Your work captures both strength and vulnerability in male portraiture — what first drew you to photographing the male form in such an intimate way? I think it started from a fairly personal place. Growing up, I didn’t see a lot of versions of masculinity that felt relatable to me. Everything was quite rigid, quite performative. When I picked up a camera, I realised I could explore a different side of that. Something quieter, more honest. The male form is often presented as strong, but rarely as open. I’ve always been interested in that space where those two things overlap. The moment where someone lets their guard down just enough that you see the person, not the performance. That’s where it gets interesting for me How has living and working in Sydney influenced your artistic style and the stories you choose to tell through your photography? Sydney has this beautiful contradiction to it. It’s very outdoors, very physical, very body-aware, but at the same time there’s a laid-back ease that softens everything. I think that combination has definitely shaped my work. There’s a natural light here that’s quite forgiving, quite revealing in a gentle way. And culturally, there’s a quiet confidence in how people carry themselves. I’m drawn to that. My work tends to sit somewhere between polished and relaxed, which probably mirrors the city itself. Representation matters deeply within LGBTQ+ media. What do you hope queer audiences see or feel when they experience your work? Ideally, I want people to feel a sense of recognition. Not in a literal sense, but emotionally. To see that masculinity doesn’t have to fit into one narrow definition. There’s strength in vulnerability, in softness, in intimacy. I think a lot of us grow up feeling like parts of ourselves need to be edited down. If my work can give even a small sense that all of those parts are valid and worth showing, then I feel like I’m doing something worthwhile. Many photographers focus on aesthetics alone, but your portraits often feel emotionally charged. How do you build trust and authenticity with your subjects during a shoot? It’s never really about the camera at the start. It’s about conversation, creating a space where someone feels comfortable enough to just be themselves. I don’t rush that process. Sometimes the best images come well after you’ve technically “started” the shoot. I’ll give direction when it’s needed, but I’m also watching for those in-between moments when someone forgets they’re being photographed. Trust isn’t something you can fake. If someone feels safe, it shows immediately in the work. Male figure photography can challenge traditional ideas of masculinity. Do you see your work as political, cultural, or more personal in its intention? It’s personal first. That’s always the starting point. That said, anything that challenges a traditional idea, even quietly, becomes cultural by default. I’m not setting out to make overtly political work, but I am interested in expanding the definition of what masculinity can look like. If that resonates more broadly, then that’s a good thing. Social media has transformed how photographers share and monetize their art. How has the digital era changed your relationship with your audience and creative process? It’s been a bit of a double-edged sword. On one hand, it’s opened up direct access to an audience I never would have reached otherwise. That’s been incredibly valuable, especially with more niche work. On the other hand, there’s a constant pressure to adapt to platforms that don’t always support the kind of work I create. You have to be quite strategic about what you show and how you show it. I’ve learned to separate the work itself from how it’s distributed. The creative process still needs to come from a genuine place. The rest is just navigation. Is there a particular shoot or portrait that changed the way you saw yourself as an artist? There have been a few, but the ones that stand out are usually the shoots where something unexpected happens. Where a subject brings a level of openness that shifts the whole dynamic. Those moments remind me that the work isn’t just about technical skill. It’s about connection. Every time that clicks into place, it resets my understanding of what I’m trying to do. LGBTQ+ creatives often navigate censorship differently online, especially when working with the human body. Have you encountered challenges balancing artistic expression with platform restrictions? Constantly. There’s an ongoing negotiation between staying true to the work and working within the limits of different platforms. It can be frustrating, especially when the human body is treated inconsistently depending on context. But it’s also forced me to think more carefully about presentation, cropping, and storytelling. At the end of the day, the work exists beyond social media. Those platforms are just one way of sharing it. What advice would you give to emerging queer photographers who want to create bold, authentic work but may still be finding confidence in their voice? Give yourself time. Your voice doesn’t appear overnight. Shoot consistently, experiment, make work that feels honest rather than what you think will get attention. Confidence tends to follow clarity, and clarity comes from doing the work over and over again. Also, don’t wait for permission. No one’s going to hand it to you. Looking ahead, what stories, themes, or collaborations are you most excited to explore next in your photography journey? I’m interested in pushing further into narrative. Creating bodies of work that feel more like a series than individual images. There’s also something in exploring age and masculinity that I’d like to spend more time on. It’s not a space that’s been fully explored, and it feels quite personal at this stage of my life. And, as always, collaborating with people who are open to going a bit deeper than just surface-level imagery. That’s where the best work tends to happen. WARNING THIS INTERVIEW INCLUDES PICTURES OF FULL FRONTAL NUDITY

Why getting a massage is an important part of a fitness routine Massage as a Vital Part of Fitness for the LGBTQ+ Community In recent years, the conversation around fitness has expanded beyond aesthetics and performance to include recovery, mental wellbeing, and inclusivity. For the LGBTQ+ community, fitness spaces can sometimes feel intimidating or exclusionary, making it even more important to embrace holistic practices that support both body and mind. One such practice gaining recognition is massage therapy—not just as a luxury, but as an essential component of a balanced fitness routine. Beyond the Gym: Rethinking Fitness Fitness is no longer confined to lifting weights or hitting cardio targets. Recovery is now widely acknowledged as a cornerstone of progress. Massage plays a key role in this shift, helping to reduce muscle tension, improve circulation, and prevent injury. For LGBTQ+ individuals who may already navigate higher levels of stress due to societal pressures or discrimination, massage offers an added layer of physical and emotional relief. The Mental Health Connection Mental health is a significant consideration within the LGBTQ+ community, with studies consistently showing higher rates of anxiety, depression, and stress. Physical activity helps—but pairing it with massage can amplify the benefits. Massage therapy promotes relaxation, reduces cortisol levels, and can improve sleep quality. For those balancing demanding lives or dealing with identity-related stressors, this combination can be transformative. Creating Safe and Affirming Wellness Spaces Not all wellness environments feel inclusive. That’s why it’s important to highlight and support massage therapists and fitness professionals who actively create LGBTQ+-affirming spaces. Feeling safe and respected during a massage session is crucial—it allows clients to fully relax and benefit from the treatment. Many practitioners across the UK are now openly inclusive, using gender-neutral language and ensuring their services cater to diverse bodies and identities. Enhancing Performance and Recovery Whether it’s strength training, yoga, running, or dance, massage can enhance performance across all fitness disciplines. Techniques like deep tissue massage and sports massage help to break down muscle adhesions, improve flexibility, and speed up recovery time. For those training regularly, incorporating massage into a weekly or monthly routine can lead to better results and fewer injuries. Community and Self-Care For LGBTQ+ individuals, self-care often carries deeper meaning. It can be an act of resilience, self-affirmation, and empowerment. Massage fits naturally into this framework. It’s not just about easing sore muscles—it’s about reconnecting with your body in a positive, affirming way. Fitness doesn’t have to be punishing or rigid. By integrating massage into a routine, individuals can create a more sustainable, enjoyable approach to health—one that honours both physical goals and emotional wellbeing. As fitness culture continues to evolve, inclusivity and holistic care must remain at the forefront. Massage therapy offers a powerful, accessible way to support recovery, reduce stress, and enhance overall wellbeing. For the LGBTQ+ community, it’s more than just a wellness trend—it’s a meaningful addition to a lifestyle centred on self-respect, resilience, and balance. For platforms like g10 and other LGBTQ+ media voices in the UK, highlighting these approaches helps reshape the narrative around fitness into one that is truly inclusive, empowering, and sustainable.

