people are the ones who have learned to keep going when the spotlight is off. As someone involved in mentoring and leadership within the LGBTQ+ pageant space, what qualities do you believe define the next generation of queer leaders? The next generation of queer leaders will be defined by authenticity, resilience, empathy, and courage. They will lead with purpose, embrace diversity, and use their platforms to create meaningful change. Most importantly, they will uplift others, build inclusive communities, and inspire people to live proudly and unapologetically as themselves. Looking ahead, what legacy would you like Gert Claassen-Smit to leave—not only in pageantry and fitness, but within the broader LGBTQ+ community both in South Africa and internationally? I would like my legacy to be one of impact, inclusion, and empowerment. Not simply as a pageant titleholder or fitness enthusiast, but as someone who helped create safer spaces where LGBTQIA+ people could live authentically and without fear. I hope to be remembered as a leader who used his platform to uplift others, champion diversity, and inspire people to embrace who they are with pride and confidence. Whether in South Africa or on the global stage, my goal is to leave behind stronger communities, future leaders, and a message that everyone deserves dignity, respect, and the opportunity to thrive. If my journey encourages even one person to stand taller, dream bigger, and live more authentically, then I will consider that a legacy worth leaving.

For audiences meeting you for the first time, how would you describe Femme Aldehyde and the creative vision behind your drag persona? Femme Aldehyde is glamorous, powerful, and an unapologetic manifestation of self-expression - to me she represents the aspects of myself, especially my femininity, that I spent most of my adolescence being too scared or nervous to represent and embrace authentically. She gives permission to be everything I want to be - bold, daring, and ultimately, free. Delivering that package wrapped up in six-inch heels and rhinestones, spikes and leather (although, it is typically pleather!) allows the audience to embrace those same aspects of me and feel them for themselves. She lives somewhere between high-fashion fantasy, fierce femininity, and sharp-edged wit. Femme is a culmination of all the strong female influences throughout my life - from Bratz dolls I wanted (but could never have) as a young boy, to my mother and my sister, to pop superstars such as Lady Gaga, Beyoncé and Ariana Grande. The vision behind Femme has always been to celebrate transformation—not just physical transformation, but the freedom to become the boldest version of yourself. Whether I'm performing, hosting, or making music, I want people to feel empowered to take up space, challenge expectations, and embrace their individuality without apology. The creative vision behind my drag persona is a culmination of all of these aspects, and currently sits at the intersection of fetish-inspired glamour, including visual aspects of "hard and soft" - combinations of leather and lace, spikes and stones, and of course, high-glam makeup. This to me mirrors my current life-stage - a combination of everything that has made me strong, which also allows me to be soft at the core. How has growing up and performing in South Africa influenced your artistry, storytelling, and approach to drag? Growing up and performing in South Africa has shaped everything about my artistry. South Africa is incredibly diverse, resilient, and creative, and those influences naturally find their way into my work. Performing here means understanding different communities, different lived experiences, and the unique challenges LGBTQ+ people still face. It has taught me the importance of authenticity and connection, understanding the different lives of audiences and performers alike, and that my reality is different from the vast majority of LGBTQIA+ people on the continent and in my immediate circle. My drag isn't just about looking beautiful on stage and performing - it's about telling stories that resonate with people and reflecting the realities, humour, and strength of the communities I come from. Furthermore my drag has become about showing younger queer audiences that they can achieve their dreams to live authentically and express themselves in the fullest range of themselves. My happiest moments in drag have always been having younger queer people come to me after the show and telling me how what I said or did on stage has influenced them or helped them to feel at home within themselves. I didn't always feel at home in myself and drag helped me to rectify that - if i can do that for someone else, i feel as though I have succeeded. The access to drag resources in South Africa is also largely limited by comparison to other countries, and this has influenced me and other performers to be incredibly resourceful and creative in our approach. South African Drag Entertainers are some of the hardest working, creative and ingenuitive drag entertainers on the planet, and it shows in our tenacity, our fight and our hunger to entertain audiences here. You wear many hats—drag entertainer, host, rapper, and performer. How do these different creative outlets complement each other? To me, they're all different languages for telling the same story - my story, I suppose. Hosting allows me to connect directly with audiences and create memorable experiences in real time, as well as flex my comedic chops and make people laugh, which I have always been passionate about. Hosting shows and speaking directly to people welcomes them into your world and demystifies what they are seeing just enough to make them comfortable with the show, but more importantly, it tells them they are here for a good time and that they can enjoy themselves fully. Drag performance, whether it be lip syncing, standup or live music, lets me bring visual storytelling and theatricality to life. I have always been a performer and I think we all perform every single day - performing on stage is just the heightened expression of that daily performance and self-expression. Music, especially rap and my debut single 4+4, gives me a platform to express thoughts and emotions that might not fit into a lip-sync performance. It is something that is uniquely mine, and allows me to connect with audiences. I will never forget performing my song for the first time and the feeling I got seeing audience members rapping along with me and hyping me up while performing. Each discipline strengthens the others. Being a host improves my stage presence, my confidence and my belief in myself. Drag enhances my visual identity as an artist, gives me the armour to express myself as well as my drag persona and have a unique artistic perspective, and the music allows me to share a more personal side of who I am. What role do you think drag plays in advancing LGBTQ+ visibility and representation in South Africa today? Drag has always been about visibility. It creates space for conversations around identity, self-expression, and acceptance in a way that's often joyful, entertaining, and accessible. In South Africa, where legal protections exist but social acceptance can still vary greatly, drag performers often become visible examples of queer excellence and resilience. We challenge stereotypes simply by existing publicly and authentically. I think drag helps humanize LGBTQ+ experiences and reminds people that our community is diverse, talented, and deserving of celebration. I believe that drag artistry, especially in marginalised communities in South Africa, gives other queer people hope that they can live fully as themselves one day. I have personally seen this in many different environments and settings but especially recently with the TV Show Beaulah Queens Van Die Kaap, which documents the lived experiences of coloured drag performers in Cape Town. The impact of that show is seen and felt all over, and gives voice to the particular struggles and experiences of queerness in South Africa, especially as it intersects with racial politics and dynamics of a country still experiencing the ramifications of Apartheid. Homophobia and racism have deep roots in South Africa and linger as a colonial import - drag artistry, especially within POC communities, exist as acts of defiance to the colonial hegemony we still fight today. As a rapper and performer, what messages or themes are most important for you to communicate through your music? Confidence, self-determination, resilience, and authenticity are themes that consistently show up in my music. I want my music to feel empowering. A lot of my work explores taking ownership of your identity, refusing to