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- g10 FEATURE: 25 YEARS SINCE 9/11: REMEMB | g10 group
25 Years Since 9/11: Remembering the LGBTQ+ Lives and Stories Behind a Day That Changed the World Twenty-five years ago, on September 11, 2001, the world changed. For the LGBTQ+ community, the tragedy was not only about the lives lost that day, but also about the families, partners, friends and communities left behind — and the inequalities that suddenly became impossible to ignore. There are moments in history that divide our lives into a before and an after. For millions of people around the world, September 11, 2001, is one of those moments. The attacks on New York, Washington, D.C., and Pennsylvania claimed almost 3,000 lives and changed the course of American history. Twenty-five years later, the National September 11 Memorial & Museum is marking the anniversary by remembering the victims, survivors and responders while encouraging a new generation — many of whom were born after 9/11 — to understand its significance. But behind the statistics were individual lives. And among those lives were LGBTQ+ people. A community was grieving too On the morning of September 11, LGBTQ+ New Yorkers were experiencing the same shock, fear and devastation as everyone else. Gay men, lesbians, bisexual people and others within the LGBTQ+ community worked in the World Trade Center, the Pentagon and surrounding areas. Others were firefighters, police officers, emergency workers, medical professionals, office workers and passengers. They were sons and daughters. Brothers and sisters. Parents and friends. And they were partners. For the LGBTQ+ community, however, grief could sometimes be complicated by the fact that, in 2001, same-sex relationships did not have the same legal recognition as heterosexual marriages. That became particularly significant when families began trying to deal with the aftermath When your partner wasn't legally recognised as family In the weeks and months following the attacks, LGBTQ+ rights organisations raised concerns about the treatment of same-sex partners of people who had died. The September 11th Victim Compensation Fund had been established to provide financial assistance to people affected by the attacks. But questions quickly emerged over whether same-sex partners would receive the same recognition as legally married spouses. Documents submitted to the U.S. Department of Justice in 2001 show LGBTQ+ organisations arguing that surviving same-sex partners should be eligible for compensation and should be able to represent their deceased partners' claims. The issue was painfully simple. If two people had spent years building a life together, shared a home, finances and responsibilities, and one died in the attacks, did the absence of a marriage certificate make their loss any less real? For many LGBTQ+ people, the answer was obvious. But the law was not always so clear. In one significant case, Sheila Hein, an Army analyst who died at the Pentagon, was survived by her partner Peggy Neff, with whom she had lived for 18 years. Because their relationship was not legally recognised in Virginia, Neff initially faced barriers that a legally married spouse would not have faced. Ultimately, the Victim Compensation Fund awarded Neff more than $500,000. LGBTQ+ legal advocates described the decision as an important step forward. It was a reminder that the victims of 9/11 did not all leave behind families that fitted neatly into the legal definitions of the time. Remembering Mark Bingham Perhaps the most widely recognised LGBTQ+ victim of 9/11 is Mark Bingham. Bingham was a 31-year-old public relations executive from San Francisco and a passenger aboard United Airlines Flight 93. He was also openly gay and a member of the San Francisco Fog, a gay rugby club. The National Park Service records that Bingham was travelling for business and to attend a friend's wedding. When Flight 93 was hijacked, Bingham was among the passengers who made telephone calls to loved ones. The National Park Service's account of the flight records his call to his mother, Alice Hoagland, during the hijacking. The passengers of Flight 93 ultimately fought back against the hijackers, with the aircraft crashing into a field near Shanksville, Pennsylvania, preventing the plane from reaching its intended target. Bingham's story has consequently become part of the wider story of courage and resistance on 9/11. But it is important to remember him not simply as a hero of Flight 93. He was a gay man. He had friends, relationships, ambitions, a career and a community. He was part of the LGBTQ+ story of September 11. LGBTQ+ grief didn't stop at Ground Zero For LGBTQ+ people who lost partners, friends and loved ones, the aftermath of 9/11 extended far beyond the collapse of the buildings. There was grief. There were practical questions about homes, finances and possessions. There were legal questions about who could speak for a deceased partner. And there was the deeply personal question of whether the relationship they had built would be recognised by the institutions dealing with their loss. In the immediate aftermath, LGBTQ+ organisations including Lambda Legal, the Human Rights Campaign, the Empire State Pride Agenda and others pressed for greater equality within the compensation process. In the immediate aftermath, LGBTQ+ organisations including Lambda Legal, the Human Rights Campaign, the Empire State Pride Agenda and others pressed for greater equality within the compensation process. A community already familiar with loss It is also impossible to consider the LGBTQ+ experience of 9/11 without remembering the period in which it happened. The attacks took place only two decades after the Stonewall uprising had helped ignite the modern LGBTQ+ rights movement. In 2001, same-sex marriage was still years away from becoming legal anywhere in the United States at the federal level. LGBTQ+ people were fighting for employment protection, relationship recognition and basic equality. The community was also carrying the enormous legacy of the HIV/AIDS epidemic. For a generation of LGBTQ+ people, loss was already something they knew all too well. 9/11 created another enormous collective trauma — one that was shared with the wider population but experienced through the particular realities of LGBTQ+ lives. The world after September 11 The consequences of 9/11 went far beyond New York. The attacks reshaped international politics, national security, travel, immigration, surveillance and public attitudes towards Muslims and people perceived to be Muslim or Middle Eastern. For LGBTQ+ people, the post-9/11 world also produced complicated conversations around identity, religion, sexuality and freedom. Some LGBTQ+ people found themselves confronting a difficult tension: how to defend LGBTQ+ rights while resisting the idea that those rights should be used to stereotype or demonise entire religious or ethnic communities. That remains an important conversation 25 years later. The legacy of 9/11 cannot be separated from the Islamophobia and discrimination experienced by Muslim communities in the years that followed. Nor should the experiences of LGBTQ+ people be reduced to a single narrative. 9/11 affected communities differently. And many people belonged to more than one of them. Twenty-five years later Today, a growing number of adults have no personal memory of September 11. The 9/11 Memorial & Museum notes that around 100 million Americans are now too young to remember the attacks themselves. That makes remembering increasingly important. But remembrance should be more than photographs of smoke rising above Manhattan or footage of the towers collapsing. It should be about people. The office worker who never came home. The firefighter who ran towards the danger. The passenger who called their family. The partner waiting for someone who would never return. The friend who suddenly became a member of a grieving family. And the communities that came together to help one another survive. For LGBTQ+ people, remembering 9/11 also means remembering those whose relationships were not always recognised by the law — even though their love, commitment and loss were every bit as real. Never forget — and remember everyone Twenty-five years after 9/11, the names of the victims remain engraved at the Memorial in Lower Manhattan. Each name represents an individual life. And each life contained a story. Some of those stories were LGBTQ+ stories. Remembering them is not about separating LGBTQ+ victims from everyone else. It is about making sure they are not lost within the history of one of the defining events of the modern era. The LGBTQ+ community has always understood the importance of remembering those who came before us. We remember through Pride. We remember through memorials. We remember through stories. And, ultimately, we remember through the lives we continue to build. Twenty-five years on, we remember September 11. We remember the nearly 3,000 people who died. We remember the survivors and first responders. We remember the families. And we remember the LGBTQ+ people whose lives were forever changed by that September morning. We remember because every life mattered. We remember because every love mattered. And we remember because history belongs to all of us. This article is published by g10 group to mark the 25th anniversary of the September 11 attacks.
