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g10 group backs Bangkok Pride bid to bring WorldPride to Asia in 2030 g10 group has announced its support for Bangkok Pride’s bid to host WorldPride 2030, backing a campaign that could see the world’s major LGBTQ+ celebration held in Asia for the first time. The UK-based LGBTQ+ digital media company believes Bangkok would be an outstanding host for WorldPride and that bringing the event to Thailand would represent an important moment for LGBTQ+ visibility, equality and international solidarity. Bangkok is now one of just two cities remaining in the race to host WorldPride 2030, alongside Barcelona. The final decision will be made by members of InterPride, with the successful host expected to be announced in January 2027. For g10 group, the Bangkok bid is about much more than staging a major Pride celebration. It represents an opportunity to put LGBTQ+ communities in Asia at the centre of the global Pride movement and to showcase the progress, diversity and creativity of Thailand to an international audience. A historic opportunity for Asia WorldPride is organised under the licence of InterPride and brings together Pride organisations and LGBTQ+ communities from around the world. The event promotes LGBTQ+ visibility and awareness internationally and can include Pride marches, festivals, cultural events and human-rights conferences. If Bangkok wins the 2030 bid, it would be the first time WorldPride has been held in Asia. That possibility is one of the reasons g10 group is supporting the campaign. For decades, some of the world's most prominent Pride events have taken place in North America, Europe and Australia. Bringing WorldPride to Bangkok would provide an opportunity for the global LGBTQ+ community to experience Pride in a different cultural setting and to hear directly from LGBTQ+ communities across Asia. It would also send a powerful message that the international Pride movement belongs to every region of the world. Thailand has already taken significant steps in LGBTQ+ equality. The Thai government notes that the country became the first in Southeast Asia to legalise same-sex marriage, while the Bangkok WorldPride bid has received support from national and local government, Pride organisations and private-sector partners. For g10 group, that combination of progress and ambition makes Bangkok an especially compelling candidate. Why g10 group is supporting the bid g10 group was created as a digital home for LGBTQ+ news, lifestyle, travel and stories from across the community. Its audience extends beyond the UK, with international LGBTQ+ destinations, events and issues increasingly forming an important part of its coverage. Supporting Bangkok's WorldPride campaign therefore feels like a natural extension of g10 group's mission. Bangkok is a city with a long-established reputation as a major international destination, but its importance to the LGBTQ+ community extends beyond tourism. The city's Pride movement has grown considerably in recent years, with Bangkok Pride becoming an increasingly visible part of the city's cultural calendar. Bangkok Pride Festival 2026 was held under the theme “Patch the World with Pride”, with organisers using the event to demonstrate Thailand's readiness to compete for the right to host a major international Pride event. The 2026 celebrations included a major Pride parade and brought together community organisations, government agencies, tourism bodies, businesses and LGBTQ+ networks. That broad coalition is an important part of Bangkok's WorldPride proposition. The bid is not simply a campaign by one organisation. Thailand's candidature has been supported by Bangkok Metropolitan Administration, the Pride City Network Thailand, government ministries, tourism organisations and other public and private-sector partners. Pride with a purpose WorldPride should be about more than colourful parades, parties and tourism campaigns. At its heart, Pride is about visibility, equality, human rights and the ability of LGBTQ+ people to live openly and safely. That is another reason g10 group believes Bangkok deserves serious consideration. Thailand's WorldPride campaign has presented the event as an opportunity to promote equality and human rights while creating a lasting social and economic legacy. The Thai government has said that its WorldPride preparations are intended to demonstrate readiness to welcome LGBTQ+ visitors from around the world while also supporting longer-term progress on equality and the development of an inclusive economy. The campaign has also received international diplomatic support. In July, Thailand's Ministry of Foreign Affairs and other partners held an event bringing together diplomatic representatives and Pride networks to build support for the Bangkok candidature. That international engagement matters because WorldPride is ultimately a global event. A successful Bangkok bid could provide a platform for conversations about LGBTQ+ rights across Asia, including the challenges faced by communities in countries where equality and acceptance remain more difficult to achieve. A message to LGBTQ+ people across Asia For many LGBTQ+ people, the significance of WorldPride coming to Bangkok would extend far beyond the millions of visitors who might attend. It could be an important moment of recognition. Hosting WorldPride in Asia would allow LGBTQ+ communities across the region to see their experiences reflected on one of the world's biggest LGBTQ+ stages. It would also give activists, campaigners, organisations and community groups an opportunity to share their work with a much wider international audience. g10 group believes that visibility matters. The international LGBTQ+ community is not a single, uniform group. It is made up of people with different cultures, languages, histories and experiences. A WorldPride in Bangkok would help underline that diversity. It could also encourage greater international collaboration between LGBTQ+ organisations in Europe, Asia and beyond. Bangkok's growing Pride profile Bangkok has already demonstrated that it can stage large-scale Pride celebrations. The 2026 Bangkok Pride Parade featured a major route through the city and formed part of a wider programme designed to showcase Thailand's LGBTQ+ community and its ambitions for WorldPride. The Tourism Authority of Thailand described the celebrations as part of the country's preparations for WorldPride 2030. The Thai government has also highlighted cooperation with civil society and Pride networks across the country. In 2026, initiatives involving the Pride City Network expanded the campaign beyond Bangkok, with dozens of provinces participating in efforts connected to equality and inclusion. That national approach could help ensure that a Bangkok WorldPride would not be confined to one city. Instead, it could become a wider celebration of LGBTQ+ Thailand. More than a tourism opportunity There is, inevitably, an economic dimension to hosting an event of this scale. WorldPride attracts international visitors, media attention and investment, while creating opportunities for hotels, restaurants, airlines, entertainment venues, cultural organisations and other businesses. Thailand's government has openly linked the Bangkok bid with tourism, the creative industries, the meetings and events sector and the development of what it describes as the country's “Pink Economy”. But g10 group believes the economic benefits should support, rather than overshadow, the community purpose of WorldPride. A successful bid should leave a legacy that can be felt after the flags have come down and international visitors have returned home. That means continued support for LGBTQ+ organisations, greater visibility, safer spaces, inclusive tourism and meaningful progress on equality. Why now? The timing could hardly be more significant. The world is continuing to experience both progress and setbacks on LGBTQ+ rights. In some countries, legal protections and social acceptance have expanded dramatically. Elsewhere, LGBTQ+ communities continue to face discrimination, violence and political pressure. Against that backdrop, WorldPride has an important role to play. It can provide a global platform for celebration, but it can also remind governments and communities that equality cannot be taken for granted. A WorldPride in Bangkok could bring that message to a part of the world where LGBTQ+ communities are incredibly diverse and where the international movement still has enormous potential to grow. g10 group: “Bangkok deserves our support” For g10 group, supporting Bangkok is therefore about recognising what the bid could mean for LGBTQ+ people both in Thailand and internationally. The organisation believes Bangkok has the opportunity to deliver a WorldPride that is energetic, welcoming, culturally distinctive and genuinely international. It could also help challenge the idea that the biggest LGBTQ+ events must always take place in the same familiar global cities. Bangkok offers something different. It offers the chance to put Asia at the heart of the WorldPride movement. It offers the chance to showcase Thai LGBTQ+ culture and creativity. And, perhaps most importantly, it offers the chance to build new connections between LGBTQ+ people across continents. With Bangkok and Barcelona now competing in the final stage of the 2030 race, the decision will ultimately rest with InterPride's membership. Whatever the final outcome, g10 group believes the Bangkok campaign has already helped demonstrate the growing strength and visibility of LGBTQ+ communities in Thailand. But we hope the next chapter is even bigger. g10 group is proud to support Bangkok Pride's bid for WorldPride 2030. We believe the time has come for WorldPride to come to Asia. And we believe Bangkok could be the city to make history.

