Your sound blends traditional country with a modern LGBTQ+ perspective—what drew you to country music as your primary genre? I think growing up I never felt like the kids around me liked the same music as me, they were all into rock and heavy metal. Then one day I saw a group of people doing a line dancing class to Shania Twain in the local supermarket carpark and I loved her sound. She’s been a big influence on me and my music and a cover some of her songs in my covers set as well. I was a country boy from then. Country has historically had a complex relationship with queer artists. What has your experience been as an LGBTQ+ artist in the UK country scene? I have been quite lucky so far, I haven’t experienced any homophobia at any of my shows, and iv played and queer and straight venues. The only hate I get is online. That used to bother me but its always a faceless profile and iv learnt to just ignore their words now Your new EP is getting attention—what’s the story or theme that ties the project together? I currently have 8 singles out on streaming platforms, and they each have a separate and unique story, so I knew I wanted the EP to have an overall theme and vibe. I also wanted it to reflect what modern country can sound like from a queer perspective. Its sexy and empowering. Can you walk us through the creative process behind the EP? Were there any songs that evolved in unexpected ways? The Day You Don’t Love Me is a heartfelt ballad I wrote after waking up from consecutive nightmares that my boyfriend had broken up with me. I woke up after the third of fourth time of having this same nightmare and knew I needed to write the song. It explores who you are when the person you love does love you anymore and I think it’s very beautiful and raw. On the flip side of that, Boys In The Barn, my sexy rodeo song on the EP was written based off a fantasy I have when I was drunk in park. Inspirations comes in all different forms! Is there a particular track on the new EP that feels especially personal or important to you? Why? Apart from The Day You Don’t Love Me, for obvious reasons mentioned above, I would say the lead song from the EP, He’s The Devil. It perfectly captures the vibe of the EP and with the help of some amazing friends, @matt1981h and @stefanowithef, it became the song to my first ever music video which is out now on YouTube. I’m very proud of it! How do your personal experiences influence your songwriting, especially when it comes to identity and storytelling? When I write music, the story always comes first. I want to take the listener on a journey. Almost all of my songs are drawn from personal experiences, whether its growing up in a small town, dealing with heartbreak, or facing adversity. I aim to make every story feel authentic and personal, so the listener can truly connect with it. Who are some of your biggest musical influences, both within country and outside of it? Shania Twain is a given, I think she’s amazing! I have also been really inspired by Lainey Wilsons’ story, especially how she was living in her camper trailer for 10 years while she constantly tried to break into the industry. That kind of perseverance is really empowering as a new. I’m also deeply inspired by musical theatre, which is why I love incorporating of drama into my own music. The UK country scene has been growing in recent years—how do you see your role within it? I love that the UK country scene is growing in popularity. I hope to be a big part in making sure that, as it grows, it does so inclusively, so everyone feels they have a voice and can find home in a country song. After all, “Y’all Means All.” (that’s one of my songs ) What do you hope listeners—especially queer listeners—take away from your music? I hope my listeners feel a sense of community from my music; I am small enough that I respond to every comment and I want to get to know my audience. I aim create a community that supports each other through music. I hope my music empowers them, gives the strength, and brings them joy. Looking ahead, how do you want your sound and message to evolve after this EP? I have so many plans already before the end of the year, I have new music after the EP, a UK pride tour and a Christmas EP all in the works. I’m constantly learning, evolving, and pushing myself to be better. I can’t wait to see where all this hard work takes me! https://youtu.be/GupALL678vc?si=XcE9BLxOIn9Qe42H https://open.spotify.com/artist/757uBkhdjpYHxyMtLuTpNC?si=ylzjGHc1QqebV_13HDG3Tg

Guide to the first ever Trans Pride Kent event taking place in 2026 First Ever Trans Pride Kent to Take Place in Canterbury On Saturday 28 March 2026, Kent will host its first ever Trans Pride Kent, a landmark community event celebrating transgender, non-binary and gender-diverse people across the region. The historic gathering will take place at Westgate Hall in Canterbury, bringing together members of the LGBTQ+ community, allies, organisations, and activists for a day focused on visibility, celebration, and support. A Historic First for Kent Trans Pride Kent marks an important milestone for LGBTQ+ communities in the county. While Kent already hosts several Pride celebrations, including Pride Canterbury, this will be the first Pride event in the area dedicated specifically to transgender, non-binary, and gender-nonconforming people. The event is designed to celebrate and uplift trans communities while also creating a safe and inclusive space for connection, education, and empowerment. Organisers describe it as a grassroots pride that aims to bring together community services, performers, activists, and local organisations. What to Expect on the Day Running from 10:00am to 4:00pm, the event will feature a range of activities and community-focused opportunities. Attendees can expect: Community and support service stalls Guest speakers and panel discussions Live performances and entertainment LGBTQ+ organisations and advocacy groups Opportunities to network and connect with local support services The event aims to highlight the resources available to transgender and gender-diverse people across Kent while creating a vibrant atmosphere of celebration and solidarity. A Grassroots Community Pride Trans Pride Kent has been developed as a community-led initiative, rooted in grassroots organising. Beyond the main venue activities, the event also intends to create safe spaces across the city through a fringe-style programme supported by LGBTQ+-friendly venues and organisations. By building partnerships with community groups and activists, organisers hope to strengthen local networks that support trans and non-binary people throughout the region. Visibility and Community Support Events like Trans Pride Kent play an important role in increasing visibility and fostering acceptance. Across the UK, trans-focused Pride events have grown in size and influence in recent years as communities continue advocating for equality and representation. Trans Pride Kent aims to bring that same energy and solidarity to the South East, creating a space where people can celebrate identity, share experiences, and build community. A Pride for Everyone Although centred on transgender and non-binary voices, the event is open to the wider LGBTQ+ community and allies who want to show support and stand in solidarity. Tickets for the event are free, though registration is required due to limited capacity. For many attendees, the day will represent more than just a celebration — it will be a moment of recognition, belonging, and community building. Looking Ahead As the first event of its kind in the county, Trans Pride Kent has the potential to become a significant annual moment for LGBTQ+ people in the region. With increasing visibility and community support, organisers hope this inaugural celebration will lay the foundation for future events and continued advocacy. On 28 March 2026, Canterbury will become a place where pride, resilience, and community come together — marking the beginning of a new chapter for trans visibility in Kent.

