George, for anyone discovering you for the first time, how would you introduce yourself and the different strands of your work? I’m George Windsor, a singer-songwriter and performer from Staffordshire In England. I make pop music with a mix of dance, house and pop-rock influences, while also writing and collaborating for other artists and producers in the UK and especially the US. You’re involved with Inside Baseball, AYO Music Group and Kollective. How do those different projects fit together, and what does each allow you to explore creatively? Inside Baseball and AYO Music Group are part of a publishing and management team, alongside The Music Firm, helping me develop my career and connect with the right creative opportunities. Kollective handles my PPL registrations. I’m really fortunate to have a team spanning both the UK and LA, giving me support and connections on both sides of the Atlantic. Let’s talk about Inside Baseball. What was the original idea behind it, and how has that vision developed since you first became involved? Inside Baseball is one of the publishing partners and has been an important part of my journey as a songwriter and artist. Through that relationship, they connected me with AYO Music Group, who are my newest publishing and management partners. It’s been really exciting to see that relationship develop, particularly with the opportunities and connections it’s opened up for me in LA. What does AYO Music Group represent to you, and what do you think makes its approach to music and artists distinctive? AYO represents a really exciting new chapter for me. They’ve given me the opportunity to expand my work into the US while still having that close connection with my UK team. What I really value is their personal, artist driven approach, they genuinely take the time to understand me as an artist, my goals and where I want to take my music, rather than trying to fit me into a mould, the team behind AYO is phenomenal, you really do have some music industry leaders working from there! Where do you think the biggest opportunities are right now? I think one of the biggest opportunities is being able to build a genuinely global audience without being limited by where you’re based. Social media and streaming allow artists to connect directly with people, while collaborations and international relationships can open up completely new audiences. For me, that UK - US connection is something I’m really excited to explore. Tell us about Kollective. What are you trying to create with the project, and where would you like to see it go over the next few years? Kollective is my neighbouring rights representative rather than a project of my own. They specialise in representing artists and their neighbouring rights, making sure royalties are properly collected and accounted for across different territories. They represent an incomparable roster of artists, including Tom Grennan, MK, Sia and Wiz Khalifa, so I’m thrilled to have them representing my catalogue alongside artists of that calibre. For me, it’s about having the right people looking after an important part of the business behind my music. When you’re deciding whether to work with an artist, creative or project, what catches your attention? Is it talent, originality, personality, potential—or something harder to define? For me, it’s a combination of talent, personality and authenticity. Obviously the music has to excite me or what we are going to create, but I’m also really drawn to people’s experiences and what makes them interesting as individuals. When I’m writing, I’m fascinated by the stories people carry, even the things they might find difficult or vulnerable to talk about. I’d never want to exploit someone’s experiences, but I do think there’s something powerful about turning those stories into music and creating a message that might help someone else feel less alone. There are so many things I notice when I’m writing my own material and working with other people. Chemistry is a big part of it too, you can feel when something just clicks. Ultimately, I’m drawn to people with a unique perspective, something genuine to say and a real passion for what they do. Behind every successful creative project there are usually challenges that audiences never see. What has been one of the biggest lessons you’ve learned from building your career so far? One of the biggest lessons I’ve learned from making music is that some of the most meaningful songs can come from uncomfortable places. A lot of my writing comes from real experiences, emotions and things I’ve been through or witnessed, and sometimes putting those feelings into a song means being incredibly vulnerable. That can be a challenge, whether it’s me trying to open up to myself and submit to the words, thoughts and sounds, or working with other artists and helping them open up. Sometimes we need to get to the deepest, darkest parts of an experience, and that can be uncomfortable. But as an artist and a writer, I feel it’s my job to take those experiences and turn them into something completely different, a song. That said, I definitely don’t make music that’s all doom and gloom! I’m a pop artist at heart, and I love exploring different sides of pop, whether that’s house, dance, pop-rock or something completely different. Sometimes the inspiration can be deeply personal, and sometimes it’s simply about creating something that makes people want to dance, sing along or have a good time. I think that contrast is what makes someone an artist. Looking at the wider creative industries, do you think there is enough space and support for LGBTQ+ artists, creatives and entrepreneurs—and where would you still like to see progress? I think there is definitely more space and visibility for LGBTQ+ artists and creatives than there was when I first started, which is really positive. But I think there’s still a difference between being visible and being genuinely supported. For me, it’s about creating real opportunities, investing in LGBTQ+ artists, booking them, collaborating with them, giving them platforms and helping them build sustainable careers, rather than just celebrating LGBTQ+ talent during Pride. I’ve experienced some amazing support from the LGBTQ+ communities in Ireland, London and particularly LA, and it’s shown me how powerful that genuine support can be. I’d love to see more of that throughout the industry: not just celebrating LGBTQ+ creatives for who they are, but recognising their talent, their individuality and what they can bring creatively all year round, my favourite LGBTQ+ artists are Justin Tranter, an absolute powerhouse artist, songwriter and producer and Luke Bazulka from the band ‘The Scarlett Opera’ they are US based but my god, they can write and Luka’s voice is second to none. Finally, what’s next for George Windsor? What should people be watching out for from you, Inside Baseball, AYO Music Group and Kollective over the coming year? There’s a lot happening over the next year. Since AYO Music Group brought me to LA, my studio sessions have dramatically levelled up. I’ve been working with some incredible producers and writers, including Willy Beaman, who has an amazing catalogue of credits as a writer, producer and touring musician, and those sessions have really pushed me creatively. LA is going to be a much bigger part of my world moving forward. I’ll be spending a lot more time there, with some incredibly exciting meetings, writing sessions and collaborations already happening behind the scenes. I feel like I’m only just scratching the surface of what’s possible there, and I’m really excited about the relationships we’re building and where they could lead. Alongside that, I have a lot of new music coming out next year, with releases planned throughout the year, as well as more live shows and touring. It feels like I’m entering a really exciting chapter where everything I’ve been building; the music, the songwriting, the international relationships and the team around me, is starting to come together. There’s a lot happening behind the scenes that I can’t talk about yet, but I think people will start to see all of that very soon