- g10 INTERVIEW: TIN | g10 group
You’ve moved from Australia to London as an emerging queer pop artist—how has that transition shaped your sound and your identity as a songwriter? Growing up in a racist and backwards country like Australia, I often felt very suppressed and shut out from the world. Moving to London, I got to experience being a gay man in a way I never knew was possible. It was like finally seeing in colour! And that's allowed me to write about experiences that are much richer but also from a place of loving myself. Your music often blends vulnerability with high-energy pop production. How do you balance emotional storytelling with creating tracks that are built for the dance floor? When writing, I always prioritise writing lyrics that allow for connection, after all that's what music is about! And the vibe of the song will organically show itself as I develop the song. So even though I may be writing a dance floor track, I often still have lyrics that will evoke emotions and couldn't imagine writing without doing so. As a queer artist, how important is visibility and representation in your work, and how do you intentionally (or unintentionally) reflect that in your songwriting? While telling stories about being a person of colour in my work is important, one of the most crucial aspects of my writing is showing that I am a multi-faceted person. So although I'll write about feeling invisible, I'll still write about feeling sexy. I am not a single faceted person and my stories are never soley focussed about one aspect of my silly gay life! Who are some of your biggest musical or cultural influences right now, and how are they showing up in your current creative direction? Currently I am stanning Rita Ora and Dua Lipa - these two girlies I feel embody the pop music of the noughties. Pop music has evolved so much but I just can't let go of the structures and melodies before the era of TikTok. So in that sense, I still write to traditional structures of the songs that I grew up to. I just loved boy bands and girl groups so much! What has been the most challenging part of building your career independently in the UK music scene so far? I can't name just one because the whole journey is a challenge. Such as an over-saturated market, AI making music and taking space from real human artists and having to rebuild after the pandemic. The biggest challenge though (and I appreciate this isn't specfic to the UK scene) is the constant demand to create social media content when making music is already so consuming. Lastly, the cost of living crisis has impacted live music; people are spending less on entertainment, resulting in fewer performance opportunities. Your new single Madrid (Dance All Summer) is out now—what’s the story behind it, and what inspired its sound and energy? To be honest, I was due for a summer song. I had been performing a previous single, "Chasing Highs," to death! The sound and energy were inspired by my trips to Spain and time spent on the beaches there. I wanted to evoke that distinct feeling when the air smells different, watching the beautiful Spanish men and their inherent cultural link to music. “Madrid (Dance All Summer)” feels like it carries a strong sense of escapism and movement. What does “summer” represent to you in this track? For me, it means being with people I love, with complete freedom to express myself. I look up at the sky and immerse myself in the beauty of the life I've built to lead to this moment on the dance floor. For me, summer in Madrid represents fully giving myself to that moment. How does your songwriting process usually begin—do you start with lyrics, melody, production ideas, or lived experience? I'm sure many artists say this but it changes from song to song. Sometimes I'll hear a new song and want to emulate a similar vibe, other times, I'll start with a hook, and sometimes I'll start with a story. But wherever it starts, I will always want the lyrics, melody, or structure to have a sense of addictiveness. What do you hope queer listeners specifically take away from your music and your journey as an artist? I want my queer listeners to feel their own unique beauty when they listen to my music. Whether it's sexy, imperfect, brave, or insecure - the whole rainbow of emotions is beautiful and I want them to see that in themselves. Looking ahead, what’s next for you after this release—are there themes, collaborations, or sounds you’re excited to explore in 2026 and beyond? I have a few demos already in the works, currently thinking of making an EP called 'Wonderboy' which depicts a more vulnerable side to me but my music always evolves as I make it so we shall see! I'm just excited to be making more delicious pop music!
- g10 GROUP TEAM | g10 group
MEET THE TEAM Art Director Ashley Jones Art Director Ashley Jones Art Director Ashley Jones Tech Lead Don Francis Product Manager Alexa Young Product Designer Robert Rose Customer Support Lead Kevin Nye HR Lead Lisa Driver
- g10 INTERVIEW: CHARLTON INVICTA FC | g10 group
Charlton Invicta FC continues to grow year on year. How proud are you to be launching the club fourth team, the new Development Team – the Charlton Robins? I think its fantastic to be in a position where we can offer a developmental space for beginner players to get involved. We have grown so much, and we have so many volunteers who really want to drive the Invicta forwards. Having a development group means we can encourage more LGBTQ+ players toget involved in football and with Invicta. What is the vision behind the Charlton Robins, and why was now the right time to introduce a dedicated development team? The vision behind the Charlton Robins is to encourage as many LGBTQ+ people as possible to get into playing football or back into playing football. Football (like many team sports) can be a daunting experience for many LGBTQ+ people, especially at a young age. This can be off putting. Our development group is being launched for people to come along, train, work on skills, meet likeminded individuals in a less intense, less competitive, more fun, more socialable and inclusive setting where mistakes can be made – it’s a learning space. We want people to develop their skills, build, or rebuild their confidence, get active and just enjoy football. Who is the Charlton Robins aimed at, and what opportunities will it create for players who want to get involved in LGBTQ+ football? The Charlton Robins will be aimed at anyone who’s never played football before or has played but doesn’t like the overly competitive nature of football or hasn’t played for a long time and just wants to ease themselves back into the game in a less intense space. Our coaches are here to help you grow. How do you see the Charlton Robins strengthening the pathway for players, both on and off the pitch, within Charlton Invicta FC? Ideally the Robins will be a platform to us to allow LGBTQ+ people to get back into or into football for the first time and if they choose to do so they can progress upwards into our more competitive teams playing in the London Unity League or Gay Football Supporters Network. What impact do you hope this new team will have on the wider LGBTQ+ community and grassroots football across South-East London? I hope that establishing a development team will representing another open door advert to LGBTQ+ people across South-East London to get involved in football without the game being driven solelt by results as many football clubs operate based on results and trophies – our focus for the Robins team is on development and enjoyment above anything else. Charlton Invicta has always been about more than football. How does launching the Robins reinforce the clubs commitment to inclusion, wellbeing, and community? It really is another big reason why Invicta is a football club second. Friendships, exercise, mental and physical wellbeing, bringing people together and enhancing local communities is what has made Invicta so special over the years. I think this really does show how enthusiastic and committed we are to offering more people the chance to get involved, make friends, enhance social networks, and get active in an inclusive encouraging environment. Making football for everyone really is in our DNA. For someone whos never played for an LGBTQ+ football club before, what would you say to encourage them to come along and give the Charlton Robins a try? I know football can be off putting for many LGBTQ+ people. I stopped playing when I was 18 and never got back into the game until I was 31. The last 12 years playing for Charlton Invicta FC havegiven me some of my most joyous occasions. I even met my fiancé through LGBTQ+ football. How can people get involved with the Charlton Robins, whether they're experienced players, complete beginners, or even interested in volunteering and supporting the club? So, anyone interested in getting involved with our Charlton Robins Development Team can just each out on our Instagram @cactinvictafc or email us at information@cactinvictafc.com . This includes anyone keen on getting into football or back in football in a playing aspect, supporting, or volunteering. Our Club and Teams are run entirely by volunteers who give up their free time to make football a game for everyone. With four teams now representing Charlton Invicta FC, what does this milestone say about the club's growth and its relationship with Charlton Athletic? The Club has grown rapidly since the Covid Lockdowns. We established two teams in the summer of 2021 due to the number of people wanting to get involved after the lockdowns. I think the impact of having little or no outdoor activities was a driving force behind this. It took us a while to get two teams settled down but since 2023 this has worked well. The GFSN Team is more sociable playing on Saturdays across the UK and Ireland has grown since we first entered in 2019 and we’ve competed well in all competitions finishing as cup runners-up in 2024 and league runners up this season. Now that we are adding a developmental space is a huge sign of our growth but also to the increased visibility on LGBTQ+ football in South-East London since our affiliation to Charlton Athletic Community Trust and Charlton Athletic FC in 2017. Being able to use the Clubs platforms to share player stories and support campaigns and visibility days has meant that more people are seeing LGBTQ+ within professional football stadiums, match day programmes and on their vast social media platforms. The Club and Trusts commitment to LGBTQ+ has given us the platform to continue to expand our offerings. Looking ahead, what are your hopes for Charlton Invicta FC over the next few years, and what message would you like to share with anyone thinking about joining the club? Our aim is always to grow football opportunities for LGBTQ+ people. With the support of Charlton Athletic Community Trust and Charlton Athletic FC we have the stability and platforms to continue to expand our offerings. We never know where this will lead or how far we can grow – but for now this is one of the most exciting times to get involved and as we move into our 10 th season since affiliating to Charlton Athletic FC family the future really does look bright for Invicta. Elliott Webb (he/him) “Becoming a manager for The Robins development team is a rewarding opportunity to support players both on and off the pitch, helping to create an inclusive, welcoming environment where individuals can develop their football skills, build confidence, and feel part of a supportive community. I can't wait to get involved and show what the Robins can do and see how far they can go!”