Your Summer, Your Body, Your Rules: A Realistic Guide to Feeling Fit and Confident As temperatures rise and holiday plans start appearing in the group chat, many of us begin hearing the phrase “summer body” thrown around online. Social feeds fill with workout transformations, diet challenges, and unrealistic beauty standards that can leave people feeling pressured rather than empowered. At g10 Group, we believe getting “summer ready” shouldn’t mean shrinking yourself, starving yourself, or chasing perfection. Fitness is personal. Confidence is personal. And your body deserves care all year round — not punishment for a season. Whether you want to improve your energy, feel stronger, build confidence at the beach, or simply establish healthier habits, here’s how to approach summer fitness in a way that actually supports your physical and mental wellbeing. Redefining the “Summer Body” Let’s start with the truth: every body is already a summer body. Fitness culture has historically excluded LGBTQ+ people, especially those who are trans, non-binary, plus-size, disabled, or simply don’t fit conventional beauty standards. The pressure to look a certain way can become overwhelming, particularly during summer when bodies are more visible and social comparison intensifies. Instead of focusing purely on aesthetics, try reframing your goals around how you want to feel: More energised? More mobile? More confident? Less stressed? Stronger physically and mentally? That mindset shift can completely change your relationship with exercise. Start With Movement You Actually Enjoy You do not need to spend hours in the gym lifting weights while drinking expensive protein shakes. The best fitness routine is one you can realistically maintain. Some LGBTQ+ people may feel intimidated in traditional gym environments, especially if they’ve experienced judgment, harassment, or body dysphoria. The good news is fitness can happen anywhere. Try: Walking with friends Swimming Dance workouts Yoga or Pilates Cycling Home workouts on YouTube Hiking Recreational sports Queer-friendly fitness classes Movement should feel supportive, not like a punishment. Fuel Your Body — Don’t Fight It Extreme diets and “detox” trends dominate social media every summer, but they rarely lead to long-term health. Instead of cutting out entire food groups or obsessing over calories, focus on balance: Eat enough protein to support energy and muscle recovery Include fruits and vegetables regularly Stay hydrated, especially during hot weather Avoid skipping meals Allow yourself treats without guilt For many LGBTQ+ people, body image struggles can overlap with mental health challenges or disordered eating patterns. If your relationship with food feels stressful or controlling, speaking to a healthcare professional or registered nutritionist can help. Sleep and Stress Matter More Than You Think One of the most overlooked parts of fitness is recovery. You can work out every day, but if you’re sleeping poorly and living in constant stress, your body and mind will struggle to feel their best. Aim for: 7–9 hours of sleep Time away from screens Rest days between intense workouts Activities that reduce stress, such as meditation, journaling, or spending time with supportive people Confidence grows faster when your nervous system feels safe and rested. Fitness and LGBTQ+ Mental Health For many queer people, summer can bring mixed emotions. Pride season may feel empowering for some and emotionally exhausting for others. Social expectations around appearance can increase anxiety, especially on dating apps or in nightlife spaces. Remember: You do not owe anyone a certain physique Progress is not linear Comparison online is rarely reality Your worth is not measured by abs, weight, or clothing size Fitness should improve your quality of life — not damage your self-esteem. Small Changes Create Long-Term Results Forget “30-day transformations.” Sustainable progress usually comes from consistent small habits: Taking daily walks Cooking more meals at home Drinking more water Stretching regularly Moving your body a few times a week Those habits add up over time and are far more realistic than crash programmes. Confidence Looks Different on Everyone Some people feel their best after building muscle. Others feel empowered simply becoming more active or improving their mental health. There is no universal version of confidence. This summer, try focusing less on becoming “beach body ready” and more on becoming comfortable in your own skin. Wear the outfit. Go to the beach. Take the photo. Enjoy the moment. Your life should not start after you hit a certain weight or look a certain way. Getting fit for summer doesn’t need to involve shame, impossible standards, or toxic wellness culture. The healthiest approach is one rooted in self-respect, balance, and realistic goals. At the end of the day, confidence comes from caring for yourself — not punishing yourself. And no matter your shape, size, gender identity, or fitness level, you deserve to enjoy summer exactly as you are.