shrink yourself for other people's comfort, and finding strength in transformation. I also love combining humour, wit, and double entendres with meaningful messages because I believe music can be both entertaining and thought-provoking at the same time. My debut single 4+4 exists as a manifestation of self - it almost started as me telling myself to be all the things I say I am in the song because for the longest time I didn't really believe it. I want other people listening to the song or seeing me performing it live to feel that confidence and that energy that comes from claiming your space and your confidence - especially on days where you don't believe it. My other music (which yes, is coming eventually!) delves deeper into who I am and what I have experienced both in and out of drag. It deals with my perception of myself as a lover and romantic, it deals with the trauma I have experienced as a drag entertainer in the last few years, and it deals with both my inner and outer saboteurs. I hope that, when I eventually release an entire project, people will go on this journey with me and follow the story through to the other side to find themselves and feel the confidence and power making music (and doing drag) has given me. Can you share a career moment that made you realize your work was having a meaningful impact on your audience or community? Being crowned Miss Pretoria Gay Pride 2024 was a particularly meaningful moment for me. While the title itself was an incredible honour, what impacted me most was hearing from people who felt represented, inspired, or encouraged by my journey. Whether it's someone telling me they felt more confident embracing their identity after seeing me perform, or a young queer person saying they finally felt seen, those moments remind me that drag can be about much more than entertainment. When I released my debut single 4+4, I recieved an incredible message from a VERY prominent South African Drag Queen that read "I am so, so proud of you - this just makes me so excited to be a South African Queen. You fucking ate that, this is everything - I love you and I am so proud of you. What this is doing for South African drag is everything - you are inspiring us to do more." That's when I realized the work truly matters. The global drag scene has evolved rapidly in recent years. How do you think South African drag culture differs from or adds to the international conversation? South African drag brings a unique perspective shaped by our cultural diversity, history, and resilience. While international drag often focuses heavily on fashion and competition, South African drag has a strong sense of community and resourcefulness whilst still embodying fashion and competition. Many local performers have learned to create extraordinary art with limited resources, and that creativity is incredibly inspiring. Our drag scene also reflects a wide range of cultural influences that make it distinct. We contribute stories and experiences that broaden the global understanding of what drag can be and who it can represent. What are some of the biggest challenges and opportunities you've encountered as an LGBTQ+ artist in the entertainment industry? One challenge is that LGBTQ+ artists are sometimes expected to fit into very specific categories or stereotypes and we often have to adapt and change to fit wherever the money and gigs might be. There are also still huge limitations in terms of funding, visibility, and mainstream opportunities. At the same time, those challenges create opportunities to build independent platforms, connect directly with audiences, and tell stories that might otherwise go unheard. Social media and digital content have also opened doors for LGBTQ+ artists to reach global audiences and create meaningful communities beyond traditional entertainment spaces. Our community is very small, and interpersonal conflicts and dynamics play a heavy hand in determining who is allowed to and able to succeed - oftentimes opportunities and room for growth are stunted by ego, and once people have succeeded, they hesitate to share that space for fear of losing it. My biggest opportunities have been very diverse - I won Mr. and Miss Pretoria Gay Pride in 2024 which gave me an entirely different platform and audience, I have performed with multiple stars from Ru Paul's Drag Race on their tours here, and most importantly I released my debut single which taught me a lot about my space and niche as a drag entertainer. The project was entirely self-funded which presented it's own challenges in of itself, but the lack of access to sponsors and resources became very evident when embarking on this project. As much as I would love to be a global entertainer and reach audiences outside of my community, as a drag artist I feel as though my music and my art will always be somewhat boxed into this very specific space. It will always be "drag music", and not just music, and that becomes limiting. That being said - if my community is the only group that enjoys and appreciates my artistry, that will always be sufficient for me and reason enough to create more. How do you balance entertainment with activism, and do you see your performances as a form of social or political expression? I believe visibility itself can be, and is, a form of activism. My primary goal is always to entertain, but when people see a queer artist confidently taking up space, that carries its own message. I don't think activism always has to be serious or confrontational - sometimes it does have to be, and sometimes we have to engage in uncomfortable discourse and push ourselves through situations of conflict and aggression. Sometimes joy, celebration, and self-expression can be powerful acts of resistance. Through my performances, I hope to create spaces where people feel welcome, empowered, and free to be themselves. I believe that as drag entertainers and people who push to have a platform socially and online, it is our duty to remain educated and aware of everything that our work represents and that we represent. It is important for me to educate myself and remain in touch with the realities of my social space, and to understand that my position shares similarities but also differs vastly to my colleagues in this space. Especially during times such as international Pride Month, my messaging becomes more in line with why Pride is important and why our visibility matters. My drag has allowed me to assist in many communities and in different ways, such as through fundraisers and performances for charity organisations as a direct form of social and political expression. Throughout my time hosting shows I have taken many opportunities to highlight the realities that queer people in South Africa face and have used that platform to educate people on the issues therein. It is important to me to balance my social and political positioning with entertainment. What's next for Femme Aldehyde, and what projects, performances, or creative ambitions are you most excited about in the coming year? The next chapter for Femme Aldehyde is incredibly exciting, although very different. I have taken a small step back in 2026 to redirect and position myself exactly how I want to, rest and recover from two very tough years in the entertainment space, and hone back in on my artistic vision and what I want to achieve both in and out of drag. I'm focused on expanding my music career, releasing original music, and bringing a stronger visual and creative direction to my work through music videos and larger-scale performances. Being an independent artist, it is difficult to release more music and create more visuals - time constraints and financial constraints play a huge role, and the pace at which rollouts happen is a lot slower than a mainstream artist. I am also a perfectionist, and so I am enjoying taking my time to focus on what I want to achieve with my music. I have a second single locked and loaded - something different to 4+4 but just as exciting, and I can't wait for it to be yours. More than anything, I'm excited to keep evolving as an artist and pushing creative boundaries while creating work that entertains, empowers, and leaves a lasting impression. The coming year is loaded with exciting performances and opportunities - namely, I am excited to be headlining and hosting Pretoria Pride this year and to continue my work within that organisation. I am excited to release more music and hopefully a full EP by 2027, and I am excited to keep growing as a human in and out of drag. In my personal life I am excited for my wedding to my incredible fiancé in 2027, my career outside of drag, and the ways that Fabio continues to influence and embolden Femme Aldehyde and vice versa.