- g10 FEATURE: BRIGHTON DYKE PRIDE | g10 group
Brighton Dyke Pride: Creating Space for Community, Queer Joy and the Dyke Community Brighton Dyke Pride is putting community at the heart of Pride — and its co-founder Jen Benyovits tells g10 group why creating dedicated spaces for dykes and the wider queer community matters more than ever. Brighton has long been recognised as one of the UK's LGBTQ+ capitals, with a rich history of activism, community and queer culture. But despite that history, dedicated spaces for the dyke community have become increasingly difficult to find. That is one of the reasons Brighton Dyke Pride was created. Taking place on 5 September, Brighton Dyke Pride is a dyke-centred, not-for-profit DIY event created by and for the local community — while welcoming allies who want to celebrate alongside them. For co-founder Jen Benyovits, the event grew from a simple desire to create something different. "It was born out of a love for the dykes of our city and a feeling that corporate Pride doesn't serve our community," Jen explains. Rather than focusing on commercialisation, Brighton Dyke Pride aims to put people, community and queer joy first. The organisers want the event to be financially, physically and emotionally accessible, while creating an environment where people can come together without the pressure often associated with traditional Pride celebrations. Putting community before corporate Pride For Jen and the organising team, Brighton Dyke Pride is about creating an event that feels genuinely connected to the people it represents. "We wanted to create an event that is accessible to everyone, and centres joy rather than capitalism and drinking culture," she says. That approach has already struck a chord within Brighton's LGBTQ+ community, with organisers receiving messages from people excited that the city is getting an event specifically centred around dykes and community. And the need for those spaces is particularly significant in Brighton. As a native Brightonian, Jen says she feels proud that Brighton Dyke Pride has found its home in the city. "Brighton has such a rich LGBTQ+ history, politically and socially," she says. But that history exists alongside a changing LGBTQ+ landscape. Jen points to the closure of every lesbian bar in Brighton & Hove over the past decade as an example of why new spaces for the community are needed. "We crave spaces to come together," she says. Why a Dyke-centred Pride still matters While Pride has become a major part of the LGBTQ+ calendar, events specifically celebrating the dyke community remain important. For Jen, that importance goes far beyond simply having another event in the city's calendar. "We are living through some extremely turbulent political times and acknowledge that it's our community that keeps us safe," she says. Brighton Dyke Pride is also deliberately inclusive of trans people, with Jen making clear that supporting and celebrating the trans community is central to the organisers' approach. The event comes at a time when LGBTQ+ rights and particularly the rights of trans people remain subjects of intense political debate in the UK. "We want to show up for all of our trans friends and loved ones, and in our organising platform create spaces for them," Jen says. For Brighton Dyke Pride, inclusion isn't simply about who is invited through the gates. It is about how the event is organised and the kind of community it aims to build. A day of music, performance and queer joy So, what can people expect when they arrive at St Ann's Well Gardens on 5 September? Quite a lot. The programme will feature community stalls, DJs, cabaret, speeches, food, live music, line dancing and activities, all taking place in the surroundings of the beautiful gardens. Jen is particularly excited about the range of performers involved and the opportunity to bring their work to the event's audience. The daytime, outdoor format also forms an important part of the organisers' vision for accessibility. "It is a sober space in a park in the daytime with plenty of fun activities," Jen explains. The organisers hope that this will make Brighton Dyke Pride particularly welcoming to younger LGBTQ+ people, as well as those who may not feel comfortable in traditional nightlife or alcohol-focused environments. Come alone, find community One of the strongest messages from Jen is that you don't necessarily need to arrive with a group of friends. In fact, she actively encourages people who might be nervous about attending alone to come along. "Come solo!" she says. The organisers want Brighton Dyke Pride to be a place where people can meet others, make connections and find community — regardless of whether they already know people attending. That sense of collective ownership has already been one of the most rewarding aspects of putting the event together. "We are amazed to have had such a huge response from the city's wider queer community," Jen says. "Seeing the event take shape thanks to so many people in this city, not just dykes, has been a tiny bit magic." Looking towards the future Although this year's event is the immediate focus, the organisers are already thinking about what Brighton Dyke Pride could become. For Jen, the dream is simple: for it to become an annual fixture. "I think it would be a dream of ours to have this be an annual event," she says. With the closure of dedicated lesbian venues and an ongoing desire for community-led LGBTQ+ spaces, she believes Brighton needs more events that are created for the community rather than built around corporate interest Whether Brighton Dyke Pride becomes an annual event remains to be seen, but its first edition is already demonstrating that there is an appetite for something different. For one day in September, St Ann's Well Gardens will become a space for dykes, queer people and allies to come together, celebrate, connect and create a little more queer joy. And perhaps, as Jen puts it, "watch this space." Brighton Dyke Pride takes place on 5 September at St Ann's Well Gardens, Brighton.
- g10 TRAVEL: TOP 10 PLACES LGBTQ+ TRAVELL | g10 group
Top 10 Places LGBTQ+ Travellers Should Visit in 2027 From the beaches of Thailand and Spain to the streets of Montréal and Taipei, these are ten destinations worth putting on your LGBTQ+ travel radar for 2027. Choosing where to travel is about far more than finding somewhere with good weather and a long list of attractions. For LGBTQ+ travellers, feeling comfortable, finding a visible queer community and knowing something about local laws and attitudes can be equally important. The global picture remains complicated. LGBTQ+ rights continue to advance in some countries while facing significant restrictions in others. ILGA World’s international data shows considerable differences in legal protection and recognition around the world, making research before travelling particularly important. With that in mind, g10 group looks at ten destinations to consider for your 2027 travels. 1. Bangkok, Thailand Bangkok has long had one of Asia’s most visible LGBTQ+ scenes, but Thailand has now entered a new chapter. Marriage equality became a reality in Thailand in 2025, making it the first country in Southeast Asia to introduce equal marriage. For visitors, Bangkok offers an extraordinary combination of modern city life, temples, rooftop bars, huge shopping centres, street food and nightlife. Silom remains one of the best-known areas for LGBTQ+ nightlife, while Bangkok Pride has helped make queer visibility increasingly prominent in the Thai capital. But Bangkok doesn't have to be all about nightlife. Visit Wat Arun beside the Chao Phraya River, explore the Grand Palace, discover the city's seemingly endless food scene or simply watch Bangkok go by from a rooftop as the sun sets across the city. And Bangkok can easily become the beginning of a much bigger Thai adventure, with Chiang Mai, Phuket, Krabi and Thailand's islands waiting beyond the capital. Best for: Nightlife, food, culture and combining a city break with a wider Thailand adventure. 2. Madrid, Spain Few European cities embrace LGBTQ+ life quite as visibly as Madrid. The neighbourhood of Chueca sits at the centre of the city's queer scene, filled with bars, cafés, restaurants and LGBTQ+-owned or LGBTQ+-focused businesses. Madrid Pride — commonly known as MADO — transforms the Spanish capital each summer and has become one of Europe's major LGBTQ+ celebrations. Spain also remains among the stronger countries internationally for LGBTQ+ travellers. The 2026 Spartacus Gay Travel Index placed Spain jointly among its highest-rated destinations. Away from Pride, Madrid offers magnificent museums, late-night dining, beautiful architecture and an infectious street culture. And if you want to turn the trip into something bigger, Barcelona, Sitges and the Spanish islands can easily be added to your itinerary. Best for: Pride, nightlife, culture and LGBTQ+ visibility. 3. Reykjavík, Iceland Small city. Big personality. Reykjavík provides something very different from the sprawling LGBTQ+ destinations of Bangkok, Madrid or Sydney. Iceland was placed at the top of the 2026 Spartacus Gay Travel Index, which assesses destinations using a range of LGBTQ+-related criteria. The capital itself is colourful, compact and easily explored on foot, while Reykjavík Pride brings a distinctly Icelandic character to the city's LGBTQ+ celebrations. But one of the biggest reasons to visit is what lies outside Reykjavík. Waterfalls, volcanoes, glaciers, geothermal lagoons and dramatic coastlines make Iceland one of those rare destinations where the journey beyond the city can be every bit as memorable as the city itself. Depending on when you travel, there is also the possibility of experiencing the midnight sun or searching for the Northern Lights. Best for: Nature, road trips, couples and travellers looking for something different. 4. Valletta and Malta Tiny Malta has developed an outsized reputation within LGBTQ+ travel. The Mediterranean island country was placed jointly second in the 2026 Spartacus Gay Travel Index alongside Spain. Its capital Valletta provides an atmospheric starting point, with historic streets, impressive architecture and spectacular harbour views. Beyond Valletta, visitors can explore Mdina, Malta's beaches and neighbouring Gozo. Malta Pride adds another reason for LGBTQ+ visitors to consider the islands, but Malta doesn't need to be visited during Pride to work as a queer-friendly Mediterranean escape. With history, sunshine and relatively short travelling distances, you can experience a surprising amount during even a short visit. Best for: Mediterranean sunshine, history, couples and shorter European breaks. 5. Sydney, Australia There aren't many LGBTQ+ events as instantly recognisable as Sydney Gay and Lesbian Mardi Gras. Each year, Sydney becomes a major international gathering point for LGBTQ+ visitors, with the famous parade forming only part of a much larger programme. Oxford Street and surrounding areas have historically been at the heart of Sydney's queer scene, but LGBTQ+ life stretches far beyond a single neighbourhood. Then there is Sydney itself. The Opera House, Harbour Bridge and Bondi Beach provide the postcard moments, while the city's beaches, restaurants and outdoor lifestyle make it easy to understand its international appeal. Allow enough time to experience the city beyond Mardi Gras — and consider turning your visit into a wider Australian adventure. Best for: Mardi Gras, beaches, nightlife and a major long-haul adventure. 