Is Brighton’s LGBTQ+ nightlife at a crossroads? For generations, Brighton has been synonymous with LGBTQ+ nightlife. From the bars and clubs of Kemptown to packed Pride weekends, the city has built a reputation as one of the UK’s great LGBTQ+ destinations. For many people, a night out in Brighton has been about far more than drinking. It has been about community, meeting people, finding somewhere to belong and being surrounded by people who understand you. But is that traditional model of LGBTQ+ nightlife beginning to change? The news that R-Bar is due to close on 20 September 2026, while Charles Street Tap is also set to close when its lease ends in September, has once again raised questions about the future of Brighton’s LGBTQ+ scene. R-Bar is part of the Revenge family, while Charles Street Tap has been a fixture of Brighton’s LGBTQ+ community for around 25 years. These aren't simply two more bars disappearing from the city. Their closures have prompted a bigger conversation: is Brighton’s LGBTQ+ nightlife changing because people are changing the way they socialise? A scene built around the bar For decades, the LGBTQ+ bar has played an important role in queer life. Before dating apps, social media and online communities, bars and clubs were among the easiest places for LGBTQ+ people to meet one another. They could be places to make friends, find relationships, dance, flirt, celebrate birthdays, discover drag and simply spend an evening without having to explain yourself. Charles Street Tap arguably represented one of the more flexible versions of that model. The venue has described itself as being at the heart of Brighton's Gay Village, combining food, drinks, cabaret, DJs, quizzes and other entertainment. Its long opening hours and broad programme meant it could be a lunchtime pub, an after-work meeting place, a cabaret venue and a late-night destination. That versatility may be increasingly important in a nightlife economy where simply being a bar is no longer enough. Are our habits changing? Perhaps the biggest question is whether people are going out less — or simply going out differently. There are plenty of possible explanations. The cost of a night out has risen. A few drinks, transport, entry fees and food can quickly turn into an expensive evening. For younger people in particular, the traditional idea of spending hours moving from bar to bar may not have the same appeal it once did. Then there are dating apps and social media. Someone looking for a date, a friendship or a sexual connection no longer necessarily needs to go to a bar to find someone. Instagram, TikTok, Snapchat, dating apps and online LGBTQ+ communities have changed the way people meet and communicate. That doesn't mean people have stopped wanting physical spaces. In fact, it could mean the opposite. Perhaps what people increasingly want from an LGBTQ+ venue isn't simply somewhere to drink, but somewhere that offers an experience they cannot get from their phone. Drag. Comedy. Live music. Cabaret. Community events. Food. Conversation. Clubs. Queer culture. The challenge for Brighton's venues may therefore be less about convincing people to go out and more about giving them a reason to choose one particular venue over the thousands of other things competing for their attention. Has Pride changed Brighton? There is another unavoidable part of this conversation: Brighton Pride. Pride remains one of the biggest things in Brighton's calendar. In 2026, the city celebrated the 35th year of Brighton Pride in its modern form, while Trans Pride has also become a major part of the city's LGBTQ+ calendar. During Pride, Brighton can feel almost impossibly queer. The streets fill with colour. Hotels sell out. Bars are packed. Clubs run special events. Thousands of visitors arrive from across the UK and beyond. Charles Street Tap itself has historically embraced Pride with DJs, drag and special events, and its 2026 programme included multiple Pride nights. But Pride also raises an interesting question. Has Brighton become so good at doing LGBTQ+ nightlife for one huge weekend that the rest of the year has become harder? Pride can bring enormous crowds, but those crowds don't necessarily represent the everyday nightlife audience. A visitor arriving for Pride might spend a weekend partying, while a local resident may be deciding whether they can afford a £50 or £100 night out every few weeks. There is also the changing relationship between Pride and nightlife itself. Pride is no longer just a series of parties in bars. It is a huge cultural event involving politics, activism, businesses, tourism, entertainment and community organisations. That is undoubtedly positive in many ways. But it means the traditional LGBTQ+ bar is no longer the only place where queer community happens. The loss of the 'middle ground' Perhaps one of the biggest concerns raised by the closure of venues such as Charles Street Tap is the loss of the middle ground. Not everyone wants to go clubbing. Not everyone wants a drag show. Not everyone wants to spend Saturday night dancing until 4am. And not everyone wants to sit at home. A bar where people can meet for a drink, have a conversation, watch some entertainment and decide later whether to continue their night somewhere else has a particular role in a city's LGBTQ+ ecosystem. That is one reason the closure of established venues can feel significant even when other LGBTQ+ businesses remain. The reaction from Brighton residents online has highlighted exactly this concern. One recent discussion about the closure of Charles Street Tap described the venue as somewhere between a traditional pub and a club — a place where people could meet, talk and feel comfortable without necessarily being part of a particular subsection of the scene. That is only one person's experience, of course. But it raises an important point. What happens if Brighton has plenty of places to party, but fewer places simply to belong? The scene isn't disappearing It would be wrong to suggest that Brighton's LGBTQ+ nightlife is simply dying. It isn't. The city still has established venues including Revenge, The Queens Arms Brighton, Affinity Bar and others, alongside a wider ecosystem of queer events, performers, promoters and community organisations. And there is clearly still an appetite for LGBTQ+ nightlife. Revenge continues to operate as a major late-night LGBTQ+ venue, while Brighton's broader nightlife scene continues to attract visitors throughout the year. The issue is therefore not necessarily whether there will be an LGBTQ+ scene in Brighton. It is what that scene will look like. The next generation may want something different Perhaps Brighton's LGBTQ+ nightlife needs to stop trying to recreate what worked 20 or 30 years ago. Younger LGBTQ+ people have grown up in a completely different world. They may be more comfortable meeting people online. They may drink less. They may have less disposable