Fuerteventura & Lanzarote: The LGBTQ+ Guide to Two of the Canary Islands’ Most Relaxed Escapes If your idea of the perfect LGBTQ+ holiday involves sunshine, spectacular beaches, good food, a relaxed atmosphere and the freedom to be yourself, Fuerteventura and Lanzarote deserve a place on your travel list. The two neighbouring Canary Islands offer something slightly different. Fuerteventura is all about enormous beaches, dunes, watersports and a wonderfully laid-back atmosphere, while Lanzarote combines volcanic landscapes, stylish resorts, great restaurants and a more established LGBTQ+ nightlife scene. Neither island is quite the same as Gran Canaria when it comes to LGBTQ+ nightlife, but that can be part of their appeal. These are destinations where the holiday is more about sun, sea, adventure and relaxation than spending every night in a gay club. Fuerteventura: Beaches, Dunes & Laid-Back Island Life Fuerteventura is arguably the more relaxed of the two islands. It has long been popular with LGBTQ+ visitors, particularly around Corralejo, in the north. The island has a generally welcoming and liberal atmosphere, although its dedicated LGBTQ+ scene is relatively small. For many LGBTQ+ travellers, that's exactly the attraction. Corralejo – the place to start Corralejo is the obvious base if you're looking for a combination of beaches, restaurants, bars and nightlife. The town has plenty of places to eat and drink, while the enormous beaches of the Corralejo Natural Park are just outside the resort. The Grandes Playas de Corralejo stretch for around nine kilometres, with white sand, turquoise water and the enormous Corralejo dunes providing an incredible backdrop. The southern coves are also popular for naturist bathing. If you're looking for LGBTQ+ nightlife, the scene is small but there are options. The Jungle Gay Bar Fuerteventura in Corralejo is one of the island's dedicated gay venues. Beaches and naturism Fuerteventura is particularly attractive if you enjoy naturist beaches. The Corralejo area has several beaches where naturism is common, including Playa del Bajo Negro. The important thing to remember is that a naturist beach isn't automatically a sexual environment. Respect other beach users, maintain appropriate boundaries and remember that you're also in a protected natural area. Beyond Corralejo Don't spend your entire holiday in the resort. Hire a car and explore the island's smaller villages, dramatic coastline and quieter beaches. The volcanic interior provides a striking contrast to the white sands of the north. You can also take a boat trip towards Lobos Island, or look across the water towards Lanzarote. For adventurous travellers, Fuerteventura is particularly good for surfing, windsurfing, kitesurfing, cycling and hiking. Where should LGBTQ+ travellers stay? For the largest concentration of LGBTQ+ visitors and easy access to the beaches, Corralejo is probably the best choice. For something quieter, look towards Costa Calma and the south of the island. One LGBTQ+-friendly option worth considering is BHH Naturist Resort Fuerteventura in Costa Calma, particularly for travellers who want a naturist-focused break. Lanzarote: Volcanic Landscapes & LGBTQ+ Nightlife Lanzarote has a very different personality. The island's black volcanic landscapes, whitewashed buildings and dramatic coastline make it one of the most visually distinctive destinations in the Canary Islands. It is also considered a very LGBTQ+-friendly destination, with Puerto del Carmen being the main base for LGBTQ+ nightlife. Puerto del Carmen If nightlife matters to you, Puerto del Carmen should be high on your list. The resort has the largest concentration of bars and nightlife on Lanzarote, particularly around Avenida de las Playas and the old harbour area. One of the island's best-known LGBTQ+ venues is XXL Lanzarote Mens Bar, a gay men's bar and late-night venue in Puerto del Carmen. For something a little different, Music Hall Tavern Lanzarote offers a drag-comedy dinner show, combining food, comedy, singing and dancing. The island's LGBTQ+ scene is still relatively small compared with Gran Canaria, but Puerto del Carmen gives visitors enough choice for a fun night out without making the entire holiday revolve around nightlife. Playa Blanca & Papagayo At the other end of the island, Playa Blanca offers a quieter alternative. The resort is particularly useful for travellers who want beautiful beaches, restaurants and a more relaxed atmosphere. One of Lanzarote's must-see areas is Papagayo, where a series of spectacular beaches and coves sit within a protected landscape. Pack plenty of water, sunscreen and sensible footwear – the scenery is stunning, but some of the approaches to the beaches can be rough. Explore the volcanic side of Lanzarote No trip to Lanzarote should be entirely about the beach. The island's volcanic landscape is extraordinary, and places such as Timanfaya National Park offer an experience that feels completely different from a conventional beach holiday. Lanzarote was designated a UNESCO Biosphere Reserve in 1993, reflecting the importance of its natural environment. Other highlights include: Timanfaya National Park – dramatic volcanic scenery. Jameos del Agua – one of César Manrique's most famous creations. Cueva de los Verdes – spectacular volcanic caves. Mirador del Río – incredible views across the island and towards La Graciosa. Teguise – historic streets, architecture and one of the island's best-known markets. Arrecife – Lanzarote's capital, worth exploring for restaurants, shops and culture. Fuerteventura or Lanzarote? Fuerteventura and Lanzarote are very close neighbours, and ferry services connect the islands. The crossing between Corralejo and Playa Blanca is a popular way of combining the two destinations, A week-long holiday could easily be split between them – perhaps four nights in Lanzarote followed by three nights in Fuerteventura, or vice versa. That gives you the best of both worlds: Lanzarote's volcanic landscapes, restaurants and LGBTQ+ nightlife followed by Fuerteventura's beaches, dunes and slower pace. When should you visit? Both islands benefit from a warm climate throughout much of the year. Fuerteventura is particularly attractive for winter sun, while spring and autumn can offer a great balance between warm weather and avoiding the busiest periods. Remember that the Canary Islands can be windy – especially Fuerteventura – so don't underestimate the need for sunscreen even when temperatures don't feel extreme. g10 Travel Tip Don't judge either island solely by its gay scene. If you're looking for the biggest LGBTQ+ party destination in the Canaries, Gran Canaria remains difficult to beat. But if your idea of an LGBTQ+ holiday is waking up beside the Atlantic, spending the afternoon on a spectacular beach, exploring somewhere new, enjoying dinner and then heading out for a few drinks, Fuerteventura and Lanzarote can be excellent choices. And perhaps that's their biggest attraction: you can have a fantastic LGBTQ+ holiday without your entire trip being defined by nightlife. Fuerteventura is the island for beaches, freedom and switching off. Lanzarote is the island for volcanic adventure, restaurants and a little more nightlife. Put them together, and you've got a seriously good Canary Islands escape.