6. Montréal, Canada Montréal manages to feel European and North American at the same time — and that is part of its appeal. Its LGBTQ+ Village is one of the best-known queer districts in North America, while the city's festivals, restaurants, bars and arts scene mean there is almost always something happening. Montréal Pride adds another major LGBTQ+ event to the calendar. Canada remains among the better-performing destinations in the 2026 Spartacus index, although the report also notes changes in measures of social acceptance — a useful reminder that national legal rights and individual experiences are not always identical. Beyond LGBTQ+ nightlife, explore Old Montréal, experience the city's celebrated food scene and climb Mount Royal for views across the city. Best for: Festivals, food, nightlife and LGBTQ+ neighbourhood culture. 7. Taipei, Taiwan Taipei deserves a place on the radar of anyone interested in LGBTQ+ travel in Asia. Taiwan became the first jurisdiction in Asia to introduce marriage equality, and ILGA World continues to record Taiwan among jurisdictions recognising same-sex marriage. Taipei also hosts one of Asia's most prominent Pride celebrations. The city's Ximending area is particularly associated with LGBTQ+ nightlife, including the well-known cluster of queer venues around the Red House. But Taipei offers much more. Night markets, temples, hot springs and an outstanding food culture provide plenty to explore, while Taiwan's excellent transport links make it relatively easy to travel beyond the capital. For travellers who have already experienced destinations such as Bangkok, Taipei provides another fascinating perspective on LGBTQ+ life in Asia. Best for: Pride, food, Asian city breaks and LGBTQ+ culture. 8. Lisbon, Portugal Colourful streets, historic trams, viewpoints, nightlife and easy access to the coast have helped turn Lisbon into one of Europe's most popular city-break destinations. For LGBTQ+ travellers there is another attraction: Portugal was among the countries sharing fourth position in the 2026 Spartacus Gay Travel Index. Lisbon's LGBTQ+ nightlife is spread around areas including Príncipe Real and Bairro Alto, while Pride celebrations bring additional queer visibility to the Portuguese capital. Lisbon's LGBTQ+ nightlife is spread around areas including Príncipe Real and Bairro Alto, while Pride celebrations bring additional queer visibility to the Portuguese capital. And one of Lisbon's greatest advantages is what you can combine with it. Sintra makes an easy excursion, while Portugal's beaches provide the opportunity to turn a city break into a longer holiday. Best for: City breaks, food, nightlife and combining culture with the coast. 9. Cape Town, South Africa Cape Town provides one of the most spectacular city backdrops anywhere in the world. Table Mountain towers above a city surrounded by ocean, beaches and some of South Africa's most famous landscapes. Cape Town also has a visible LGBTQ+ community, with De Waterkant particularly associated with queer venues and nightlife. South Africa's constitutional and legal framework provides significant LGBTQ+ protections, including marriage equality, although travellers should remember that experiences and social attitudes can differ substantially across the country. Cape Town Pride provides an obvious time for LGBTQ+ visitors to experience the city, but its appeal extends throughout the year. Take the cableway up Table Mountain, explore the Cape Peninsula, visit nearby wine regions or simply spend time beside the Atlantic. Best for: Scenery, wine, beaches and adventure. 10. Rio de Janeiro, Brazil Rio is difficult to mistake for anywhere else. The combination of mountains, beaches and city creates one of the world's most recognisable destinations. Copacabana and Ipanema are internationally famous, while Ipanema in particular has a long association with Rio's LGBTQ+ community. The city also hosts major LGBTQ+ celebrations and has a huge queer community. Yet travellers should approach Brazil with the same awareness they would any enormous country: legal recognition does not mean discrimination or violence has disappeared. Researching neighbourhoods, transport and current local advice before travelling remains sensible. For those who do visit, Rio offers something extraordinary — mornings beside the Atlantic, afternoons exploring the city and evenings discovering Brazilian nightlife. Best for: Beaches, nightlife, big celebrations and unforgettable scenery. A World Worth Exploring There is no single definition of the perfect LGBTQ+ destination. Some travellers want Pride parades and clubs. Others want beaches, food, history or somewhere to spend a quiet week with their partner. That is why our 2027 selection stretches from Reykjavík's extraordinary landscapes to Bangkok's frenetic streets, Taipei's night markets, Madrid's Chueca neighbourhood and Sydney's beaches. What connects them is the opportunity to discover somewhere new while also finding LGBTQ+ communities and spaces along the way. Travellers should nevertheless remember that LGBTQ+ laws and local conditions can change. ILGA World's continually updated database tracks legislation affecting LGBTQ+ people internationally, and checking current travel advice before departure — particularly for trans and gender-diverse travellers — should always be part of planning an overseas trip. Where will 2027 take you?
- g10 INTERVIEW: GERT CLAASSEN - SMIT | g10 group
You've achieved success across fitness, pageantry, and LGBTQ+ advocacy. What has been the most transformative moment in your journey from athlete to international ambassador? The most transformative moment in my journey was realizing that my greatest purpose was not winning titles or achieving personal success, but using those achievements to create meaningful impact for others. Competing in fitness and pageantry taught me discipline, resilience, and confidence. However, stepping onto the international stage as an ambassador for the LGBTQIA+ community showed me that visibility carries responsibility. Meeting people from different countries, hearing their stories, and understanding the challenges many still face transformed my perspective from personal achievement to community service. That shift changed everything. I no longer saw titles as a destination, but as a platform to advocate for inclusion, create safe spaces, raise awareness around LGBTQIA+ rights and gender-based violence, and inspire others to live authentically. That realization has been the defining moment of my journey and continues to guide the legacy I hope to leave behind As the 2024 champion of Mr Gay Nation SA, what responsibilities came with the title that surprised you the most? One of the biggest surprises that came with being the 2024 champion of Mr Gay Nation SA was realizing just how many people look to a titleholder for guidance, representation, and hope. The crown carries far more responsibility than recognition. I quickly learned that the role extends beyond appearances and events. It requires being a consistent advocate, a mentor, and a voice for those who may not yet feel seen or heard. People share their personal stories, struggles, and aspirations, and that trust is both humbling and motivating. What surprised me most was the impact that simple actions, listening, encouraging, showing up, and being authentic, could have on someone's life. The title taught me that true leadership is not about standing in the spotlight; it is about using that spotlight to illuminate opportunities for others and create lasting positive change within the LGBTQIA+ community. You earned a Top 3 placing in IFBB Athletic Physique competition. How has competitive bodybuilding shaped your mindset, confidence, and approach to leadership? Achieving a Top 3 placing in an IFBB Athletic Physique competition taught me lessons that extend far beyond the stage. Competitive bodybuilding instilled discipline, consistency, and mental resilience. It showed me that success is built through countless small decisions made every day, even when no one is watching. The sport also strengthened my confidence, not because of physical appearance, but because it taught me to trust the process, overcome setbacks, and push beyond perceived limits. Preparing for competition requires focus, sacrifice, and the ability to remain committed to a goal despite challenges. As a leader, those same principles guide me today. I believe in leading by example, staying accountable, and encouraging others to reach their full potential. Bodybuilding taught me that growth happens outside of your comfort zone, and that true strength is not just physical, but also mental, emotional, and rooted in perseverance. Those lessons continue to shape how I approach advocacy, mentorship, and leadership within the LGBTQIA+ community and beyond Representation in fitness spaces is still evolving. What challenges have you faced as an openly LGBTQ+ athlete, and how have those experiences influenced your advocacy work? As an openly LGBTQ+ athlete, one of the challenges I've faced has been navigating spaces where representation was limited and where assumptions or stereotypes still existed. There were moments when I felt the pressure to prove that my identity and my athletic ability were not mutually exclusive, but rather strengths that could coexist authentically. Those experiences taught me the importance of visibility. When LGBTQ+ individuals see people who are thriving in fitness, sport, and leadership while being unapologetically themselves, it helps break down barriers and challenge outdated perceptions. These challenges have directly influenced my advocacy work. They reinforced my commitment to creating inclusive environments where everyone feels welcomed, respected, and empowered to pursue their goals without fear of judgment. They also strengthened my belief that representation matters, not for recognition alone, but because it creates pathways for others to see what is possible. Today, I use my platform to encourage authenticity, promote diversity, and advocate for spaces where people are valued for their character, talent, and dedication rather than being defined by stereotypes. True inclusion happens when everyone has the opportunity to participate, succeed, and belong. Winning international recognition as Mr Gay World Tourism 2025 placed you on a global stage. What message did you most want to share about South Africa's LGBTQ+ community with the world? Winning the title of Mr Gay World Tourism 2025 gave me an incredible opportunity to showcase not only who I am, but also the resilience, diversity, and spirit of South Africa's LGBTQIA+ community. My message to the world was that South Africa is home to a vibrant LGBTQIA+ community that continues to break barriers, create change, and inspire others despite ongoing challenges. While