The Red Ribbon calendar is back for 2027. We speak to Jordan Chan the brainchild of the calendar. The Red Ribbon Calendar is returning for 2027. What made you decide to bring the project back for another year, and what have you learned from the success of the previous calendar? I wanted to bring back the calendar for 2027 due to the success of last year’s calendar, which sold over 400 calendars and raised £3,400 which was split between Sussex Beacon and Terrence Higgins and leaned that the launch parties were a huge part of its success. Once again you’re raising money for Terrence Higgins Trust and The Sussex Beacon. Why was it important to continue supporting these two organisations, and what does their work mean to you personally? Yes, these two charities do fantastic work raising awareness for HIV as the country works towards 2030 Zero, and supports those living with HIV. Personally I have very close friends living with HIV, who rely on HIV charities and their support, but as a gay man, knowing the deviation the aids crisis had in the 80/90s, I want to to do my bit to help ensure our community never goes through that again. The calendar is about more than fundraising — it also aims to challenge stigma and encourage conversations around HIV. What do you hope people will take away from the 2027 calendar beyond the photographs themselves? Yes that’s right, we want to start conversations around HIV to help fight the stigma, encourage testing and safe sex, and also educate people on what treatments and prevention is out there! Those living with HIV should not have to face stigma and should be treated with the same dignity and respec You’re working again with Mwords Photography. How has your creative partnership developed, and can you give us a hint about what will make the photography and concept of the 2027 calendar different this time around? Yes this is actually our third calendar together, with this being the second red ribbon. I always wanted to create my own calendar, and raise money for charity, the first was for testicular cancer and the odd balls foundation, and now the red ribbon for the second year. Mark (Mwords) wanted to strip the calendar back making the red ribbon the front and centre, and went with black and white which I love. I could do the calendar without Mark and the boys! Looking ahead to the launch of the Red Ribbon Calendar 2027, what are your ambitions for this year — both in terms of the amount you hope to raise and the number of people you hope the campaign can reach? This years calendar is coming back bigger and better with the same locations for launch as last year but I’ve added Hastings! Saturday 24th October - Brighton at Bar Broadway Saturday 7th November - Hastings Forbidden Fruit Saturday 28th November - Kent La Margate Saturday 12th December - London Admiral Duncan and Village We want to sell more calendars than last year and raise even more money! I would like to the take the opportunity to thank all our sponsors for this years calendar too! 1 Million Gays Cafe Nucleus Forbidden Fruit Regency Tavern Thames Active La Margate Queer Kent Life Bar Broadway Pier Ceylon Bull Dog Margate Beach Club Friend of Dorothy Sukrew BUY YOUR CALENDAR NOW

NeuroQueerz brings a calmer, more inclusive Pride experience to Manchester Village Pride Pride is a celebration of identity, community, equality and belonging. For many LGBTQ+ people, it is one of the most important and joyful weekends of the year. But while Pride is often associated with packed streets, loud music, busy venues and huge crowds, that environment can be challenging for some members of the community. This Manchester Village Pride weekend, NeuroQueerz is helping to create a different kind of Pride experience by providing a dedicated Calm Space for neurodivergent LGBTQ+ people, their friends, allies and anyone who needs somewhere to step away from the hustle and bustle. Founded by Luke Boss, NeuroQueerz is focused on wellness, empowerment and belonging, with the aim of ensuring that neurodivergent people are not excluded from LGBTQ+ spaces simply because traditional Pride environments can sometimes feel overwhelming. The Calm Space isn't about taking people away from Pride. Instead, it is about giving people another way to experience it. As Luke explains: “Everybody knows how to celebrate or party but in different ways.” He believes that neurodivergent people should have the freedom to enjoy Pride on their own terms, whether that means spending hours celebrating with others or taking some time away from the crowds before heading back into the action. “Our aim is to NOT make this stereotypical and boring,” says Luke. “It is a place to socialise, chill out, and be in the Pride weekend mood!” A different way to experience Pride For neurodivergent LGBTQ+ people, sensory stimulation can sometimes become overwhelming. Loud music, flashing lights, crowded streets, queues, unfamiliar surroundings and constantly changing environments can all contribute to sensory overload. But, as Luke points out, neurodiversity affects everyone differently. “For some it impacts them so greatly that they avoid certain areas regardless, some it varies depending on the situation. Some, it's on a day-by-day basis how they are feeling, and for some, it doesn't impact them at all!” That individuality is central to the NeuroQueerz approach. Rather than assuming that every neurodivergent person needs the same support, the organisation wants people to have choices. The Calm Space can therefore be somewhere to spend a significant part of the day—or simply somewhere to recharge for an hour before returning to Pride. Luke describes the goal as providing people with “a place to be themselves whilst fulfilling their Pride limitations and expectations.” He believes everyone attending a Pride event should be able to decide what they want to experience and what they don't. “We want people to leave our space thinking they had a good time whether they spent the majority of the day here or if they used the space to escape from the chaos for an hour and get back to party mode!” Making Pride accessible beyond physical access Accessibility is often discussed in terms of physical access: ramps, accessible toilets, seating and step-free entrances. Those things remain vital, but Luke believes the conversation needs to go much further. For someone who is