income. They may be more interested in experiences than simply drinking alcohol. And LGBTQ+ identity itself has become broader and more diverse. The traditional "gay village" model — a concentrated collection of gay bars aimed primarily at a gay male audience — may no longer represent the whole community. There is an opportunity here. Imagine more queer cafés, LGBTQ+ cultural spaces, comedy nights, book clubs, live performances, sober events, community gatherings, daytime events, creative spaces and mixed-age venues. Imagine places where someone can walk in alone and actually meet people. Imagine nightlife that doesn't necessarily begin at 10pm and end at 4am. That could be the future. Could Brighton become more event-led? One possible future is a move away from permanent venues being the centre of everything and towards events and experiences. Instead of relying on the same handful of LGBTQ+ bars every weekend, Brighton could see more temporary events taking over different venues. Queer DJs in mainstream clubs. Drag brunches. LGBTQ+ comedy. Pop-up parties. Queer film nights. Community dinners. Art exhibitions. Cabaret. Fitness and wellbeing events. Daytime parties. Outdoor events. The advantage is flexibility. Promoters can create something specifically for a particular audience rather than trying to make one venue appeal to everyone. But there is a downside. A permanent LGBTQ+ venue provides something an occasional event cannot: a home. And that may be the thing Brighton needs to protect. So, what is the future? The closures of R-Bar and Charles Street Tap should perhaps not be viewed simply as evidence that Brighton's LGBTQ+ scene is dying. Instead, they should be seen as a warning that the old model is under pressure. The future will probably involve a mixture of established venues, new businesses, pop-up events, community spaces and online communities. But there is a question Brighton needs to answer. Do we want an LGBTQ+ scene that exists mainly for Pride weekend and occasional big nights? Or do we want an LGBTQ+ community that has somewhere to meet, socialise and feel at home throughout the year? Because the strength of Brighton's LGBTQ+ scene has never really been about the number of bars. It has been about the people inside them. The city has always had a slightly rebellious, chaotic, welcoming and wonderfully queer character. The challenge now is making sure that character survives as nightlife, economics and people's habits change. Maybe the future isn't about bringing back the Brighton nightlife of the past. Maybe it's about creating something better for the next generation. But if the city is serious about remaining one of Britain's LGBTQ+ capitals, it will need to make sure that community doesn't become something that only happens once a year. What do you think? Are Brighton's LGBTQ+ nightlife habits changing? Do people still want traditional gay bars and clubs, or are we looking for something different? Has Pride strengthened the scene — or changed it beyond recognition? And most importantly: what should Brighton's LGBTQ+ nightlife look like in 2030?

Thinking of doing Pilates then check out our beginers guide A Beginner’s Guide to Pilates: Strength, Balance, and Body Confidence Pilates has quietly become one of the most loved forms of movement across the UK—and for good reason. It’s low-impact, adaptable, and deeply effective at building strength, improving posture, and helping you reconnect with your body. Whether you’re stepping into a studio for the first time or rolling out a mat at home, Pilates offers something powerful: a way to move that feels good, not punishing. For LGBTQ+ communities especially, where relationships with body image, identity, and wellness can be complex, Pilates can be a refreshing, affirming approach to fitness. What Is Pilates? Pilates is a form of exercise that focuses on controlled movements, breath, and alignment. Developed in the early 20th century, it centres on strengthening your “core”—not just your abs, but your back, hips, and pelvic floor. Unlike high-intensity workouts that prioritise speed or calorie burn, Pilates is about precision. Every movement has a purpose, and even small adjustments can make a big difference. Why Pilates Works Pilates isn’t about chasing a particular body type—it’s about building a stronger, more functional one. Some key benefits include: Improved posture: Ideal if you spend long hours at a desk or on your phone Core strength: Supports everyday movement and reduces injury risk Flexibility and mobility: Helps you move more freely and comfortably Mind-body connection: Encourages awareness and presence Low impact: Gentle on joints, making it accessible for many fitness levels Getting Started You don’t need much to begin—just a mat, comfortable clothing, and a bit of space. 1. Learn the Basics Start with foundational moves like: The Hundred (a breathing and endurance exercise) Roll-ups (for spinal mobility) Leg circles (for hip stability) Focus on form rather than reps. Slower is better. 2. Try a Class If you can, attend a beginner class—either in person or online. A qualified instructor can help you understand alignment and avoid common mistakes. Many studios across the UK now offer inclusive, queer-friendly spaces, or explicitly state their commitment to welcoming all bodies and identities. 3. Build Consistency Two to three sessions a week is a great starting point. Even 15–20 minutes can be effective if done mindfully. Pilates and Body Confidence Fitness spaces haven’t always been welcoming to LGBTQ+ people. Pilates, however, often feels different. Its emphasis on internal strength rather than external appearance can help shift the focus away from how your body looks and toward how it feels. This can be particularly meaningful for: Trans and non-binary people navigating body changes Anyone healing from body image struggles Those seeking a non-competitive, supportive environment Pilates encourages you to meet your body where it is—no comparisons, no pressure. At-Home vs Studio Pilates Both options have their advantages: At-home Pilates Flexible and convenient Often more affordable Great for privacy and comfort Studio Pilates Access to equipment like reformers Real-time guidance from instructors A sense of community Choose what feels safest and most motivating for you. Tips for a Positive Experience Listen to your body: Discomfort is okay; pain is not Breathe deeply: Breath is central to every movement Avoid perfectionism: Progress takes time Seek inclusive spaces: Look for instructors and platforms that reflect and respect diversity Final Thoughts Pilates isn’t about transforming into someone else—it’s about becoming more connected to yourself. In a world that often tells LGBTQ+ people how they should look or move, Pilates offers a quieter, kinder alternative. It’s not just exercise. It’s a practice of strength, awareness, and self-respect. And that’s something worth showing up for.