our country has some of the most progressive constitutional protections for LGBTQIA+ rights, many individuals still face discrimination, violence, and exclusion. It is therefore essential that we continue advocating for equality, visibility, and safe spaces for all. I wanted people across the globe to see that South Africa's LGBTQIA+ community is not defined by struggle alone. We are leaders, entrepreneurs, activists, artists, athletes, and changemakers. We contribute meaningfully to our society and deserve to live authentically, safely, and proudly. As an advocate, GBV activist, and representative on the international stage, I aimed to highlight the importance of unity, inclusion, and human dignity. My goal was to remind people that when we embrace diversity, we create stronger communities and a better future for everyone. Most importantly, I wanted every LGBTQIA+ person, especially young people, to know that their identity is their strength. Their voice matters, their story matters, and they belong Many young LGBTQ+ people struggle with self-acceptance and body image. What advice would you give to someone who is just beginning their journey toward confidence and authenticity? Many young LGBTQ+ people grow up feeling pressure to fit into boxes that were never designed for them. My advice is simple: your worth is not determined by how closely you match someone else's idea of beauty, masculinity, femininity, or success. Confidence does not appear overnight. It is built through small daily choices: choosing self-kindness over self-criticism, celebrating your progress instead of comparing yourself to others, and surrounding yourself with people who see and value the real you. Research shows that LGBTQ+ youth often face greater pressure around appearance and body image, making self-acceptance an especially important journey. I encourage people to focus less on how their body looks and more on what it allows them to do. Your body carries you through life. Most importantly, authenticity is a superpower. The moment you stop trying to be who others expect and start embracing who you truly are, you begin to build a confidence that no one can take away. Be patient with yourself. Growth is not a straight road. Every step toward self-acceptance is a victory worth celebrating. You've spoken about creating spaces where LGBTQIA+ individuals can thrive authentically. What does meaningful community empowerment look like to you in 2026? Meaningful community empowerment in 2026 goes beyond visibility. It is about creating environments where LGBTQIA+ individuals are not only accepted, but celebrated, protected, and given equal opportunities to succeed. For me, empowerment means ensuring that every person, regardless of their sexual orientation or gender identity, has access to safe spaces, quality education, healthcare, employment opportunities, and strong support networks. It means amplifying voices that have historically been marginalized and creating platforms where people can share their stories without fear. Empowerment also requires action. It is found in mentorship programs that help young people discover their potential, advocacy efforts that challenge discrimination, and community initiatives that address issues such as gender-based violence, mental health, homelessness, and social exclusion. In 2026, meaningful empowerment is about building sustainable communities where authenticity is a strength rather than a risk. It is about fostering leadership, encouraging allyship, and ensuring that the next generation grows up knowing they belong exactly as they are. As someone committed to advocacy and creating safe spaces, I believe our greatest success will be measured not by how many people we reach, but by how many lives we help transform. When individuals are empowered to live openly, confidently, and authentically, entire communities become stronger, more resilient, and more inclusive. Social media often showcases the highlights of success. What is a challenge, setback, or personal lesson that your followers rarely get to see behind the scenes? One of the biggest lessons my followers rarely see is that confidence is not something you achieve once and keep forever. Even as a titleholder, advocate, and public figure, there are moments of self-doubt, exhaustion, and uncertainty behind the scenes. Social media often captures the achievements, the events, the photoshoots, and the victories. What it doesn't always show are the long hours of preparation, the sacrifices, the difficult conversations, and the responsibility that comes with representing a community. There are times when balancing advocacy, leadership roles, professional commitments, and personal well-being can be incredibly challenging. A personal lesson I have learned is that resilience is not about never struggling. It is about continuing to move forward despite the challenges. Some of my greatest growth has come from setbacks, criticism, and moments when things did not go according to plan. Those experiences have taught me patience, humility, and the importance of staying grounded in my purpose. I have also learned that asking for support is a sign of strength, not weakness. None of us succeed alone. The encouragement of friends, family, mentors, and the LGBTQIA+ community has helped me navigate difficult moments and remain focused on creating positive change. If there is one message I hope people take away, it is that authenticity includes both the triumphs and the struggles. Growth happens in the moments nobody sees, and often the strongest people are the ones who have learned to keep going when the spotlight is off. As someone involved in mentoring and leadership within the LGBTQ+ pageant space, what qualities do you believe define the next generation of queer leaders? The next generation of queer leaders will be defined by authenticity, resilience, empathy, and courage. They will lead with purpose, embrace diversity, and use their platforms to create meaningful change. Most importantly, they will uplift others, build inclusive communities, and inspire people to live proudly and unapologetically as themselves. Looking ahead, what legacy would you like Gert Claassen-Smit to leave—not only in pageantry and fitness, but within the broader LGBTQ+ community both in South Africa and internationally? I would like my legacy to be one of impact, inclusion, and empowerment. Not simply as a pageant titleholder or fitness enthusiast, but as someone who helped create safer spaces where LGBTQIA+ people could live authentically and without fear. I hope to be remembered as a leader who used his platform to uplift others, champion diversity, and inspire people to embrace who they are with pride and confidence. Whether in South Africa or on the global stage, my goal is to leave behind stronger communities, future leaders, and a message that everyone deserves dignity, respect, and the opportunity to thrive. If my journey encourages even one person to stand taller, dream bigger, and live more authentically, then I will consider that a legacy worth leaving.
- g10 INTERVIEW: BABY TAP | g10 group
Your music blends industrial, electronic, and experimental sounds. What inspires you to create such a unique sonic world? It's important for me to be progressive. The futurism of sound is so exciting to me and I love exploring its possibilities. How far can you push a frequency? How distorted can a kick drum become before it turns into something completely new? A lot of my music comes from experimentation and accidents. There are all these unwritten rules about how songs are "supposed" to be made but I've never been interested in following them. I don't think there are any rules in art. My philosophy with making music feeds into the sonic world I create. I'm drawn to futurism, subversion, and this digital, almost synthetic feeling but it has to have an organic backbone. I'd describe my music as post-genre because I'm influenced by so many different sounds, although deep down I love hardcore electronic music. Glitch, noise, chaos and distortion feel incredibly cathartic to me. Ultimately, I think I'm just expressing what's going on in my brain. Making music is therapeutic, and the sound reflects that. Your stage name, Baby Tap, is memorable and intriguing. What's the story behind it, and what does it represent to you today? Baby Tap is pretty self-descriptive when you think about it. It's about tapping into the baby within: embracing that childlike part of yourself that's instinctive, playful, carefree and silly. I've always loved heavier music scenes like industrial, punk, digital hardcore and noise, but the name "Baby Tap" was my reaction to how serious, pretentious and masculine a lot of those spaces could feel. I love the juxtaposition of having this really playful name attached to such intense music. It still makes me laugh. More than anything, it's a reminder not to take myself too seriously. We all have an inner child, and I don't think becoming an adult means we have to lose that part of ourselves. Life is hard enough as it is. I actually think it's really important to stay silly. How has being part of the LGBTQ+ community shaped your music, performance style, or artistic journey? Where do I begin? Being queer is a huge part of my artistry. It's probably the biggest part of it, actually. As a queer man making rap and hardcore music, I naturally challenge a lot of the expectations those genres have carried for years. There are traditions within those scenes that have often centred masculinity in a very narrow way, so of course I'm going to flip that on its head. That's part of who I am. To me, being queer and being punk as fuck are completely intertwined. Both are about ripping up the script you've been handed and creating your own. Finding the freedom to be whoever I want to be goes hand in hand with the freedom I feel as an artist. They're impossible for me to separate. None of that would have been possible without the queer community. I can't begin to express how much the people around me have influenced me or how much love, hope and strength they've given me. I'm incredibly lucky to know the people I do, and I'm grateful for them every single day. Your visual aesthetic is just as striking as your music. How important is fashion and self-expression to your identity as an artist? Oh, thanks! Music always comes first, but it's all about identity, isn't it? Self-expression is incredibly important to me. Of course, from a branding perspective an image matters but I think it's boring and a bit soul-destroying if that's the only way you look at it. For me, it's much more personal. It's expression. It's drag. It's fantasy. People decorate their cars and their homes so why shouldn't they decorate themselves? I'm an artist, but I'm also a piece of art. The paint on my face, the shoes I wear, whatever I choose to put on my body — it can all express a feeling or make a statement. It's powerful. I remember when I was a kid, an adult criticised me for looking "like a cartoon." I rejected that idea immediately even though I was probably 8 years old. I remember looking at myself in the mirror and thinking, why wouldn't I want to be a cartoon? Cartoons