autistic, has ADHD or is otherwise neurodivergent, simply finding their way around a large Pride event can present its own challenges. Luke recalls attending a Pride where signage and instructions around wristbands and entrances were unclear. “Many regular street access points were closed off, and the signage was so few and far between that it frustrated me,” he says. Even instructions that appear straightforward to others can become difficult to process in a busy environment. “Things like street names don't make sense to me, especially in hectic environments,” Luke explains. His solution is simple but potentially transformative: make volunteers and staff available to physically guide people where necessary. “Someone may not be restricted from a physical aspect, but they would benefit from someone directing them more than telling them the street name and giving lefts and rights.” For Luke, accessibility can sometimes be as simple as someone saying, “Come with me, I'll show you.” A space where people don't have to choose between Pride and their wellbeing One of the biggest concerns for people who find busy environments difficult is the fear that leaving the main Pride celebrations means missing out. That is something NeuroQueerz hopes to challenge. Luke points out that without spaces where people can take a break, some neurodivergent people may simply decide not to attend Pride at all. “Some Neurodivergent peeps may not come to Pride as they don’t feel there is an environment they consider a safe space,” he says. For Luke, the answer is clear: Pride should have room for everyone. The NeuroQueerz Calm Space aims to make that principle a reality. Luke Boss: “I didn't go to a single Pride event until I was 30” Perhaps one of the most powerful aspects of Luke's story is that he understands personally what it can feel like to be unsure about attending Pride. “I didn't go to a single Pride event until I was 30,” he reveals. The main concerns were the crowds and the fear that there would be nothing to do or nobody to speak to. That changed when Luke finally attended his first Pride in 2019. “I loved it so much it was like being on holiday,” he says. Since then, he has attended many Pride events, both alone and with other people. His advice to anyone who is considering attending but feels uncertain is to do some research beforehand and find out what facilities and support are available. And for those attending Manchester Pride, Luke has a particularly direct invitation: “If you are considering Manchester Pride, then come to us for the calm space on Saturday and/or Sunday!” The space will also feature the Pride Parade on a large screen, and, Luke notes with a smile, no wristband is required. Has the LGBTQ+ community done enough? The question of inclusion within LGBTQ+ spaces is complicated. Luke believes attitudes are improving and says he has received tremendous support from organisations including LGBT Foundation, where he volunteers. However, he has also experienced discrimination within the LGBTQ+ community because of his disability. Despite that, he says he feels considerably more comfortable in gay bars than in regular bars. For Luke, there is still work to be done. “Most Neuroqueer or LGBTQ+ organisations do have a section for this either, but it is too small and does not go far enough,” he says.“That is what Neuroqueerz is here for!” The organisation is ultimately asking the wider LGBTQ+ community to think differently about what inclusion really means. One size does not fit all For Luke, one of the most important messages of NeuroQueerz is that there is no universal solution. “One size does NOT fit all,” he says. That principle is particularly important when discussing neurodivergence because people's experiences can vary enormously. Someone might love being surrounded by thousands of people one day but find the same environment impossible the next. Another person might never need a Calm Space but still appreciate knowing one is available. The important thing is having the choice. Luke also believes that neurodivergent people should be listened to when conversations about inclusion take place. “I hope more people soon recognise this,” he says. “We are a talented and fabulous community at the end of the day.” More than a Calm Space While Manchester Village Pride provides an important opportunity for NeuroQueerz to demonstrate what a more inclusive Pride environment can look like, Luke sees the organisation's work as something much bigger. He wants people to understand that neurodivergent LGBTQ+ people aren't simply a group that needs to be accommodated. They are an important part of the LGBTQ+ community with their own experiences, talents, ideas and voices. For Luke, seeing NeuroQueerz involved in creating a calmer and more inclusive Pride experience in Manchester represents a major accomplishment. “If it wasn’t us (me and my 2 fabulous other directors) hosting this, I would be grateful there is a space I can go to at regular intervals that is just outside the gay village.” That statement perhaps sums up the importance of the Calm Space better than anything else. It isn't about separating people from Pride. It is about making sure people can stay part of Pride. “As a Neuroqueer person, I can't stress how important a safe space is, whether it's online, in person, or a gadget you can turn on and do your own thing with.” At the heart of NeuroQueerz, Luke says, are three simple but powerful ideas: Wellness. Empowerment. Belonging. And perhaps that is exactly what an inclusive Pride should be about. Manchester Village Pride is a celebration for the whole LGBTQ+ community. By providing a Calm Space, NeuroQueerz is helping demonstrate that accessibility isn't about changing Pride into something quieter or less exciting. It is about giving more people the opportunity to experience it. Whether someone spends the entire weekend celebrating, drops into the Calm Space for a short break, watches the parade from a quieter environment or simply knows that somewhere safe is available if they need it, the message is the same: There is a place for you at Pride. And that can make all the difference. The Neuroqueerz Calm Space will run across both days of Manchester Village Pride — Saturday 29th and Sunday 30th August, from 12pm to 7pm, at the Holiday Inn, Manchester City Centre, 25 Aytoun St, Manchester, M1 3DT.