You’ve built a strong presence as a model and pageant titleholder — what first inspired you to step into the world of LGBTQ+ representation and visibility? What inspired me is that watching RuPaul drag race, seeing all the queens from different cultures and being able to be themselves and tell their stories on how different cultures accepts the LGBTQ+ communities and how inspiring every story is. Also the modelling industry and the pageant industry works with a lot of gay men, watching gay men in Pageantry, modelling and how they strut the stage, it really inspired me to do the same today. I believe that being yourself is more beautiful and to be able to show the world that you are brave and strong with being your unique self. I also wanted to show young gay men that it's ok not to accepted because you are not alone as there is others who struggles like you and that you don't need to hide for yourself who you are. As i have a learning disability also, so i wanted to challenge my self that my disability is my ability to shine today. Winning the titles of Mr Diamond Ireland and Mr Shining Light UK Forever is a major achievement. What did those moments mean to you personally and professionally? Those moments that is something I will always carry with me and being able to be my self on stage and wear my evening gown is the most memorable moments of my life, i wouldn't change it for the world, its not just achievement, it is a long lasting life time memory. As I almost cried because I could step on stage and shine the unique person i am today. How has your experience in the modelling industry shaped your confidence and identity as an LGBTQ+ individual? My experiences in the modeling industry has shaped, my confidence and identity in so many ways, they made me very individual, they made me stand out, I have been very clear and it shows, I have been bold on my choices on my style and creative ideas as it shows on the photos and poses that I do. I'm very confident in my own skin and will not turn away from any challenges and not scared to be myself and proud to be an LGBTQ and I show these into my work and my confidence just grows every single time In a photoshoot and I like to stand strong as an LGBTQ+ and be confident in my own images and for others that feels the same way and that needs confidence I hope to inspire every young gay guy out there. With all the experiences in the modeling industry It has given me confidence to want inspire in many individuals. Representation matters deeply in media and fashion. What changes would you still like to see within the UK modelling and entertainment industries? I would really love to see more paid jobs for the freelance models, seeing more short models on the runway. Giving more opportunities for people to shine. To have more queer representations both modelling industry and entertainment industry. I also want to see more story's of queer individuals on tv, commercials and interviews. Being in entertainment industry we want not just a story but a person who has came from different background not just to inspire others but show as individuals that their not the only ones going through what you go through in life. Social media plays a huge role in personal branding today. How do you balance authenticity with maintaining a public image online? I've always stayed true to my self by just being honest to all the things I post on social media, not just being professional but being authentic me also showing it all in my images on how I create my photos and videos that's all me just being myself . I don't always keep it professional because I'm a human being too and i like to be authentic to myself. Is what you see and is what you get and I'm proud of that and post what's on your mind and how you feel. Have you faced any challenges or discrimination during your journey, and how did you overcome them? I was discriminated as a model by a photographer saying that my work was too gay and the photographer didn't want to work with me. I didn't let that take my shine away so I continued to to show others that breaking boundaries and being unique in your own creative way was more beautiful, I stand up for myself and what I believed in because people's opinions they don't matter as long your happy for who you are and what you create in your platform. Not many agree for the things you do but as long other's believes In you and they get inprsied by you then don't let others opinions affect you because you make a difference in someone's lives. What message do you hope young LGBTQ+ people take away when they see your work and achievements? I want the young LGBTQ+ to take away from this is to never be afraid to be yourself, to challenge yourself and be confident in your own skin. Stand up for what you believe in because this will help you along the way with the direction you want to go to. Always just be honest to all the people you meet and work with. Do a lot of research and explore different types of genre in modelling. In Pageantry find the right pageant system that suits your personality and how you want yourself to be represented. Never let anyone dim your light, always just keep moving forward and surround yourself with good people who truly accepts you for who you are. Also take sometime for yourself to look after your own mental health and find to recharge yourself and don't burn out. Beyond modelling and pageantry, are there any advocacy projects, charities, or community initiatives you’re passionate about supporting? This year I have won the title Mr Diamond Ireland 2026 and I'm truly excited to be able to fundraise for my chosen charity which is The Rainbow Project which is a charity that supports lives in the LGBTQ+ community in Northern Ireland . The charity that is close to my heart and I truly care for, as a gay men supporting this charity and being able to make a impact and raise that awareness in the community is something I truly value because as part of the LGBTQ+ community we face so many challenges and discrimination in different parts of the world . The service they provide for the community Co-cultural counselling •Hate Crime Advocacy •Free sexual health testing and advice •Trans Swimming Project •Cancer Champions •Gay Ethnic Community •Campaigning for a better Northern Ireland for our LGBTQ+ community The LGBTQ+ community in the UK continues to evolve culturally and politically. What conversations do you think are most important right now? While the LGTBQA community within the UK and Ireland has developed a rich community culturally, there is still work to be done politically. While we have grown past the shadows of the past, and have been accepted by the wider community, there is still political work to be done, particularly supporting the Trans community. We need to be politically active and more politically aware of the struggles our Trans friends still face. We cannot sit by while bigoted views regarding puberty blockers and antiquated views on biological sex still pose real threats to their true identities. Hate crimes against Trans individuals and against our whole community still loom large, especially here in Northern Ireland. It’s important that we all continue to work with local and national advocacy groups and political parties until we are all safe from prejudice. Together we can work to not just have pride in ourselves, but pride in our shared community, and pride in the future of our country. Looking ahead, what are your next goals — whether in modelling, media, advocacy, or personal growth? My goal is to work hard on my Pageant journey, make a lot of appearances and to raise awareness that being your unique self is more beautiful and raises as much money for my chosen charity before i go to the international stage next year to complete for an international title and to represent Ireland, Northern Ireland and the Philippines in the international stage also in modelling to keep breaking those boundaries and keep creating ideas that brings out the best of me.