Gran Canaria: The Ultimate LGBTQ+ Travel Guide to Europe's Year-Round Sunshine Paradise Golden beaches, spectacular volcanic landscapes, luxury resorts and one of Europe's most welcoming LGBTQ+ communities make Gran Canaria a destination that deserves a place on every traveller's bucket list. Often referred to as the "Continent in Miniature", this Canary Island offers everything from vibrant nightlife and world-famous Pride celebrations to peaceful mountain villages and breathtaking coastal scenery. Whether you're looking for a romantic escape, an unforgettable party holiday or an active adventure in the sun, Gran Canaria delivers. Why Visit Gran Canaria? Located around 130 miles off the northwest coast of Africa, Gran Canaria enjoys a subtropical climate with more than 300 days of sunshine each year. Average temperatures range between 20°C in winter and 28°C in summer, making it one of Europe's best year-round holiday destinations. For LGBTQ+ travellers, Gran Canaria has long been regarded as one of the safest and most inclusive destinations in Europe. The island welcomes visitors from across the globe with open arms, and nowhere is this more evident than in the resort of Maspalomas. Maspalomas – Europe's LGBTQ+ Capital of the Sun If Gran Canaria has a heart, it's Maspalomas. The resort has spent decades building an international reputation as one of Europe's premier LGBTQ+ holiday destinations. Rainbow flags fly proudly throughout the area, and businesses actively welcome LGBTQ+ visitors. The centre of the scene is the famous Yumbo Centre, home to: More than 200 bars, restaurants and shops Drag shows every night Dance clubs Cocktail lounges Cabaret venues LGBTQ+ events throughout the year During the daytime, the atmosphere is relaxed. By night, the Yumbo transforms into one of Europe's biggest open-air LGBTQ+ nightlife venues. The Famous Maspalomas Dunes No visit is complete without experiencing the spectacular dunes. Stretching for over 400 hectares, the dunes resemble a slice of the Sahara transported to the Atlantic Ocean. Perfect for: Sunrise walks Photography Romantic sunsets Nature lovers The nearby beach is divided into several sections, including an internationally recognised LGBTQ+ area and a popular naturist section. It's one of the most famous gay beaches in Europe and remains friendly, welcoming and incredibly relaxed. Playa del Inglés Adjacent to Maspalomas, Playa del Inglés offers: Beautiful beaches Countless restaurants Hotels for every budget Shopping centres Water sports Beach bars Accommodation ranges from affordable apartments to luxurious adults-only resorts. Many hotels actively market themselves as LGBTQ+ friendly, making couples feel comfortable from check-in onwards. LGBTQ+ Nightlife Gran Canaria comes alive after sunset. The Yumbo Centre offers entertainment seven nights a week with something for everyone. Popular venues include: Drag cabaret bars Dance clubs Karaoke bars Cocktail lounges Leather and fetish venues Relaxed terraces for people watching The nightlife is friendly, diverse and remarkably international. You'll hear English, Spanish, German, Dutch, French and Italian all within a few minutes. Beyond the Beaches Although famous for nightlife, Gran Canaria has so much more to explore. Las Palmas de Gran Canaria, The island's capital combines history with cosmopolitan culture. Don't miss: Vegueta Old Town Santa Ana Cathedral Boutique shopping Museums Street cafés Las Canteras Beach It's perfect for a day trip away from the resorts. Discover the Mountains Hire a car and explore the island's interior. Highlights include: Roque Nublo Pico de las Nieves Tejeda village Pine forests Scenic viewpoints The dramatic volcanic scenery surprises many first-time visitors. Best Time to Visit January–March Perfect winter sunshine. April–June Warm weather and Maspalomas Pride. July–September Hot temperatures and lively beaches. October–November Excellent weather with Winter Pride. December Festive celebrations in the sunshine. Gran Canaria isn't simply LGBTQ+ friendly—it has become one of the world's great LGBTQ+ holiday destinations because inclusivity is woven into everyday life. Whether you're celebrating Pride, relaxing on the beach, enjoying dinner with your partner or dancing until sunrise, you'll find an atmosphere built on acceptance, diversity and freedom. Few destinations combine world-class beaches, spectacular scenery, fantastic weather and legendary nightlife quite like Gran Canaria. Gran Canaria continues to set the benchmark for LGBTQ+ travel in Europe. With year-round sunshine, a thriving queer community, exceptional hospitality and endless opportunities for adventure, it's easy to understand why so many visitors return year after year. Whether it's your first visit or your fifteenth, Gran Canaria promises memories that last long after your tan has faded. Perfect for: Couples • Solo travellers • Friends • Pride lovers • Beach holidays • Winter sun • Adventure seekers • Honeymoons

Guide to the first ever Trans Pride Kent event taking place in 2026 First Ever Trans Pride Kent to Take Place in Canterbury On Saturday 28 March 2026, Kent will host its first ever Trans Pride Kent, a landmark community event celebrating transgender, non-binary and gender-diverse people across the region. The historic gathering will take place at Westgate Hall in Canterbury, bringing together members of the LGBTQ+ community, allies, organisations, and activists for a day focused on visibility, celebration, and support. A Historic First for Kent Trans Pride Kent marks an important milestone for LGBTQ+ communities in the county. While Kent already hosts several Pride celebrations, including Pride Canterbury, this will be the first Pride event in the area dedicated specifically to transgender, non-binary, and gender-nonconforming people. The event is designed to celebrate and uplift trans communities while also creating a safe and inclusive space for connection, education, and empowerment. Organisers describe it as a grassroots pride that aims to bring together community services, performers, activists, and local organisations. What to Expect on the Day Running from 10:00am to 4:00pm, the event will feature a range of activities and community-focused opportunities. Attendees can expect: Community and support service stalls Guest speakers and panel discussions Live performances and entertainment LGBTQ+ organisations and advocacy groups Opportunities to network and connect with local support services The event aims to highlight the resources available to transgender and gender-diverse people across Kent while creating a vibrant atmosphere of celebration and solidarity. A Grassroots Community Pride Trans Pride Kent has been developed as a community-led initiative, rooted in grassroots organising. Beyond the main venue activities, the event also intends to create safe spaces across the city through a fringe-style programme supported by LGBTQ+-friendly venues and organisations. By building partnerships with community groups and activists, organisers hope to strengthen local networks that support trans and non-binary people throughout the region. Visibility and Community Support Events like Trans Pride Kent play an important role in increasing visibility and fostering acceptance. Across the UK, trans-focused Pride events have grown in size and influence in recent years as communities continue advocating for equality and representation. Trans Pride Kent aims to bring that same energy and solidarity to the South East, creating a space where people can celebrate identity, share experiences, and build community. A Pride for Everyone Although centred on transgender and non-binary voices, the event is open to the wider LGBTQ+ community and allies who want to show support and stand in solidarity. Tickets for the event are free, though registration is required due to limited capacity. For many attendees, the day will represent more than just a celebration — it will be a moment of recognition, belonging, and community building. Looking Ahead As the first event of its kind in the county, Trans Pride Kent has the potential to become a significant annual moment for LGBTQ+ people in the region. With increasing visibility and community support, organisers hope this inaugural celebration will lay the foundation for future events and continued advocacy. On 28 March 2026, Canterbury will become a place where pride, resilience, and community come together — marking the beginning of a new chapter for trans visibility in Kent.