F1 Spanish Grand Prix 2026: Madrid gets ready for a new era Formula 1 is heading somewhere very different this weekend as the Spanish Grand Prix makes its long-awaited move to Madrid and a brand-new circuit prepares to host its first-ever Grand Prix. From 11–13 September 2026, the world's fastest motorsport series will descend on the Spanish capital for the inaugural race at MADRING — a spectacular new 5.4km, 22-corner circuit that combines permanent-track features with sections designed to deliver the atmosphere of a street race. For g10 F1, this is one of the most intriguing weekends of the 2026 F1 season. A new home for the Spanish Grand Prix The Spanish Grand Prix has a new identity. After decades of racing at other Spanish venues, including Barcelona-Catalunya, Formula 1 returns to Madrid for the first time in more than 45 years. The new Madrid event is currently scheduled to remain on the F1 calendar through 2035, giving the capital a decade-long opportunity to establish itself as one of the sport's major destinations And MADRING is certainly not a conventional circuit. The track, located around the IFEMA Madrid exhibition centre, measures approximately 5.4km and features 22 corners, with long straights, heavy braking zones, fast flowing sections and significant elevation changes. Meet La Monumental One of the biggest talking points is Turn 12 — La Monumental. The huge banked section is expected to become one of the defining corners of the F1 calendar. Formula 1 describes it as a semicircular section stretching around half a kilometre, with banking of up to 24%. Cars will attack the corner at high speed while thousands of fans watch from the surrounding grandstands. It could provide some spectacular television — and potentially one of the biggest challenges for the drivers. A completely new challenge The first official laps have already given drivers a taste of what MADRING has to offer. Spanish favourite Carlos Sainz was the first driver to complete a lap of the fully asphalted circuit, describing a layout featuring long straights, heavy braking zones and fast sequences of corners. Ferrari subsequently became the first team to run a current F1 car at the circuit during a filming day, with Charles Leclerc and Lewis Hamilton sharing the SF-26. But nobody truly knows what to expect when qualifying begins. With no historical F1 race data at MADRING, teams will have to build their setups and strategies from scratch. Understanding tyre behaviour, braking points, kerbs, temperatures and the demands of the banking could prove crucial. The weekend The action begins on Friday 11 September, with the opening practice sessions, followed by final practice and qualifying on Saturday. Then comes the moment everyone has been waiting for. Sunday 13 September — the first-ever Spanish Grand Prix at MADRING. The race will be contested over 57 laps, covering more than 308km, with the official F1 race scheduled for 15:00 local time. One of the races of the season? There is a genuine sense that Madrid could deliver something special. A brand-new circuit means no established pecking order. Drivers cannot simply rely on years of experience at the venue, while engineers have limited real-world data from which to work. That could make the opening Spanish Grand Prix at MADRING a fascinating combination of speed, strategy and discovery. And away from the circuit, Madrid itself provides the perfect backdrop. One of Europe's great cities will be transformed into an F1 destination, with fans descending on the Spanish capital for a weekend combining motorsport, nightlife, culture, food and entertainment. For Formula 1, it is the beginning of a new chapter. For Madrid, it is a chance to put itself firmly on the global sporting map.For Madrid, it is a chance to put itself firmly on the global sporting map. And for fans, there is only one question: What happens when the lights go out at MADRING for the very first time? g10 F1 will be following the Spanish Grand Prix as Madrid welcomes Formula 1 to its spectacular new home. All times and circuit information based on the current 2026 Formula 1 schedule and official circuit information

Ten Years After Pulse: Remembering the Lives Lost and the Legacy That Endures By g10 Group Editorial Team On 12 June 2016, the LGBTQ+ community awoke to devastating news from Orlando, Florida. During Latin Night at Pulse nightclub, a gunman opened fire inside one of the city's most beloved queer venues, killing 49 people and injuring dozens more. It remains one of the deadliest attacks on LGBTQ+ people in modern history and one of the worst mass shootings in United States history. Ten years later, the names, faces and stories of those lost continue to resonate far beyond Orlando. For many LGBTQ+ people around the world, Pulse was not simply a nightclub. It represented something much deeper: a place of belonging, safety, celebration and community. As we mark the tenth anniversary of the tragedy, we remember those whose lives were taken, reflect on the impact the attack had on LGBTQ+ communities globally, and recognise how their legacy continues to inspire activism, solidarity and resilience. A Night That Changed History Pulse opened in 2004 and quickly became a cornerstone of Orlando's LGBTQ+ community. Founded by Barbara Poma in memory of her brother, who had died from AIDS-related complications, the venue was created as a space where LGBTQ+ people could gather freely and authentically. In the early hours of 12 June 2016, that sanctuary became the site of unimaginable violence. Many of the victims were young LGBTQ+ people of colour, particularly members of the Latino community who had gathered to celebrate Latin Night. News of the attack spread rapidly across the world. Vigils were held in cities across the United Kingdom, Europe, North America and beyond. Rainbow flags flew at half-mast. Landmarks were illuminated in tribute. Communities came together in grief, solidarity and determination. For many LGBTQ+ people, particularly those who had experienced discrimination or violence themselves, the attack felt intensely personal. The tragedy served as a painful reminder that even spaces created for safety can become targets of hatred and extremism. The Human Stories Behind the Headlines The scale of the attack generated global headlines, but Pulse was always about people. The victims included students, artists, healthcare workers, siblings, partners, parents and friends. They were individuals with dreams, ambitions and futures that were cruelly cut short. Families lost loved ones. Communities lost leaders and friends. Survivors were left carrying physical and emotional scars that continue to affect their lives a decade later. Many survivors have spoken publicly about the long journey of healing, the challenges of trauma recovery and the importance of preserving the memory of those who never made it home. Their stories remind us that Pulse is not only a historical event. It remains a lived reality for those directly affected. A Turning Point for LGBTQ+ Visibility The Pulse shooting occurred during a period of increasing LGBTQ+ visibility and legal progress in many parts of the world. Yet the attack underscored a difficult truth: progress does not eliminate prejudice. In the years following Pulse, conversations about LGBTQ+ safety, hate crimes and intersectionality gained renewed urgency. The tragedy highlighted the unique vulnerabilities faced by LGBTQ+ people who also belong to racial, ethnic and immigrant communities. Advocacy organisations used the moment to push for stronger protections against hate crimes, greater support for survivors of violence and increased recognition of the challenges faced by LGBTQ+ people of colour. The attack also strengthened international solidarity. LGBTQ+ communities from different countries, cultures and backgrounds found common ground in collective mourning and resistance. The Meaning of Safe Spaces One of the most enduring legacies of Pulse is the renewed understanding of why LGBTQ+ spaces matter. For decades, queer bars, clubs and community centres have provided refuge from discrimination and exclusion. They have served as places where people could express themselves freely, find chosen family and build community. The attack challenged assumptions about safety but also reinforced the importance of preserving and protecting these spaces. Ten years on, LGBTQ+ venues continue to face economic pressures, political challenges and, in some regions, growing hostility. Yet they remain essential cultural institutions. Pulse became a symbol not only of loss but also of the ongoing need for spaces where LGBTQ+ people can gather, celebrate and simply exist without fear. A Legacy of Resilience If there is one lesson that emerged from the aftermath of Pulse, it is the extraordinary resilience of LGBTQ+ communities. In the face of grief, people organised vigils, raised funds, supported survivors and demanded change. Artists created memorials. Activists strengthened advocacy efforts. Families transformed their pain into campaigns for remembrance and justice. Across the world, LGBTQ+ people refused to allow fear to define the future. That resilience remains visible today. From Pride celebrations to community support networks, the spirit of solidarity that emerged after Pulse continues to inspire new generations. Remembering, Reflecting and Moving Forward As the tenth anniversary is observed, remembrance remains essential. Honouring those lost at Pulse means more than looking back. It means continuing the work of creating safer, more inclusive communities. It means standing against hatred in all its forms. It means supporting LGBTQ+ people whose identities place them at the intersection of multiple forms of discrimination. Most importantly, it means ensuring that the 49 lives taken on that June night are remembered not solely for how they died, but for how they lived. Ten years after Pulse, the pain of the tragedy has not disappeared. Neither has the love, courage and community that emerged in its aftermath. Their legacy endures—in every act of solidarity, every fight for equality and every LGBTQ+ person who continues to live openly, proudly and unapologetically. We remember the 49 lives lost at Pulse nightclub. We honour the survivors. And we reaffirm a simple truth: love, community and resilience will always outlast hate.