You've travelled from Australia to build your career in Europe. How has that journey shaped your sound, and what have you discovered about the different dance music cultures along the way? It's reshaped everything, honestly. Australian club culture gave me my foundation — that sense of freedom and community on the dancefloor. But European audiences listen differently; there's a depth of house music history here that sharpens you as an artist. I've found that the emotional language of the dancefloor translates everywhere, even when the cultural details differ. That universality is something I've come to really value. You've spoken about house music as a force that connects people. What is it about house that creates such a powerful sense of unity on the dancefloor? There's something about the repetition and the groove — it pulls people into the same rhythm, literally and emotionally. House music doesn't ask you to perform or impress anyone; it just asks you to move and connect. That simplicity is what dissolves the barriers between strangers and turns a room full of individuals into something collective. The dancefloor has long been a sanctuary for LGBTQ+ communities. What responsibility, if any, do DJs have in protecting and nurturing those spaces today? A real one. The dancefloor has always been one of the few places where queer people could exist completely freely, and that's not something to take for granted — especially now. As a DJ, I see it as my job to protect that energy: to read the room, hold space, and make sure the set itself reflects safety, freedom, and joy rather than just entertainment. Your sets often feel like they're telling a story rather than simply playing tracks. How do you approach creating an emotional journey for your audience? I think about a set the way you'd think about a narrative arc — tension, build, release, reflection. I'm reading the crowd constantly and adjusting in real time, but I always want there to be a sense of movement, not just a string of good tracks. The three-deck mashups help with that — they let me create transitions and emotional shifts that feel unexpected but intentional whilst providing that future nostalgic feeling that takes people back to a time that they fondly remember. Many people describe dancing as a spiritual or healing experience. Have you ever witnessed a moment behind the decks that reminded you just how transformative music can be? Many times, but there's always a specific kind of moment — where you look out and see someone completely lost in the music, eyes closed, hands-in-the-air, just present. You can feel when a track has reached past the surface and touched something real in people. Those are the moments that remind you why this work matters and its not just pushing buttons and turning knobs! House music was born from Black, queer, and underground communities. How important is it for today's artists to honour those roots while continuing to evolve the genre? I think it’s essential. House music exists because of those communities, and that history isn't a footnote — it's the foundation of everything the genre has become. As artists evolve the sound, I think it's important to stay conscious of where it came from and who created the culture we get to be part of, rather than treating it as something disconnected from its origins. As an Australian living and performing across Europe and the UK, what differences have you noticed in club culture, and what lessons do you think each scene could learn from the other? The geography really does shape the culture. In Europe and the UK, you've got Ibiza, Amsterdam, and decades of house music history right on your doorstep — labels like Defected and Glitterbox have built entire movements around that proximity, and audiences have grown up immersed in it. There's a real appetite for discovery; people come out wanting to hear something new. Australia's distance from that ecosystem creates a different relationship with the music. Commercial radio plays a bigger role in shaping what people want to hear on a night out, so there's often a preference for familiarity over exploration. I understand why — without that constant exposure to the wider house scene, it's harder to build the same culture of discovery. If anything, I'd love to see more of that European appetite for new sounds find its way into Australian clubs — there's so much incredible music being made that deserves a wider audience there too. The electronic music world is changing rapidly with social media, streaming, and AI. What do you believe will always remain irreplaceable about the shared experience of a live dancefloor? The physical, collective presence of it. No algorithm or screen can replicate the feeling of being in a room where everyone's nervous system is synced to the same rhythm. That shared, embodied experience is something technology can amplify but never actually recreate. Pride celebrations are often filled with music, joy, and community. What does Pride mean to you personally, and how does that influence the energy you bring to your performances? Pride is about visibility and unapologetic joy — being fully yourself without needing to explain it. But what I think about just as much is belonging, and making sure that belonging extends to everyone in the room, including our allies. The dancefloor works best when it doesn't feel like a space you have to qualify for — when straight friends, family, and allies who show up to celebrate with us feel just as woven into he energy as anyone else. That's something I try to carry into every Pride set. It's not about creating an exclusive moment; it's about creating a genuinely inclusive one, where the joy and freedom we as a community have always found on the dancefloor is something everyone in the room gets to feel part of. That's when Pride is at its most powerful — when belonging isn't conditional, it's just the atmosphere of the whole night. If someone stepped onto one of your dancefloors carrying the weight of the world, what would you hope they felt by the time your final track faded out? Held, even if just for those hours. I'd want them to leave feeling like they'd been part of something, like whatever they walked in carrying had space to loosen its grip, even briefly. That's the quiet power of a good night — it doesn't fix anything, but it reminds you that release and connection are still possible. Finally, what's next for DJ Du Jour? Are there any upcoming releases, collaborations, or performances you'd like the g10 Group audience to know about? There's new music on the way, building on the direction I set with "You See Me," along with a growing run of performances across Europe this season. I'm especially focused on continuing to show up in queer and Pride spaces — those rooms mean the most to me, and that's where I want to keep deepening my presence.

For anyone discovering you for the first time, how would you describe Valium Ssky and the world you’ve created around your persona? I created my drag persona around the fact that Queerness has always been villainised in the media, so I reclaimed that power and created “Valium Ssky, the self proclaimed purple supreme witch of South African drag” She’s a blend of 90’s horror icons like Elvira and Disney villains like Ursula and Maleficent with my own personal touch. This allowed me to create an entire fantasy world surrounding my drag persona, a backstory that I’ve been writing and would one day hopefully be able to release to the public as well What first inspired you to get into drag and performance, and was there a particular moment when you knew this was something you wanted to pursue seriously? I was around 16 years old when I first got introduced to the world of drag by some close friends. At that time season 4 of Rupauls drag race was airing and I immediately knew that this would be something I would like to pursue. So I started creating my persona in my head and at 18 when I finished school, I started experimenting slowly but surely, now 12 years later I’ve grown my brand to the point where I perform consistently and recently released my debut single “Valium Ssky - SAY MY NAME” Your name and persona certainly make an impact — where did “Valium Ssky” come from, and what does the name mean to you? When I started experimenting with drag at age 16 (2012) I had a different name planned, originally I was “Cyber Candy”, “Candy” for short. However that didn’t feel right to me. It was a journey, but I was very involved with the alt queer scene and listened to now controversial queer music. One artist had a song called “beauty killer” with the line “Doll eyes looked up to Valium coloured Skies” and I took Valium Ssky from there, Valium like the anti depressant and Ssky like the vodka, except I have two S’s and not two Y’s for trademark purposes became my calling card and it stuck. How would you describe your style and aesthetic, and how has that evolved since you first started performing? I would describe my style as Alternative queer with a splash of