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g10 group backs Bangkok Pride bid to bring WorldPride to Asia in 2030 g10 group has announced its support for Bangkok Pride’s bid to host WorldPride 2030, backing a campaign that could see the world’s major LGBTQ+ celebration held in Asia for the first time. The UK-based LGBTQ+ digital media company believes Bangkok would be an outstanding host for WorldPride and that bringing the event to Thailand would represent an important moment for LGBTQ+ visibility, equality and international solidarity. Bangkok is now one of just two cities remaining in the race to host WorldPride 2030, alongside Barcelona. The final decision will be made by members of InterPride, with the successful host expected to be announced in January 2027. For g10 group, the Bangkok bid is about much more than staging a major Pride celebration. It represents an opportunity to put LGBTQ+ communities in Asia at the centre of the global Pride movement and to showcase the progress, diversity and creativity of Thailand to an international audience. A historic opportunity for Asia WorldPride is organised under the licence of InterPride and brings together Pride organisations and LGBTQ+ communities from around the world. The event promotes LGBTQ+ visibility and awareness internationally and can include Pride marches, festivals, cultural events and human-rights conferences. If Bangkok wins the 2030 bid, it would be the first time WorldPride has been held in Asia. That possibility is one of the reasons g10 group is supporting the campaign. For decades, some of the world's most prominent Pride events have taken place in North America, Europe and Australia. Bringing WorldPride to Bangkok would provide an opportunity for the global LGBTQ+ community to experience Pride in a different cultural setting and to hear directly from LGBTQ+ communities across Asia. It would also send a powerful message that the international Pride movement belongs to every region of the world. Thailand has already taken significant steps in LGBTQ+ equality. The Thai government notes that the country became the first in Southeast Asia to legalise same-sex marriage, while the Bangkok WorldPride bid has received support from national and local government, Pride organisations and private-sector partners. For g10 group, that combination of progress and ambition makes Bangkok an especially compelling candidate. Why g10 group is supporting the bid g10 group was created as a digital home for LGBTQ+ news, lifestyle, travel and stories from across the community. Its audience extends beyond the UK, with international LGBTQ+ destinations, events and issues increasingly forming an important part of its coverage. Supporting Bangkok's WorldPride campaign therefore feels like a natural extension of g10 group's mission. Bangkok is a city with a long-established reputation as a major international destination, but its importance to the LGBTQ+ community extends beyond tourism. The city's Pride movement has grown considerably in recent years, with Bangkok Pride becoming an increasingly visible part of the city's cultural calendar. Bangkok Pride Festival 2026 was held under the theme “Patch the World with Pride”, with organisers using the event to demonstrate Thailand's readiness to compete for the right to host a major international Pride event. The 2026 celebrations included a major Pride parade and brought together community organisations, government agencies, tourism bodies, businesses and LGBTQ+ networks. That broad coalition is an important part of Bangkok's WorldPride proposition. The bid is not simply a campaign by one organisation. Thailand's candidature has been supported by Bangkok Metropolitan Administration, the Pride City Network Thailand, government ministries, tourism organisations and other public and private-sector partners. Pride with a purpose WorldPride should be about more than colourful parades, parties and tourism campaigns. At its heart, Pride is about visibility, equality, human rights and the ability of LGBTQ+ people to live openly and safely. That is another reason g10 group believes Bangkok deserves serious consideration. Thailand's WorldPride campaign has presented the event as an opportunity to promote equality and human rights while creating a lasting social and economic legacy. The Thai government has said that its WorldPride preparations are intended to demonstrate readiness to welcome LGBTQ+ visitors from around the world while also supporting longer-term progress on equality and the development of an inclusive economy. The campaign has also received international diplomatic support. In July, Thailand's Ministry of Foreign Affairs and other partners held an event bringing together diplomatic representatives and Pride networks to build support for the Bangkok candidature. That international engagement matters because WorldPride is ultimately a global event. A successful Bangkok bid could provide a platform for conversations about LGBTQ+ rights across Asia, including the challenges faced by communities in countries where equality and acceptance remain more difficult to achieve. A message to LGBTQ+ people across Asia For many LGBTQ+ people, the significance of WorldPride coming to Bangkok would extend far beyond the millions of visitors who might attend. It could be an important moment of recognition. Hosting WorldPride in Asia would allow LGBTQ+ communities across the region to see their experiences reflected on one of the world's biggest LGBTQ+ stages. It would also give activists, campaigners, organisations and community groups an opportunity to share their work with a much wider international audience. g10 group believes that visibility matters. The international LGBTQ+ community is not a single, uniform group. It is made up of people with different cultures, languages, histories and experiences. A WorldPride in Bangkok would help underline that diversity. It could also encourage greater international collaboration between LGBTQ+ organisations in Europe, Asia and beyond. Bangkok's growing Pride profile Bangkok has already demonstrated that it can stage large-scale Pride celebrations. The 2026 Bangkok Pride Parade featured a major route through the city and formed part of a wider programme designed to showcase Thailand's LGBTQ+ community and its ambitions for WorldPride. The Tourism Authority of Thailand described the celebrations as part of the country's preparations for WorldPride 2030. The Thai government has also highlighted cooperation with civil society and Pride networks across the country. In 2026, initiatives involving the Pride City Network expanded the campaign beyond Bangkok, with dozens of provinces participating in efforts connected to equality and inclusion. That national approach could help ensure that a Bangkok WorldPride would not be confined to one city. Instead, it could become a wider celebration of LGBTQ+ Thailand. More than a tourism opportunity There is, inevitably, an economic dimension to hosting an event of this scale. WorldPride attracts international visitors, media attention and investment, while creating opportunities for hotels, restaurants, airlines, entertainment venues, cultural organisations and other businesses. Thailand's government has openly linked the Bangkok bid with tourism, the creative industries, the meetings and events sector and the development of what it describes as the country's “Pink Economy”. But g10 group believes the economic benefits should support, rather than overshadow, the community