are fucking joyful and the most fun! Why wouldn't I want to be a colourful character? How oppressive to think otherwise! My life experiences have created a character that is me, so I'm going to let myself be it, whatever it is. Sorry, but you're probably never going to catch me in boot-cut blue Levi's and a plain T-shirt. Not because there's anything wrong with that — I just wouldn't feel like myself. What message do you hope queer fans take away when they experience your music or see you perform live? That it's okay to be yourself unapologetically. Growing up queer, you're taught to make yourself smaller or quieter, to fit into whatever version of yourself makes other people comfortable. I want my music and my live shows to do the opposite. I want people to feel like they can take up space, be loud, be weird, be vulnerable, be joyful — whatever feels true to them. You've spoken about the importance of queer spaces and community. What changes would you like to see for LGBTQ+ artists in the UK music scene? I mean... I actually love it. I come across new queer artists and performers all the time, and they're incredible. They make me so happy. The changes I want to see for LGBTQ+ people are from the government and they boil down to basic human rights. As for the UK music scene? I think it fucking slaps. The biggest problems I see within music aren't exclusive to queer artists — they affect all musicians. Streaming has fundamentally changed how artists are discovered and paid, and so many of the platforms and opportunities musicians rely on have become increasingly monetised. It can feel like you have to pay just to be seen. I think we hit a bit of a sweet spot maybe fifteen years ago and it's been a tougher landscape ever since. I'm still optimistic though! There are so many brilliant artists making exciting, boundary-pushing work. That creativity hasn't gone anywhere. Your latest music feels deeply personal while remaining experimental. How do you balance vulnerability with creative freedom? I'm glad you said that! My new album is probably the most personal record I've written to date. Without sounding egotistical... well, I guess the album is about the ego. I wanted to talk about myself — to explore how I feel, how I'm doing, and who I am. Why not? It's so easy to overthink what you're making, but I've been trying to shut those voices up and trust myself more. I've been working on my imposter syndrome, and I know that if I love the music I'm making and it feels truthful to me, that's enough. I'll be as vulnerable or as vapid as I want — that's my business. It's my art, and it's going to be whatever I want it to be. Ultimately, I don't think about it. Full stop. I don't think creativity works like that. For me, it's instinct. It's intuition. I just follow where it wants to go and I have to trust whatever it is. Social media has become an essential tool for artists. How do you stay authentic while navigating the pressures of being online? Ugh, social media sucks sometimes. I genuinely find it bad for my mental health, so I'm learning not to take it too seriously or spend too much time on it. It's great that we have these platforms where we can express ourselves, be cute, and share our work, but they're also tools for building a career. I've only recently started thinking about it that way, and it's actually been quite fun. I have a product, which is my music, and I have a brand, which is me. I'm going to use these platforms to get my music in front of the people who'll connect with it. Do I have time or patience for all of them? No, I don't, but I'll do the best I can without stressing myself out. It can be arduous and tedious. You have to step back and ask yourself: How am I going to use this? How am I going to get my music to the right audience? I'm still figuring that part out but I know the music deserves the chance. It's important you don't take other people too seriously either. Comparison is the thief of joy. We're all presenting idealised versions of ourselves online. That's not necessarily a bad thing but there is a lot of fantasy and editing involved. Saying all of that, though, there's an amazing sense of community that transcends oceans. I've met the most amazing people through it and they inspire me every day. If you could collaborate with any LGBTQ+ artist—past or present—who would it be, and what kind of track would you create together? Honestly? I want to make music with my friends. All of them. I want to go round to their houses, press record and see what happens. I want to make the most absurd fucking cacophonies imaginable. Secretly though... I've always wanted to make a thrash metal album with a band. Just one. I think it'd be so much fun. If we're talking dream collaborations, then Arca and SOPHIE are the absolute pinnacle of queer artistry for me. They've completely redefined what's possible in music. If Cobrah or Ashnikko ever wanted to do a song with me though... that song would be pure sex. Looking ahead, what's next for Baby Tap, and what can your fans expect from you over the next year? I've spent the last three years writing, producing and stressing over my new album. It's pretty much finished, and now I'm at that point where it's time to think about the next steps. I was shit-scared to start releasing this music but I've finally overcome the fear and started the process! I think my first single, Siberian Snowtrip, will actually be out by the time this interview is published, and that's absolutely wild to me. The new era has officially begun. Every album release feels like completely uncharted territory but I'm working harder than ever and I hope people can feel that. The rollout has started and I genuinely can't wait for people to hear my new music. I want to surprise people. I can't say too much yet, but you'll see. Once the album's out, I want to tour it. I want to take a month off from my day job and perform the house down to the biggest beats I've ever made. After all of that, I want to fuck off to Thailand by myself for two weeks, eat incredible food and forget about everything for a little while.
- g10 FITNESS: YOUR SUMMER, YOUR BODY, YOU | g10 group
Your Summer, Your Body, Your Rules: A Realistic Guide to Feeling Fit and Confident As temperatures rise and holiday plans start appearing in the group chat, many of us begin hearing the phrase “summer body” thrown around online. Social feeds fill with workout transformations, diet challenges, and unrealistic beauty standards that can leave people feeling pressured rather than empowered. At g10 Group, we believe getting “summer ready” shouldn’t mean shrinking yourself, starving yourself, or chasing perfection. Fitness is personal. Confidence is personal. And your body deserves care all year round — not punishment for a season. Whether you want to improve your energy, feel stronger, build confidence at the beach, or simply establish healthier habits, here’s how to approach summer fitness in a way that actually supports your physical and mental wellbeing. Redefining the “Summer Body” Let’s start with the truth: every body is already a summer body. Fitness culture has historically excluded LGBTQ+ people, especially those who are trans, non-binary, plus-size, disabled, or simply don’t fit conventional beauty standards. The pressure to look a certain way can become overwhelming, particularly during summer when bodies are more visible and social comparison intensifies. Instead of focusing purely on aesthetics, try reframing your goals around how you want to feel: More energised? More mobile? More confident? Less stressed? Stronger physically and mentally? That mindset shift can completely change your relationship with exercise. Start With Movement You Actually Enjoy You do not need to spend hours in the gym lifting weights while drinking expensive protein shakes. The best fitness routine is one you can realistically maintain. Some LGBTQ+ people may feel intimidated in traditional gym environments, especially if they’ve experienced judgment, harassment, or body dysphoria. The good news is fitness can happen anywhere. Try: Walking with friends Swimming Dance workouts Yoga or Pilates Cycling Home workouts on YouTube Hiking Recreational sports Queer-friendly fitness classes Movement should feel supportive, not like a punishment. Fuel Your Body — Don’t Fight It Extreme diets and “detox” trends dominate social media every summer, but they rarely lead to long-term health. Instead of cutting out entire food groups or obsessing over calories, focus on balance: Eat enough protein to support energy and muscle recovery Include fruits and vegetables regularly Stay hydrated, especially during hot weather Avoid skipping meals Allow yourself treats without guilt For many LGBTQ+ people, body image struggles can overlap with mental health challenges or disordered eating patterns. If your relationship with food feels stressful or controlling, speaking to a healthcare professional or registered nutritionist can help. Sleep and Stress Matter More Than You Think One of the most overlooked parts of fitness is recovery. You can work out every day, but if you’re sleeping poorly and living in constant stress, your body and mind will struggle to feel their best. Aim for: 7–9 hours of sleep Time away from screens Rest days between intense workouts Activities that reduce stress, such as meditation, journaling, or spending time with supportive people Confidence grows faster when your nervous system feels safe and rested. Fitness and LGBTQ+ Mental Health For many queer people, summer can bring mixed emotions. Pride season may feel empowering for some and emotionally exhausting for others. Social expectations around appearance can increase anxiety, especially on dating apps or in nightlife spaces. Remember: You do not owe anyone a certain physique Progress is not linear Comparison online is rarely reality Your worth is not measured by abs, weight, or clothing size Fitness should improve your quality of life — not damage your self-esteem. Small Changes Create Long-Term Results Forget “30-day transformations.” Sustainable progress usually comes from consistent small habits: Taking daily walks Cooking more meals at home Drinking more water Stretching regularly Moving your body a few times a week Those habits add up over time and are far more realistic than crash programmes. Confidence Looks Different on Everyone Some people feel their best after building muscle. Others feel empowered simply becoming more active or improving their mental health. There is no universal version of confidence. This summer, try focusing less on becoming “beach body ready” and more on becoming comfortable in your own skin. Wear the outfit. Go to the beach. Take the photo. Enjoy the moment. Your life should not start after you hit a certain weight or look a certain way. Getting fit for summer doesn’t need to involve shame, impossible standards, or toxic wellness culture. The healthiest approach is one rooted in self-respect, balance, and realistic goals. At the end of the day, confidence comes from caring for yourself — not punishing yourself. And no matter your shape, size, gender identity, or fitness level, you deserve to enjoy summer exactly as you are.