You founded HIV The Naked Truth in 2020 with the mission of ending HIV stigma through the arts. What inspired you to combine creativity and activism in this way? As a former dancer I have always loved the arts - it’s the drug that motivated me to thrive and the fact I had a day off in 2020 on world aids day I wanted to create art at its best and it’s grown and grown over last 6 years it’s my baby! As someone living openly with HIV, what has been the most rewarding—and the most challenging—part of sharing your story publicly? I have always been an open book but I thought 5 years after my diagnosis I had nothing to fear and now have a family of people all looking out for each other and thriving with HIV my most beautiful friends are HIV +! Many people still hold outdated views about HIV. What are the biggest misconceptions you encounter today, and how do you hope to change them? That hiv is a death sentence - now on effective treatment you cannot pass the virus on U = U which means undetectable is Untransmittable. Also hiv stigma kills so don’t judge get tested and support us don’t hate us spread love The HIV The Naked Truth Nude Exhibition takes place at Phoenix Art Space in Brighton from 29 July to 2 August 2026. Why did you choose Brighton Pride week as the perfect time and place for this exhibition? Tbh it was the only week available in the galleries schedule but that said it fits in perfect time for Brighton pride the biggest pride festival in the UK and with an important cause to tackle hiv stigma! The exhibition features 14 LGBTQ+ HIV activists photographed nude. What message do you hope visitors take away after experiencing these powerful portraits and the personal stories behind them? I love all my models featured in the exhibit by Rod olukoya the naked body is so powerful and hiv can affect anyone from trans men to trans women to women it’s not just a gay man’s disease we are all equal and beautiful and should not be seen any different Nudity can be seen as both vulnerable and empowering. Why was it important for HIV The Naked Truth to use the naked body as a medium for challenge I think there’s nothing more beautiful than naked bodies of all shapes and sizes and I’m so proud of each model for baring their all for this special exhibit This exhibition supports Positive East and brings together activists from diverse backgrounds. How important is community collaboration in creating lasting change around HIV awareness and acceptance? I think community is key to battling stigma and change and we need work together in partnership and activism if we want to meet our 2030 goal of ending all hiv transmissions in the UK we can all do our part together we are so powerful ! You've had an incredible career as a professional dancer before becoming an HIV activist. How has your background in dance and performance influenced your approach to advocacy? I dreamed a dream of being a professional dancer I was and now my journey has taken me on an unplanned adventure that has taken me places I never dreamt of also met some incredible souls that are have touched me in a way I can’t explain I’m truly blessed! For LGBTQ+ people who have recently been diagnosed with HIV and may be struggling with fear or stigma, what message would you like to share with them today? You are not alone - you will be ok there is support out there for you and you are beautiful and powerful don’t be afraid ! Looking beyond the Brighton exhibition, what is your long-term vision for HIV The Naked Truth, and what does success in ending HIV stigma look like to you? Tbh I’m bipolar and adhd so anything could happen. I don’t know what’s in the bag for HIV the naked truth but I know we aren’t going anywhere as hope to make an impact with my creative team to end hiv stigma one sequin at a Time x

For people meeting you for the first time, who is GIO X, and what story are you telling through your music and art? My music is inspired by living and loving in a big city. There’s a darkness in my debut EP, but there’s beauty in everything if you’re willing to look for it. That’s the story I’m always trying to tell. You describe yourself as an unapologetically queer artist. What does living and creating unapologetically mean to you in 2026? Through my music career, I’ve realised there are three levels of filters when it comes to creativity: people you don’t know, people closest to you, and yourself. All three can be equally hard to please. At some point, I stopped trying to satisfy everyone and focused on what I wanted. If I finish a song, play it back, and it makes me feel something, I release it. And if I change my mind later, that’s fine too. I’ll make the next one better. How has your LGBTQ+ identity influenced your creative process, songwriting, performance style, or visual aesthetic? I come from a pretty conservative background, so expressing myself the way I wanted through art wasn’t always easy. It’s been a long journey. Along the way, I’ve met people who inspired me and encouraged me to put myself out there, and I’m really grateful for that. I think that freedom I’ve found naturally shows up in my music, performances, and visuals. Have there been any artists, activists, or cultural figures who inspired you to embrace your authentic self and pursue your career? Tove Lo. She’s incredibly talented and has the perfect amount of “I don’t give a fuck” energy. She’s just cool. The music industry has evolved significantly in its representation of queer artists. What progress have you seen, and where do you think more change is still needed? There’s always been a bit of irony when it comes to representation in the music industry. Queer people have played a massive role behind the scenes for decades, but we still don’t see enough of them front and centre. The industry will always support what makes money, and a lot of the formulas get repeated. That’s why it’s so important to support local talent. Go to the pubs, go to the small gigs, support your artist friends. Don’t just wait for the next manufactured pop princess to appear at the O2. Many LGBTQ+ young people look to artists for visibility and hope. What message would you like to share with queer people who are still finding their voice? Stop doom-scrolling and start networking with other queer artists. Community can change everything. What has been the most rewarding moment of your journey so far, and what challenges have helped shape you as an artist? Right after lockdown, I performed live for the first time in five years. Friends, family, and even people who didn’t know I was a singer were there. It was nerve-racking, but it was also one of the most rewarding moments of my life. It reminded me how much I love being on stage, and I haven’t stopped since. Your work often celebrates individuality and self-expression. How do you balance being vulnerable in your art while maintaining personal boundaries? I love being open in my music because that’s often where the strongest connections happen. At the same time, I keep some things just for myself. My lyrics are very metaphorical, and I’m not always going to tell you exactly what they mean. Wink, wink. What projects, collaborations, or creative goals are you most excited about right now, and what can your audience expect next from GIO X? I’m headlining the Fetish Awards UK on 11 July at the RVT, which I’m really excited about. I’ve been working on new music and visuals for the show, pushing myself and experimenting in new ways, and I can’t wait for people to experience it. If you could leave one lasting impact on LGBTQ+ culture and the music industry, what would you want your legacy to be? I’d love my legacy to be showing that there’s space for everyone in music. Every song matters, and every project is part of a bigger journey. If my work encourages people to be themselves and take up space unapologetically, that would mean a lot to me. What’s one thing people assume about GIO X that couldn’t be further from the truth? That I’m not socially awkward.