Top 10 Places LGBTQ+ Travellers Should Visit in 2027 From the beaches of Thailand and Spain to the streets of Montréal and Taipei, these are ten destinations worth putting on your LGBTQ+ travel radar for 2027. Choosing where to travel is about far more than finding somewhere with good weather and a long list of attractions. For LGBTQ+ travellers, feeling comfortable, finding a visible queer community and knowing something about local laws and attitudes can be equally important. The global picture remains complicated. LGBTQ+ rights continue to advance in some countries while facing significant restrictions in others. ILGA World’s international data shows considerable differences in legal protection and recognition around the world, making research before travelling particularly important. With that in mind, g10 group looks at ten destinations to consider for your 2027 travels. 1. Bangkok, Thailand Bangkok has long had one of Asia’s most visible LGBTQ+ scenes, but Thailand has now entered a new chapter. Marriage equality became a reality in Thailand in 2025, making it the first country in Southeast Asia to introduce equal marriage. For visitors, Bangkok offers an extraordinary combination of modern city life, temples, rooftop bars, huge shopping centres, street food and nightlife. Silom remains one of the best-known areas for LGBTQ+ nightlife, while Bangkok Pride has helped make queer visibility increasingly prominent in the Thai capital. But Bangkok doesn't have to be all about nightlife. Visit Wat Arun beside the Chao Phraya River, explore the Grand Palace, discover the city's seemingly endless food scene or simply watch Bangkok go by from a rooftop as the sun sets across the city. And Bangkok can easily become the beginning of a much bigger Thai adventure, with Chiang Mai, Phuket, Krabi and Thailand's islands waiting beyond the capital. Best for: Nightlife, food, culture and combining a city break with a wider Thailand adventure. 2. Madrid, Spain Few European cities embrace LGBTQ+ life quite as visibly as Madrid. The neighbourhood of Chueca sits at the centre of the city's queer scene, filled with bars, cafés, restaurants and LGBTQ+-owned or LGBTQ+-focused businesses. Madrid Pride — commonly known as MADO — transforms the Spanish capital each summer and has become one of Europe's major LGBTQ+ celebrations. Spain also remains among the stronger countries internationally for LGBTQ+ travellers. The 2026 Spartacus Gay Travel Index placed Spain jointly among its highest-rated destinations. Away from Pride, Madrid offers magnificent museums, late-night dining, beautiful architecture and an infectious street culture. And if you want to turn the trip into something bigger, Barcelona, Sitges and the Spanish islands can easily be added to your itinerary. Best for: Pride, nightlife, culture and LGBTQ+ visibility. 3. Reykjavík, Iceland Small city. Big personality. Reykjavík provides something very different from the sprawling LGBTQ+ destinations of Bangkok, Madrid or Sydney. Iceland was placed at the top of the 2026 Spartacus Gay Travel Index, which assesses destinations using a range of LGBTQ+-related criteria. The capital itself is colourful, compact and easily explored on foot, while Reykjavík Pride brings a distinctly Icelandic character to the city's LGBTQ+ celebrations. But one of the biggest reasons to visit is what lies outside Reykjavík. Waterfalls, volcanoes, glaciers, geothermal lagoons and dramatic coastlines make Iceland one of those rare destinations where the journey beyond the city can be every bit as memorable as the city itself. Depending on when you travel, there is also the possibility of experiencing the midnight sun or searching for the Northern Lights. Best for: Nature, road trips, couples and travellers looking for something different. 4. Valletta and Malta Tiny Malta has developed an outsized reputation within LGBTQ+ travel. The Mediterranean island country was placed jointly second in the 2026 Spartacus Gay Travel Index alongside Spain. Its capital Valletta provides an atmospheric starting point, with historic streets, impressive architecture and spectacular harbour views. Beyond Valletta, visitors can explore Mdina, Malta's beaches and neighbouring Gozo. Malta Pride adds another reason for LGBTQ+ visitors to consider the islands, but Malta doesn't need to be visited during Pride to work as a queer-friendly Mediterranean escape. With history, sunshine and relatively short travelling distances, you can experience a surprising amount during even a short visit. Best for: Mediterranean sunshine, history, couples and shorter European breaks. 5. Sydney, Australia There aren't many LGBTQ+ events as instantly recognisable as Sydney Gay and Lesbian Mardi Gras. Each year, Sydney becomes a major international gathering point for LGBTQ+ visitors, with the famous parade forming only part of a much larger programme. Oxford Street and surrounding areas have historically been at the heart of Sydney's queer scene, but LGBTQ+ life stretches far beyond a single neighbourhood. Then there is Sydney itself. The Opera House, Harbour Bridge and Bondi Beach provide the postcard moments, while the city's beaches, restaurants and outdoor lifestyle make it easy to understand its international appeal. Allow enough time to experience the city beyond Mardi Gras — and consider turning your visit into a wider Australian adventure. Best for: Mardi Gras, beaches, nightlife and a major long-haul adventure. 6. Montréal, Canada Montréal manages to feel European and North American at the same time — and that is part of its appeal. Its LGBTQ+ Village is one of the best-known queer districts in North America, while the city's festivals, restaurants, bars and arts scene mean there is almost always something happening. Montréal Pride adds another major LGBTQ+ event to the calendar. Canada remains among the better-performing destinations in the 2026 Spartacus index, although the report also notes changes in measures of social acceptance — a useful reminder that national legal rights and individual experiences are not always identical. Beyond LGBTQ+ nightlife, explore Old Montréal, experience the city's celebrated food scene and climb Mount Royal for views across the city. Best for: Festivals, food, nightlife and LGBTQ+ neighbourhood culture. 7. Taipei, Taiwan Taipei deserves a place on the radar of anyone interested in LGBTQ+ travel in Asia. Taiwan became the first jurisdiction in Asia to introduce marriage equality, and ILGA World continues to record Taiwan among jurisdictions recognising same-sex marriage. Taipei also hosts one of Asia's most prominent Pride celebrations. The city's Ximending area is particularly associated with LGBTQ+ nightlife, including the well-known cluster of queer venues around the Red House. But Taipei offers much more. Night markets, temples, hot springs and an outstanding food culture provide plenty to explore, while Taiwan's excellent transport links make it relatively easy to travel beyond the capital. For travellers who have already experienced destinations such as Bangkok, Taipei provides another fascinating perspective on LGBTQ+ life in Asia. Best for: Pride, food, Asian city breaks and LGBTQ+ culture. 