George, for anyone discovering you for the first time, how would you introduce yourself and the different strands of your work? I’m George Windsor, a singer-songwriter and performer from Staffordshire In England. I make pop music with a mix of dance, house and pop-rock influences, while also writing and collaborating for other artists and producers in the UK and especially the US. You’re involved with Inside Baseball, AYO Music Group and Kollective. How do those different projects fit together, and what does each allow you to explore creatively? Inside Baseball and AYO Music Group are part of a publishing and management team, alongside The Music Firm, helping me develop my career and connect with the right creative opportunities. Kollective handles my PPL registrations. I’m really fortunate to have a team spanning both the UK and LA, giving me support and connections on both sides of the Atlantic. Let’s talk about Inside Baseball. What was the original idea behind it, and how has that vision developed since you first became involved? Inside Baseball is one of the publishing partners and has been an important part of my journey as a songwriter and artist. Through that relationship, they connected me with AYO Music Group, who are my newest publishing and management partners. It’s been really exciting to see that relationship develop, particularly with the opportunities and connections it’s opened up for me in LA. What does AYO Music Group represent to you, and what do you think makes its approach to music and artists distinctive? AYO represents a really exciting new chapter for me. They’ve given me the opportunity to expand my work into the US while still having that close connection with my UK team. What I really value is their personal, artist driven approach, they genuinely take the time to understand me as an artist, my goals and where I want to take my music, rather than trying to fit me into a mould, the team behind AYO is phenomenal, you really do have some music industry leaders working from there! Where do you think the biggest opportunities are right now? I think one of the biggest opportunities is being able to build a genuinely global audience without being limited by where you’re based. Social media and streaming allow artists to connect directly with people, while collaborations and international relationships can open up completely new audiences. For me, that UK - US connection is something I’m really excited to explore. Tell us about Kollective. What are you trying to create with the project, and where would you like to see it go over the next few years? Kollective is my neighbouring rights representative rather than a project of my own. They specialise in representing artists and their neighbouring rights, making sure royalties are properly collected and accounted for across different territories. They represent an incomparable roster of artists, including Tom Grennan, MK, Sia and Wiz Khalifa, so I’m thrilled to have them representing my catalogue alongside artists of that calibre. For me, it’s about having the right people looking after an important part of the business behind my music. When you’re deciding whether to work with an artist, creative or project, what catches your attention? Is it talent, originality, personality, potential—or something harder to define? For me, it’s a combination of talent, personality and authenticity. Obviously the music has to excite me or what we are going to create, but I’m also really drawn to people’s experiences and what makes them interesting as individuals. When I’m writing, I’m fascinated by the stories people carry, even the things they might find difficult or vulnerable to talk about. I’d never want to exploit someone’s experiences, but I do think there’s something powerful about turning those stories into music and creating a message that might help someone else feel less alone. There are so many things I notice when I’m writing my own material and working with other people. Chemistry is a big part of it too, you can feel when something just clicks. Ultimately, I’m drawn to people with a unique perspective, something genuine to say and a real passion for what they do. Behind every successful creative project there are usually challenges that audiences never see. What has been one of the biggest lessons you’ve learned from building your career so far? One of the biggest lessons I’ve learned from making music is that some of the most meaningful songs can come from uncomfortable places. A lot of my writing comes from real experiences, emotions and things I’ve been through or witnessed, and sometimes putting those feelings into a song means being incredibly vulnerable. That can be a challenge, whether it’s me trying to open up to myself and submit to the words, thoughts and sounds, or working with other artists and helping them open up. Sometimes we need to get to the deepest, darkest parts of an experience, and that can be uncomfortable. But as an artist and a writer, I feel it’s my job to take those experiences and turn them into something completely different, a song. That said, I definitely don’t make music that’s all doom and gloom! I’m a pop artist at heart, and I love exploring different sides of pop, whether that’s house, dance, pop-rock or something completely different. Sometimes the inspiration can be deeply personal, and sometimes it’s simply about creating something that makes people want to dance, sing along or have a good time. I think that contrast is what makes someone an artist. Looking at the wider creative industries, do you think there is enough space and support for LGBTQ+ artists, creatives and entrepreneurs—and where would you still like to see progress? I think there is definitely more space and visibility for LGBTQ+ artists