For audiences meeting you for the first time, how would you describe Femme Aldehyde and the creative vision behind your drag persona? Femme Aldehyde is glamorous, powerful, and an unapologetic manifestation of self-expression - to me she represents the aspects of myself, especially my femininity, that I spent most of my adolescence being too scared or nervous to represent and embrace authentically. She gives permission to be everything I want to be - bold, daring, and ultimately, free. Delivering that package wrapped up in six-inch heels and rhinestones, spikes and leather (although, it is typically pleather!) allows the audience to embrace those same aspects of me and feel them for themselves. She lives somewhere between high-fashion fantasy, fierce femininity, and sharp-edged wit. Femme is a culmination of all the strong female influences throughout my life - from Bratz dolls I wanted (but could never have) as a young boy, to my mother and my sister, to pop superstars such as Lady Gaga, Beyoncé and Ariana Grande. The vision behind Femme has always been to celebrate transformation—not just physical transformation, but the freedom to become the boldest version of yourself. Whether I'm performing, hosting, or making music, I want people to feel empowered to take up space, challenge expectations, and embrace their individuality without apology. The creative vision behind my drag persona is a culmination of all of these aspects, and currently sits at the intersection of fetish-inspired glamour, including visual aspects of "hard and soft" - combinations of leather and lace, spikes and stones, and of course, high-glam makeup. This to me mirrors my current life-stage - a combination of everything that has made me strong, which also allows me to be soft at the core. How has growing up and performing in South Africa influenced your artistry, storytelling, and approach to drag? Growing up and performing in South Africa has shaped everything about my artistry. South Africa is incredibly diverse, resilient, and creative, and those influences naturally find their way into my work. Performing here means understanding different communities, different lived experiences, and the unique challenges LGBTQ+ people still face. It has taught me the importance of authenticity and connection, understanding the different lives of audiences and performers alike, and that my reality is different from the vast majority of LGBTQIA+ people on the continent and in my immediate circle. My drag isn't just about looking beautiful on stage and performing - it's about telling stories that resonate with people and reflecting the realities, humour, and strength of the communities I come from. Furthermore my drag has become about showing younger queer audiences that they can achieve their dreams to live authentically and express themselves in the fullest range of themselves. My happiest moments in drag have always been having younger queer people come to me after the show and telling me how what I said or did on stage has influenced them or helped them to feel at home within themselves. I didn't always feel at home in myself and drag helped me to rectify that - if i can do that for someone else, i feel as though I have succeeded. The access to drag resources in South Africa is also largely limited by comparison to other countries, and this has influenced me and other performers to be incredibly resourceful and creative in our approach. South African Drag Entertainers are some of the hardest working, creative and ingenuitive drag entertainers on the planet, and it shows in our tenacity, our fight and our hunger to entertain audiences here. You wear many hats—drag entertainer, host, rapper, and performer. How do these different creative outlets complement each other? To me, they're all different languages for telling the same story - my story, I suppose. Hosting allows me to connect directly with audiences and create memorable experiences in real time, as well as flex my comedic chops and make people laugh, which I have always been passionate about. Hosting shows and speaking directly to people welcomes them into your world and demystifies what they are seeing just enough to make them comfortable with the show, but more importantly, it tells them they are here for a good time and that they can enjoy themselves fully. Drag performance, whether it be lip syncing, standup or live music, lets me bring visual storytelling and theatricality to life. I have always been a performer and I think we all perform every single day - performing on stage is just the heightened expression of that daily performance and self-expression. Music, especially rap and my debut single 4+4, gives me a platform to express thoughts and emotions that might not fit into a lip-sync performance. It is something that is uniquely mine, and allows me to connect with audiences. I will never forget performing my song for the first time and the feeling I got seeing audience members rapping along with me and hyping me up while performing. Each discipline strengthens the others. Being a host improves my stage presence, my confidence and my belief in myself. Drag enhances my visual identity as an artist, gives me the armour to express myself as well as my drag persona and have a unique artistic perspective, and the music allows me to share a more personal side of who I am. What role do you think drag plays in advancing LGBTQ+ visibility and representation in South Africa today? Drag has always been about visibility. It creates space for conversations around identity, self-expression, and acceptance in a way that's often joyful, entertaining, and accessible. In South Africa, where legal protections exist but social acceptance can still vary greatly, drag performers often become visible examples of queer excellence and resilience. We challenge stereotypes simply by existing publicly and authentically. I think drag helps humanize LGBTQ+ experiences and reminds people that our community is diverse, talented, and deserving of celebration. I believe that drag artistry, especially in marginalised communities in South Africa, gives other queer people hope that they can live fully as themselves one day. I have personally seen this in many different environments and settings but especially recently with the TV Show Beaulah Queens Van Die Kaap, which documents the lived experiences of coloured drag performers in Cape Town. The impact of that show is seen and felt all over, and gives voice to the particular struggles and experiences of queerness in South Africa, especially as it intersects with racial politics and dynamics of a country still experiencing the ramifications of Apartheid. Homophobia and racism have deep roots in South Africa and linger as a colonial import - drag artistry, especially within POC communities, exist as acts of defiance to the colonial hegemony we still fight today. As a rapper and performer, what messages or themes are most important for you to communicate through your music? Confidence, self-determination, resilience, and authenticity are themes that consistently show up in my music. I want my music to feel empowering. A lot of my work explores taking ownership of your identity, refusing to shrink yourself for other people's comfort, and finding strength in transformation. I also love combining humour, wit, and double entendres with meaningful messages because I believe music can be both entertaining and thought-provoking at the same time. My debut single 4+4 exists as a manifestation of self - it almost started as me telling myself to be all the things I say I am in the song because for the longest time I didn't really believe it. I want other people listening to the song or seeing me performing it live to feel that confidence and that energy that comes from claiming your space and your confidence - especially on days where you don't believe it. My other music (which yes, is coming eventually!) delves deeper into who I am and what I have