purpose of WorldPride. A successful bid should leave a legacy that can be felt after the flags have come down and international visitors have returned home. That means continued support for LGBTQ+ organisations, greater visibility, safer spaces, inclusive tourism and meaningful progress on equality. Why now? The timing could hardly be more significant. The world is continuing to experience both progress and setbacks on LGBTQ+ rights. In some countries, legal protections and social acceptance have expanded dramatically. Elsewhere, LGBTQ+ communities continue to face discrimination, violence and political pressure. Against that backdrop, WorldPride has an important role to play. It can provide a global platform for celebration, but it can also remind governments and communities that equality cannot be taken for granted. A WorldPride in Bangkok could bring that message to a part of the world where LGBTQ+ communities are incredibly diverse and where the international movement still has enormous potential to grow. g10 group: “Bangkok deserves our support” For g10 group, supporting Bangkok is therefore about recognising what the bid could mean for LGBTQ+ people both in Thailand and internationally. The organisation believes Bangkok has the opportunity to deliver a WorldPride that is energetic, welcoming, culturally distinctive and genuinely international. It could also help challenge the idea that the biggest LGBTQ+ events must always take place in the same familiar global cities. Bangkok offers something different. It offers the chance to put Asia at the heart of the WorldPride movement. It offers the chance to showcase Thai LGBTQ+ culture and creativity. And, perhaps most importantly, it offers the chance to build new connections between LGBTQ+ people across continents. With Bangkok and Barcelona now competing in the final stage of the 2030 race, the decision will ultimately rest with InterPride's membership. Whatever the final outcome, g10 group believes the Bangkok campaign has already helped demonstrate the growing strength and visibility of LGBTQ+ communities in Thailand. But we hope the next chapter is even bigger. g10 group is proud to support Bangkok Pride's bid for WorldPride 2030. We believe the time has come for WorldPride to come to Asia. And we believe Bangkok could be the city to make history.

The Red Ribbon calendar is back for 2027. We speak to Jordan Chan the brainchild of the calendar. The Red Ribbon Calendar is returning for 2027. What made you decide to bring the project back for another year, and what have you learned from the success of the previous calendar? I wanted to bring back the calendar for 2027 due to the success of last year’s calendar, which sold over 400 calendars and raised £3,400 which was split between Sussex Beacon and Terrence Higgins and leaned that the launch parties were a huge part of its success. Once again you’re raising money for Terrence Higgins Trust and The Sussex Beacon. Why was it important to continue supporting these two organisations, and what does their work mean to you personally? Yes, these two charities do fantastic work raising awareness for HIV as the country works towards 2030 Zero, and supports those living with HIV. Personally I have very close friends living with HIV, who rely on HIV charities and their support, but as a gay man, knowing the deviation the aids crisis had in the 80/90s, I want to to do my bit to help ensure our community never goes through that again. The calendar is about more than fundraising — it also aims to challenge stigma and encourage conversations around HIV. What do you hope people will take away from the 2027 calendar beyond the photographs themselves? Yes that’s right, we want to start conversations around HIV to help fight the stigma, encourage testing and safe sex, and also educate people on what treatments and prevention is out there! Those living with HIV should not have to face stigma and should be treated with the same dignity and respec You’re working again with Mwords Photography. How has your creative partnership developed, and can you give us a hint about what will make the photography and concept of the 2027 calendar different this time around? Yes this is actually our third calendar together, with this being the second red ribbon. I always wanted to create my own calendar, and raise money for charity, the first was for testicular cancer and the odd balls foundation, and now the red ribbon for the second year. Mark (Mwords) wanted to strip the calendar back making the red ribbon the front and centre, and went with black and white which I love. I could do the calendar without Mark and the boys! Looking ahead to the launch of the Red Ribbon Calendar 2027, what are your ambitions for this year — both in terms of the amount you hope to raise and the number of people you hope the campaign can reach? This years calendar is coming back bigger and better with the same locations for launch as last year but I’ve added Hastings! Saturday 24th October - Brighton at Bar Broadway Saturday 7th November - Hastings Forbidden Fruit Saturday 28th November - Kent La Margate Saturday 12th December - London Admiral Duncan and Village We want to sell more calendars than last year and raise even more money! I would like to the take the opportunity to thank all our sponsors for this years calendar too! 1 Million Gays Cafe Nucleus Forbidden Fruit Regency Tavern Thames Active La Margate Queer Kent Life Bar Broadway Pier Ceylon Bull Dog Margate Beach Club Friend of Dorothy Sukrew BUY YOUR CALENDAR NOW

NeuroQueerz brings a calmer, more inclusive Pride experience to Manchester Village Pride Pride is a celebration of identity, community, equality and belonging. For many LGBTQ+ people, it is one of the most important and joyful weekends of the year. But while Pride is often associated with packed streets, loud music, busy venues and huge crowds, that environment can be challenging for some members of the community. This Manchester Village Pride weekend, NeuroQueerz is helping to create a different kind of Pride experience by providing a dedicated Calm Space for neurodivergent LGBTQ+ people, their friends, allies and anyone who needs somewhere to step away from the hustle and bustle. Founded by Luke Boss, NeuroQueerz is focused on wellness, empowerment and belonging, with the aim of ensuring that neurodivergent people are not excluded from LGBTQ+ spaces simply because traditional Pride environments can sometimes feel overwhelming. The Calm Space isn't about taking people away from Pride. Instead, it is about giving people another way to experience it. As Luke explains: “Everybody knows how to celebrate or party but in different ways.” He believes that neurodivergent people should have the freedom to enjoy Pride on their own terms, whether that means spending hours celebrating with others or taking some time away from the crowds before heading back into the action. “Our aim is to NOT make this stereotypical and boring,” says Luke. “It is a place to socialise, chill out, and be in the Pride weekend mood!” A different way to experience Pride For neurodivergent LGBTQ+ people, sensory stimulation can sometimes become overwhelming. Loud music, flashing lights, crowded streets, queues, unfamiliar surroundings and constantly changing environments can all contribute to sensory overload. But, as Luke points out, neurodiversity affects everyone differently. “For some it impacts them so greatly that they avoid certain areas regardless, some it varies depending on the situation. Some, it's