and creatives than there was when I first started, which is really positive. But I think there’s still a difference between being visible and being genuinely supported. For me, it’s about creating real opportunities, investing in LGBTQ+ artists, booking them, collaborating with them, giving them platforms and helping them build sustainable careers, rather than just celebrating LGBTQ+ talent during Pride. I’ve experienced some amazing support from the LGBTQ+ communities in Ireland, London and particularly LA, and it’s shown me how powerful that genuine support can be. I’d love to see more of that throughout the industry: not just celebrating LGBTQ+ creatives for who they are, but recognising their talent, their individuality and what they can bring creatively all year round, my favourite LGBTQ+ artists are Justin Tranter, an absolute powerhouse artist, songwriter and producer and Luke Bazulka from the band ‘The Scarlett Opera’ they are US based but my god, they can write and Luka’s voice is second to none. Finally, what’s next for George Windsor? What should people be watching out for from you, Inside Baseball, AYO Music Group and Kollective over the coming year? There’s a lot happening over the next year. Since AYO Music Group brought me to LA, my studio sessions have dramatically levelled up. I’ve been working with some incredible producers and writers, including Willy Beaman, who has an amazing catalogue of credits as a writer, producer and touring musician, and those sessions have really pushed me creatively. LA is going to be a much bigger part of my world moving forward. I’ll be spending a lot more time there, with some incredibly exciting meetings, writing sessions and collaborations already happening behind the scenes. I feel like I’m only just scratching the surface of what’s possible there, and I’m really excited about the relationships we’re building and where they could lead. Alongside that, I have a lot of new music coming out next year, with releases planned throughout the year, as well as more live shows and touring. It feels like I’m entering a really exciting chapter where everything I’ve been building; the music, the songwriting, the international relationships and the team around me, is starting to come together. There’s a lot happening behind the scenes that I can’t talk about yet, but I think people will start to see all of that very soon

For audiences meeting you for the first time, how would you describe Femme Aldehyde and the creative vision behind your drag persona? Femme Aldehyde is glamorous, powerful, and an unapologetic manifestation of self-expression - to me she represents the aspects of myself, especially my femininity, that I spent most of my adolescence being too scared or nervous to represent and embrace authentically. She gives permission to be everything I want to be - bold, daring, and ultimately, free. Delivering that package wrapped up in six-inch heels and rhinestones, spikes and leather (although, it is typically pleather!) allows the audience to embrace those same aspects of me and feel them for themselves. She lives somewhere between high-fashion fantasy, fierce femininity, and sharp-edged wit. Femme is a culmination of all the strong female influences throughout my life - from Bratz dolls I wanted (but could never have) as a young boy, to my mother and my sister, to pop superstars such as Lady Gaga, Beyoncé and Ariana Grande. The vision behind Femme has always been to celebrate transformation—not just physical transformation, but the freedom to become the boldest version of yourself. Whether I'm performing, hosting, or making music, I want people to feel empowered to take up space, challenge expectations, and embrace their individuality without apology. The creative vision behind my drag persona is a culmination of all of these aspects, and currently sits at the intersection of fetish-inspired glamour, including visual aspects of "hard and soft" - combinations of leather and lace, spikes and stones, and of course, high-glam makeup. This to me mirrors my current life-stage - a combination of everything that has made me strong, which also allows me to be soft at the core. How has growing up and performing in South Africa influenced your artistry, storytelling, and approach to drag? Growing up and performing in South Africa has shaped everything about my artistry. South Africa is incredibly diverse, resilient, and creative, and those influences naturally find their way into my work. Performing here means understanding different communities, different lived experiences, and the unique challenges LGBTQ+ people still face. It has taught me the importance of authenticity and connection, understanding the different lives of audiences and performers alike, and that my reality is different from the vast majority of LGBTQIA+ people on the continent and in my immediate circle. My drag isn't just about looking beautiful on stage and performing - it's about telling stories that resonate with people and reflecting the realities, humour, and strength of the communities I come from. Furthermore my drag has become about showing younger queer audiences that they can achieve their dreams to live authentically and express themselves in the fullest range of themselves. My happiest moments in drag have always been having younger queer people come to me after the show and telling me how what I said or did on stage has influenced them or helped them to feel at home within themselves. I didn't always feel at home in myself and drag helped me to rectify that - if i can do that for someone else, i feel as though I have succeeded. The access to drag resources in South Africa is also largely limited by comparison to other countries, and this has influenced me and other performers to be