Your music blends industrial, electronic, and experimental sounds. What inspires you to create such a unique sonic world? It's important for me to be progressive. The futurism of sound is so exciting to me and I love exploring its possibilities. How far can you push a frequency? How distorted can a kick drum become before it turns into something completely new? A lot of my music comes from experimentation and accidents. There are all these unwritten rules about how songs are "supposed" to be made but I've never been interested in following them. I don't think there are any rules in art. My philosophy with making music feeds into the sonic world I create. I'm drawn to futurism, subversion, and this digital, almost synthetic feeling but it has to have an organic backbone. I'd describe my music as post-genre because I'm influenced by so many different sounds, although deep down I love hardcore electronic music. Glitch, noise, chaos and distortion feel incredibly cathartic to me. Ultimately, I think I'm just expressing what's going on in my brain. Making music is therapeutic, and the sound reflects that. Your stage name, Baby Tap, is memorable and intriguing. What's the story behind it, and what does it represent to you today? Baby Tap is pretty self-descriptive when you think about it. It's about tapping into the baby within: embracing that childlike part of yourself that's instinctive, playful, carefree and silly. I've always loved heavier music scenes like industrial, punk, digital hardcore and noise, but the name "Baby Tap" was my reaction to how serious, pretentious and masculine a lot of those spaces could feel. I love the juxtaposition of having this really playful name attached to such intense music. It still makes me laugh. More than anything, it's a reminder not to take myself too seriously. We all have an inner child, and I don't think becoming an adult means we have to lose that part of ourselves. Life is hard enough as it is. I actually think it's really important to stay silly. How has being part of the LGBTQ+ community shaped your music, performance style, or artistic journey? Where do I begin? Being queer is a huge part of my artistry. It's probably the biggest part of it, actually. As a queer man making rap and hardcore music, I naturally challenge a lot of the expectations those genres have carried for years. There are traditions within those scenes that have often centred masculinity in a very narrow way, so of course I'm going to flip that on its head. That's part of who I am. To me, being queer and being punk as fuck are completely intertwined. Both are about ripping up the script you've been handed and creating your own. Finding the freedom to be whoever I want to be goes hand in hand with the freedom I feel as an artist. They're impossible for me to separate. None of that would have been possible without the queer community. I can't begin to express how much the people around me have influenced me or how much love, hope and strength they've given me. I'm incredibly lucky to know the people I do, and I'm grateful for them every single day. Your visual aesthetic is just as striking as your music. How important is fashion and self-expression to your identity as an artist? Oh, thanks! Music always comes first, but it's all about identity, isn't it? Self-expression is incredibly important to me. Of course, from a branding perspective an image matters but I think it's boring and a bit soul-destroying if that's the only way you look at it. For me, it's much more personal. It's expression. It's drag. It's fantasy. People decorate their cars and their homes so why shouldn't they decorate themselves? I'm an artist, but I'm also a piece of art. The paint on my face, the shoes I wear, whatever I choose to put on my body — it can all express a feeling or make a statement. It's powerful. I remember when I was a kid, an adult criticised me for looking "like a cartoon." I rejected that idea immediately even though I was probably 8 years old. I remember looking at myself in the mirror and thinking, why wouldn't I want to be a cartoon? Cartoons are fucking joyful and the most fun! Why wouldn't I want to be a colourful character? How oppressive to think otherwise! My life experiences have created a character that is me, so I'm going to let myself be it, whatever it is. Sorry, but you're probably never going to catch me in boot-cut blue Levi's and a plain T-shirt. Not because there's anything wrong with that — I just wouldn't feel like myself. What message do you hope queer fans take away when they experience your music or see you perform live? That it's okay to be yourself unapologetically. Growing up queer, you're taught to make yourself smaller or quieter, to fit into whatever version of yourself makes other people comfortable. I want my music and my live shows to do the opposite. I want people to feel like they can take up space, be loud, be weird, be vulnerable, be joyful — whatever feels true to them. You've spoken about the importance of queer spaces and community. What changes would you like to see for LGBTQ+ artists in the UK music scene? I mean... I actually love it. I come across new queer artists and performers all the time, and they're incredible. They make me so happy. The changes I want to see for LGBTQ+ people are from the government and they boil down to basic human rights. As for the UK music scene? I think it fucking slaps. The biggest problems I see within music aren't exclusive to queer artists — they affect all musicians. Streaming has fundamentally changed how artists are discovered and paid, and so many of the platforms and opportunities musicians rely on have become increasingly monetised. It can feel like you have to pay just to be seen. I think we hit a bit of a sweet spot maybe fifteen years ago and it's been a tougher landscape ever since. I'm still optimistic though! There are so many brilliant artists making exciting, boundary-pushing work. That creativity hasn't gone anywhere. Your latest music feels deeply personal while remaining experimental. How do you balance vulnerability with creative freedom? I'm glad you said that! My new album is probably the most personal record I've written to date. Without sounding egotistical... well, I guess the album is about the ego. I wanted to talk about myself — to explore how I feel, how I'm doing, and who I am. Why not? It's so easy to overthink what you're making, but I've been trying to shut those voices up and trust myself more. I've been working on my imposter syndrome, and I know that if I love the music I'm making and it feels truthful to me, that's enough. I'll be as vulnerable or as vapid as I want — that's my business. It's my art, and it's going to be whatever I want it to be. Ultimately, I don't think about it. Full stop. I don't think creativity works like that. For me, it's instinct. It's intuition. I just follow where it wants to go and I have to trust whatever it is. Social media has become an essential tool for artists. How do you stay authentic while navigating the pressures of being online? Ugh, social media sucks sometimes. I genuinely find it bad for my mental health, so I'm learning not to take it too seriously or spend too much time on it. It's great that we have these platforms where we can express ourselves, be cute, and share our work, but they're also tools for building a career. I've only recently started thinking about it that way, and it's actually been quite fun. I have a product, which is my music, and I have a brand, which is me. I'm going to use these platforms to get my music in front of the people who'll connect with it. Do I have time or patience for all of them? No, I don't, but I'll do the best I can without stressing myself out. It can be arduous and tedious. You have to step back and ask yourself: How am I going to use this? How am I going to get my music to the right audience? I'm still figuring that part out but I know the music deserves the chance. It's important you don't take other people too seriously either. Comparison is the thief of joy. We're all presenting idealised versions of ourselves online. That's not necessarily a bad thing but there is a lot of fantasy and editing involved. Saying all of that, though, there's an amazing sense of community that transcends oceans. I've met the most amazing people through it and they inspire me every day. If you could collaborate with any LGBTQ+ artist—past or present—who would it be, and what kind of track would you create together? Honestly? I want to make music with my friends. All of them. I want to go round to their houses, press record and see what happens. I want to make the most absurd fucking cacophonies imaginable. Secretly though... I've always wanted to make a thrash metal album with a band. Just one. I think it'd be so much fun. If we're talking dream collaborations, then Arca and SOPHIE are the absolute pinnacle of queer artistry for me. They've completely redefined what's possible in music. If Cobrah or Ashnikko ever wanted to do a song with me though... that song would be pure sex. Looking ahead, what's next for Baby Tap, and what can your fans expect from you over the next year? I've spent the last three years writing, producing and stressing over my new album. It's pretty much finished, and now I'm at that point where it's time to think about the next steps. I was shit-scared to start releasing this music but I've finally overcome the fear and started the process! I think my first single, Siberian Snowtrip, will actually be out by the time this interview is published, and that's absolutely wild to me. The new era has officially begun. Every album release feels like completely uncharted territory but I'm working harder than ever and I hope people can feel that. The rollout has started and I genuinely can't wait for people to hear my new music. I want to surprise people. I can't say too much yet, but you'll see. Once the album's out, I want to tour it. I want to take a month off from my day job and perform the house down to the biggest beats I've ever made. After all of that, I want to fuck off to Thailand by myself for two weeks, eat incredible food and forget about everything for a little while.