on a day-by-day basis how they are feeling, and for some, it doesn't impact them at all!” That individuality is central to the NeuroQueerz approach. Rather than assuming that every neurodivergent person needs the same support, the organisation wants people to have choices. The Calm Space can therefore be somewhere to spend a significant part of the day—or simply somewhere to recharge for an hour before returning to Pride. Luke describes the goal as providing people with “a place to be themselves whilst fulfilling their Pride limitations and expectations.” He believes everyone attending a Pride event should be able to decide what they want to experience and what they don't. “We want people to leave our space thinking they had a good time whether they spent the majority of the day here or if they used the space to escape from the chaos for an hour and get back to party mode!” Making Pride accessible beyond physical access Accessibility is often discussed in terms of physical access: ramps, accessible toilets, seating and step-free entrances. Those things remain vital, but Luke believes the conversation needs to go much further. For someone who is autistic, has ADHD or is otherwise neurodivergent, simply finding their way around a large Pride event can present its own challenges. Luke recalls attending a Pride where signage and instructions around wristbands and entrances were unclear. “Many regular street access points were closed off, and the signage was so few and far between that it frustrated me,” he says. Even instructions that appear straightforward to others can become difficult to process in a busy environment. “Things like street names don't make sense to me, especially in hectic environments,” Luke explains. His solution is simple but potentially transformative: make volunteers and staff available to physically guide people where necessary. “Someone may not be restricted from a physical aspect, but they would benefit from someone directing them more than telling them the street name and giving lefts and rights.” For Luke, accessibility can sometimes be as simple as someone saying, “Come with me, I'll show you.” A space where people don't have to choose between Pride and their wellbeing One of the biggest concerns for people who find busy environments difficult is the fear that leaving the main Pride celebrations means missing out. That is something NeuroQueerz hopes to challenge. Luke points out that without spaces where people can take a break, some neurodivergent people may simply decide not to attend Pride at all. “Some Neurodivergent peeps may not come to Pride as they don’t feel there is an environment they consider a safe space,” he says. For Luke, the answer is clear: Pride should have room for everyone. The NeuroQueerz Calm Space aims to make that principle a reality. Luke Boss: “I didn't go to a single Pride event until I was 30” Perhaps one of the most powerful aspects of Luke's story is that he understands personally what it can feel like to be unsure about attending Pride. “I didn't go to a single Pride event until I was 30,” he reveals. The main concerns were the crowds and the fear that there would be nothing to do or nobody to speak to. That changed when Luke finally attended his first Pride in 2019. “I loved it so much it was like being on holiday,” he says. Since then, he has attended many Pride events, both alone and with other people. His advice to anyone who is considering attending but feels uncertain is to do some research beforehand and find out what facilities and support are available. And for those attending Manchester Pride, Luke has a particularly direct invitation: “If you are considering Manchester Pride, then come to us for the calm space on Saturday and/or Sunday!” The space will also feature the Pride Parade on a large screen, and, Luke notes with a smile, no wristband is required. Has the LGBTQ+ community done enough? The question of inclusion within LGBTQ+ spaces is complicated. Luke believes attitudes are improving and says he has received tremendous support from organisations including LGBT Foundation, where he volunteers. However, he has also experienced discrimination within the LGBTQ+ community because of his disability. Despite that, he says he feels considerably more comfortable in gay bars than in regular bars. For Luke, there is still work to be done. “Most Neuroqueer or LGBTQ+ organisations do have a section for this either, but it is too small and does not go far enough,” he says.“That is what Neuroqueerz is here for!” The organisation is ultimately asking the wider LGBTQ+ community to think differently about what inclusion really means. One size does not fit all For Luke, one of the most important messages of NeuroQueerz is that there is no universal solution. “One size does NOT fit all,” he says. That principle is particularly important when discussing neurodivergence because people's experiences can vary enormously. Someone might love being surrounded by thousands of people one day but find the same environment impossible the next. Another person might never need a Calm Space but still appreciate knowing one is available. The important thing is having the choice. Luke also believes that neurodivergent people should be listened to when conversations about inclusion take place. “I hope more people soon recognise this,” he says. “We are a talented and fabulous community at the end of the day.” More than a Calm Space While Manchester Village Pride provides an important opportunity for NeuroQueerz to demonstrate what a more inclusive Pride environment can look like, Luke sees the organisation's work as something much bigger. He wants people to understand that neurodivergent LGBTQ+ people aren't simply a group that needs to be accommodated. They are an important part of the LGBTQ+ community with their own experiences, talents, ideas and voices. For Luke, seeing NeuroQueerz involved in creating a calmer and more inclusive Pride experience in Manchester represents a major accomplishment. “If it wasn’t us (me and my 2 fabulous other directors) hosting this, I would be grateful there is a space I can go to at regular intervals that is just outside the gay village.” That statement perhaps sums up the importance of the Calm Space better than anything else. It isn't about separating people from Pride. It is about making sure people can stay part of Pride. “As a Neuroqueer person, I can't stress how important a safe space is, whether it's online, in person, or a gadget you can turn on and do your own thing with.” At the heart of NeuroQueerz, Luke says, are three simple but powerful ideas: Wellness. Empowerment. Belonging. And perhaps that is exactly what an inclusive Pride should be about. Manchester Village Pride is a celebration for the whole LGBTQ+ community. By providing a Calm Space, NeuroQueerz is helping demonstrate that accessibility isn't about changing Pride into something quieter or less exciting. It is about giving more people the opportunity to experience it. Whether someone spends the entire weekend celebrating, drops into the Calm Space for a short break, watches the parade from a quieter environment or simply knows that somewhere safe is available if they need it, the message is the same: There is a place for you at Pride. And that can make all the difference. The Neuroqueerz Calm Space will run across both days of Manchester Village Pride — Saturday 29th and Sunday 30th August, from 12pm to 7pm, at the Holiday Inn, Manchester City Centre, 25 Aytoun St, Manchester, M1 3DT.