8. Lisbon, Portugal Colourful streets, historic trams, viewpoints, nightlife and easy access to the coast have helped turn Lisbon into one of Europe's most popular city-break destinations. For LGBTQ+ travellers there is another attraction: Portugal was among the countries sharing fourth position in the 2026 Spartacus Gay Travel Index. Lisbon's LGBTQ+ nightlife is spread around areas including Príncipe Real and Bairro Alto, while Pride celebrations bring additional queer visibility to the Portuguese capital. Lisbon's LGBTQ+ nightlife is spread around areas including Príncipe Real and Bairro Alto, while Pride celebrations bring additional queer visibility to the Portuguese capital. And one of Lisbon's greatest advantages is what you can combine with it. Sintra makes an easy excursion, while Portugal's beaches provide the opportunity to turn a city break into a longer holiday. Best for: City breaks, food, nightlife and combining culture with the coast. 9. Cape Town, South Africa Cape Town provides one of the most spectacular city backdrops anywhere in the world. Table Mountain towers above a city surrounded by ocean, beaches and some of South Africa's most famous landscapes. Cape Town also has a visible LGBTQ+ community, with De Waterkant particularly associated with queer venues and nightlife. South Africa's constitutional and legal framework provides significant LGBTQ+ protections, including marriage equality, although travellers should remember that experiences and social attitudes can differ substantially across the country. Cape Town Pride provides an obvious time for LGBTQ+ visitors to experience the city, but its appeal extends throughout the year. Take the cableway up Table Mountain, explore the Cape Peninsula, visit nearby wine regions or simply spend time beside the Atlantic. Best for: Scenery, wine, beaches and adventure. 10. Rio de Janeiro, Brazil Rio is difficult to mistake for anywhere else. The combination of mountains, beaches and city creates one of the world's most recognisable destinations. Copacabana and Ipanema are internationally famous, while Ipanema in particular has a long association with Rio's LGBTQ+ community. The city also hosts major LGBTQ+ celebrations and has a huge queer community. Yet travellers should approach Brazil with the same awareness they would any enormous country: legal recognition does not mean discrimination or violence has disappeared. Researching neighbourhoods, transport and current local advice before travelling remains sensible. For those who do visit, Rio offers something extraordinary — mornings beside the Atlantic, afternoons exploring the city and evenings discovering Brazilian nightlife. Best for: Beaches, nightlife, big celebrations and unforgettable scenery. A World Worth Exploring There is no single definition of the perfect LGBTQ+ destination. Some travellers want Pride parades and clubs. Others want beaches, food, history or somewhere to spend a quiet week with their partner. That is why our 2027 selection stretches from Reykjavík's extraordinary landscapes to Bangkok's frenetic streets, Taipei's night markets, Madrid's Chueca neighbourhood and Sydney's beaches. What connects them is the opportunity to discover somewhere new while also finding LGBTQ+ communities and spaces along the way. Travellers should nevertheless remember that LGBTQ+ laws and local conditions can change. ILGA World's continually updated database tracks legislation affecting LGBTQ+ people internationally, and checking current travel advice before departure — particularly for trans and gender-diverse travellers — should always be part of planning an overseas trip. Where will 2027 take you?

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Remembering the bombing of the Admiral Duncan 27 years on 27 Years On: Remembering the Admiral Duncan Bombing and the Enduring Strength of London’s LGBTQ+ Community On 30 April 1999, a nail bomb tore through the Admiral Duncan pub in Soho, shattering what should have been an ordinary Friday night. Three people were killed—Andrea Dykes, John Light, and Nick Moore—and more than 70 others were injured. The attack, carried out by a far-right extremist, targeted the heart of London’s LGBTQ+ community with the intent to spread fear, division, and hate. Twenty-seven years later, the Admiral Duncan bombing remains one of the most significant acts of anti-LGBTQ+ violence in the UK. But it is also remembered as a moment that revealed something far more powerful than hatred: collective resilience. A Community Targeted The late 1990s were a time of growing visibility for LGBTQ+ people in Britain, but also of heightened backlash. Soho, long a hub for queer life in London, symbolised openness, diversity, and resistance. The Admiral Duncan itself was more than a pub—it was a refuge, a meeting place, a space where people could exist freely. The bombing was the third in a series of attacks that month, following explosions in Brixton and Brick Lane, targeting Black and South Asian communities respectively. This pattern made clear the perpetrator’s broader ideology: a campaign of terror against multicultural Britain. Immediate Aftermath: Grief and Solidarity In the days following the bombing, shock gave way to mourning—and then to solidarity. Vigils filled Soho’s streets. LGBTQ+ people, allies, and communities across London came together not only to grieve but to stand visibly against hate. The response was defiant. Rather than retreating from public life, people showed up in greater numbers. Queer venues remained open. Pride events that year carried added weight, transforming from celebration into acts of remembrance and resistance. Lasting Impact The bombing had a profound and lasting impact on both the LGBTQ+ community and the wider UK. It prompted increased attention to hate crimes and strengthened calls for legal protections. In the years that followed, the UK saw significant progress in LGBTQ+ rights—from the repeal of Section 28 to the introduction of civil partnerships and, later, equal marriage. But progress has never been linear. The anniversary arrives at a time when anti-LGBTQ+ rhetoric and hate crimes are again on the rise in parts of the UK. For many, remembering the Admiral Duncan is not only about looking back—it’s about recognising patterns that persist. Memory, Resistance, and Responsibility Today, a small plaque marks the site of the bombing, easily missed amid Soho’s busy streets. Yet for those who know, it represents both loss and legacy. Annual commemorations continue, ensuring that the victims are not forgotten and that the lessons of 1999 remain relevant. For younger generations, the Admiral Duncan bombing may feel like distant history. But its significance endures. It reminds us of the consequences of unchecked extremism and the importance of safeguarding spaces where marginalised communities can gather safely. Moving Forward Anniversaries like this are moments to reflect, but also to act. Supporting LGBTQ+ venues, challenging hate speech, advocating for inclusive policies, and building solidarity across communities are all ways to honour those affected. The Admiral Duncan still stands today—rebuilt, reopened, and still serving as a cornerstone of Soho’s queer scene. Its continued presence is a quiet but powerful statement: that even in the face of violence, community endures. Twenty-seven years on, we remember the lives lost. We acknowledge the pain carried by survivors. And we recognise the strength that emerged in response—a strength that continues to shape the fight for equality and safety today.