incredibly resourceful and creative in our approach. South African Drag Entertainers are some of the hardest working, creative and ingenuitive drag entertainers on the planet, and it shows in our tenacity, our fight and our hunger to entertain audiences here. You wear many hats—drag entertainer, host, rapper, and performer. How do these different creative outlets complement each other? To me, they're all different languages for telling the same story - my story, I suppose. Hosting allows me to connect directly with audiences and create memorable experiences in real time, as well as flex my comedic chops and make people laugh, which I have always been passionate about. Hosting shows and speaking directly to people welcomes them into your world and demystifies what they are seeing just enough to make them comfortable with the show, but more importantly, it tells them they are here for a good time and that they can enjoy themselves fully. Drag performance, whether it be lip syncing, standup or live music, lets me bring visual storytelling and theatricality to life. I have always been a performer and I think we all perform every single day - performing on stage is just the heightened expression of that daily performance and self-expression. Music, especially rap and my debut single 4+4, gives me a platform to express thoughts and emotions that might not fit into a lip-sync performance. It is something that is uniquely mine, and allows me to connect with audiences. I will never forget performing my song for the first time and the feeling I got seeing audience members rapping along with me and hyping me up while performing. Each discipline strengthens the others. Being a host improves my stage presence, my confidence and my belief in myself. Drag enhances my visual identity as an artist, gives me the armour to express myself as well as my drag persona and have a unique artistic perspective, and the music allows me to share a more personal side of who I am. What role do you think drag plays in advancing LGBTQ+ visibility and representation in South Africa today? Drag has always been about visibility. It creates space for conversations around identity, self-expression, and acceptance in a way that's often joyful, entertaining, and accessible. In South Africa, where legal protections exist but social acceptance can still vary greatly, drag performers often become visible examples of queer excellence and resilience. We challenge stereotypes simply by existing publicly and authentically. I think drag helps humanize LGBTQ+ experiences and reminds people that our community is diverse, talented, and deserving of celebration. I believe that drag artistry, especially in marginalised communities in South Africa, gives other queer people hope that they can live fully as themselves one day. I have personally seen this in many different environments and settings but especially recently with the TV Show Beaulah Queens Van Die Kaap, which documents the lived experiences of coloured drag performers in Cape Town. The impact of that show is seen and felt all over, and gives voice to the particular struggles and experiences of queerness in South Africa, especially as it intersects with racial politics and dynamics of a country still experiencing the ramifications of Apartheid. Homophobia and racism have deep roots in South Africa and linger as a colonial import - drag artistry, especially within POC communities, exist as acts of defiance to the colonial hegemony we still fight today. As a rapper and performer, what messages or themes are most important for you to communicate through your music? Confidence, self-determination, resilience, and authenticity are themes that consistently show up in my music. I want my music to feel empowering. A lot of my work explores taking ownership of your identity, refusing to shrink yourself for other people's comfort, and finding strength in transformation. I also love combining humour, wit, and double entendres with meaningful messages because I believe music can be both entertaining and thought-provoking at the same time. My debut single 4+4 exists as a manifestation of self - it almost started as me telling myself to be all the things I say I am in the song because for the longest time I didn't really believe it. I want other people listening to the song or seeing me performing it live to feel that confidence and that energy that comes from claiming your space and your confidence - especially on days where you don't believe it. My other music (which yes, is coming eventually!) delves deeper into who I am and what I have experienced both in and out of drag. It deals with my perception of myself as a lover and romantic, it deals with the trauma I have experienced as a drag entertainer in the last few years, and it deals with both my inner and outer saboteurs. I hope that, when I eventually release an entire project, people will go on this journey with me and follow the story through to the other side to find themselves and feel the confidence and power making music (and doing drag) has given me. Can you share a career moment that made you realize your work was having a meaningful impact on your audience or community? Being crowned Miss Pretoria Gay Pride 2024 was a particularly meaningful moment for me. While the title itself was an incredible honour, what impacted me most was hearing from people who felt represented, inspired, or encouraged by my journey. Whether it's someone telling me they felt more confident embracing their identity after seeing me perform, or a young queer person saying they finally felt seen, those moments remind me that drag can be about much more than entertainment. When I released my debut single 4+4, I recieved an incredible message from a VERY prominent South African Drag