experienced both in and out of drag. It deals with my perception of myself as a lover and romantic, it deals with the trauma I have experienced as a drag entertainer in the last few years, and it deals with both my inner and outer saboteurs. I hope that, when I eventually release an entire project, people will go on this journey with me and follow the story through to the other side to find themselves and feel the confidence and power making music (and doing drag) has given me. Can you share a career moment that made you realize your work was having a meaningful impact on your audience or community? Being crowned Miss Pretoria Gay Pride 2024 was a particularly meaningful moment for me. While the title itself was an incredible honour, what impacted me most was hearing from people who felt represented, inspired, or encouraged by my journey. Whether it's someone telling me they felt more confident embracing their identity after seeing me perform, or a young queer person saying they finally felt seen, those moments remind me that drag can be about much more than entertainment. When I released my debut single 4+4, I recieved an incredible message from a VERY prominent South African Drag Queen that read "I am so, so proud of you - this just makes me so excited to be a South African Queen. You fucking ate that, this is everything - I love you and I am so proud of you. What this is doing for South African drag is everything - you are inspiring us to do more." That's when I realized the work truly matters. The global drag scene has evolved rapidly in recent years. How do you think South African drag culture differs from or adds to the international conversation? South African drag brings a unique perspective shaped by our cultural diversity, history, and resilience. While international drag often focuses heavily on fashion and competition, South African drag has a strong sense of community and resourcefulness whilst still embodying fashion and competition. Many local performers have learned to create extraordinary art with limited resources, and that creativity is incredibly inspiring. Our drag scene also reflects a wide range of cultural influences that make it distinct. We contribute stories and experiences that broaden the global understanding of what drag can be and who it can represent. What are some of the biggest challenges and opportunities you've encountered as an LGBTQ+ artist in the entertainment industry? One challenge is that LGBTQ+ artists are sometimes expected to fit into very specific categories or stereotypes and we often have to adapt and change to fit wherever the money and gigs might be. There are also still huge limitations in terms of funding, visibility, and mainstream opportunities. At the same time, those challenges create opportunities to build independent platforms, connect directly with audiences, and tell stories that might otherwise go unheard. Social media and digital content have also opened doors for LGBTQ+ artists to reach global audiences and create meaningful communities beyond traditional entertainment spaces. Our community is very small, and interpersonal conflicts and dynamics play a heavy hand in determining who is allowed to and able to succeed - oftentimes opportunities and room for growth are stunted by ego, and once people have succeeded, they hesitate to share that space for fear of losing it. My biggest opportunities have been very diverse - I won Mr. and Miss Pretoria Gay Pride in 2024 which gave me an entirely different platform and audience, I have performed with multiple stars from Ru Paul's Drag Race on their tours here, and most importantly I released my debut single which taught me a lot about my space and niche as a drag entertainer. The project was entirely self-funded which presented it's own challenges in of itself, but the lack of access to sponsors and resources became very evident when embarking on this project. As much as I would love to be a global entertainer and reach audiences outside of my community, as a drag artist I feel as though my music and my art will always be somewhat boxed into this very specific space. It will always be "drag music", and not just music, and that becomes limiting. That being said - if my community is the only group that enjoys and appreciates my artistry, that will always be sufficient for me and reason enough to create more. How do you balance entertainment with activism, and do you see your performances as a form of social or political expression? I believe visibility itself can be, and is, a form of activism. My primary goal is always to entertain, but when people see a queer artist confidently taking up space, that carries its own message. I don't think activism always has to be serious or confrontational - sometimes it does have to be, and sometimes we have to engage in uncomfortable discourse and push ourselves through situations of conflict and aggression. Sometimes joy, celebration, and self-expression can be powerful acts of resistance. Through my performances, I hope to create spaces where people feel welcome, empowered, and free to be themselves. I believe that as drag entertainers and people who push to have a platform socially and online, it is our duty to remain educated and aware of everything that our work represents and that we represent. It is important for me to educate myself and remain in touch with the realities of my social space, and to understand that my position shares similarities but also differs vastly to my colleagues in this space. Especially during times such as international Pride Month, my messaging becomes more in line with why Pride is important and why our visibility matters. My drag has allowed me to assist in many communities and in different ways, such as through fundraisers and performances for charity organisations as a direct form of social and political expression. Throughout my time hosting shows I have taken many opportunities to highlight the realities that queer people in South Africa face and have used that platform to educate people on the issues therein. It is important to me to balance my social and political positioning with entertainment. What's next for Femme Aldehyde, and what projects, performances, or creative ambitions are you most excited about in the coming year? The next chapter for Femme Aldehyde is incredibly exciting, although very different. I have taken a small step back in 2026 to redirect and position myself exactly how I want to, rest and recover from two very tough years in the entertainment space, and hone back in on my artistic vision and what I want to achieve both in and out of drag. I'm focused on expanding my music career, releasing original music, and bringing a stronger visual and creative direction to my work through music videos and larger-scale performances. Being an independent artist, it is difficult to release more music and create more visuals - time constraints and financial constraints play a huge role, and the pace at which rollouts happen is a lot slower than a mainstream artist. I am also a perfectionist, and so I am enjoying taking my time to focus on what I want to achieve with my music. I have a second single locked and loaded - something different to 4+4 but just as exciting, and I can't wait for it to be yours. More than anything, I'm excited to keep evolving as an artist and pushing creative boundaries while creating work that entertains, empowers, and leaves a lasting impression. The coming year is loaded with exciting performances and opportunities - namely, I am excited to be headlining and hosting Pretoria Pride this year and to continue my work within that organisation. I am excited to release more music and hopefully a full EP by 2027, and I am excited to keep growing as a human in and out of drag. In my personal life I am excited for my wedding to my incredible fiancé in 2027, my career outside of drag, and the ways that Fabio continues to influence and embolden Femme Aldehyde and vice versa.