glamour. As I mentioned before I was very involved with the alternative queer scene and inspired by icons like Elvira, Divine, Vampira etc along with Disney villains like Ursula, Malificent, the Evil Queen and Cruella Deville. So I mixed all that together and created a persona that originally was very “club kid” until I evolved over the years into a more glamorous version of myself. Drag can be both hugely empowering and incredibly demanding. What has performing taught you about confidence, identity and being comfortable in your own skin? Personally I believe when you’re passionate about something you sometimes forget about how demanding it can be. The hours of prep work and all the money spent on outfits and makeup feel worth it when you’re on that stage and see the smiles from the audience and hear their applause. As a non binary person, drag has allowed me to both express my masculine side in everyday life and my feminine / creative side on stage and I’m so grateful to be able to do that professionally. In many ways, drag is a career that saved my life in so many ways. How important is LGBTQ+ representation to you, particularly at a time when queer culture and visibility continue to be debated and challenged? Drag to me has and will always be a form of protest against those that believe Lgbtqi+ people don’t deserve the right to exist and express themselves and I believe that representation and visibility is now more important than ever. My stance has always been that if I can go out the house in full drag, you can be yourself and be proud to be yourself no matter who you are. I’ve personally been pushing to create queer safe events now for the past year at generally straight venues, whether that be a drag show or hosting a battle of the bands etc. I aim to show people that we can co exist and that our spaces / events are safe spaces for all, if you respect us, we respect you and we are all human at the end of the day. Wrapping up this question, Lgbtqi+ rights are human rights and representation and visibility matters now more than ever. Show up and show out because without knowing it, you can change a life and that matters. Who are the performers, artists or LGBTQ+ figures who have inspired you, and what is it about them that resonates with you? I’ve already mentioned the horror hostesses and Disney villains, so other than that. I’ve been inspired like any other queer person by some pop divas like Lady Gaga and Madonna, their ability to continually reinvent themselves and the way that their performances are pure art brought to life really resonates with me. Then obviously some mainstream drag personalities like Alaska, Bob the drag queen, the Vivian (rest in peace), Manila Luzon, to name a few have inspired me over the years to push forward and hone my craft. But my favourite artist at the moment would be Ashnikko, her music and personality really resonates with me and inspires me, also, we were born on the exact same day 19 February 1996. Beyond the glamour and performance, what do you think people misunderstand about the reality of being a drag artist today? I feel like allot of younger drag performers have this misconception that drag is all fun and spotlights and don’t really realise the hard work, long hours and resilience it takes to actually be a working drag queen. It’s not always easy and it’s very political at the end of the day, also since drag has become mainstream it seems like everyone has become a critic on the matter. Good drag is not always what you see on reality TV, sometimes it’s much better in person. So support local drag. If you could use your platform to change one thing about the way LGBTQ+ people are seen or represented, what would it be? Coming from a still mostly conservative country, I always strive to show that at the end of the day, people can get to the point of understanding that we are all just people in the same pressure cooker we call live and that we all are fighting the same act of survival every day. LGBTQIA+ people just want to co exist as equals in today’s society and there are way more serious issues in the world than obsessing whether someone fits your norm. It’s sometimes sad to think that through misconceptions we are classified along people that truly harm society while most of us just aim to spread love and light. Looking ahead, what can we expect from Valium Ssky — and what is the dream project or opportunity you’d love to make happen? Right now I’m focusing on my music career along with creating safe spaces for all of us to come together and enjoy a good drag show. I am hoping to continue releasing a few more songs this year, including some very fun collaborations that I’m already working on, so watch this space. In a complete fantasy situation I would love to be seen by my favourite artist Ashnikko and to one day be able to collab with her. (So if anyone reading this knows someone, please make it happen) or to one day get to the level where I’m booked internationally would also be a dream come true for someone that in their early years never thought any of what I’m already doing could be a reality. Closing off I’d like to thank the g10 group for this incredible interview and for these amazing questions that gave me the opportunity to share my thoughts and experiences. To those reading this remember to stream “Valium Ssky - SAY MY NAME” now available on all streaming platforms.

Bare, Brilliant and Body Positive: The Health & Fitness Benefits of a Naked Beach for LGBTQ+ People There is something wonderfully liberating about leaving your clothes, your inhibitions and your worries behind — and for LGBTQ+ people, a day at a naturist beach can offer much more than simply getting an all-over tan. For many LGBTQ+ people, body image can be complicated. We live in a culture where social media, dating apps and popular culture can sometimes create unrealistic expectations about what a supposedly attractive body should look like. Muscular, toned, smooth, youthful and perfectly groomed can sometimes feel like the unofficial LGBTQ+ body standard. A naturist beach can offer a refreshing change. Rather than seeing carefully selected bodies on a screen, you see real bodies: different shapes, sizes, ages, colours and abilities. And importantly, you can begin to realise that bodies don't have to look perfect to be enjoyed, celebrated and accepted. Research into naturism has found associations between naturist activity, more positive body image, higher self-esteem and greater life satisfaction. Research has also found that communal naked activity can reduce anxiety about how our bodies look to other people. So, what can a day on a naked beach actually do for your health and fitness? 1. It can help you become more comfortable with your body Perhaps the biggest benefit is psychological rather than physical. For some LGBTQ+ people, particularly those who have spent years feeling that they don't fit conventional ideas of attractiveness, being naked around other people can initially feel daunting. But that can change. On a genuine naturist beach, nudity is normal. You're not expected to have a six-pack, a perfectly flat stomach, a particular body shape or a certain age. Research by psychologist Keon West found that participation in naturist activities was associated with improved body image and self-esteem, with the researchers suggesting that seeing a wider variety of non-idealised bodies may play a role. For LGBTQ+ people, that can be particularly powerful. Instead of asking "Do I look good enough?", the mindset can gradually become "This is my body — and I'm comfortable in it." 2. Walking becomes exercise without feeling like exercise A trip to a naturist beach doesn't have to involve a gym session. Walking along the shoreline, exploring the coastline or strolling through the dunes can provide a surprisingly good low-impact workout. Beach walking can be more demanding than walking on a flat pavement because sand shifts beneath your feet. Add a swim in the sea and you've got an enjoyable combination of cardiovascular exercise and resistance work. And because you're doing it as part of a day out, it doesn't necessarily feel like traditional exercise. For anyone who finds gyms intimidating or repetitive, a beach can be a much more enjoyable environment to stay active. 3. Swimming gives your whole body a workout Swimming is one of the easiest ways to turn a day at the beach into a fitness session. It works multiple muscle groups while providing cardiovascular exercise, and the water provides resistance without the same impact on joints that some land-based activities can involve. Whether you're swimming lengths, playing in the water or simply taking a leisurely dip, you're moving your body while enjoying the surroundings. Just remember that the sea can be unpredictable. Swim within your ability, pay attention to local conditions and use designated swimming areas where available. 