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Your career spans writing, directing, and producing. How does wearing all three hats influence the way you approach a new project, and which role feels most natural to you? Working in all three roles simultaneously makes me think about the project from a 360 degree view and not just about what part of the process is in front of me. Writing a script or play is such a fun start to the process, but there's no use for me writing something that I can't possibly make. So being able to be creative with ideas and also practical with how I'm going to realise them does keep me grounded. Sometimes it can feel conflicting, with the battle between creative freedom and production constraints, but ultimately it pushes me, and that's a good thing. I'd say that producing comes to me the most naturally, because I am extremely motivated and enjoy bringing people together to achieve an end goal. I like hunting for locations, fabrics, backdrops, and really thrive on problem solving. It's so satisfying to see all the elements come together into one cohesive story. Living and working in Brighton, how has the city's creative community and atmosphere shaped your storytelling or the kinds of projects you're drawn to? It's definitely given me confidence to express myself in a more fully realised form, way more than if I stayed living in a small village in Surrey where I grew up. Your debut play, BEYOND BERLIN, marked an important milestone in your career. What was the original spark for the story, and why did you feel it needed to be told on stage? I have wanted to write a play for at least ten years and never found the right moment to do it. This year I knew I wanted to step away from short films for a bit, and experiment in a new medium. It was at this moment that I realised it was the right time to work on a play. I wanted to be in a room with actors, working together to create a live immersive experience. In film I'm so used to stopping and starting, 'let's do another take', that kind of thing. I wanted to challenge myself and do something live! I had the idea for Beyond Berlin last year when I was on a plane. I saw a male flight attendant with a baby face and very curly hair. I saw him and instantly thought 'you look like you belong in the 1920s'. So I drew a sketch of him in my notepad and then started to create a story around him. Making Beyond Berlin has been one of the best decisions I've ever made, getting to direct in a way that flows. For as long as I can remember I've always loved the jazz age. I think it's the idea of a bygone era, the black & white Hollywood stars of a time gone by, and the idea of decadence and decay that intrigues me. In fact 'Beyond Berlin' was originally called 'The Decadence & Decay' because it sums up the contradiction of the beauty and the turbulence of the era. I have long been drawn to the books of Christopher Ishwerood and F Scott Fitzgerlad. My play (in some ways) is a love letter to that era, with my own spin on it. Without giving away too much, what themes does BEYOND BERLIN explore, and what conversations do you hope audiences are having as they leave the theatre? Beyond Berlin deals with the idea of 'people as outsiders', outsiders to their own feelings, outsiders to places and spaces. There's some dark themes throughout, like lust, desire, longing, intrigue and betrayal. But the play is also A LOT of fun. In parts it's camp, pastiche and silly. I'd like the people who come to see my play to leave feeling entertained. Life can be so gloomy and tiresome, so I want to give these people one hour away from their normal lives, to step into a different era, a fantasy. Every first play is a learning experience. Looking back at BEYOND BERLIN, is there anything about the writing or production process that fundamentally changed how you create work today? It's made me much more confident to write longer scenes, without fear. In today's creative landscape I hear a lot of 'make scenes short, don't write too much dialogue, make everything snappy! Anything over 3 seconds will bore people', that kind of thing. It's really limiting to constrain yourself in those ways. I freed myself of all that. I did it by writing the scenes I wanted to write, and to create the stories I wanted to create. I had SO much fun making the backdrops and sourcing the props, it's definitely something I want to do again. As both a writer and director, how do you balance staying true to your original script while remaining open to ideas from actors and collaborators during rehearsals? I acknowledge that while I am writing (and it took me six months and close to 40 drafts to get the script fully realised for Beyond Berlin) that this is my time to flesh out the ideas and characters, this sacred time is when the characters are only truly ever 'mine'. Then, when rehearsals start that is when the material evolves and changes and the characters then 'belong' to us all in the room. It no longer is just about words on a page, it's a living breathing entity that the actors are pumping life into. For this reason I want to hear their ideas about the characters, how they interpret the lines and motivations. I am open to suggestions, but of course, I keep a reign on the overall feel and direction to make sure it's still in the world that I created. But it would be naive of me to not pull from the many creative brains I have in the room with me when working on a production. Many creatives talk about the tension between artistic ambition and practical realities. As a producer as well, how do you navigate the balance between creative vision and budget or logistical constraints? Life on its own can be crazy, beautiful and complicated at the best of times. Throwing a production into the mix can feel like a bomb that goes off and affects everything around you. At times it's a challenge to have a full time job, a relationship, keeping in touch with friends and making the show, but I've come to peace with the idea that at times some areas of my life will thrive more than others. It's about communicating that to those around you so they know where you're at in your head with all the plates that are spinning. I think all artists live in a space where they feel pulled between two realities, that of 'everyday life' and that of 'creating'. I think both need to exist in order to balance the other out. It's not always easy. What kind of stories are you most passionate about telling? Are there particular genres, themes, or characters you find yourself returning to again and again? Most of my work tends to revolve around queer stories. I write what I know, and I think it's important for every artist to have a perspective, which is why I pull from these ideas. A lot of my work tends to have two characters who are vastly different from one another. In Beyond Berlin we have Raymond - a shy, sensitive Englishman who has never been to Berlin