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Read about the benefits of Yoga and see if it is right for you The Benefits of Yoga — and Why Naked Yoga Is Gaining Attention in LGBTQ+ Wellness Spaces Yoga has long been celebrated for its ability to connect body, mind, and breath. From improving flexibility to reducing stress, the ancient practice has evolved into a global wellness movement embraced by people of all identities and backgrounds. Within LGBTQ+ communities in particular, yoga has become more than just exercise — it’s a tool for healing, self-acceptance, and reclaiming ownership of the body. In recent years, a growing number of inclusive studios and community groups have also begun exploring naked yoga — a practice that removes clothing to deepen body awareness and challenge shame around physical appearance. While it may sound unconventional at first, many practitioners say it offers unique mental and emotional benefits. Here’s why yoga — clothed or unclothed — is resonating with LGBTQ+ wellness culture across the UK and beyond. 1. Yoga Supports Mental Health Many LGBTQ+ people experience higher levels of stress, anxiety, or minority stress due to discrimination or social pressure. Yoga offers a practical way to regulate the nervous system Through controlled breathing and mindful movement, yoga can: Reduce cortisol (the stress hormone) Improve sleep quality Increase focus and emotional resilience Promote a sense of calm and balance Even short sessions can create a noticeable shift in mood, making yoga an accessible self-care practice for busy or stressful lifestyles. 2. A Space for Body Acceptance Body image can be a complex topic in LGBTQ+ spaces. Social media, dating culture, and unrealistic beauty standards can sometimes amplify insecurities. Yoga encourages a different mindset: appreciating what the body can do rather than how it looks. Regular practice helps people: Build a healthier relationship with their bodies Focus on strength, breath, and mobility Develop self-compassion instead of self-criticism For many LGBTQ+ practitioners, stepping onto the mat becomes a quiet act of reclaiming confidence. 3. Community and Inclusivity Queer-friendly yoga classes and wellness groups are increasingly popular across the UK. These spaces can feel different from traditional gyms or studios. Inclusive classes often emphasise: Gender-neutral language Trauma-informed instruction Body diversity A welcoming atmosphere for all identities For many participants, the class becomes both a workout and a social connection point — something especially valuable for people seeking affirming environments. 4. The Rise of Naked Yoga Naked yoga removes one element most people rarely question: clothing. Practising without it may feel intimidating initially, but supporters say it can create a powerful shift in body perception. In LGBTQ+ communities, naked yoga is often framed around body positivity rather than sexuality. Potential benefits include: Greater Body Awareness Without clothing, practitioners can feel muscle engagement, posture, and alignment more clearly. Challenging Shame Many people carry cultural or personal shame around their bodies. Naked yoga aims to normalise natural bodies in a respectful, non-judgemental environment. Radical Self-Acceptance Seeing a room full of different body types can help dismantle unrealistic beauty standards and reinforce the idea that every body deserves respect. Importantly, sessions are typically guided with clear boundaries, consent, and a focus on mindfulness — not voyeurism or sexualisation. 5. Reclaiming the Body For some LGBTQ+ individuals — including trans and non-binary people — yoga can become a powerful tool for reconnecting with their physical selves. Breathwork and mindful movement encourage participants to inhabit their bodies fully and compassionately. For those who have experienced body dysphoria, stigma, or shame, this can be profoundly empowering. In naked yoga spaces especially, the emphasis is often on authentic presence rather than performance. 6. Physical Health Benefits Beyond the psychological advantages, yoga offers well-known physical benefits: Improved flexibility and mobility Better posture and spinal health Increased core strength Reduced risk of injury Support for cardiovascular health These benefits apply regardless of experience level — yoga is adaptable for beginners and advanced practitioners alike. Finding the Practice That Works for You Yoga is deeply personal. Some people prefer traditional studio classes, while others gravitate toward queer-led sessions, outdoor yoga, or naked yoga communities. What matters most is finding a practice that feels safe, inclusive, and supportive. For LGBTQ+ people navigating a world that often polices bodies and identities, yoga can offer something radical in its simplicity: a moment to breathe, move, and exist exactly as you are. And sometimes, removing a layer — literal or metaphorical — is what makes that freedom possible.