Your career spans writing, directing, and producing. How does wearing all three hats influence the way you approach a new project, and which role feels most natural to you? Working in all three roles simultaneously makes me think about the project from a 360 degree view and not just about what part of the process is in front of me. Writing a script or play is such a fun start to the process, but there's no use for me writing something that I can't possibly make. So being able to be creative with ideas and also practical with how I'm going to realise them does keep me grounded. Sometimes it can feel conflicting, with the battle between creative freedom and production constraints, but ultimately it pushes me, and that's a good thing. I'd say that producing comes to me the most naturally, because I am extremely motivated and enjoy bringing people together to achieve an end goal. I like hunting for locations, fabrics, backdrops, and really thrive on problem solving. It's so satisfying to see all the elements come together into one cohesive story. Living and working in Brighton, how has the city's creative community and atmosphere shaped your storytelling or the kinds of projects you're drawn to? It's definitely given me confidence to express myself in a more fully realised form, way more than if I stayed living in a small village in Surrey where I grew up. Your debut play, BEYOND BERLIN, marked an important milestone in your career. What was the original spark for the story, and why did you feel it needed to be told on stage? I have wanted to write a play for at least ten years and never found the right moment to do it. This year I knew I wanted to step away from short films for a bit, and experiment in a new medium. It was at this moment that I realised it was the right time to work on a play. I wanted to be in a room with actors, working together to create a live immersive experience. In film I'm so used to stopping and starting, 'let's do another take', that kind of thing. I wanted to challenge myself and do something live! I had the idea for Beyond Berlin last year when I was on a plane. I saw a male flight attendant with a baby face and very curly hair. I saw him and instantly thought 'you look like you belong in the 1920s'. So I drew a sketch of him in my notepad and then started to create a story around him. Making Beyond Berlin has been one of the best decisions I've ever made, getting to direct in a way that flows. For as long as I can remember I've always loved the jazz age. I think it's the idea of a bygone era, the black & white Hollywood stars of a time gone by, and the idea of decadence and decay that intrigues me. In fact 'Beyond Berlin' was originally called 'The Decadence & Decay' because it sums up the contradiction of the beauty and the turbulence of the era. I have long been drawn to the books of Christopher Ishwerood and F Scott Fitzgerlad. My play (in some ways) is a love letter to that era, with my own spin on it. Without giving away too much, what themes does BEYOND BERLIN explore, and what conversations do you hope audiences are having as they leave the theatre? Beyond Berlin deals with the idea of 'people as outsiders', outsiders to their own feelings, outsiders to places and spaces. There's some dark themes throughout, like lust, desire, longing, intrigue and betrayal. But the play is also A LOT of fun. In parts it's camp, pastiche and silly. I'd like the people who come to see my play to leave feeling entertained. Life can be so gloomy and tiresome, so I want to give these people one hour away from their normal lives, to step into a different era, a fantasy. Every first play is a learning experience. Looking back at BEYOND BERLIN, is there anything about the writing or production process that fundamentally changed how you create work today? It's made me much more confident to write longer scenes, without fear. In today's creative landscape I hear a lot of 'make scenes short, don't write too much dialogue, make everything snappy! Anything over 3 seconds will bore people', that kind of thing. It's really limiting to constrain yourself in those ways. I freed myself of all that. I did it by writing the scenes I wanted to write, and to create the stories I wanted to create. I had SO much fun making the backdrops and sourcing the props, it's definitely something I want to do again. As both a writer and director, how do you balance staying true to your original script while remaining open to ideas from actors and collaborators during rehearsals? I acknowledge that while I am writing (and it took me six months and close to 40 drafts to get the script fully realised for Beyond Berlin) that this is my time to flesh out the ideas and characters, this sacred time is when the characters are only truly ever 'mine'. Then, when rehearsals start that is when the material evolves and changes and the characters then 'belong' to us all in the room. It no longer is just about words on a page, it's a living breathing entity that the actors are pumping life into. For this reason I want to hear their ideas about the characters, how they interpret the lines and motivations. I am open to suggestions, but of course, I keep a reign on the overall feel and direction to make sure it's still in the world that I created. But it would be naive of me to not pull from the many creative brains I have in the room with me when working on a production. Many creatives talk about the tension between artistic ambition and practical realities. As a producer as well, how do you navigate the balance between creative vision and budget or logistical constraints? Life on its own can be crazy, beautiful and complicated at the best of times. Throwing a production into the mix can feel like a bomb that goes off and affects everything around you. At times it's a challenge to have a full time job, a relationship, keeping in touch with friends and making the show, but I've come to peace with the idea that at times some areas of my life will thrive more than others. It's about communicating that to those around you so they know where you're at in your head with all the plates that are spinning. I think all artists live in a space where they feel pulled between two realities, that of 'everyday life' and that of 'creating'. I think both need to exist in order to balance the other out. It's not always easy. What kind of stories are you most passionate about telling? Are there particular genres, themes, or characters you find yourself returning to again and again? Most of my work tends to revolve around queer stories. I write what I know, and I think it's important for every artist to have a perspective, which is why I pull from these ideas. A lot of my work tends to have two characters who are vastly different from one another. In Beyond Berlin we have Raymond - a shy, sensitive Englishman who has never been to Berlin before. We then have Ernst - who is a cabaret performer in Berlin and super confident and extrovert. The seeds for both characters originate from the different shades of my personality, but are also something entirely of their own. So I suppose I am looking within myself to explore and understand the different layers that make me 'ME'. For aspiring writers and filmmakers, what's one piece of advice you wish someone had given you when you were starting out? It would have been to 'tell the stories you want to tell' and 'find a way to make it happen'. I think a lot of young talent get discouraged because they don't have 'a great camera', or 'thousands of pounds' to make something look high end. Start small, use what you can and don't let your own negative thoughts discourage you. You've got this! Looking ahead, what's next for you? Are there any upcoming theatre, film, or television projects that you're excited to share, and might we see BEYOND BERLIN evolve further in the future? Definitely! I would love to see Beyond Berlin expand in production size and venues. I have started looking at options for 2027. I want to take the show on the road! BEYOND BERLIN is on at BN1 Arts Centre - New England St on Friday 6th & Saturday 7th November at 7:30pm. Get tickets here: https://beyondberlin.eventbrite.co.uk For production updates follow: @madebymilletti