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Your career spans writing, directing, and producing. How does wearing all three hats influence the way you approach a new project, and which role feels most natural to you? Working in all three roles simultaneously makes me think about the project from a 360 degree view and not just about what part of the process is in front of me. Writing a script or play is such a fun start to the process, but there's no use for me writing something that I can't possibly make. So being able to be creative with ideas and also practical with how I'm going to realise them does keep me grounded. Sometimes it can feel conflicting, with the battle between creative freedom and production constraints, but ultimately it pushes me, and that's a good thing. I'd say that producing comes to me the most naturally, because I am extremely motivated and enjoy bringing people together to achieve an end goal. I like hunting for locations, fabrics, backdrops, and really thrive on problem solving. It's so satisfying to see all the elements come together into one cohesive story. Living and working in Brighton, how has the city's creative community and atmosphere shaped your storytelling or the kinds of projects you're drawn to? It's definitely given me confidence to express myself in a more fully realised form, way more than if I stayed living in a small village in Surrey where I grew up. Your debut play, BEYOND BERLIN, marked an important milestone in your career. What was the original spark for the story, and why did you feel it needed to be told on stage? I have wanted to write a play for at least ten years and never found the right moment to do it. This year I knew I wanted to step away from short films for a bit, and experiment in a new medium. It was at this moment that I realised it was the right time to work on a play. I wanted to be in a room with actors, working together to create a live immersive experience. In film I'm so used to stopping and starting, 'let's do another take', that kind of thing. I wanted to challenge myself and do something live! I had the idea for Beyond Berlin last year when I was on a plane. I saw a male flight attendant with a baby face and very curly hair. I saw him and instantly thought 'you look like you belong in the 1920s'. So I drew a sketch of him in my notepad and then started to create a story around him. Making Beyond Berlin has been one of the best decisions I've ever made, getting to direct in a way that flows. For as long as I can remember I've always loved the jazz age. I think it's the idea of a bygone era, the black & white Hollywood stars of a time gone by, and the idea of decadence and decay that intrigues me. In fact 'Beyond Berlin' was originally called 'The Decadence & Decay' because it sums up the contradiction of the beauty and the turbulence of the era. I have long been drawn to the books of Christopher Ishwerood and F Scott Fitzgerlad. My play (in some ways) is a love letter to that era, with my own spin on it. Without giving away too much, what themes does BEYOND BERLIN explore, and what conversations do you hope audiences are having as they leave the theatre? Beyond Berlin deals with the idea of 'people as outsiders', outsiders to their own feelings, outsiders to places and spaces. There's some dark themes throughout, like lust, desire, longing, intrigue and betrayal. But the play is also A LOT of fun. In parts it's camp, pastiche and silly. I'd like the people who come to see my play to leave feeling entertained. Life can be so gloomy and tiresome, so I want to give these people one hour away from their normal lives, to step into a different era, a fantasy. Every first play is a learning experience. Looking back at BEYOND BERLIN, is there anything about the writing or production process that fundamentally changed how you create work today? It's made me much more confident to write longer scenes, without fear. In today's creative landscape I hear a lot of 'make scenes short, don't write too much dialogue, make everything snappy! Anything over 3 seconds will bore people', that kind of thing. It's really limiting to constrain yourself in those ways. I freed myself of all that. I did it by writing the scenes I wanted to write, and to create the stories I wanted to create. I had SO much fun making the backdrops and sourcing the props, it's definitely something I want to do again. As both a writer and director, how do you balance staying true to your original script while remaining open to ideas from actors and collaborators during rehearsals? I acknowledge that while I am writing (and it took me six months and close to 40 drafts to get the script fully realised for Beyond Berlin) that this is my time to flesh out the ideas and characters, this sacred time is when the characters are only truly ever 'mine'. Then, when rehearsals start that is when the material evolves and changes and the characters then 'belong' to us all in the room. It no longer is just about words on a page, it's a living breathing entity that the actors are pumping life into. For this reason I want to hear their ideas about the characters, how they interpret the lines and motivations. I am open to suggestions, but of course, I keep a reign on the overall feel and direction to make sure it's still in the world that I created. But it would be naive of me to not pull from the many creative brains I have in the room with me when working on a production. Many creatives talk about the tension between artistic ambition and practical realities. As a producer as well, how do you navigate the balance between creative vision and budget or logistical constraints? Life on its own can be crazy, beautiful and complicated at the best of times. Throwing a production into the mix can feel like a bomb that goes off and affects everything around you. At times it's a challenge to have a full time job, a relationship, keeping in touch with friends and making the show, but I've come to peace with the idea that at times some areas of my life will thrive more than others. It's about communicating that to those around you so they know where you're at in your head with all the plates that are spinning. I think all artists live in a space where they feel pulled between two realities, that of 'everyday life' and that of 'creating'. I think both need to exist in order to balance the other out. It's not always easy. What kind of stories are you most passionate about telling? Are there particular genres, themes, or characters you find yourself returning to again and again? Most of my work tends to revolve around queer stories. I write what I know, and I think it's important for every artist to have a perspective, which is why I pull from these ideas. A lot of my work tends to have two characters who are vastly different from one another. In Beyond Berlin we have Raymond - a shy, sensitive Englishman who has never been to Berlin before. We then have Ernst - who is a cabaret performer in Berlin and super confident and extrovert. The seeds for both characters originate from the different shades of my personality, but are also something entirely of their own. So I suppose I am looking within myself to explore and understand the different layers that make me 'ME'. For aspiring writers and filmmakers, what's one piece of advice you wish someone had given you when you were starting out? It would have been to 'tell the stories you want to tell' and 'find a way to make it happen'. I think a lot of young talent get discouraged because they don't have 'a great camera', or 'thousands of pounds' to make something look high end. Start small, use what you can and don't let your own negative thoughts discourage you. You've got this! Looking ahead, what's next for you? Are there any upcoming theatre, film, or television projects that you're excited to share, and might we see BEYOND BERLIN evolve further in the future? Definitely! I would love to see Beyond Berlin expand in production size and venues. I have started looking at options for 2027. I want to take the show on the road! BEYOND BERLIN is on at BN1 Arts Centre - New England St on Friday 6th & Saturday 7th November at 7:30pm. Get tickets here: https://beyondberlin.eventbrite.co.uk For production updates follow: @madebymilletti