Brighton has such a rich queer and underground music scene — how has living and creating there shaped the sound and identity of LADSCLUB? Greg: I think moving to Brighton in my 20’s was perfect timing in some ways as the clubs, the music and the vibe here was second to none. Also everywhere was so mixed so I didn’t feel limited to gay spaces to feel safe and have a fantastic night out. Also, the cover of our debut album sums it up pretty well! Ed: Brighton is such a special little bubble with such a varied music scene , I think that shows in our music as we like to experiment with multiple genres. Your music blends electronic, alt-pop, and emotionally raw storytelling. What artists, experiences, or nightlife spaces have influenced your sound the most? Greg: Madonna has always been my biggest inspiration, I love the simplicity of her lyrics and her melodies – how she just loves to write songs about dancing – even now in her 60’s. As for experiences, 20 years of marriage is the key story we are telling on the new album. The ups and downs! Ed: For me as a producer I idolise a lot of dance / electronic producers , Frankmusik is a huge hero of mine, he’s an absolute master of his craft and would love for LADSCLUB to collab with him in the future As queer artists, do you feel there’s still pressure to “fit” into certain narratives in the music industry, or has the landscape genuinely changed? G: We are a gay married couple making music together in our 40’s so id say we are quite unique – I don’t think the music industry knows what to make of us, but we are quite resilient and very patient. For now we just enjoy what we do and appreciate that some people really love our music and come to our shows. E: It’s not something I really think about that much , I guess so far we’ve been accepted for what we do and we certainly haven’t hid the fact that we’re gay and I never would. A lot of your tracks feel both euphoric and vulnerable at the same time. How important is emotional honesty in your songwriting process? G: I have to say it wasn’t important at all on the debut, but for the follow up “Play Together” I wanted to tell some stories and really open up in my writing. I wanted to push myself and be fearless. I’m really happy with the results. A friend of ours who heard it recently said “no one else is writing songs about these subjects” – and I have to agree. There are some real taboo subjects in there but with killer chorus’s. E: Greg’s songwriting really has gone up a level with this album, I try my best to get the sound that reflects what he’s trying to say and I feel confident that this album really pushes us on some bold ways both lyrically and sound wise LGBTQ+ audiences often connect deeply with music that creates a sense of escape or belonging. What kind of experience do you hope listeners have when they hear your music live? Greg: I hope they are enlightened…and compelled to dance! E: We just want everyone to have a great time :) Social media can build artists quickly, but it can also flatten creativity into trends. How do you balance authenticity with the pressure to stay visible online? Greg: We honestly don’t factor it in at all. We don’t trend chase, we use music that has influenced us a template – and I don’t think any of it is particularly trending right now. I was listening to a lot of Soft Cell when I started writing. That’s where The Playpen came from, I think. E: We’ve never set out to chase any trends I think what we do is very much us, the most important thing is always say to Greg is we need to have fun, I like to think that comes across in our music too What has been the biggest challenge of working as a duo, and what’s the biggest advantage? Greg: The biggest challenge is that we never really have a day off from being LADSCLUB, we kind of live it 24/7 – whilst also trying to hold down day jobs to pay the rent. The biggests advantage is that we both have our own strngths that compliment each other perfectly – I write and Ed produces, we share vocal duties. we don’t step on each others toes. It works. E: It can be overwhelming sometimes for sure as Greg points out we live and breathe LADSCLUB and the whole package is done by us , writing / producing and a full time job on top. The advantages are is we’re in it together so when it comes to live shows and promo we have each other backs and we look after each other :) Queer nightlife and club culture have always influenced pop music. Are there particular spaces, nights, or moments that inspired the world of LADSCLUB? G: My memories of G-A-Y in London Astoria and the Ghetto will always live rent-free in my head and heart. E: Being a Brightonian my early club memories are places like Revenge and my favourite club night was called Monkey which used to be at a club called The Gloucester ( it’s now The North Laine Pub ) very happy memories of that place listening to amazing electro dance music Greg: there’s a song about it on the album called Dancing. If someone discovered LADSCLUB today, which song would you want them to hear first — and why? Greg: Argh that’s a tough one. MATINEE will always hold a special place in my heart. That was the first “proper” song I ever wrote. We never get bored of performing that one. Ed: That is tough as they all feel special, I would go with Be Kind Rewind from the new album , it has an acid warehouse sound to it that could of come out in the late 80s, it’s a sweet song that sounds both sad but uplifting What’s next for LADSCLUB in 2026? Are there new sounds, collaborations, visuals, or themes you’re excited to explore? Greg: The release of our new single “LOVE ON TOP OF LOVE” and the album “Play Together” – it’s been 7 long, hard months of writing and recording and we are such perfectionists. I personally never thought we’d better the debut but we 100% have with this body of work. Its stunning. We hope people hear it and appreciate it. E: The new album is now the focus and hopefully we’ll get to promote it with some more gigs too , Totally open to another collaboration too if that comes up. Also want get another music video too , we already have 2 classic music videos. Think it’s time for another Greg: yes we are doing our first headline show at The Brunswick in Brighton on July 31st so we are busy preparing for that. It’s going to be amazing!

Your music often blends vulnerability with polished pop production—how would you describe your artistic identity right now? My artistic identity is honestly in a state of flux right now - I’m growing a lot in confidence in some ways, but I still experience the same doubts and anxieties that I always have, so my artistic identity is a dichotomy of the confident queer man I’ve grown into that is still plagued by the thoughts of what created “Lostchild” in the first place. Can you tell us the story behind your new single “Never Sleep”? What inspired it emotionally or creatively? “Never Sleep” was written, with the help of my super talented friend and artist Janethan, about the endless nights that I lie awake unable to sleep, listening to my tinnitus and thinking about all my regrets, worrying about the future, doubting myself and whether it’s all worth it. I think the pulse of the bass and the endless looping of the synths represents that never-ending dread that I feel, and I know that in 2026 I’m definitely not alone. The title “Never Sleep” feels intense and evocative—what does it represent for you personally? “Never Sleep” I think represents my inability to ever truly rest. My mind is always going and I dread going to bed because it means there’ll be a long period of tossing and turning that will might last the entire night. How did the songwriting and production process for “Never Sleep” differ from your previous releases? “Never Sleep” was actually written in its first form in 2017 and was never used. Then last year I came across some old demos, of which this was one, and played it my partner, and we agreed that there was potential there. But because it was such a personal song for me, I needed a new pair of ears to help me finish the track, and my friend Janethan stepped in and helped me turn it into the emotionally charged pop epic it is today. As a queer artist in the UK music scene, how has your identity shaped the themes and messages in your work? I think that my queer point of view is one I put front and centre in my music. A lot of the pain I’ve experienced in my life has stemmed from my experience as a gay men, so I would say ever song I write is distinctly from a queer perspective, because it’s the most authentic way I can connect with my listeners. Were there any specific sounds, artists, or cultural influences that helped shape “Never Sleep”? I think Robyn’s mix of sad and euphoric was a big influence here, as well as the deep emotions of one of my favourite albums, “Ray of Light” by Madonna. Your work spans singing, songwriting, and producing—how do you balance these roles when creating a track? In order to effectively channel myself as an artist, I have to treat Lostchild the artist and Lostchild the producer as two different people. Sometimes I’ll email myself thoughts and notes as if I was my own client! What do you hope listeners—especially within the LGBTQ+ community—take away from “Never Sleep”? I just hope that listeners just feel like screaming “1, 2, 3am” at the ceiling of their bedrooms as they lie awake at night! As for queer listeners, I hope it reminds them that they are not alone in the thoughts of low self-worth and self-doubt that they have when they try to go to sleep. I don’t have a solution for why the world is so against us as a community right now but I know that we are many and aren’t going anywhere. How has being based in London influenced your music and creative opportunities? London allows me to gig as a queer male artist which is a massive privilege. There is a small but loyal and welcoming scene for queer artists and performers in London that allows for opportunities and friendships you just can’t get anywhere else as a queer musician. What’s next for you after “Never Sleep”? Can fans expect more releases, collaborations, or live performances soon? I’m currently working on my debut album, a tough but exciting task, and there are several collaborations with other queer artists on it which I’m very excited about, and which you might hear sooner than you think! In the meantime I’m supporting the awesome Ryan Cassata on the UK dates of his tour in Manchester at the Night and Day Café on May 19th and in London at The Camden Club on May 21st. They will be 2 spectacular evenings of queer music!