Fuerteventura & Lanzarote: The LGBTQ+ Guide to Two of the Canary Islands’ Most Relaxed Escapes If your idea of the perfect LGBTQ+ holiday involves sunshine, spectacular beaches, good food, a relaxed atmosphere and the freedom to be yourself, Fuerteventura and Lanzarote deserve a place on your travel list. The two neighbouring Canary Islands offer something slightly different. Fuerteventura is all about enormous beaches, dunes, watersports and a wonderfully laid-back atmosphere, while Lanzarote combines volcanic landscapes, stylish resorts, great restaurants and a more established LGBTQ+ nightlife scene. Neither island is quite the same as Gran Canaria when it comes to LGBTQ+ nightlife, but that can be part of their appeal. These are destinations where the holiday is more about sun, sea, adventure and relaxation than spending every night in a gay club. Fuerteventura: Beaches, Dunes & Laid-Back Island Life Fuerteventura is arguably the more relaxed of the two islands. It has long been popular with LGBTQ+ visitors, particularly around Corralejo, in the north. The island has a generally welcoming and liberal atmosphere, although its dedicated LGBTQ+ scene is relatively small. For many LGBTQ+ travellers, that's exactly the attraction. Corralejo – the place to start Corralejo is the obvious base if you're looking for a combination of beaches, restaurants, bars and nightlife. The town has plenty of places to eat and drink, while the enormous beaches of the Corralejo Natural Park are just outside the resort. The Grandes Playas de Corralejo stretch for around nine kilometres, with white sand, turquoise water and the enormous Corralejo dunes providing an incredible backdrop. The southern coves are also popular for naturist bathing. If you're looking for LGBTQ+ nightlife, the scene is small but there are options. The Jungle Gay Bar Fuerteventura in Corralejo is one of the island's dedicated gay venues. Beaches and naturism Fuerteventura is particularly attractive if you enjoy naturist beaches. The Corralejo area has several beaches where naturism is common, including Playa del Bajo Negro. The important thing to remember is that a naturist beach isn't automatically a sexual environment. Respect other beach users, maintain appropriate boundaries and remember that you're also in a protected natural area. Beyond Corralejo Don't spend your entire holiday in the resort. Hire a car and explore the island's smaller villages, dramatic coastline and quieter beaches. The volcanic interior provides a striking contrast to the white sands of the north. You can also take a boat trip towards Lobos Island, or look across the water towards Lanzarote. For adventurous travellers, Fuerteventura is particularly good for surfing, windsurfing, kitesurfing, cycling and hiking. Where should LGBTQ+ travellers stay? For the largest concentration of LGBTQ+ visitors and easy access to the beaches, Corralejo is probably the best choice. For something quieter, look towards Costa Calma and the south of the island. One LGBTQ+-friendly option worth considering is BHH Naturist Resort Fuerteventura in Costa Calma, particularly for travellers who want a naturist-focused break. Lanzarote: Volcanic Landscapes & LGBTQ+ Nightlife Lanzarote has a very different personality. The island's black volcanic landscapes, whitewashed buildings and dramatic coastline make it one of the most visually distinctive destinations in the Canary Islands. It is also considered a very LGBTQ+-friendly destination, with Puerto del Carmen being the main base for LGBTQ+ nightlife. Puerto del Carmen If nightlife matters to you, Puerto del Carmen should be high on your list. The resort has the largest concentration of bars and nightlife on Lanzarote, particularly around Avenida de las Playas and the old harbour area. One of the island's best-known LGBTQ+ venues is XXL Lanzarote Mens Bar, a gay men's bar and late-night venue in Puerto del Carmen. For something a little different, Music Hall Tavern Lanzarote offers a drag-comedy dinner show, combining food, comedy, singing and dancing. The island's LGBTQ+ scene is still relatively small compared with Gran Canaria, but Puerto del Carmen gives visitors enough choice for a fun night out without making the entire holiday revolve around nightlife. Playa Blanca & Papagayo At the other end of the island, Playa Blanca offers a quieter alternative. The resort is particularly useful for travellers who want beautiful beaches, restaurants and a more relaxed atmosphere. One of Lanzarote's must-see areas is Papagayo, where a series of spectacular beaches and coves sit within a protected landscape. Pack plenty of water, sunscreen and sensible footwear – the scenery is stunning, but some of the approaches to the beaches can be rough. Explore the volcanic side of Lanzarote No trip to Lanzarote should be entirely about the beach. The island's volcanic landscape is extraordinary, and places such as Timanfaya National Park offer an experience that feels completely different from a conventional beach holiday. Lanzarote was designated a UNESCO Biosphere Reserve in 1993, reflecting the importance of its natural environment. Other highlights include: Timanfaya National Park – dramatic volcanic scenery. Jameos del Agua – one of César Manrique's most famous creations. Cueva de los Verdes – spectacular volcanic caves. Mirador del Río – incredible views across the island and towards La Graciosa. Teguise – historic streets, architecture and one of the island's best-known markets. Arrecife – Lanzarote's capital, worth exploring for restaurants, shops and culture. Fuerteventura or Lanzarote? Fuerteventura and Lanzarote are very close neighbours, and ferry services connect the islands. The crossing between Corralejo and Playa Blanca is a popular way of combining the two destinations, A week-long holiday could easily be split between them – perhaps four nights in Lanzarote followed by three nights in Fuerteventura, or vice versa. That gives you the best of both worlds: Lanzarote's volcanic landscapes, restaurants and LGBTQ+ nightlife followed by Fuerteventura's beaches, dunes and slower pace. When should you visit? Both islands benefit from a warm climate throughout much of the year. Fuerteventura is particularly attractive for winter sun, while spring and autumn can offer a great balance between warm weather and avoiding the busiest periods. Remember that the Canary Islands can be windy – especially Fuerteventura – so don't underestimate the need for sunscreen even when temperatures don't feel extreme. g10 Travel Tip Don't judge either island solely by its gay scene. If you're looking for the biggest LGBTQ+ party destination in the Canaries, Gran Canaria remains difficult to beat. But if your idea of an LGBTQ+ holiday is waking up beside the Atlantic, spending the afternoon on a spectacular beach, exploring somewhere new, enjoying dinner and then heading out for a few drinks, Fuerteventura and Lanzarote can be excellent choices. And perhaps that's their biggest attraction: you can have a fantastic LGBTQ+ holiday without your entire trip being defined by nightlife. Fuerteventura is the island for beaches, freedom and switching off. Lanzarote is the island for volcanic adventure, restaurants and a little more nightlife. Put them together, and you've got a seriously good Canary Islands escape.