- g10 FEATURE: MANCHESTER VILLAGE PRIDE 20 | g10 group
Manchester Village Pride 2026: Pride Comes Home to the Village Manchester is getting ready for a very different kind of Pride this August Bank Holiday – and for the LGBTQ+ community, it could be one of the most significant weekends in the city for years. From Friday 28 August to Monday 31 August 2026, Manchester's famous Gay Village will once again become the beating heart of Pride as Manchester Village Pride makes its debut under a new, community-led organisation. While Pride has a long and proud history in Manchester, 2026 represents a fresh start. Following the collapse of the previous Manchester Pride organisation in 2025, businesses, residents and community stakeholders came together to establish Manchester Village Pride CIC, a not-for-profit Community Interest Company. And its message for this year's event couldn't be more appropriate: "No Place Like Home." A Pride built around the Village For decades, Manchester's Gay Village has been at the centre of LGBTQ+ life in the city. This year, organisers are putting that history firmly back in the spotlight. Manchester Village Pride describes itself as a Pride that is "run by the community, for the community", with the Village at its heart. The new organisation is run by unpaid volunteers, while local Village venues provided £120,000 in start-up loans to help get the event off the ground. The new model also places a strong emphasis on supporting the LGBTQ+ community. Organisers say surplus funds will be reinvested into grassroots queer organisations and community initiatives rather than distributed as private profit. For Manchester, it is much more than simply changing the name on the Pride banner. It is an attempt to rebuild trust and reconnect the city's biggest LGBTQ+ celebration with its roots. Four days of Pride The weekend gets underway on Friday 28 August, with the Village opening its doors and live stages getting the celebrations started. Saturday is set to be the big day, with the Manchester Village Pride Parade taking place on 29 August. This year's theme, "No Place Like Home," reflects the decision to bring Pride back to the Gay Village and celebrate the community that has helped make Manchester one of the UK's most important LGBTQ+ cities. The parade will provide the colourful spectacle Manchester Pride is famous for, with community groups, charities, businesses and organisations marching through the city centre. But organisers are also keen to put community before commercial interests. LGBTQ+ charities and grassroots groups are not charged to take part in the parade, while commercial floats contribute towards supporting community participation. Music, drag and the Village party Once the parade is over, the party continues across the Gay Village. The main stage will showcase queer talent from Manchester and across the UK, while the Dance Arena will celebrate the city's legendary LGBTQ+ nightlife with house, techno and disco. The programme is expected to provide the usual mix of live music, DJs, drag, cabaret and plenty of opportunities to dance into the night. Acts announced for the 2026 celebrations include names such as Cascada and DJ Sammy, adding some serious pop nostalgia to the Bank Holiday party. One of the organisers' key commitments is that artists performing at Manchester Village Pride will be paid fairly, with the event working with Equity on professional standards and fair pay. That commitment is particularly significant given the financial difficulties surrounding the previous Pride organisation. Pride beyond Canal Street Although the Gay Village is very much the headquarters, Manchester Village Pride isn't limiting itself to Canal Street. A new Pride Fringe will bring LGBTQ+ arts, culture, film, comedy, exhibitions, club nights and other events to venues across the city. The programme includes the return of SCENE: Manchester LGBTQ+ Film & TV Festival, alongside events at cultural venues and celebrations hosted by businesses and community organisations. It means that even if you're not heading into the Village for the main party, there should be plenty happening elsewhere in Manchester. Monday: community, family and remembrance One of the most interesting changes comes on the Monday. 31 August will be dedicated to community, families and remembrance, with a Lifestyle & Community Expo in the Village. There will be activities including drag story time, face painting, bouncy castles and youth workshops, making Monday a more relaxed and family-focused part of the weekend. Importantly, Monday entry is free, reflecting the organisers' belief that the community and remembrance elements of Pride should be accessible to everyone. The weekend will conclude with the George House Trust Vigil at Sackville Gardens, providing an opportunity to remember those lost to HIV/AIDS and reflect on the history and continuing importance of the LGBTQ+ community. A new beginning for Manchester Pride There is inevitably going to be a sense of change hanging over this year's celebrations. Manchester has hosted Pride for decades, with the first event taking place in the Village in 1985. The new Manchester Village Pride CIC is therefore not starting from scratch – it is attempting to reconnect with a history that stretches back more than 40 years. That makes the first Manchester Village Pride of 2026 particularly interesting. It is a test of whether Pride can be rebuilt around community, transparency and the LGBTQ+ venues, organisations and people who have kept Manchester's queer scene alive. And judging by the plans, the answer is going to be celebrated with plenty of colour, music, glitter and dancing. The g10 group verdict Manchester Village Pride 2026 looks set to be less about simply putting on another huge party and more about asking what Pride actually means to the people who live, work and socialise in Manchester's LGBTQ+ community. With the Gay Village firmly back at the centre, a city-wide Fringe programme, the return of the parade, four days of events and a renewed emphasis on community and fair treatment of performers, this year's celebration feels like both a homecoming and a new beginning. So, whether you're a Manchester local or planning a Bank Holiday weekend visit, 28–31 August is one to put in the diary. Because this year, Pride isn't just coming to Manchester. Pride is coming home. Manchester Village Pride takes place from Friday 28 August to Monday 31 August 2026. The parade takes place on Saturday 29 August. Monday's Community & Family Day and Vigil are free to attend. Event information and ticket details are subject to change, so check the official Manchester Village Pride programme before travelling.
- g10 INTERVIEW: PEARL DOES COUNTRY | g10 group
Your sound blends traditional country with a modern LGBTQ+ perspective—what drew you to country music as your primary genre? I think growing up I never felt like the kids around me liked the same music as me, they were all into rock and heavy metal. Then one day I saw a group of people doing a line dancing class to Shania Twain in the local supermarket carpark and I loved her sound. She’s been a big influence on me and my music and a cover some of her songs in my covers set as well. I was a country boy from then. Country has historically had a complex relationship with queer artists. What has your experience been as an LGBTQ+ artist in the UK country scene? I have been quite lucky so far, I haven’t experienced any homophobia at any of my shows, and iv played and queer and straight venues. The only hate I get is online. That used to bother me but its always a faceless profile and iv learnt to just ignore their words now Your new EP is getting attention—what’s the story or theme that ties the project together? I currently have 8 singles out on streaming platforms, and they each have a separate and unique story, so I knew I wanted the EP to have an overall theme and vibe. I also wanted it to reflect what modern country can sound like from a queer perspective. Its sexy and empowering. Can you walk us through the creative process behind the EP? Were there any songs that evolved in unexpected ways? The Day You Don’t Love Me is a heartfelt ballad I wrote after waking up from consecutive nightmares that my boyfriend had broken up with me. I woke up after the third of fourth time of having this same nightmare and knew I needed to write the song. It explores who you are when the person you love does love you anymore and I think it’s very beautiful and raw. On the flip side of that, Boys In The Barn, my sexy rodeo song on the EP was written based off a fantasy I have when I was drunk in park. Inspirations comes in all different forms! Is there a particular track on the new EP that feels especially personal or important to you? Why? Apart from The Day You Don’t Love Me, for obvious reasons mentioned above, I would say the lead song from the EP, He’s The Devil. It perfectly captures the vibe of the EP and with the help of some amazing friends, @matt1981h and @stefanowithef, it became the song to my first ever music video which is out now on YouTube. I’m very proud of it! How do your personal experiences influence your songwriting, especially when it comes to identity and storytelling? When I write music, the story always comes first. I want to take the listener on a journey. Almost all of my songs are drawn from personal experiences, whether its growing up in a small town, dealing with heartbreak, or facing adversity. I aim to make every story feel authentic and personal, so the listener can truly connect with it. Who are some of your biggest musical influences, both within country and outside of it? Shania Twain is a given, I think she’s amazing! I have also been really inspired by Lainey Wilsons’ story, especially how she was living in her camper trailer for 10 years while she constantly tried to break into the industry. That kind of perseverance is really empowering as a new. I’m also deeply inspired by musical theatre, which is why I love incorporating of drama into my own music. The UK country scene has been growing in recent years—how do you see your role within it? I love that the UK country scene is growing in popularity. I hope to be a big part in making sure that, as it grows, it does so inclusively, so everyone feels they have a voice and can find home in a country song. After all, “Y’all Means All.” (that’s one of my songs ) What do you hope listeners—especially queer listeners—take away from your music? I hope my listeners feel a sense of community from my music; I am small enough that I respond to every comment and I want to get to know my audience. I aim create a community that supports each other through music. I hope my music empowers them, gives the strength, and brings them joy. Looking ahead, how do you want your sound and message to evolve after this EP? I have so many plans already before the end of the year, I have new music after the EP, a UK pride tour and a Christmas EP all in the works. I’m constantly learning, evolving, and pushing myself to be better. I can’t wait to see where all this hard work takes me! https://youtu.be/GupALL678vc?si=XcE9BLxOIn9Qe42H https://open.spotify.com/artist/757uBkhdjpYHxyMtLuTpNC?si=ylzjGHc1QqebV_13HDG3Tg
- g10 INTERVIEW: ANGIE BROWN | g10 group