Your sound blends traditional country with a modern LGBTQ+ perspective—what drew you to country music as your primary genre? I think growing up I never felt like the kids around me liked the same music as me, they were all into rock and heavy metal. Then one day I saw a group of people doing a line dancing class to Shania Twain in the local supermarket carpark and I loved her sound. She’s been a big influence on me and my music and a cover some of her songs in my covers set as well. I was a country boy from then. Country has historically had a complex relationship with queer artists. What has your experience been as an LGBTQ+ artist in the UK country scene? I have been quite lucky so far, I haven’t experienced any homophobia at any of my shows, and iv played and queer and straight venues. The only hate I get is online. That used to bother me but its always a faceless profile and iv learnt to just ignore their words now Your new EP is getting attention—what’s the story or theme that ties the project together? I currently have 8 singles out on streaming platforms, and they each have a separate and unique story, so I knew I wanted the EP to have an overall theme and vibe. I also wanted it to reflect what modern country can sound like from a queer perspective. Its sexy and empowering. Can you walk us through the creative process behind the EP? Were there any songs that evolved in unexpected ways? The Day You Don’t Love Me is a heartfelt ballad I wrote after waking up from consecutive nightmares that my boyfriend had broken up with me. I woke up after the third of fourth time of having this same nightmare and knew I needed to write the song. It explores who you are when the person you love does love you anymore and I think it’s very beautiful and raw. On the flip side of that, Boys In The Barn, my sexy rodeo song on the EP was written based off a fantasy I have when I was drunk in park. Inspirations comes in all different forms! Is there a particular track on the new EP that feels especially personal or important to you? Why? Apart from The Day You Don’t Love Me, for obvious reasons mentioned above, I would say the lead song from the EP, He’s The Devil. It perfectly captures the vibe of the EP and with the help of some amazing friends, @matt1981h and @stefanowithef, it became the song to my first ever music video which is out now on YouTube. I’m very proud of it! How do your personal experiences influence your songwriting, especially when it comes to identity and storytelling? When I write music, the story always comes first. I want to take the listener on a journey. Almost all of my songs are drawn from personal experiences, whether its growing up in a small town, dealing with heartbreak, or facing adversity. I aim to make every story feel authentic and personal, so the listener can truly connect with it. Who are some of your biggest musical influences, both within country and outside of it? Shania Twain is a given, I think she’s amazing! I have also been really inspired by Lainey Wilsons’ story, especially how she was living in her camper trailer for 10 years while she constantly tried to break into the industry. That kind of perseverance is really empowering as a new. I’m also deeply inspired by musical theatre, which is why I love incorporating of drama into my own music. The UK country scene has been growing in recent years—how do you see your role within it? I love that the UK country scene is growing in popularity. I hope to be a big part in making sure that, as it grows, it does so inclusively, so everyone feels they have a voice and can find home in a country song. After all, “Y’all Means All.” (that’s one of my songs ) What do you hope listeners—especially queer listeners—take away from your music? I hope my listeners feel a sense of community from my music; I am small enough that I respond to every comment and I want to get to know my audience. I aim create a community that supports each other through music. I hope my music empowers them, gives the strength, and brings them joy. Looking ahead, how do you want your sound and message to evolve after this EP? I have so many plans already before the end of the year, I have new music after the EP, a UK pride tour and a Christmas EP all in the works. I’m constantly learning, evolving, and pushing myself to be better. I can’t wait to see where all this hard work takes me! https://youtu.be/GupALL678vc?si=XcE9BLxOIn9Qe42H https://open.spotify.com/artist/757uBkhdjpYHxyMtLuTpNC?si=ylzjGHc1QqebV_13HDG3Tg

Your music blends industrial, electronic, and experimental sounds. What inspires you to create such a unique sonic world? It's important for me to be progressive. The futurism of sound is so exciting to me and I love exploring its possibilities. How far can you push a frequency? How distorted can a kick drum become before it turns into something completely new? A lot of my music comes from experimentation and accidents. There are all these unwritten rules about how songs are "supposed" to be made but I've never been interested in following them. I don't think there are any rules in art. My philosophy with making music feeds into the sonic world I create. I'm drawn to futurism, subversion, and this digital, almost synthetic feeling but it has to have an organic backbone. I'd describe my music as post-genre because I'm influenced by so many different sounds, although deep down I love hardcore electronic music. Glitch, noise, chaos and distortion feel incredibly cathartic to me. Ultimately, I think I'm just expressing what's going on in my brain. Making music is therapeutic, and the sound reflects that. Your stage name, Baby Tap, is memorable and intriguing. What's the story behind it, and what does it represent to you today? Baby Tap is pretty self-descriptive when you think about it. It's about tapping into the baby within: embracing that childlike part of yourself that's instinctive, playful, carefree and silly. I've always loved heavier music scenes like industrial, punk, digital hardcore and noise, but the name "Baby Tap" was my reaction to how serious, pretentious and masculine a lot of those spaces could feel. I love the juxtaposition of having this really playful name attached to such intense music. It still makes me laugh. More than anything, it's a reminder not to take myself too seriously. We all have an inner child, and I don't think becoming an adult means we have to lose that part of ourselves. Life is hard enough as it is. I actually think it's really important to stay silly. How has being part of the LGBTQ+ community shaped your music, performance style, or artistic journey? Where do I begin? Being queer is a huge part of my artistry. It's probably the biggest part of it, actually. As a queer man making rap and hardcore music, I naturally challenge a lot of the expectations those genres have carried for years. There are traditions within those scenes that have often centred masculinity in a very narrow way, so of course I'm going to flip that on its head. That's part of who I am. To me, being queer and being punk as fuck are completely intertwined. Both are about ripping up the script you've been handed and creating your own. Finding the freedom to be whoever I want to be goes hand in hand with the freedom I feel as an artist. They're impossible for me to separate. None of that would have been possible