Gran Canaria: The Ultimate LGBTQ+ Travel Guide to Europe's Year-Round Sunshine Paradise Golden beaches, spectacular volcanic landscapes, luxury resorts and one of Europe's most welcoming LGBTQ+ communities make Gran Canaria a destination that deserves a place on every traveller's bucket list. Often referred to as the "Continent in Miniature", this Canary Island offers everything from vibrant nightlife and world-famous Pride celebrations to peaceful mountain villages and breathtaking coastal scenery. Whether you're looking for a romantic escape, an unforgettable party holiday or an active adventure in the sun, Gran Canaria delivers. Why Visit Gran Canaria? Located around 130 miles off the northwest coast of Africa, Gran Canaria enjoys a subtropical climate with more than 300 days of sunshine each year. Average temperatures range between 20°C in winter and 28°C in summer, making it one of Europe's best year-round holiday destinations. For LGBTQ+ travellers, Gran Canaria has long been regarded as one of the safest and most inclusive destinations in Europe. The island welcomes visitors from across the globe with open arms, and nowhere is this more evident than in the resort of Maspalomas. Maspalomas – Europe's LGBTQ+ Capital of the Sun If Gran Canaria has a heart, it's Maspalomas. The resort has spent decades building an international reputation as one of Europe's premier LGBTQ+ holiday destinations. Rainbow flags fly proudly throughout the area, and businesses actively welcome LGBTQ+ visitors. The centre of the scene is the famous Yumbo Centre, home to: More than 200 bars, restaurants and shops Drag shows every night Dance clubs Cocktail lounges Cabaret venues LGBTQ+ events throughout the year During the daytime, the atmosphere is relaxed. By night, the Yumbo transforms into one of Europe's biggest open-air LGBTQ+ nightlife venues. The Famous Maspalomas Dunes No visit is complete without experiencing the spectacular dunes. Stretching for over 400 hectares, the dunes resemble a slice of the Sahara transported to the Atlantic Ocean. Perfect for: Sunrise walks Photography Romantic sunsets Nature lovers The nearby beach is divided into several sections, including an internationally recognised LGBTQ+ area and a popular naturist section. It's one of the most famous gay beaches in Europe and remains friendly, welcoming and incredibly relaxed. Playa del Inglés Adjacent to Maspalomas, Playa del Inglés offers: Beautiful beaches Countless restaurants Hotels for every budget Shopping centres Water sports Beach bars Accommodation ranges from affordable apartments to luxurious adults-only resorts. Many hotels actively market themselves as LGBTQ+ friendly, making couples feel comfortable from check-in onwards. LGBTQ+ Nightlife Gran Canaria comes alive after sunset. The Yumbo Centre offers entertainment seven nights a week with something for everyone. Popular venues include: Drag cabaret bars Dance clubs Karaoke bars Cocktail lounges Leather and fetish venues Relaxed terraces for people watching The nightlife is friendly, diverse and remarkably international. You'll hear English, Spanish, German, Dutch, French and Italian all within a few minutes. Beyond the Beaches Although famous for nightlife, Gran Canaria has so much more to explore. Las Palmas de Gran Canaria, The island's capital combines history with cosmopolitan culture. Don't miss: Vegueta Old Town Santa Ana Cathedral Boutique shopping Museums Street cafés Las Canteras Beach It's perfect for a day trip away from the resorts. Discover the Mountains Hire a car and explore the island's interior. Highlights include: Roque Nublo Pico de las Nieves Tejeda village Pine forests Scenic viewpoints The dramatic volcanic scenery surprises many first-time visitors. Best Time to Visit January–March Perfect winter sunshine. April–June Warm weather and Maspalomas Pride. July–September Hot temperatures and lively beaches. October–November Excellent weather with Winter Pride. December Festive celebrations in the sunshine. Gran Canaria isn't simply LGBTQ+ friendly—it has become one of the world's great LGBTQ+ holiday destinations because inclusivity is woven into everyday life. Whether you're celebrating Pride, relaxing on the beach, enjoying dinner with your partner or dancing until sunrise, you'll find an atmosphere built on acceptance, diversity and freedom. Few destinations combine world-class beaches, spectacular scenery, fantastic weather and legendary nightlife quite like Gran Canaria. Gran Canaria continues to set the benchmark for LGBTQ+ travel in Europe. With year-round sunshine, a thriving queer community, exceptional hospitality and endless opportunities for adventure, it's easy to understand why so many visitors return year after year. Whether it's your first visit or your fifteenth, Gran Canaria promises memories that last long after your tan has faded. Perfect for: Couples • Solo travellers • Friends • Pride lovers • Beach holidays • Winter sun • Adventure seekers • Honeymoons

Guide to the first ever Trans Pride Kent event taking place in 2026 First Ever Trans Pride Kent to Take Place in Canterbury On Saturday 28 March 2026, Kent will host its first ever Trans Pride Kent, a landmark community event celebrating transgender, non-binary and gender-diverse people across the region. The historic gathering will take place at Westgate Hall in Canterbury, bringing together members of the LGBTQ+ community, allies, organisations, and activists for a day focused on visibility, celebration, and support. A Historic First for Kent Trans Pride Kent marks an important milestone for LGBTQ+ communities in the county. While Kent already hosts several Pride celebrations, including Pride Canterbury, this will be the first Pride event in the area dedicated specifically to transgender, non-binary, and gender-nonconforming people. The event is designed to celebrate and uplift trans communities while also creating a safe and inclusive space for connection, education, and empowerment. Organisers describe it as a grassroots pride that aims to bring together community services, performers, activists, and local organisations. What to Expect on the Day Running from 10:00am to 4:00pm, the event will feature a range of activities and community-focused opportunities. Attendees can expect: Community and support service stalls Guest speakers and panel discussions Live performances and entertainment LGBTQ+ organisations and advocacy groups Opportunities to network and connect with local support services The event aims to highlight the resources available to transgender and gender-diverse people across Kent while creating a vibrant atmosphere of celebration and solidarity. A Grassroots Community Pride Trans Pride Kent has been developed as a community-led initiative, rooted in grassroots organising. Beyond the main venue activities, the event also intends to create safe spaces across the city through a fringe-style programme supported by LGBTQ+-friendly venues and organisations. By building partnerships with community groups and activists, organisers hope to strengthen local networks that support trans and non-binary people throughout the region. Visibility and Community Support Events like Trans Pride Kent play an important role in increasing visibility and fostering acceptance. Across the UK, trans-focused Pride events have grown in size and influence in recent years as communities continue advocating for equality and representation. Trans Pride Kent aims to bring that same energy and solidarity to the South East, creating a space where people can celebrate identity, share experiences, and build community. A Pride for Everyone Although centred on transgender and non-binary voices, the event is open to the wider LGBTQ+ community and allies who want to show support and stand in solidarity. Tickets for the event are free, though registration is required due to limited capacity. For many attendees, the day will represent more than just a celebration — it will be a moment of recognition, belonging, and community building. Looking Ahead As the first event of its kind in the county, Trans Pride Kent has the potential to become a significant annual moment for LGBTQ+ people in the region. With increasing visibility and community support, organisers hope this inaugural celebration will lay the foundation for future events and continued advocacy. On 28 March 2026, Canterbury will become a place where pride, resilience, and community come together — marking the beginning of a new chapter for trans visibility in Kent.