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Your work captures both strength and vulnerability in male portraiture — what first drew you to photographing the male form in such an intimate way? I think it started from a fairly personal place. Growing up, I didn’t see a lot of versions of masculinity that felt relatable to me. Everything was quite rigid, quite performative. When I picked up a camera, I realised I could explore a different side of that. Something quieter, more honest. The male form is often presented as strong, but rarely as open. I’ve always been interested in that space where those two things overlap. The moment where someone lets their guard down just enough that you see the person, not the performance. That’s where it gets interesting for me How has living and working in Sydney influenced your artistic style and the stories you choose to tell through your photography? Sydney has this beautiful contradiction to it. It’s very outdoors, very physical, very body-aware, but at the same time there’s a laid-back ease that softens everything. I think that combination has definitely shaped my work. There’s a natural light here that’s quite forgiving, quite revealing in a gentle way. And culturally, there’s a quiet confidence in how people carry themselves. I’m drawn to that. My work tends to sit somewhere between polished and relaxed, which probably mirrors the city itself. Representation matters deeply within LGBTQ+ media. What do you hope queer audiences see or feel when they experience your work? Ideally, I want people to feel a sense of recognition. Not in a literal sense, but emotionally. To see that masculinity doesn’t have to fit into one narrow definition. There’s strength in vulnerability, in softness, in intimacy. I think a lot of us grow up feeling like parts of ourselves need to be edited down. If my work can give even a small sense that all of those parts are valid and worth showing, then I feel like I’m doing something worthwhile. Many photographers focus on aesthetics alone, but your portraits often feel emotionally charged. How do you build trust and authenticity with your subjects during a shoot? It’s never really about the camera at the start. It’s about conversation, creating a space where someone feels comfortable enough to just be themselves. I don’t rush that process. Sometimes the best images come well after you’ve technically “started” the shoot. I’ll give direction when it’s needed, but I’m also watching for those in-between moments when someone forgets they’re being photographed. Trust isn’t something you can fake. If someone feels safe, it shows immediately in the work. Male figure photography can challenge traditional ideas of masculinity. Do you see your work as political, cultural, or more personal in its intention? It’s personal first. That’s always the starting point. That said, anything that challenges a traditional idea, even quietly, becomes cultural by default. I’m not setting out to make overtly political work, but I am interested in expanding the definition of what masculinity can look like. If that resonates more broadly, then that’s a good thing. Social media has transformed how photographers share and monetize their art. How has the digital era changed your relationship with your audience and creative process? It’s been a bit of a double-edged sword. On one hand, it’s opened up direct access to an audience I never would have reached otherwise. That’s been incredibly valuable, especially with more niche work. On the other hand, there’s a constant pressure to adapt to platforms that don’t always support the kind of work I create. You have to be quite strategic about what you show and how you show it. I’ve learned to separate the work itself from how it’s distributed. The creative process still needs to come from a genuine place. The rest is just navigation. Is there a particular shoot or portrait that changed the way you saw yourself as an artist? There have been a few, but the ones that stand out are usually the shoots where something unexpected happens. Where a subject brings a level of openness that shifts the whole dynamic. Those moments remind me that the work isn’t just about technical skill. It’s about connection. Every time that clicks into place, it resets my understanding of what I’m trying to do. LGBTQ+ creatives often navigate censorship differently online, especially when working with the human body. Have you encountered challenges balancing artistic expression with platform restrictions? Constantly. There’s an ongoing negotiation between staying true to the work and working within the limits of different platforms. It can be frustrating, especially when the human body is treated inconsistently depending on context. But it’s also forced me to think more carefully about presentation, cropping, and storytelling. At the end of the day, the work exists beyond social media. Those platforms are just one way of sharing it. What advice would you give to emerging queer photographers who want to create bold, authentic work but may still be finding confidence in their voice? Give yourself time. Your voice doesn’t appear overnight. Shoot consistently, experiment, make work that feels honest rather than what you think will get attention. Confidence tends to follow clarity, and clarity comes from doing the work over and over again. Also, don’t wait for permission. No one’s going to hand it to you. Looking ahead, what stories, themes, or collaborations are you most excited to explore next in your photography journey? I’m interested in pushing further into narrative. Creating bodies of work that feel more like a series than individual images. There’s also something in exploring age and masculinity that I’d like to spend more time on. It’s not a space that’s been fully explored, and it feels quite personal at this stage of my life. And, as always, collaborating with people who are open to going a bit deeper than just surface-level imagery. That’s where the best work tends to happen. WARNING THIS INTERVIEW INCLUDES PICTURES OF FULL FRONTAL NUDITY