before. We then have Ernst - who is a cabaret performer in Berlin and super confident and extrovert. The seeds for both characters originate from the different shades of my personality, but are also something entirely of their own. So I suppose I am looking within myself to explore and understand the different layers that make me 'ME'. For aspiring writers and filmmakers, what's one piece of advice you wish someone had given you when you were starting out? It would have been to 'tell the stories you want to tell' and 'find a way to make it happen'. I think a lot of young talent get discouraged because they don't have 'a great camera', or 'thousands of pounds' to make something look high end. Start small, use what you can and don't let your own negative thoughts discourage you. You've got this! Looking ahead, what's next for you? Are there any upcoming theatre, film, or television projects that you're excited to share, and might we see BEYOND BERLIN evolve further in the future? Definitely! I would love to see Beyond Berlin expand in production size and venues. I have started looking at options for 2027. I want to take the show on the road! BEYOND BERLIN is on at BN1 Arts Centre - New England St on Friday 6th & Saturday 7th November at 7:30pm. Get tickets here: https://beyondberlin.eventbrite.co.uk For production updates follow: @madebymilletti

Fuerteventura & Lanzarote: The LGBTQ+ Guide to Two of the Canary Islands’ Most Relaxed Escapes If your idea of the perfect LGBTQ+ holiday involves sunshine, spectacular beaches, good food, a relaxed atmosphere and the freedom to be yourself, Fuerteventura and Lanzarote deserve a place on your travel list. The two neighbouring Canary Islands offer something slightly different. Fuerteventura is all about enormous beaches, dunes, watersports and a wonderfully laid-back atmosphere, while Lanzarote combines volcanic landscapes, stylish resorts, great restaurants and a more established LGBTQ+ nightlife scene. Neither island is quite the same as Gran Canaria when it comes to LGBTQ+ nightlife, but that can be part of their appeal. These are destinations where the holiday is more about sun, sea, adventure and relaxation than spending every night in a gay club. Fuerteventura: Beaches, Dunes & Laid-Back Island Life Fuerteventura is arguably the more relaxed of the two islands. It has long been popular with LGBTQ+ visitors, particularly around Corralejo, in the north. The island has a generally welcoming and liberal atmosphere, although its dedicated LGBTQ+ scene is relatively small. For many LGBTQ+ travellers, that's exactly the attraction. Corralejo – the place to start Corralejo is the obvious base if you're looking for a combination of beaches, restaurants, bars and nightlife. The town has plenty of places to eat and drink, while the enormous beaches of the Corralejo Natural Park are just outside the resort. The Grandes Playas de Corralejo stretch for around nine kilometres, with white sand, turquoise water and the enormous Corralejo dunes providing an incredible backdrop. The southern coves are also popular for naturist bathing. If you're looking for LGBTQ+ nightlife, the scene is small but there are options. The Jungle Gay Bar Fuerteventura in Corralejo is one of the island's dedicated gay venues. Beaches and naturism Fuerteventura is particularly attractive if you enjoy naturist beaches. The Corralejo area has several beaches where naturism is common, including Playa del Bajo Negro. The important thing to remember is that a naturist beach isn't automatically a sexual environment. Respect other beach users, maintain appropriate boundaries and remember that you're also in a protected natural area. Beyond Corralejo Don't spend your entire holiday in the resort. Hire a car and explore the island's smaller villages, dramatic coastline and quieter beaches. The volcanic interior provides a striking contrast to the white sands of the north. You can also take a boat trip towards Lobos Island, or look across the water towards Lanzarote. For adventurous travellers, Fuerteventura is particularly good for surfing, windsurfing, kitesurfing, cycling and hiking. Where should LGBTQ+ travellers stay? For the largest concentration of LGBTQ+ visitors and easy access to the beaches, Corralejo is probably the best choice. For something quieter, look towards Costa Calma and the south of the island. One LGBTQ+-friendly option worth considering is BHH Naturist Resort Fuerteventura in Costa Calma, particularly for travellers who want a naturist-focused break. Lanzarote: Volcanic Landscapes & LGBTQ+ Nightlife Lanzarote has a very different personality. The island's black volcanic landscapes, whitewashed buildings and dramatic coastline make it one of the most visually distinctive destinations in the Canary Islands. It is also considered a very LGBTQ+-friendly destination, with Puerto del Carmen being the main base for LGBTQ+ nightlife. Puerto del Carmen If nightlife matters to you, Puerto del Carmen should be high on your list. The resort has the largest concentration of bars and nightlife on Lanzarote, particularly around Avenida de las Playas and the old harbour area. One of the island's best-known LGBTQ+ venues is XXL Lanzarote Mens Bar, a gay men's bar and late-night venue in Puerto del Carmen. For something a little different, Music Hall Tavern Lanzarote offers a drag-comedy dinner show, combining food, comedy, singing and dancing. The island's LGBTQ+ scene is still relatively small compared with Gran Canaria, but Puerto del Carmen gives visitors enough choice for a fun night out without making the entire holiday revolve around nightlife. Playa Blanca & Papagayo At the other end of the island, Playa Blanca offers a quieter alternative. The resort is particularly useful for travellers who want beautiful beaches, restaurants and a more relaxed atmosphere. One of Lanzarote's must-see areas is Papagayo, where a series of spectacular beaches and coves sit within a protected landscape. Pack plenty of water, sunscreen and sensible footwear – the scenery is stunning, but some of the approaches to the beaches can be rough. Explore the volcanic side of Lanzarote No trip to Lanzarote should be entirely about the beach. The island's volcanic landscape is extraordinary, and places such as Timanfaya National Park offer an experience that feels completely different from a conventional beach holiday. Lanzarote was designated a UNESCO Biosphere Reserve in 1993, reflecting the importance of its natural environment. Other highlights include: Timanfaya National Park – dramatic volcanic scenery. Jameos del Agua – one of César Manrique's most famous creations. Cueva de los Verdes – spectacular volcanic caves. Mirador del Río – incredible views across the island and towards La Graciosa. Teguise – historic streets, architecture and one of the island's best-known markets. Arrecife – Lanzarote's capital, worth exploring for restaurants, shops and