4. It can take the pressure out of body comparison For LGBTQ+ people, body comparison can be particularly intense. Dating apps and social media can put an endless stream of carefully selected photographs in front of us. It's easy to compare yourself with somebody else's best angle, best lighting and best photograph. Naturist environments can provide a different perspective. You see bodies as they actually are — including stomachs, scars, stretch marks, body hair, wrinkles, cellulite and everything else that makes a human body a human body. A 2022 study involving thousands of participants found that naturist activity was associated with greater body appreciation and lower social physique anxiety. That doesn't mean one trip to a beach will magically eliminate body insecurities. But for some people, repeated exposure to ordinary, unedited bodies can help make body diversity feel normal. 5. Sunshine and fresh air can improve the experience There is something naturally restorative about spending time outdoors. Being beside the sea gives you fresh air, natural light and an opportunity to step away from screens and everyday pressures. Research reviewing the relationship between exposure to nature and body image has found evidence suggesting that spending time in natural environments can contribute to healthier body-image outcomes, although the researchers also highlight limitations in the existing evidence. Just don't confuse being naked with being protected from the sun. Nudity does not make you immune to sunburn. 6. It can be good for your mental wellbeing A beach day provides an opportunity to slow down. Walking, swimming, sitting beside the sea, talking to friends and simply switching off can all help create a sense of relaxation. For LGBTQ+ people, a welcoming naturist environment can also provide something particularly valuable: the opportunity to relax without feeling that you need to hide your identity or conform to somebody else's expectations. That sense of freedom can be as important as the physical activity. 7. It can create a stronger sense of community Naturism isn't necessarily about being alone. Many naturist beaches attract people who simply enjoy the freedom of being clothes-free in a natural environment. For LGBTQ+ visitors, some beaches and resorts have also developed reputations for being particularly welcoming to gay and LGBTQ+ travellers. Maspalomas in Gran Canaria is a particularly well-known example, with travel guidance specifically noting its popularity with LGBTQIA+ visitors. Of course, LGBTQ+ people are not the only people who use naturist beaches. The important thing is to respect the environment and the people around you. 8. You don't have to be young, slim or muscular Perhaps this is the most important message. You don't need to look like an Instagram fitness influencer to enjoy a naked beach. You don't need a six-pack. You don't need a gym-toned body. You don't need to remove every body hair. You don't need to look a particular age. You just need to be comfortable being yourself. And that can be a surprisingly empowering experience. g10 Fitness Top 5 LGBTQ+-Friendly Nude Beaches in the UK & Europe There are countless clothing-optional beaches across Europe, so choosing five isn't easy. We've focused on destinations that combine naturist appeal with accessibility, scenery and a reputation for being welcoming to LGBTQ+ travellers. 1. Brighton Naturist Beach — England 🇬🇧 Brighton Naturist Beach It seems only right that Brighton makes the number-one spot. Brighton is one of Europe's best-known LGBTQ+ destinations, and its naturist beach has a special place in British beach history. The beach officially opened as a naturist beach in 1980, making it the UK's first public naturist beach. It is located at the eastern end of Brighton beach, approximately a mile from Brighton Pier towards Brighton Marina. For LGBTQ+ visitors, the combination is hard to beat: a famously inclusive city, the English Channel, a relaxed beach atmosphere and the freedom to enjoy the seaside without clothes. It's also relatively easy to reach compared with many remote naturist beaches. Our verdict: ★★★★★ Best for: LGBTQ+ visitors wanting their first naturist beach experience 2. Maspalomas — Gran Canaria 🇪🇸 Maspalomas Beach If Brighton is Britain's naturist LGBTQ+ favourite, Maspalomas is arguably one of Europe's most recognisable destinations for LGBTQ+ beach culture. The enormous beach and famous Maspalomas dunes provide an extraordinary backdrop, while the area has long been popular with LGBTQ+ holidaymakers. The naturist section is located around the dunes, with both clothing-optional and textile areas nearby. TUI specifically highlights Maspalomas as a popular destination with the LGBTQIA+ community. The climate also makes it particularly attractive for anyone looking for a warm-weather naturist break. Our verdict: ★★★★★ Best for: Sun, sea, dunes and LGBTQ+ nightlife. 3. Cala de l'Home Mort — Sitges, Spain 🇪🇸 Cala de l'Home Mort Just outside Sitges, one of Europe's most famous LGBTQ+ resort towns, Cala de l'Home Mort is a secluded beach with a long association with gay beach culture and naturism. It's considerably more rustic than Brighton or Maspalomas, which is part of its appeal. Getting there involves a walk, but the reward is a more secluded Mediterranean setting away from the main resort beaches. Sitges itself provides an excellent combination of beaches, restaurants, bars, nightlife and LGBTQ+ culture, making it a particularly appealing destination for a longer trip. Our verdict: ★★★★☆ Best for: LGBTQ+ travellers who prefer a more secluded Mediterranean beach. 4. Vera Playa — Almería, Spain 🇪🇸 Vera Playa Vera Playa is one of Spain's best-known naturist destinations and is particularly appealing if you want more than simply a few hours on a beach. The area has a long-established naturist culture, with accommodation and facilities catering to visitors who want a clothing-optional holiday. It offers a different experience from the LGBTQ+ party atmosphere of Maspalomas or Sitges: more relaxed, more traditional and focused on naturism as a lifestyle. Our verdict: ★★★★☆ Best for: A relaxed naturist holiday rather than a single beach day. 5. Cap d'Agde — France 🇫🇷 Cap d'Agde Naturist Village Cap d'Agde is in a category of its own. Rather than simply having a naturist beach, the famous Naturist Village is essentially an entire holiday community built around clothing-optional living. The beach is a major attraction, but visitors can also find accommodation, restaurants, shops and other facilities within the naturist area. Cap d'Agde has been one of Europe's most famous naturist destinations for decades. It's worth remembering that the atmosphere can vary considerably, and visitors should check the current rules and expectations before travelling. Our verdict: ★★★★☆ Best for: Experienced naturists looking for a full naturist holiday experience. The LGBTQ+ Case for Going Bare For LGBTQ+ people, going to a naked beach doesn't have to be about nudity for nudity's sake. It can be about freedom. Freedom from clothes. Freedom from body comparison. Freedom from worrying about whether you have the "right" body. Freedom to swim, walk, relax and enjoy nature. And perhaps most importantly, freedom to realise that there isn't one correct way for an LGBTQ+ body to look. Whether you're a gym regular, a weekend walker, a swimmer, someone trying to become more active or simply someone who wants to spend an afternoon beside the sea, a naturist beach can offer an enjoyable way to combine physical activity, relaxation and body positivity. You don't have to arrive looking confident. Sometimes you become confident simply by giving yourself permission to be yourself. A few naturist beach essentials Before heading off, remember the basics: Take plenty of sunscreen and reapply it regularly. Bring water and stay hydrated. Take a towel to sit on. Check local beach rules before stripping off. Respect other people's privacy — photography of strangers is not appropriate. Don't assume nudity means sexual activity. Naturist beaches are social and recreational spaces. Keep your physical activity within your ability, particularly when swimming in the sea. If you're new to naturism, start somewhere you're likely to feel comfortable and don't feel pressured to do anything you're not ready for. The ultimate fitness goal might not be a six-pack. It might simply be feeling comfortable in the body you already have. This article is for general wellbeing and lifestyle information and isn't a substitute for medical or fitness advice. Naturism isn't a treatment for mental or physical health conditions, although research suggests it may have positive associations with body image and wellbeing