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Remembering the bombing of the Admiral Duncan 27 years on 27 Years On: Remembering the Admiral Duncan Bombing and the Enduring Strength of London’s LGBTQ+ Community On 30 April 1999, a nail bomb tore through the Admiral Duncan pub in Soho, shattering what should have been an ordinary Friday night. Three people were killed—Andrea Dykes, John Light, and Nick Moore—and more than 70 others were injured. The attack, carried out by a far-right extremist, targeted the heart of London’s LGBTQ+ community with the intent to spread fear, division, and hate. Twenty-seven years later, the Admiral Duncan bombing remains one of the most significant acts of anti-LGBTQ+ violence in the UK. But it is also remembered as a moment that revealed something far more powerful than hatred: collective resilience. A Community Targeted The late 1990s were a time of growing visibility for LGBTQ+ people in Britain, but also of heightened backlash. Soho, long a hub for queer life in London, symbolised openness, diversity, and resistance. The Admiral Duncan itself was more than a pub—it was a refuge, a meeting place, a space where people could exist freely. The bombing was the third in a series of attacks that month, following explosions in Brixton and Brick Lane, targeting Black and South Asian communities respectively. This pattern made clear the perpetrator’s broader ideology: a campaign of terror against multicultural Britain. Immediate Aftermath: Grief and Solidarity In the days following the bombing, shock gave way to mourning—and then to solidarity. Vigils filled Soho’s streets. LGBTQ+ people, allies, and communities across London came together not only to grieve but to stand visibly against hate. The response was defiant. Rather than retreating from public life, people showed up in greater numbers. Queer venues remained open. Pride events that year carried added weight, transforming from celebration into acts of remembrance and resistance. Lasting Impact The bombing had a profound and lasting impact on both the LGBTQ+ community and the wider UK. It prompted increased attention to hate crimes and strengthened calls for legal protections. In the years that followed, the UK saw significant progress in LGBTQ+ rights—from the repeal of Section 28 to the introduction of civil partnerships and, later, equal marriage. But progress has never been linear. The anniversary arrives at a time when anti-LGBTQ+ rhetoric and hate crimes are again on the rise in parts of the UK. For many, remembering the Admiral Duncan is not only about looking back—it’s about recognising patterns that persist. Memory, Resistance, and Responsibility Today, a small plaque marks the site of the bombing, easily missed amid Soho’s busy streets. Yet for those who know, it represents both loss and legacy. Annual commemorations continue, ensuring that the victims are not forgotten and that the lessons of 1999 remain relevant. For younger generations, the Admiral Duncan bombing may feel like distant history. But its significance endures. It reminds us of the consequences of unchecked extremism and the importance of safeguarding spaces where marginalised communities can gather safely. Moving Forward Anniversaries like this are moments to reflect, but also to act. Supporting LGBTQ+ venues, challenging hate speech, advocating for inclusive policies, and building solidarity across communities are all ways to honour those affected. The Admiral Duncan still stands today—rebuilt, reopened, and still serving as a cornerstone of Soho’s queer scene. Its continued presence is a quiet but powerful statement: that even in the face of violence, community endures. Twenty-seven years on, we remember the lives lost. We acknowledge the pain carried by survivors. And we recognise the strength that emerged in response—a strength that continues to shape the fight for equality and safety today.

Why getting a massage is an important part of a fitness routine Massage as a Vital Part of Fitness for the LGBTQ+ Community In recent years, the conversation around fitness has expanded beyond aesthetics and performance to include recovery, mental wellbeing, and inclusivity. For the LGBTQ+ community, fitness spaces can sometimes feel intimidating or exclusionary, making it even more important to embrace holistic practices that support both body and mind. One such practice gaining recognition is massage therapy—not just as a luxury, but as an essential component of a balanced fitness routine. Beyond the Gym: Rethinking Fitness Fitness is no longer confined to lifting weights or hitting cardio targets. Recovery is now widely acknowledged as a cornerstone of progress. Massage plays a key role in this shift, helping to reduce muscle tension, improve circulation, and prevent injury. For LGBTQ+ individuals who may already navigate higher levels of stress due to societal pressures or discrimination, massage offers an added layer of physical and emotional relief. The Mental Health Connection Mental health is a significant consideration within the LGBTQ+ community, with studies consistently showing higher rates of anxiety, depression, and stress. Physical activity helps—but pairing it with massage can amplify the benefits. Massage therapy promotes relaxation, reduces cortisol levels, and can improve sleep quality. For those balancing demanding lives or dealing with identity-related stressors, this combination can be transformative. Creating Safe and Affirming Wellness Spaces Not all wellness environments feel inclusive. That’s why it’s important to highlight and support massage therapists and fitness professionals who actively create LGBTQ+-affirming spaces. Feeling safe and respected during a massage session is crucial—it allows clients to fully relax and benefit from the treatment. Many practitioners across the UK are now openly inclusive, using gender-neutral language and ensuring their services cater to diverse bodies and identities. Enhancing Performance and Recovery Whether it’s strength training, yoga, running, or dance, massage can enhance performance across all fitness disciplines. Techniques like deep tissue massage and sports massage help to break down muscle adhesions, improve flexibility, and speed up recovery time. For those training regularly, incorporating massage into a weekly or monthly routine can lead to better results and fewer injuries. Community and Self-Care For LGBTQ+ individuals, self-care often carries deeper meaning. It can be an act of resilience, self-affirmation, and empowerment. Massage fits naturally into this framework. It’s not just about easing sore muscles—it’s about reconnecting with your body in a positive, affirming way. Fitness doesn’t have to be punishing or rigid. By integrating massage into a routine, individuals can create a more sustainable, enjoyable approach to health—one that honours both physical goals and emotional wellbeing. As fitness culture continues to evolve, inclusivity and holistic care must remain at the forefront. Massage therapy offers a powerful, accessible way to support recovery, reduce stress, and enhance overall wellbeing. For the LGBTQ+ community, it’s more than just a wellness trend—it’s a meaningful addition to a lifestyle centred on self-respect, resilience, and balance. For platforms like g10 and other LGBTQ+ media voices in the UK, highlighting these approaches helps reshape the narrative around fitness into one that is truly inclusive, empowering, and sustainable.