culture. Fuerteventura or Lanzarote? Fuerteventura and Lanzarote are very close neighbours, and ferry services connect the islands. The crossing between Corralejo and Playa Blanca is a popular way of combining the two destinations, A week-long holiday could easily be split between them – perhaps four nights in Lanzarote followed by three nights in Fuerteventura, or vice versa. That gives you the best of both worlds: Lanzarote's volcanic landscapes, restaurants and LGBTQ+ nightlife followed by Fuerteventura's beaches, dunes and slower pace. When should you visit? Both islands benefit from a warm climate throughout much of the year. Fuerteventura is particularly attractive for winter sun, while spring and autumn can offer a great balance between warm weather and avoiding the busiest periods. Remember that the Canary Islands can be windy – especially Fuerteventura – so don't underestimate the need for sunscreen even when temperatures don't feel extreme. g10 Travel Tip Don't judge either island solely by its gay scene. If you're looking for the biggest LGBTQ+ party destination in the Canaries, Gran Canaria remains difficult to beat. But if your idea of an LGBTQ+ holiday is waking up beside the Atlantic, spending the afternoon on a spectacular beach, exploring somewhere new, enjoying dinner and then heading out for a few drinks, Fuerteventura and Lanzarote can be excellent choices. And perhaps that's their biggest attraction: you can have a fantastic LGBTQ+ holiday without your entire trip being defined by nightlife. Fuerteventura is the island for beaches, freedom and switching off. Lanzarote is the island for volcanic adventure, restaurants and a little more nightlife. Put them together, and you've got a seriously good Canary Islands escape.

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Your work captures both strength and vulnerability in male portraiture — what first drew you to photographing the male form in such an intimate way? I think it started from a fairly personal place. Growing up, I didn’t see a lot of versions of masculinity that felt relatable to me. Everything was quite rigid, quite performative. When I picked up a camera, I realised I could explore a different side of that. Something quieter, more honest. The male form is often presented as strong, but rarely as open. I’ve always been interested in that space where those two things overlap. The moment where someone lets their guard down just enough that you see the person, not the performance. That’s where it gets interesting for me How has living and working in Sydney influenced your artistic style and the stories you choose to tell through your photography? Sydney has this beautiful contradiction to it. It’s very outdoors, very physical, very body-aware, but at the same time there’s a laid-back ease that softens everything. I think that combination has definitely shaped my work. There’s a natural light here that’s quite forgiving, quite revealing in a gentle way. And culturally, there’s a quiet confidence in how people carry themselves. I’m drawn to that. My work tends to sit somewhere between polished and relaxed, which probably mirrors the city itself. Representation matters deeply within LGBTQ+ media. What do you hope queer audiences see or feel when they experience your work? Ideally, I want people to feel a sense of recognition. Not in a literal sense, but emotionally. To see that masculinity doesn’t have to fit into one narrow definition. There’s strength in vulnerability, in softness, in intimacy. I think a lot of us grow up feeling like parts of ourselves need to be edited down. If my work can give even a small sense that all of those parts are valid and worth showing, then I feel like I’m doing something worthwhile. Many photographers focus on aesthetics alone, but your portraits often feel emotionally charged. How do you build trust and authenticity with your subjects during a shoot? It’s never really about the camera at the start. It’s about conversation, creating a space where someone feels comfortable enough to just be themselves. I don’t rush that process. Sometimes the best images come well after you’ve technically “started” the shoot. I’ll give direction when it’s needed, but I’m also watching for those in-between moments when someone forgets they’re being photographed. Trust isn’t something you can fake. If someone feels safe, it shows immediately in the work. Male figure photography can challenge traditional ideas of masculinity. Do you see your work as political, cultural, or more personal in its intention? It’s personal first. That’s always the starting point. That said, anything that challenges a traditional idea, even quietly, becomes cultural by default. I’m not setting out to make overtly political work, but I am interested in expanding the definition of what masculinity can look like. If that resonates more broadly, then that’s a good thing. Social media has transformed how photographers share and monetize their art. How has the digital era changed your relationship with your audience and creative process? It’s been a bit of a double-edged sword. On one hand, it’s opened up direct access to an audience I never would have reached otherwise. That’s been incredibly valuable, especially with more niche work. On the other hand, there’s a constant pressure to adapt to platforms that don’t always support the kind of work I create. You have to be quite strategic about what you show and how you show it. I’ve learned to separate the work itself from how it’s distributed. The creative process still needs to come from a genuine place. The rest is just navigation. Is there a particular shoot or portrait that changed the way you saw yourself as an artist? There have been a few, but the ones that stand out are usually the shoots where something unexpected happens. Where a subject brings a level of openness that shifts the whole dynamic. Those moments remind me that the work isn’t just about technical skill. It’s about connection. Every time that clicks into place, it resets my understanding of what I’m trying to do. LGBTQ+ creatives often navigate censorship differently online, especially when working with the human body. Have you encountered challenges balancing artistic expression with platform restrictions? Constantly. There’s an ongoing negotiation between staying true to the work and working within the limits of different platforms. It can be frustrating, especially when the human body is treated inconsistently depending on context. But it’s also forced me to think more carefully about presentation, cropping, and storytelling. At the end of the day, the work exists beyond social media. Those platforms are just one way of sharing it. What advice would you give to emerging queer photographers who want to create bold, authentic work but may still be finding confidence in their voice? Give yourself time. Your voice doesn’t appear overnight. Shoot consistently, experiment, make work that feels honest rather than what you think will get attention. Confidence tends to follow clarity, and clarity comes from doing the work over and over again. Also, don’t wait for permission. No one’s going to hand it to you. Looking ahead, what stories, themes, or collaborations are you most excited to explore next in your photography journey? I’m interested in pushing further into narrative. Creating bodies of work that feel more like a series than individual images. There’s also something in exploring age and masculinity that I’d like to spend more time on. It’s not a space that’s been fully explored, and it feels quite personal at this stage of my life. And, as always, collaborating with people who are open to going a bit deeper than just surface-level imagery. That’s where the best work tends to happen. WARNING THIS INTERVIEW INCLUDES PICTURES OF FULL FRONTAL NUDITY