Your career spans writing, directing, and producing. How does wearing all three hats influence the way you approach a new project, and which role feels most natural to you? Working in all three roles simultaneously makes me think about the project from a 360 degree view and not just about what part of the process is in front of me. Writing a script or play is such a fun start to the process, but there's no use for me writing something that I can't possibly make. So being able to be creative with ideas and also practical with how I'm going to realise them does keep me grounded. Sometimes it can feel conflicting, with the battle between creative freedom and production constraints, but ultimately it pushes me, and that's a good thing. I'd say that producing comes to me the most naturally, because I am extremely motivated and enjoy bringing people together to achieve an end goal. I like hunting for locations, fabrics, backdrops, and really thrive on problem solving. It's so satisfying to see all the elements come together into one cohesive story. Living and working in Brighton, how has the city's creative community and atmosphere shaped your storytelling or the kinds of projects you're drawn to? It's definitely given me confidence to express myself in a more fully realised form, way more than if I stayed living in a small village in Surrey where I grew up. Your debut play, BEYOND BERLIN, marked an important milestone in your career. What was the original spark for the story, and why did you feel it needed to be told on stage? I have wanted to write a play for at least ten years and never found the right moment to do it. This year I knew I wanted to step away from short films for a bit, and experiment in a new medium. It was at this moment that I realised it was the right time to work on a play. I wanted to be in a room with actors, working together to create a live immersive experience. In film I'm so used to stopping and starting, 'let's do another take', that kind of thing. I wanted to challenge myself and do something live! I had the idea for Beyond Berlin last year when I was on a plane. I saw a male flight attendant with a baby face and very curly hair. I saw him and instantly thought 'you look like you belong in the 1920s'. So I drew a sketch of him in my notepad and then started to create a story around him. Making Beyond Berlin has been one of the best decisions I've ever made, getting to direct in a way that flows. For as long as I can remember I've always loved the jazz age. I think it's the idea of a bygone era, the black & white Hollywood stars of a time gone by, and the idea of decadence and decay that intrigues me. In fact 'Beyond Berlin' was originally called 'The Decadence & Decay' because it sums up the contradiction of the beauty and the turbulence of the era. I have long been drawn to the books of Christopher Ishwerood and F Scott Fitzgerlad. My play (in some ways) is a love letter to that era, with my own spin on it. Without giving away too much, what themes does BEYOND BERLIN explore, and what conversations do you hope audiences are having as they leave the theatre? Beyond Berlin deals with the idea of 'people as outsiders', outsiders to their own feelings, outsiders to places and spaces. There's some dark themes throughout, like lust, desire, longing, intrigue and betrayal. But the play is also A LOT of fun. In parts it's camp, pastiche and silly. I'd like the people who come to see my play to leave feeling entertained. Life can be so gloomy and tiresome, so I want to give these people one hour away from their normal lives, to step into a different era, a fantasy. Every first play is a learning experience. Looking back at BEYOND BERLIN, is there anything about the writing or production process that fundamentally changed how you create work today? It's made me much more confident to write longer scenes, without fear. In today's creative landscape I hear a lot of 'make scenes short, don't write too much dialogue, make everything snappy! Anything over 3 seconds will bore people', that kind of thing. It's really limiting to constrain yourself in those ways. I freed myself of all that. I did it by writing the scenes I wanted to write, and to create the stories I wanted to create. I had SO much fun making the backdrops and sourcing the props, it's definitely something I want to do again. As both a writer and director, how do you balance staying true to your original script while remaining open to ideas from actors and collaborators during rehearsals? I acknowledge that while I am writing (and it took me six months and close to 40 drafts to get the script fully realised for Beyond Berlin) that this is my time to flesh out the ideas and characters, this sacred time is when the characters are only truly ever 'mine'. Then, when rehearsals start that is when the material evolves and changes and the characters then 'belong' to us all in the room. It no longer is just about words on a page, it's a living breathing entity that the actors are pumping life into. For this reason I want to hear their ideas about the characters, how they interpret the lines and motivations. I am open to suggestions, but of course, I keep a reign on the overall feel and direction to make sure it's still in the world that I created. But it would be naive of me to not pull from the many creative brains I have in the room with me when working on a production. Many creatives talk about the tension between artistic ambition and practical realities. As a producer as well, how do you navigate the balance between creative vision and budget or logistical constraints? Life on its own can be crazy, beautiful and complicated at the best of times. Throwing a production into the mix can feel like a bomb that goes off and affects everything around you. At times it's a challenge to have a full time job, a relationship, keeping in touch with friends and making the show, but I've come to peace with the idea that at times some areas of my life will thrive more than others. It's about communicating that to those around you so they know where you're at in your head with all the plates that are spinning. I think all artists live in a space where they feel pulled between two realities, that of 'everyday life' and that of 'creating'. I think both need to exist in order to balance the other out. It's not always easy. What kind of stories are you most passionate about telling? Are there particular genres, themes, or characters you find yourself returning to again and again? Most of my work tends to revolve around queer stories. I write what I know, and I think it's important for every artist to have a perspective, which is why I pull from these ideas. A lot of my work tends to have two characters who are vastly different from one another. In Beyond Berlin we have Raymond - a shy, sensitive Englishman who has never been to Berlin before. We then have Ernst - who is a cabaret performer in Berlin and super confident and extrovert. The seeds for both characters originate from the different shades of my personality, but are also something entirely of their own. So I suppose I am looking within myself to explore and understand the different layers that make me 'ME'. For aspiring writers and filmmakers, what's one piece of advice you wish someone had given you when you were starting out? It would have been to 'tell the stories you want to tell' and 'find a way to make it happen'. I think a lot of young talent get discouraged because they don't have 'a great camera', or 'thousands of pounds' to make something look high end. Start small, use what you can and don't let your own negative thoughts discourage you. You've got this! Looking ahead, what's next for you? Are there any upcoming theatre, film, or television projects that you're excited to share, and might we see BEYOND BERLIN evolve further in the future? Definitely! I would love to see Beyond Berlin expand in production size and venues. I have started looking at options for 2027. I want to take the show on the road! BEYOND BERLIN is on at BN1 Arts Centre - New England St on Friday 6th & Saturday 7th November at 7:30pm. Get tickets here: https://beyondberlin.eventbrite.co.uk For production updates follow: @madebymilletti