without the queer community. I can't begin to express how much the people around me have influenced me or how much love, hope and strength they've given me. I'm incredibly lucky to know the people I do, and I'm grateful for them every single day. Your visual aesthetic is just as striking as your music. How important is fashion and self-expression to your identity as an artist? Oh, thanks! Music always comes first, but it's all about identity, isn't it? Self-expression is incredibly important to me. Of course, from a branding perspective an image matters but I think it's boring and a bit soul-destroying if that's the only way you look at it. For me, it's much more personal. It's expression. It's drag. It's fantasy. People decorate their cars and their homes so why shouldn't they decorate themselves? I'm an artist, but I'm also a piece of art. The paint on my face, the shoes I wear, whatever I choose to put on my body — it can all express a feeling or make a statement. It's powerful. I remember when I was a kid, an adult criticised me for looking "like a cartoon." I rejected that idea immediately even though I was probably 8 years old. I remember looking at myself in the mirror and thinking, why wouldn't I want to be a cartoon? Cartoons are fucking joyful and the most fun! Why wouldn't I want to be a colourful character? How oppressive to think otherwise! My life experiences have created a character that is me, so I'm going to let myself be it, whatever it is. Sorry, but you're probably never going to catch me in boot-cut blue Levi's and a plain T-shirt. Not because there's anything wrong with that — I just wouldn't feel like myself. What message do you hope queer fans take away when they experience your music or see you perform live? That it's okay to be yourself unapologetically. Growing up queer, you're taught to make yourself smaller or quieter, to fit into whatever version of yourself makes other people comfortable. I want my music and my live shows to do the opposite. I want people to feel like they can take up space, be loud, be weird, be vulnerable, be joyful — whatever feels true to them. You've spoken about the importance of queer spaces and community. What changes would you like to see for LGBTQ+ artists in the UK music scene? I mean... I actually love it. I come across new queer artists and performers all the time, and they're incredible. They make me so happy. The changes I want to see for LGBTQ+ people are from the government and they boil down to basic human rights. As for the UK music scene? I think it fucking slaps. The biggest problems I see within music aren't exclusive to queer artists — they affect all musicians. Streaming has fundamentally changed how artists are discovered and paid, and so many of the platforms and opportunities musicians rely on have become increasingly monetised. It can feel like you have to pay just to be seen. I think we hit a bit of a sweet spot maybe fifteen years ago and it's been a tougher landscape ever since. I'm still optimistic though! There are so many brilliant artists making exciting, boundary-pushing work. That creativity hasn't gone anywhere. Your latest music feels deeply personal while remaining experimental. How do you balance vulnerability with creative freedom? I'm glad you said that! My new album is probably the most personal record I've written to date. Without sounding egotistical... well, I guess the album is about the ego. I wanted to talk about myself — to explore how I feel, how I'm doing, and who I am. Why not? It's so easy to overthink what you're making, but I've been trying to shut those voices up and trust myself more. I've been working on my imposter syndrome, and I know that if I love the music I'm making and it feels truthful to me, that's enough. I'll be as vulnerable or as vapid as I want — that's my business. It's my art, and it's going to be whatever I want it to be. Ultimately, I don't think about it. Full stop. I don't think creativity works like that. For me, it's instinct. It's intuition. I just follow where it wants to go and I have to trust whatever it is. Social media has become an essential tool for artists. How do you stay authentic while navigating the pressures of being online? Ugh, social media sucks sometimes. I genuinely find it bad for my mental health, so I'm learning not to take it too seriously or spend too much time on it. It's great that we have these platforms where we can express ourselves, be cute, and share our work, but they're also tools for building a career. I've only recently started thinking about it that way, and it's actually been quite fun. I have a product, which is my music, and I have a brand, which is me. I'm going to use these platforms to get my music in front of the people who'll connect with it. Do I have time or patience for all of them? No, I don't, but I'll do the best I can without stressing myself out. It can be arduous and tedious. You have to step back and ask yourself: How am I going to use this? How am I going to get my music to the right audience? I'm still figuring that part out but I know the music deserves the chance. It's important you don't take other people too seriously either. Comparison is the thief of joy. We're all presenting idealised versions of ourselves online. That's not necessarily a bad thing but there is a lot of fantasy and editing involved. Saying all of that, though, there's an amazing sense of community that transcends oceans. I've met the most amazing people through it and they inspire me every day. If you could collaborate with any LGBTQ+ artist—past or present—who would it be, and what kind of track would you create together? Honestly? I want to make music with my friends. All of them. I want to go round to their houses, press record and see what happens. I want to make the most absurd fucking cacophonies imaginable. Secretly though... I've always wanted to make a thrash metal album with a band. Just one. I think it'd be so much fun. If we're talking dream collaborations, then Arca and SOPHIE are the absolute pinnacle of queer artistry for me. They've completely redefined what's possible in music. If Cobrah or Ashnikko ever wanted to do a song with me though... that song would be pure sex. Looking ahead, what's next for Baby Tap, and what can your fans expect from you over the next year? I've spent the last three years writing, producing and stressing over my new album. It's pretty much finished, and now I'm at that point where it's time to think about the next steps. I was shit-scared to start releasing this music but I've finally overcome the fear and started the process! I think my first single, Siberian Snowtrip, will actually be out by the time this interview is published, and that's absolutely wild to me. The new era has officially begun. Every album release feels like completely uncharted territory but I'm working harder than ever and I hope people can feel that. The rollout has started and I genuinely can't wait for people to hear my new music. I want to surprise people. I can't say too much yet, but you'll see. Once the album's out, I want to tour it. I want to take a month off from my day job and perform the house down to the biggest beats I've ever made. After all of that, I want to fuck off to Thailand by myself for two weeks, eat incredible food and forget about everything for a little while.