Brighton Dyke Pride: Creating Space for Community, Queer Joy and the Dyke Community Brighton Dyke Pride is putting community at the heart of Pride — and its co-founder Jen Benyovits tells g10 group why creating dedicated spaces for dykes and the wider queer community matters more than ever. Brighton has long been recognised as one of the UK's LGBTQ+ capitals, with a rich history of activism, community and queer culture. But despite that history, dedicated spaces for the dyke community have become increasingly difficult to find. That is one of the reasons Brighton Dyke Pride was created. Taking place on 5 September, Brighton Dyke Pride is a dyke-centred, not-for-profit DIY event created by and for the local community — while welcoming allies who want to celebrate alongside them. For co-founder Jen Benyovits, the event grew from a simple desire to create something different. "It was born out of a love for the dykes of our city and a feeling that corporate Pride doesn't serve our community," Jen explains. Rather than focusing on commercialisation, Brighton Dyke Pride aims to put people, community and queer joy first. The organisers want the event to be financially, physically and emotionally accessible, while creating an environment where people can come together without the pressure often associated with traditional Pride celebrations. Putting community before corporate Pride For Jen and the organising team, Brighton Dyke Pride is about creating an event that feels genuinely connected to the people it represents. "We wanted to create an event that is accessible to everyone, and centres joy rather than capitalism and drinking culture," she says. That approach has already struck a chord within Brighton's LGBTQ+ community, with organisers receiving messages from people excited that the city is getting an event specifically centred around dykes and community. And the need for those spaces is particularly significant in Brighton. As a native Brightonian, Jen says she feels proud that Brighton Dyke Pride has found its home in the city. "Brighton has such a rich LGBTQ+ history, politically and socially," she says. But that history exists alongside a changing LGBTQ+ landscape. Jen points to the closure of every lesbian bar in Brighton & Hove over the past decade as an example of why new spaces for the community are needed. "We crave spaces to come together," she says. Why a Dyke-centred Pride still matters While Pride has become a major part of the LGBTQ+ calendar, events specifically celebrating the dyke community remain important. For Jen, that importance goes far beyond simply having another event in the city's calendar. "We are living through some extremely turbulent political times and acknowledge that it's our community that keeps us safe," she says. Brighton Dyke Pride is also deliberately inclusive of trans people, with Jen making clear that supporting and celebrating the trans community is central to the organisers' approach. The event comes at a time when LGBTQ+ rights and particularly the rights of trans people remain subjects of intense political debate in the UK. "We want to show up for all of our trans friends and loved ones, and in our organising platform create spaces for them," Jen says. For Brighton Dyke Pride, inclusion isn't simply about who is invited through the gates. It is about how the event is organised and the kind of community it aims to build. A day of music, performance and queer joy So, what can people expect when they arrive at St Ann's Well Gardens on 5 September? Quite a lot. The programme will feature community stalls, DJs, cabaret, speeches, food, live music, line dancing and activities, all taking place in the surroundings of the beautiful gardens. Jen is particularly excited about the range of performers involved and the opportunity to bring their work to the event's audience. The daytime, outdoor format also forms an important part of the organisers' vision for accessibility. "It is a sober space in a park in the daytime with plenty of fun activities," Jen explains. The organisers hope that this will make Brighton Dyke Pride particularly welcoming to younger LGBTQ+ people, as well as those who may not feel comfortable in traditional nightlife or alcohol-focused environments. Come alone, find community One of the strongest messages from Jen is that you don't necessarily need to arrive with a group of friends. In fact, she actively encourages people who might be nervous about attending alone to come along. "Come solo!" she says. The organisers want Brighton Dyke Pride to be a place where people can meet others, make connections and find community — regardless of whether they already know people attending. That sense of collective ownership has already been one of the most rewarding aspects of putting the event together. "We are amazed to have had such a huge response from the city's wider queer community," Jen says. "Seeing the event take shape thanks to so many people in this city, not just dykes, has been a tiny bit magic." Looking towards the future Although this year's event is the immediate focus, the organisers are already thinking about what Brighton Dyke Pride could become. For Jen, the dream is simple: for it to become an annual fixture. "I think it would be a dream of ours to have this be an annual event," she says. With the closure of dedicated lesbian venues and an ongoing desire for community-led LGBTQ+ spaces, she believes Brighton needs more events that are created for the community rather than built around corporate interest Whether Brighton Dyke Pride becomes an annual event remains to be seen, but its first edition is already demonstrating that there is an appetite for something different. For one day in September, St Ann's Well Gardens will become a space for dykes, queer people and allies to come together, celebrate, connect and create a little more queer joy. And perhaps, as Jen puts it, "watch this space." Brighton Dyke Pride takes place on 5 September at St Ann's Well Gardens, Brighton.