For readers who may be discovering you for the first time, how would you describe yourself and your career journey so far? I’ve been surrounded by music for as long as I can remember. As a child, I loved listening to my mum sing — she had a beautiful voice — and we always had great music playing at home, so I think that love of music was planted in me very early on. At school I was involved in musicals, and after winning a talent competition I started to take music even more seriously. I went on to study Drama at college until I was 20, and from there I began doing session work and really honing my craft. Over the years I’ve been lucky enough to work across so many different styles — Pop, Soul, Funk, even World Music, which was all before House Music became such a huge part of my life! I’ve been in various bands, worked with some incredible producers and artists, and gradually built a career that has taken me to some amazing places. A real game changer came when I was 27 and had the hit with Bizarre Inc. That was the moment things changed dramatically for me. It opened the door to television work and, more importantly, meant I could finally give up my part-time catering and cleaning jobs and actually sustain myself professionally as a vocalist. That was a very special moment because music was no longer something I was trying to fit around my life — it had become my life. There have been so many chapters since then that I couldn’t possibly squeeze them all into one answer, but what I can say is that my career has always been incredibly creative, sometimes completely unexpected, and always driven by my love of music. I’ve self-managed for most of my career, which has taught me an enormous amount about the business as well as the creative side. These days my husband Mikey manages me, and somehow everything has just clicked into place. After more than 35 years in this business, I feel like I’m in a really exciting chapter of my career — still learning, still creating, still pushing myself and, most importantly, still absolutely loving what I do. So I suppose if I had to describe my journey in a nutshell, I’d say it’s been a long, colourful, slightly bonkers, wonderfully unpredictable love affair with music — and I’m nowhere near finished yet! You’ve had such a varied career in music and entertainment. What have been some of the highlights that you look back on with the most pride? There are so many moments I look back on with pride, but one of the most special has to be performing on Top of the Pops in 1992. That was a childhood dream of mine, and what made it even more precious was that both my mum and dad were alive and well to see it happen. I left Drama school when I was around 20, and it took another seven years of working, learning, grafting and believing in myself to get to that moment. I can still remember my mum being on the phone to family afterwards because everyone was so incredibly happy and proud. To be able to give my parents that moment is something I will always treasure. I’m also incredibly proud to have performed at the Royal Albert Hall. There is something very special about standing on that stage — it’s one of those places where you really feel the history of music around you. And another unforgettable moment was performing at Downing Street during Gordon Brown’s time as Prime Minister. To go from a little girl dreaming about being a singer to finding myself performing in places like that is something I never take for granted. But I think what makes me most proud isn’t necessarily the venues or the television appearances. It’s the journey it took to get there. I’ve had to work incredibly hard, keep picking myself up, keep learning and keep believing in myself. After all these years, I’m still here, still singing and still excited about what comes next — and I think that’s something to be proud of too. What first inspired you to pursue a career in music, and who were some of your biggest influences when you were starting out? Without a doubt, one of my biggest influences was my mum. I loved her singing voice, it was beautiful. When she was a young woman she used to sing in church, and she had a beautiful, powerful voice. She would sing loudly and confidently above everyone else, and I remember people commenting afterwards about how wonderful her voice was. I loved seeing her receive those compliments, and I think somewhere in my little head I started to understand just how special it was to be able to move people with your voice. Music was also everywhere around me growing up. I was glued to the television watching all the great artists of the 60s and 70s — The Beatles, Diana Ross, Tom Jones, Dusty Springfield, Lulu, The Osmonds and the Jackson 5. I loved all of it! I’ve always had a very eclectic taste in music. I’ve never really wanted to put myself in one particular box, because for me great music is great music, whatever the genre. I think that’s probably stayed with me throughout my career. But if I had to choose the person who really first made me want to sing, it would always be my mum. She was the first voice that inspired me, and probably the first person who made me realise that singing could be something really powerful and joyful that you can share with the World. You’ve built a strong connection with LGBTQ+ audiences. What does the LGBTQ+ community mean to you, and why do you think music is so important in bringing people together? The LGBTQ+ community means a great deal to me. I feel so much love for them, and I’m grateful for the love and support they’ve shown me throughout my career. I’ve always believed that music should bring people together, not divide them. I’m colour-blind when it comes to people. I don’t judge anyone by their colour, gender or sexuality — I just see people, and I believe everyone deserves to live freely, peacefully and with love. We’re all human beings, and we should be celebrating what connects us rather than focusing on what makes us different. That’s what music can do. When people come together at a concert or hear a song that means something to them, all those barriers can disappear. For a few minutes, we’re simply sharing the same feeling, singing the same words and enjoying the same moment. If my music can help people feel accepted, uplifted and connected, then that means everything to me. I just want to spread love, peace and joy, and I hope my music can continue bringing people together. Looking back, was there a particular moment in your career when you realised that music could have a real impact on people’s lives? Oh, yes — absolutely. Yes, yes, yes, all day long! I’ve seen it happen right in front of me. When I’m performing, I can actually feel the energy coming back from the audience. You can see people’s faces change, you can feel the atmosphere lift, and you know that, for that moment, you’ve taken people somewhere else. It’s also what happens afterwards that really touches me. People will come up wanting selfies, wanting to talk to me, wanting to tell me what the music or the performance has made them feel. And then I’ll see the most beautiful, positive and uplifting comments online afterwards. That’s when you realise that what you do has gone beyond simply singing a song. Music is incredibly powerful. It can change your mood, lift you when you’re having a difficult day, bring people together and sometimes even give someone a feeling they didn’t know they needed. That’s one of the reasons I still love performing so much. Yes, I’m there to entertain, but if somebody leaves one of my shows feeling happier, lighter, more energised or simply with a big smile on their face, then I’ve done my job. But that’s the magic of music! What is it like performing for an LGBTQ+ audience, and are there any particular Pride or LGBTQ+ events that stand out in your memory? Performing for an LGBT audience is incredibly special to me. Manchester Pride was one of the first Prides to book me and bring me on board, and I opened or closed the event for seven years, back before it became bigger and more commercialised and started bringing in more expensive artists. I’ll always be grateful to Manchester Pride and to John Barry, who championed me back then as one of their favourite artists. They still support me now, which means a great deal. Manchester Pride definitely stands out as my favourite Pride, partly because of that history and because they believed in me so early on. Of course, I love performing to any audience who appreciates my music, but there’s something particularly powerful about singing to an LGBT audience. I’ve really enjoyed performing “The Real Me”, because it’s a song about refusing to take any more people’s prejudice or negativity. It’s about standing in your truth and not allowing anybody else’s judgement to define you. That’s been amazing to experience at Pride. You can feel that connection with the audience, because so many people understand exactly what that song is about. We’ve all been there and we’ve all suffered pain at various points in our lives and my LGBTQ plus community have all had to deal with prejudice, judgement or people trying to make them feel that they shouldn’t be their authentic selves. So, yes, Manchester Pride definitely stands out for me. It has a very special place in my heart, and performing “The Real Me” to that audience has been incredibly meaningful. Is there a song or performance from your career that holds a particularly special place in your heart — and why? “I’m Gonna Get You” holds a particularly special place in my heart. It came to light in 1992, and it has supported me ever since. That song has been such a constant throughout my career, and I’m incredibly grateful for everything it has brought into my life. There’s something very special about performing a song that people have grown up with and still remember and love all these years later. Whenever I sing “I’m Gonna Get You”, I can feel that connection with the audience straight away. People know the words, they sing along, they dance, and you can see the joy on their faces. It has taken me to so many places and introduced me to so many wonderful people. It’s also given me the opportunity to keep performing and connecting with audiences over the years, which means more to me than I can really put into words. I’m so proud of that song and everything it represents. It’s not just a hit from 1992 — it’s been a huge part of my life and has supported me throughout my career. So, yes, “I’m Gonna Get You” will always have a very special place in my heart. What can fans expect from you over the coming months? Are there any exciting projects, performances or collaborations on the horizon? There’s lots to look forward to over the coming months. I’m continuing to perform and connect with audiences, and I’m excited about the release of ‘The Real Me’ (TRM) and everything developing around it. It’s been wonderful to see how warmly the LGBTQ+ community has embraced TRM. And that support means so much to me, because I’ve always felt a strong connection with the community and the people who have supported my music. I love the freedom, and togetherness around TRM, and seeing people make it their own. they’re feeling it and they understand me when I explain what the song is all about and why l wrote it. So I’m looking forward to sharing more about the project, new music and what’s coming next. I’m so grateful people are still listening and joining me on the journey.So, keep watching this space! There’s plenty more to come, and I can’t wait to share it with everyone. Finally, what advice would you give to young LGBTQ+ people who are hoping to follow their dreams and make a career in music or entertainment? Oh, yes—absolutely! My advice is to be kind, encourage others to pursue their dreams and support people in being true to themselves. Not everyone will reach their goals, but if you don’t try, you’ll never know what’s possible. Be consistent, professional and dedicated—there’s always someone ready to step into your shoes. I respect everyone’s time, energy and investment in me, and I believe that commitment is what gets you noticed. If you enjoy what you do, create good music and appreciate the opportunity, you’re truly fortunate. Finally, thank you to Gavin and everyone at the g10 Group I love this community. You’ve always been kind to me so it’s easy to be kind back… Thank you once again for inviting me to do this interview.