Ten Years After Pulse: Remembering the Lives Lost and the Legacy That Endures By g10 Group Editorial Team On 12 June 2016, the LGBTQ+ community awoke to devastating news from Orlando, Florida. During Latin Night at Pulse nightclub, a gunman opened fire inside one of the city's most beloved queer venues, killing 49 people and injuring dozens more. It remains one of the deadliest attacks on LGBTQ+ people in modern history and one of the worst mass shootings in United States history. Ten years later, the names, faces and stories of those lost continue to resonate far beyond Orlando. For many LGBTQ+ people around the world, Pulse was not simply a nightclub. It represented something much deeper: a place of belonging, safety, celebration and community. As we mark the tenth anniversary of the tragedy, we remember those whose lives were taken, reflect on the impact the attack had on LGBTQ+ communities globally, and recognise how their legacy continues to inspire activism, solidarity and resilience. A Night That Changed History Pulse opened in 2004 and quickly became a cornerstone of Orlando's LGBTQ+ community. Founded by Barbara Poma in memory of her brother, who had died from AIDS-related complications, the venue was created as a space where LGBTQ+ people could gather freely and authentically. In the early hours of 12 June 2016, that sanctuary became the site of unimaginable violence. Many of the victims were young LGBTQ+ people of colour, particularly members of the Latino community who had gathered to celebrate Latin Night. News of the attack spread rapidly across the world. Vigils were held in cities across the United Kingdom, Europe, North America and beyond. Rainbow flags flew at half-mast. Landmarks were illuminated in tribute. Communities came together in grief, solidarity and determination. For many LGBTQ+ people, particularly those who had experienced discrimination or violence themselves, the attack felt intensely personal. The tragedy served as a painful reminder that even spaces created for safety can become targets of hatred and extremism. The Human Stories Behind the Headlines The scale of the attack generated global headlines, but Pulse was always about people. The victims included students, artists, healthcare workers, siblings, partners, parents and friends. They were individuals with dreams, ambitions and futures that were cruelly cut short. Families lost loved ones. Communities lost leaders and friends. Survivors were left carrying physical and emotional scars that continue to affect their lives a decade later. Many survivors have spoken publicly about the long journey of healing, the challenges of trauma recovery and the importance of preserving the memory of those who never made it home. Their stories remind us that Pulse is not only a historical event. It remains a lived reality for those directly affected. A Turning Point for LGBTQ+ Visibility The Pulse shooting occurred during a period of increasing LGBTQ+ visibility and legal progress in many parts of the world. Yet the attack underscored a difficult truth: progress does not eliminate prejudice. In the years following Pulse, conversations about LGBTQ+ safety, hate crimes and intersectionality gained renewed urgency. The tragedy highlighted the unique vulnerabilities faced by LGBTQ+ people who also belong to racial, ethnic and immigrant communities. Advocacy organisations used the moment to push for stronger protections against hate crimes, greater support for survivors of violence and increased recognition of the challenges faced by LGBTQ+ people of colour. The attack also strengthened international solidarity. LGBTQ+ communities from different countries, cultures and backgrounds found common ground in collective mourning and resistance. The Meaning of Safe Spaces One of the most enduring legacies of Pulse is the renewed understanding of why LGBTQ+ spaces matter. For decades, queer bars, clubs and community centres have provided refuge from discrimination and exclusion. They have served as places where people could express themselves freely, find chosen family and build community. The attack challenged assumptions about safety but also reinforced the importance of preserving and protecting these spaces. Ten years on, LGBTQ+ venues continue to face economic pressures, political challenges and, in some regions, growing hostility. Yet they remain essential cultural institutions. Pulse became a symbol not only of loss but also of the ongoing need for spaces where LGBTQ+ people can gather, celebrate and simply exist without fear. A Legacy of Resilience If there is one lesson that emerged from the aftermath of Pulse, it is the extraordinary resilience of LGBTQ+ communities. In the face of grief, people organised vigils, raised funds, supported survivors and demanded change. Artists created memorials. Activists strengthened advocacy efforts. Families transformed their pain into campaigns for remembrance and justice. Across the world, LGBTQ+ people refused to allow fear to define the future. That resilience remains visible today. From Pride celebrations to community support networks, the spirit of solidarity that emerged after Pulse continues to inspire new generations. Remembering, Reflecting and Moving Forward As the tenth anniversary is observed, remembrance remains essential. Honouring those lost at Pulse means more than looking back. It means continuing the work of creating safer, more inclusive communities. It means standing against hatred in all its forms. It means supporting LGBTQ+ people whose identities place them at the intersection of multiple forms of discrimination. Most importantly, it means ensuring that the 49 lives taken on that June night are remembered not solely for how they died, but for how they lived. Ten years after Pulse, the pain of the tragedy has not disappeared. Neither has the love, courage and community that emerged in its aftermath. Their legacy endures—in every act of solidarity, every fight for equality and every LGBTQ+ person who continues to live openly, proudly and unapologetically. We remember the 49 lives lost at Pulse nightclub. We honour the survivors. And we reaffirm a simple truth: love, community and resilience will always outlast hate.