Fuerteventura & Lanzarote: The LGBTQ+ Guide to Two of the Canary Islands’ Most Relaxed Escapes If your idea of the perfect LGBTQ+ holiday involves sunshine, spectacular beaches, good food, a relaxed atmosphere and the freedom to be yourself, Fuerteventura and Lanzarote deserve a place on your travel list. The two neighbouring Canary Islands offer something slightly different. Fuerteventura is all about enormous beaches, dunes, watersports and a wonderfully laid-back atmosphere, while Lanzarote combines volcanic landscapes, stylish resorts, great restaurants and a more established LGBTQ+ nightlife scene. Neither island is quite the same as Gran Canaria when it comes to LGBTQ+ nightlife, but that can be part of their appeal. These are destinations where the holiday is more about sun, sea, adventure and relaxation than spending every night in a gay club. Fuerteventura: Beaches, Dunes & Laid-Back Island Life Fuerteventura is arguably the more relaxed of the two islands. It has long been popular with LGBTQ+ visitors, particularly around Corralejo, in the north. The island has a generally welcoming and liberal atmosphere, although its dedicated LGBTQ+ scene is relatively small. For many LGBTQ+ travellers, that's exactly the attraction. Corralejo – the place to start Corralejo is the obvious base if you're looking for a combination of beaches, restaurants, bars and nightlife. The town has plenty of places to eat and drink, while the enormous beaches of the Corralejo Natural Park are just outside the resort. The Grandes Playas de Corralejo stretch for around nine kilometres, with white sand, turquoise water and the enormous Corralejo dunes providing an incredible backdrop. The southern coves are also popular for naturist bathing. If you're looking for LGBTQ+ nightlife, the scene is small but there are options. The Jungle Gay Bar Fuerteventura in Corralejo is one of the island's dedicated gay venues. Beaches and naturism Fuerteventura is particularly attractive if you enjoy naturist beaches. The Corralejo area has several beaches where naturism is common, including Playa del Bajo Negro. The important thing to remember is that a naturist beach isn't automatically a sexual environment. Respect other beach users, maintain appropriate boundaries and remember that you're also in a protected natural area. Beyond Corralejo Don't spend your entire holiday in the resort. Hire a car and explore the island's smaller villages, dramatic coastline and quieter beaches. The volcanic interior provides a striking contrast to the white sands of the north. You can also take a boat trip towards Lobos Island, or look across the water towards Lanzarote. For adventurous travellers, Fuerteventura is particularly good for surfing, windsurfing, kitesurfing, cycling and hiking. Where should LGBTQ+ travellers stay? For the largest concentration of LGBTQ+ visitors and easy access to the beaches, Corralejo is probably the best choice. For something quieter, look towards Costa Calma and the south of the island. One LGBTQ+-friendly option worth considering is BHH Naturist Resort Fuerteventura in Costa Calma, particularly for travellers who want a naturist-focused break. Lanzarote: Volcanic Landscapes & LGBTQ+ Nightlife Lanzarote has a very different personality. The island's black volcanic landscapes, whitewashed buildings and dramatic coastline make it one of the most visually distinctive destinations in the Canary Islands. It is also considered a very LGBTQ+-friendly destination, with Puerto del Carmen being the main base for LGBTQ+ nightlife. Puerto del Carmen If nightlife matters to you, Puerto del Carmen should be high on your list. The resort has the largest concentration of bars and nightlife on Lanzarote, particularly around Avenida de las Playas and the old harbour area. One of the island's best-known LGBTQ+ venues is XXL Lanzarote Mens Bar, a gay men's bar and late-night venue in Puerto del Carmen. For something a little different, Music Hall Tavern Lanzarote offers a drag-comedy dinner show, combining food, comedy, singing and dancing. The island's LGBTQ+ scene is still relatively small compared with Gran Canaria, but Puerto del Carmen gives visitors enough choice for a fun night out without making the entire holiday revolve around nightlife. Playa Blanca & Papagayo At the other end of the island, Playa Blanca offers a quieter alternative. The resort is particularly useful for travellers who want beautiful beaches, restaurants and a more relaxed atmosphere. One of Lanzarote's must-see areas is Papagayo, where a series of spectacular beaches and coves sit within a protected landscape. Pack plenty of water, sunscreen and sensible footwear – the scenery is stunning, but some of the approaches to the beaches can be rough. Explore the volcanic side of Lanzarote No trip to Lanzarote should be entirely about the beach. The island's volcanic landscape is extraordinary, and places such as Timanfaya National Park offer an experience that feels completely different from a conventional beach holiday. Lanzarote was designated a UNESCO Biosphere Reserve in 1993, reflecting the importance of its natural environment. Other highlights include: Timanfaya National Park – dramatic volcanic scenery. Jameos del Agua – one of César Manrique's most famous creations. Cueva de los Verdes – spectacular volcanic caves. Mirador del Río – incredible views across the island and towards La Graciosa. Teguise – historic streets, architecture and one of the island's best-known markets. Arrecife – Lanzarote's capital, worth exploring for restaurants, shops and culture. Fuerteventura or Lanzarote? Fuerteventura and Lanzarote are very close neighbours, and ferry services connect the islands. The crossing between Corralejo and Playa Blanca is a popular way of combining the two destinations, A week-long holiday could easily be split between them – perhaps four nights in Lanzarote followed by three nights in Fuerteventura, or vice versa. That gives you the best of both worlds: Lanzarote's volcanic landscapes, restaurants and LGBTQ+ nightlife followed by Fuerteventura's beaches, dunes and slower pace. When should you visit? Both islands benefit from a warm climate throughout much of the year. Fuerteventura is particularly attractive for winter sun, while spring and autumn can offer a great balance between warm weather and avoiding the busiest periods. Remember that the Canary Islands can be windy – especially Fuerteventura – so don't underestimate the need for sunscreen even when temperatures don't feel extreme. g10 Travel Tip Don't judge either island solely by its gay scene. If you're looking for the biggest LGBTQ+ party destination in the Canaries, Gran Canaria remains difficult to beat. But if your idea of an LGBTQ+ holiday is waking up beside the Atlantic, spending the afternoon on a spectacular beach, exploring somewhere new, enjoying dinner and then heading out for a few drinks, Fuerteventura and Lanzarote can be excellent choices. And perhaps that's their biggest attraction: you can have a fantastic LGBTQ+ holiday without your entire trip being defined by nightlife. Fuerteventura is the island for beaches, freedom and switching off. Lanzarote is the island for volcanic adventure, restaurants and a little more nightlife. Put them together, and you've got a seriously good Canary Islands escape.