Feature on Kent's first LGBTQ+ cricket group and how you can get involved Kent’s First LGBTQ+ Cricket Team/Club We caught up with ambassador and member Jordan Chan to find out all about the club What first inspired you to get involved with cricket, and how did you find your way to Invicta Icons? As a Director of Swale Pride I was initially approached to attend a Pride Cricket Match at the Canterbury and Kent home ground, which introduced me to the Kent Cricket Foundation, who were keen to make cricket more inclusive across Kent for the LGBTQ+ community, when they launched their 6 session taster programme they reached out for me to help advertise across my platforms that included my own personal and Queer Kent Life (a Instagram page that advertises and creates safe and inclusive spaces, events, prides, businesses and services for the LGBTQ community in Kent) and to attend the sessions. To be honest I didn’t think I liked sports, as a kid PE and sports environments were always toxic and unwelcoming spaces, it wasn’t until I attended the sessions that I found a love for sports and cricket in my adult life. From the sessions and working with allies and members of LGBTQ+ community, Jack Kellam, Marcus Law and Thom Waters (who previously led a temporary LGBTQ+ team to cup victory) the Invicta Icons Cricket Team/Club was created with our own logo, Kit, Instagram and soon to be website. As an ambassador for the club, what does your role involve day-to-day? My role as the ambassador the Invicta Icons involves community engagement and outreach to help spread awareness of the club in the LGBTQ+ community of Kent. I look after the social page, and help with advertisement and getting sponsorship for the club that helps pay for safety equipment, Kit, and training space charges. We offer Gold, Silver and Bronze packages, LGBTQ+ owned businesses and venues that have sponsored are Cafe Nucleus our Gold Sponsor, and La Margate and Margate Beach Club as our silver sponsors with a number of LGBTQ+ venues in discussions to sponsor too. How important is representation in sports, particularly in cricket, for the LGBTQ+ community? Representation and visibility is vital, especially in sports. We hope that raising awareness of the Invicta Icons Cricket Club, that provides a safe, welcoming and inclusive space encourages more people to get involved and discover a love for cricket. There is so much untapped talent in Kent that is awaiting to be discovered! What has been your most memorable moment playing with Invicta Icons so far? My most memorable moment was sharing the news of sponsorship and showing the team their our new logo, banners, Instagram and training kits to show we mean business! The overall experience with this club has been brilliant and I know members of this team will become life long friends. Have you faced any challenges as an LGBTQ+ cricketer, and how has the club helped address them? I’ve been really fortunate that I haven’t come across any challenges within the club and that the club coaches, founders and members look out for one another, and have every confidence that if anything were to occur, they would take immediate appropriate action and safeguard. How do you think inclusive teams like yours are changing the culture of cricket in the UK? We are the first LGBTQ+ Cricket team in Kent and join around small group of other clubs across the country. Having a club in Kent and joining other LGBTQ+ clubs, shows mainstream cricket that there is a need to make cricket more accessible and inclusive! What would you say to someone in the LGBTQ+ community who’s thinking about trying cricket for the first time? If you’re in Kent, come along and say hi, there is no pressure to play or get involved straight away, but come and meet the team, watch us train and play I promise you won’t regret it! What goals or ambitions do you have personally within the sport? My goal is to help the team grow and future proof themselves, creating a safe space for the LGBTQ+ of Kent to learn and play cricket, helping discovery existing and untapped talent, win a cup and show future LGBTQ+ generations and current community that there is space for them! Where do you see Invicta Icons in the next few years, and what impact do you hope it will have? I see the Invicta Icons becoming a fully fledged cup winning LGBTQ+ safe haven and power house in Kent, that is showing mainstream cricket and other sports that the LGBTQ+ community matter, and that inclusivity is vital to ensure everyone has access to sporting opportunities, and should feel safe and shown the same respect and dignity of anyone else to ensure equality for all. www.instagram.com/invictaiconscricketclub

You’ve moved from Australia to London as an emerging queer pop artist—how has that transition shaped your sound and your identity as a songwriter? Growing up in a racist and backwards country like Australia, I often felt very suppressed and shut out from the world. Moving to London, I got to experience being a gay man in a way I never knew was possible. It was like finally seeing in colour! And that's allowed me to write about experiences that are much richer but also from a place of loving myself. Your music often blends vulnerability with high-energy pop production. How do you balance emotional storytelling with creating tracks that are built for the dance floor? When writing, I always prioritise writing lyrics that allow for connection, after all that's what music is about! And the vibe of the song will organically show itself as I develop the song. So even though I may be writing a dance floor track, I often still have lyrics that will evoke emotions and couldn't imagine writing without doing so. As a queer artist, how important is visibility and representation in your work, and how do you intentionally (or unintentionally) reflect that in your songwriting? While telling stories about being a person of colour in my work is important, one of the most crucial aspects of my writing is showing that I am a multi-faceted person. So although I'll write about feeling invisible, I'll still write about feeling sexy. I am not a single faceted person and my stories are never soley focussed about one aspect of my silly gay life! Who are some of your biggest musical or cultural influences right now, and how are they showing up in your current creative direction? Currently I am stanning Rita Ora and Dua Lipa - these two girlies I feel embody the pop music of the noughties. Pop music has evolved so much but I just can't let go of the structures and melodies before the era of TikTok. So in that sense, I still write to traditional structures of the songs that I grew up to. I just loved boy bands and girl groups so much! What has been the most challenging part of building your career independently in the UK music scene so far? I can't name just one because the whole journey is a challenge. Such as an over-saturated market, AI making music and taking space from real human artists and having to rebuild after the pandemic. The biggest challenge though (and I appreciate this isn't specfic to the UK scene) is the constant demand to create social media content when making music is already so consuming. Lastly, the cost of living crisis has impacted live music; people are spending less on entertainment, resulting in fewer performance opportunities. Your new single Madrid (Dance All Summer) is out now—what’s the story behind it, and what inspired its sound and energy? To be honest, I was due for a summer song. I had been performing a previous single, "Chasing Highs," to death! The sound and energy were inspired by my trips to Spain and time spent on the beaches there. I wanted to evoke that distinct feeling when the air smells different, watching the beautiful Spanish men and their inherent cultural link to music. “Madrid (Dance All Summer)” feels like it carries a strong sense of escapism and movement. What does “summer” represent to you in this track? For me, it means being with people I love, with complete freedom to express myself. I look up at the sky and immerse myself in the beauty of the life I've built to lead to this moment on the dance floor. For me, summer in Madrid represents fully giving myself to that moment. How does your songwriting process usually begin—do you start with lyrics, melody, production ideas, or lived experience? I'm sure many artists say this but it changes from song to song. Sometimes I'll hear a new song and want to emulate a similar vibe, other times, I'll start with a hook, and sometimes I'll start with a story. But wherever it starts, I will always want the lyrics, melody, or structure to have a sense of addictiveness. What do you hope queer listeners specifically take away from your music and your journey as an artist? I want my queer listeners to feel their own unique beauty when they listen to my music. Whether it's sexy, imperfect, brave, or insecure - the whole rainbow of emotions is beautiful and I want them to see that in themselves. Looking ahead, what’s next for you after this release—are there themes, collaborations, or sounds you’re excited to explore in 2026 and beyond? I have a few demos already in the works, currently thinking of making an EP called 'Wonderboy' which depicts a more vulnerable side to me but my music always evolves as I make it so we shall see! I'm just excited to be making more delicious pop music!

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