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NeuroQueerz brings a calmer, more inclusive Pride experience to Manchester Village Pride Pride is a celebration of identity, community, equality and belonging. For many LGBTQ+ people, it is one of the most important and joyful weekends of the year. But while Pride is often associated with packed streets, loud music, busy venues and huge crowds, that environment can be challenging for some members of the community. This Manchester Village Pride weekend, NeuroQueerz is helping to create a different kind of Pride experience by providing a dedicated Calm Space for neurodivergent LGBTQ+ people, their friends, allies and anyone who needs somewhere to step away from the hustle and bustle. Founded by Luke Boss, NeuroQueerz is focused on wellness, empowerment and belonging, with the aim of ensuring that neurodivergent people are not excluded from LGBTQ+ spaces simply because traditional Pride environments can sometimes feel overwhelming. The Calm Space isn't about taking people away from Pride. Instead, it is about giving people another way to experience it. As Luke explains: “Everybody knows how to celebrate or party but in different ways.” He believes that neurodivergent people should have the freedom to enjoy Pride on their own terms, whether that means spending hours celebrating with others or taking some time away from the crowds before heading back into the action. “Our aim is to NOT make this stereotypical and boring,” says Luke. “It is a place to socialise, chill out, and be in the Pride weekend mood!” A different way to experience Pride For neurodivergent LGBTQ+ people, sensory stimulation can sometimes become overwhelming. Loud music, flashing lights, crowded streets, queues, unfamiliar surroundings and constantly changing environments can all contribute to sensory overload. But, as Luke points out, neurodiversity affects everyone differently. “For some it impacts them so greatly that they avoid certain areas regardless, some it varies depending on the situation. Some, it's on a day-by-day basis how they are feeling, and for some, it doesn't impact them at all!” That individuality is central to the NeuroQueerz approach. Rather than assuming that every neurodivergent person needs the same support, the organisation wants people to have choices. The Calm Space can therefore be somewhere to spend a significant part of the day—or simply somewhere to recharge for an hour before returning to Pride. Luke describes the goal as providing people with “a place to be themselves whilst fulfilling their Pride limitations and expectations.” He believes everyone attending a Pride event should be able to decide what they want to experience and what they don't. “We want people to leave our space thinking they had a good time whether they spent the majority of the day here or if they used the space to escape from the chaos for an hour and get back to party mode!” Making Pride accessible beyond physical access Accessibility is often discussed in terms of physical access: ramps, accessible toilets, seating and step-free entrances. Those things remain vital, but Luke believes the conversation needs to go much further. For someone who is autistic, has ADHD or is otherwise neurodivergent, simply finding their way around a large Pride event can present its own challenges. Luke recalls attending a Pride where signage and instructions around wristbands and entrances were unclear. “Many regular street access points were closed off, and the signage was so few and far between that it frustrated me,” he says. Even instructions that appear straightforward to others can become difficult to process in a busy environment. “Things like street names don't make sense to me, especially in hectic environments,” Luke explains. His solution is simple but potentially transformative: make volunteers and staff available to physically guide people where necessary. “Someone may not be restricted from a physical aspect, but they would benefit from someone directing them more than telling them the street name and giving lefts and rights.” For Luke, accessibility can sometimes be as simple as someone saying, “Come with me, I'll show you.” A space where people don't have to choose between Pride and their wellbeing One of the biggest concerns for people who find busy environments difficult is the fear that leaving the main Pride celebrations means missing out. That is something NeuroQueerz hopes to challenge. Luke points out that without spaces where people can take a break, some neurodivergent people may simply decide not to attend Pride at all. “Some Neurodivergent peeps may not come to Pride as they don’t feel there is an environment they consider a safe space,” he says. For Luke, the answer is clear: Pride should have room for everyone. The NeuroQueerz Calm Space aims to make that principle a reality. Luke Boss: “I didn't go to a single Pride event until I was 30” Perhaps one of the most powerful aspects of Luke's story is that he understands personally what it can feel like to be unsure about attending Pride. “I didn't go to a single Pride event until I was 30,” he reveals. The main concerns were the crowds and the fear that there would be nothing to do or nobody to speak to. That changed when Luke finally attended his first Pride in 2019. “I loved it so much it was like being on holiday,” he says. Since then, he has attended many Pride events, both alone and with other people. His advice to anyone who is considering attending but feels uncertain is to do some research beforehand and find out what facilities and support are available. And for those attending Manchester Pride, Luke has a particularly direct invitation: “If you are considering Manchester Pride, then come to us for the calm space on Saturday and/or Sunday!” The space will also feature the Pride Parade on a large screen, and, Luke notes with a smile, no wristband is required. Has the LGBTQ+ community done enough? The question of inclusion within LGBTQ+ spaces is complicated. Luke believes attitudes are improving and says he has received tremendous support from organisations including LGBT Foundation, where he volunteers. However, he has also experienced discrimination within the LGBTQ+ community because of his disability. Despite that, he says he feels considerably more comfortable in gay bars than in regular bars. For Luke, there is still work to be done. “Most Neuroqueer or LGBTQ+ organisations do have a section for this either, but it is too small and does not go far enough,” he says.“That is what Neuroqueerz is here for!” The organisation is ultimately asking the wider LGBTQ+ community to think differently about what inclusion really means. One size does not fit all For Luke, one of the most important messages of NeuroQueerz is that there is no universal solution. “One size does NOT fit all,” he says. That principle is particularly important when discussing neurodivergence because people's experiences can vary enormously. Someone might love being surrounded by thousands of people one day but find the same environment impossible the next. Another person might never need a Calm Space but still appreciate knowing one is available. The important thing is having the choice. Luke also believes that neurodivergent people should be listened to when conversations about inclusion take place. “I hope more people soon recognise this,” he says. “We are a talented and fabulous community at the end of the day.” More than a Calm Space While Manchester Village Pride provides an important opportunity for NeuroQueerz to demonstrate what a more inclusive Pride environment can look like, Luke sees the organisation's work as something much bigger. He wants people to understand that neurodivergent LGBTQ+ people aren't simply a group that needs to be accommodated. They are an important part of the LGBTQ+ community with their own experiences, talents, ideas and voices. For Luke, seeing NeuroQueerz involved in creating a calmer and more inclusive Pride experience in Manchester represents a major accomplishment. “If it wasn’t us (me and my 2 fabulous other directors) hosting this, I would be grateful there is a space I can go to at regular intervals that is just outside the gay village.” That statement perhaps sums up the importance of the Calm Space better than anything else. It isn't about separating people from Pride. It is about making sure people can stay part of Pride. “As a Neuroqueer person, I can't stress how important a safe space is, whether it's online, in person, or a gadget you can turn on and do your own thing with.” At the heart of NeuroQueerz, Luke says, are three simple but powerful ideas: Wellness. Empowerment. Belonging. And perhaps that is exactly what an inclusive Pride should be about. Manchester Village Pride is a celebration for the whole LGBTQ+ community. By providing a Calm Space, NeuroQueerz is helping demonstrate that accessibility isn't about changing Pride into something quieter or less exciting. It is about giving more people the opportunity to experience it. Whether someone spends the entire weekend celebrating, drops into the Calm Space for a short break, watches the parade from a quieter environment or simply knows that somewhere safe is available if they need it, the message is the same: There is a place for you at Pride. And that can make all the difference. The Neuroqueerz Calm Space will run across both days of Manchester Village Pride — Saturday 29th and Sunday 30th August, from 12pm to 7pm, at the Holiday Inn, Manchester City Centre, 25 Aytoun St, Manchester, M1 3DT.