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Why getting a massage is an important part of a fitness routine Massage as a Vital Part of Fitness for the LGBTQ+ Community In recent years, the conversation around fitness has expanded beyond aesthetics and performance to include recovery, mental wellbeing, and inclusivity. For the LGBTQ+ community, fitness spaces can sometimes feel intimidating or exclusionary, making it even more important to embrace holistic practices that support both body and mind. One such practice gaining recognition is massage therapy—not just as a luxury, but as an essential component of a balanced fitness routine. Beyond the Gym: Rethinking Fitness Fitness is no longer confined to lifting weights or hitting cardio targets. Recovery is now widely acknowledged as a cornerstone of progress. Massage plays a key role in this shift, helping to reduce muscle tension, improve circulation, and prevent injury. For LGBTQ+ individuals who may already navigate higher levels of stress due to societal pressures or discrimination, massage offers an added layer of physical and emotional relief. The Mental Health Connection Mental health is a significant consideration within the LGBTQ+ community, with studies consistently showing higher rates of anxiety, depression, and stress. Physical activity helps—but pairing it with massage can amplify the benefits. Massage therapy promotes relaxation, reduces cortisol levels, and can improve sleep quality. For those balancing demanding lives or dealing with identity-related stressors, this combination can be transformative. Creating Safe and Affirming Wellness Spaces Not all wellness environments feel inclusive. That’s why it’s important to highlight and support massage therapists and fitness professionals who actively create LGBTQ+-affirming spaces. Feeling safe and respected during a massage session is crucial—it allows clients to fully relax and benefit from the treatment. Many practitioners across the UK are now openly inclusive, using gender-neutral language and ensuring their services cater to diverse bodies and identities. Enhancing Performance and Recovery Whether it’s strength training, yoga, running, or dance, massage can enhance performance across all fitness disciplines. Techniques like deep tissue massage and sports massage help to break down muscle adhesions, improve flexibility, and speed up recovery time. For those training regularly, incorporating massage into a weekly or monthly routine can lead to better results and fewer injuries. Community and Self-Care For LGBTQ+ individuals, self-care often carries deeper meaning. It can be an act of resilience, self-affirmation, and empowerment. Massage fits naturally into this framework. It’s not just about easing sore muscles—it’s about reconnecting with your body in a positive, affirming way. Fitness doesn’t have to be punishing or rigid. By integrating massage into a routine, individuals can create a more sustainable, enjoyable approach to health—one that honours both physical goals and emotional wellbeing. As fitness culture continues to evolve, inclusivity and holistic care must remain at the forefront. Massage therapy offers a powerful, accessible way to support recovery, reduce stress, and enhance overall wellbeing. For the LGBTQ+ community, it’s more than just a wellness trend—it’s a meaningful addition to a lifestyle centred on self-respect, resilience, and balance. For platforms like g10 and other LGBTQ+ media voices in the UK, highlighting these approaches helps reshape the narrative around fitness into one that is truly inclusive, empowering, and sustainable.

Your work captures both strength and vulnerability in male portraiture — what first drew you to photographing the male form in such an intimate way? I think it started from a fairly personal place. Growing up, I didn’t see a lot of versions of masculinity that felt relatable to me. Everything was quite rigid, quite performative. When I picked up a camera, I realised I could explore a different side of that. Something quieter, more honest. The male form is often presented as strong, but rarely as open. I’ve always been interested in that space where those two things overlap. The moment where someone lets their guard down just enough that you see the person, not the performance. That’s where it gets interesting for me How has living and working in Sydney influenced your artistic style and the stories you choose to tell through your photography? Sydney has this beautiful contradiction to it. It’s very outdoors, very physical, very body-aware, but at the same time there’s a laid-back ease that softens everything. I think that combination has definitely shaped my work. There’s a natural light here that’s quite forgiving, quite revealing in a gentle way. And culturally, there’s a quiet confidence in how people carry themselves. I’m drawn to that. My work tends to sit somewhere between polished and relaxed, which probably mirrors the city itself. Representation matters deeply within LGBTQ+ media. What do you hope queer audiences see or feel when they experience your work? Ideally, I want people to feel a sense of recognition. Not in a literal sense, but emotionally. To see that masculinity doesn’t have to fit into one narrow definition. There’s strength in vulnerability, in softness, in intimacy. I think a lot of us grow up feeling like parts of ourselves need to be edited down. If my work can give even a small sense that all of those parts are valid and worth showing, then I feel like I’m doing something worthwhile. Many photographers focus on aesthetics alone, but your portraits often feel emotionally charged. How do you build trust and authenticity with your subjects during a shoot? It’s never really about the camera at the start. It’s about conversation, creating a space where someone feels comfortable enough to just be themselves. I don’t rush that process. Sometimes the best images come well after you’ve technically “started” the shoot. I’ll give direction when it’s needed, but I’m also watching for those in-between moments when someone forgets they’re being photographed. Trust isn’t something you can fake. If someone feels safe, it shows immediately in the work. Male figure photography can challenge traditional ideas of masculinity. Do you see your work as political, cultural, or more personal in its intention? It’s personal first. That’s always the starting point. That said, anything that challenges a traditional idea, even quietly, becomes cultural by default. I’m not setting out to make overtly political work, but I am interested in expanding the definition of what masculinity can look like. If that resonates more broadly, then that’s a good thing. Social media has transformed how photographers share and monetize their art. How has the digital era changed your relationship with your audience and creative process? It’s been a bit of a double-edged sword. On one hand, it’s opened up direct access to an audience I never would have reached otherwise. That’s been incredibly valuable, especially with more niche work. On the other hand, there’s a constant pressure to adapt to platforms that don’t always support the kind of work I create. You have to be quite strategic about what you show and how you show it. I’ve learned to separate the work itself from how it’s distributed. The creative process still needs to come from a genuine place. The rest is just navigation. Is there a particular shoot or portrait that changed the way you saw yourself as an artist? There have been a few, but the ones that stand out are usually the shoots where something unexpected happens. Where a subject brings a level of openness that shifts the whole dynamic. Those moments remind me that the work isn’t just about technical skill. It’s about connection. Every time that clicks into place, it resets my understanding of what I’m trying to do. LGBTQ+ creatives often navigate censorship differently online, especially when working with the human body. Have you encountered challenges balancing artistic expression with platform restrictions? Constantly. There’s an ongoing negotiation between staying true to the work and working within the limits of different platforms. It can be frustrating, especially when the human body is treated inconsistently depending on context. But it’s also forced me to think more carefully about presentation, cropping, and storytelling. At the end of the day, the work exists beyond social media. Those platforms are just one way of sharing it. What advice would you give to emerging queer photographers who want to create bold, authentic work but may still be finding confidence in their voice? Give yourself time. Your voice doesn’t appear overnight. Shoot consistently, experiment, make work that feels honest rather than what you think will get attention. Confidence tends to follow clarity, and clarity comes from doing the work over and over again. Also, don’t wait for permission. No one’s going to hand it to you. Looking ahead, what stories, themes, or collaborations are you most excited to explore next in your photography journey? I’m interested in pushing further into narrative. Creating bodies of work that feel more like a series than individual images. There’s also something in exploring age and masculinity that I’d like to spend more time on. It’s not a space that’s been fully explored, and it feels quite personal at this stage of my life. And, as always, collaborating with people who are open to going a bit deeper than just surface-level imagery. That’s where the best work tends to happen. WARNING THIS INTERVIEW INCLUDES PICTURES OF FULL FRONTAL NUDITY