Remembering the bombing of the Admiral Duncan 27 years on 27 Years On: Remembering the Admiral Duncan Bombing and the Enduring Strength of London’s LGBTQ+ Community On 30 April 1999, a nail bomb tore through the Admiral Duncan pub in Soho, shattering what should have been an ordinary Friday night. Three people were killed—Andrea Dykes, John Light, and Nick Moore—and more than 70 others were injured. The attack, carried out by a far-right extremist, targeted the heart of London’s LGBTQ+ community with the intent to spread fear, division, and hate. Twenty-seven years later, the Admiral Duncan bombing remains one of the most significant acts of anti-LGBTQ+ violence in the UK. But it is also remembered as a moment that revealed something far more powerful than hatred: collective resilience. A Community Targeted The late 1990s were a time of growing visibility for LGBTQ+ people in Britain, but also of heightened backlash. Soho, long a hub for queer life in London, symbolised openness, diversity, and resistance. The Admiral Duncan itself was more than a pub—it was a refuge, a meeting place, a space where people could exist freely. The bombing was the third in a series of attacks that month, following explosions in Brixton and Brick Lane, targeting Black and South Asian communities respectively. This pattern made clear the perpetrator’s broader ideology: a campaign of terror against multicultural Britain. Immediate Aftermath: Grief and Solidarity In the days following the bombing, shock gave way to mourning—and then to solidarity. Vigils filled Soho’s streets. LGBTQ+ people, allies, and communities across London came together not only to grieve but to stand visibly against hate. The response was defiant. Rather than retreating from public life, people showed up in greater numbers. Queer venues remained open. Pride events that year carried added weight, transforming from celebration into acts of remembrance and resistance. Lasting Impact The bombing had a profound and lasting impact on both the LGBTQ+ community and the wider UK. It prompted increased attention to hate crimes and strengthened calls for legal protections. In the years that followed, the UK saw significant progress in LGBTQ+ rights—from the repeal of Section 28 to the introduction of civil partnerships and, later, equal marriage. But progress has never been linear. The anniversary arrives at a time when anti-LGBTQ+ rhetoric and hate crimes are again on the rise in parts of the UK. For many, remembering the Admiral Duncan is not only about looking back—it’s about recognising patterns that persist. Memory, Resistance, and Responsibility Today, a small plaque marks the site of the bombing, easily missed amid Soho’s busy streets. Yet for those who know, it represents both loss and legacy. Annual commemorations continue, ensuring that the victims are not forgotten and that the lessons of 1999 remain relevant. For younger generations, the Admiral Duncan bombing may feel like distant history. But its significance endures. It reminds us of the consequences of unchecked extremism and the importance of safeguarding spaces where marginalised communities can gather safely. Moving Forward Anniversaries like this are moments to reflect, but also to act. Supporting LGBTQ+ venues, challenging hate speech, advocating for inclusive policies, and building solidarity across communities are all ways to honour those affected. The Admiral Duncan still stands today—rebuilt, reopened, and still serving as a cornerstone of Soho’s queer scene. Its continued presence is a quiet but powerful statement: that even in the face of violence, community endures. Twenty-seven years on, we remember the lives lost. We acknowledge the pain carried by survivors. And we recognise the strength that emerged in response—a strength that continues to shape the fight for equality and safety today.

Why getting a massage is an important part of a fitness routine Massage as a Vital Part of Fitness for the LGBTQ+ Community In recent years, the conversation around fitness has expanded beyond aesthetics and performance to include recovery, mental wellbeing, and inclusivity. For the LGBTQ+ community, fitness spaces can sometimes feel intimidating or exclusionary, making it even more important to embrace holistic practices that support both body and mind. One such practice gaining recognition is massage therapy—not just as a luxury, but as an essential component of a balanced fitness routine. Beyond the Gym: Rethinking Fitness Fitness is no longer confined to lifting weights or hitting cardio targets. Recovery is now widely acknowledged as a cornerstone of progress. Massage plays a key role in this shift, helping to reduce muscle tension, improve circulation, and prevent injury. For LGBTQ+ individuals who may already navigate higher levels of stress due to societal pressures or discrimination, massage offers an added layer of physical and emotional relief. The Mental Health Connection Mental health is a significant consideration within the LGBTQ+ community, with studies consistently showing higher rates of anxiety, depression, and stress. Physical activity helps—but pairing it with massage can amplify the benefits. Massage therapy promotes relaxation, reduces cortisol levels, and can improve sleep quality. For those balancing demanding lives or dealing with identity-related stressors, this combination can be transformative. Creating Safe and Affirming Wellness Spaces Not all wellness environments feel inclusive. That’s why it’s important to highlight and support massage therapists and fitness professionals who actively create LGBTQ+-affirming spaces. Feeling safe and respected during a massage session is crucial—it allows clients to fully relax and benefit from the treatment. Many practitioners across the UK are now openly inclusive, using gender-neutral language and ensuring their services cater to diverse bodies and identities. Enhancing Performance and Recovery Whether it’s strength training, yoga, running, or dance, massage can enhance performance across all fitness disciplines. Techniques like deep tissue massage and sports massage help to break down muscle adhesions, improve flexibility, and speed up recovery time. For those training regularly, incorporating massage into a weekly or monthly routine can lead to better results and fewer injuries. Community and Self-Care For LGBTQ+ individuals, self-care often carries deeper meaning. It can be an act of resilience, self-affirmation, and empowerment. Massage fits naturally into this framework. It’s not just about easing sore muscles—it’s about reconnecting with your body in a positive, affirming way. Fitness doesn’t have to be punishing or rigid. By integrating massage into a routine, individuals can create a more sustainable, enjoyable approach to health—one that honours both physical goals and emotional wellbeing. As fitness culture continues to evolve, inclusivity and holistic care must remain at the forefront. Massage therapy offers a powerful, accessible way to support recovery, reduce stress, and enhance overall wellbeing. For the LGBTQ+ community, it’s more than just a wellness trend—it’s a meaningful addition to a lifestyle centred on self-respect, resilience, and balance. For platforms like g10 and other LGBTQ+ media voices in the UK, highlighting these approaches helps reshape the narrative around fitness into one that is truly inclusive, empowering, and sustainable.