Queen that read "I am so, so proud of you - this just makes me so excited to be a South African Queen. You fucking ate that, this is everything - I love you and I am so proud of you. What this is doing for South African drag is everything - you are inspiring us to do more." That's when I realized the work truly matters. The global drag scene has evolved rapidly in recent years. How do you think South African drag culture differs from or adds to the international conversation? South African drag brings a unique perspective shaped by our cultural diversity, history, and resilience. While international drag often focuses heavily on fashion and competition, South African drag has a strong sense of community and resourcefulness whilst still embodying fashion and competition. Many local performers have learned to create extraordinary art with limited resources, and that creativity is incredibly inspiring. Our drag scene also reflects a wide range of cultural influences that make it distinct. We contribute stories and experiences that broaden the global understanding of what drag can be and who it can represent. What are some of the biggest challenges and opportunities you've encountered as an LGBTQ+ artist in the entertainment industry? One challenge is that LGBTQ+ artists are sometimes expected to fit into very specific categories or stereotypes and we often have to adapt and change to fit wherever the money and gigs might be. There are also still huge limitations in terms of funding, visibility, and mainstream opportunities. At the same time, those challenges create opportunities to build independent platforms, connect directly with audiences, and tell stories that might otherwise go unheard. Social media and digital content have also opened doors for LGBTQ+ artists to reach global audiences and create meaningful communities beyond traditional entertainment spaces. Our community is very small, and interpersonal conflicts and dynamics play a heavy hand in determining who is allowed to and able to succeed - oftentimes opportunities and room for growth are stunted by ego, and once people have succeeded, they hesitate to share that space for fear of losing it. My biggest opportunities have been very diverse - I won Mr. and Miss Pretoria Gay Pride in 2024 which gave me an entirely different platform and audience, I have performed with multiple stars from Ru Paul's Drag Race on their tours here, and most importantly I released my debut single which taught me a lot about my space and niche as a drag entertainer. The project was entirely self-funded which presented it's own challenges in of itself, but the lack of access to sponsors and resources became very evident when embarking on this project. As much as I would love to be a global entertainer and reach audiences outside of my community, as a drag artist I feel as though my music and my art will always be somewhat boxed into this very specific space. It will always be "drag music", and not just music, and that becomes limiting. That being said - if my community is the only group that enjoys and appreciates my artistry, that will always be sufficient for me and reason enough to create more. How do you balance entertainment with activism, and do you see your performances as a form of social or political expression? I believe visibility itself can be, and is, a form of activism. My primary goal is always to entertain, but when people see a queer artist confidently taking up space, that carries its own message. I don't think activism always has to be serious or confrontational - sometimes it does have to be, and sometimes we have to engage in uncomfortable discourse and push ourselves through situations of conflict and aggression. Sometimes joy, celebration, and self-expression can be powerful acts of resistance. Through my performances, I hope to create spaces where people feel welcome, empowered, and free to be themselves. I believe that as drag entertainers and people who push to have a platform socially and online, it is our duty to remain educated and aware of everything that our work represents and that we represent. It is important for me to educate myself and remain in touch with the realities of my social space, and to understand that my position shares similarities but also differs vastly to my colleagues in this space. Especially during times such as international Pride Month, my messaging becomes more in line with why Pride is important and why our visibility matters. My drag has allowed me to assist in many communities and in different ways, such as through fundraisers and performances for charity organisations as a direct form of social and political expression. Throughout my time hosting shows I have taken many opportunities to highlight the realities that queer people in South Africa face and have used that platform to educate people on the issues therein. It is important to me to balance my social and political positioning with entertainment. What's next for Femme Aldehyde, and what projects, performances, or creative ambitions are you most excited about in the coming year? The next chapter for Femme Aldehyde is incredibly exciting, although very different. I have taken a small step back in 2026 to redirect and position myself exactly how I want to, rest and recover from two very tough years in the entertainment space, and hone back in on my artistic vision and what I want to achieve both in and out of drag. I'm focused on expanding my music career, releasing original music, and bringing a stronger visual and creative direction to my work through music videos and larger-scale performances. Being an independent artist, it is difficult to release more music and create more visuals - time constraints and financial constraints play a huge role, and the pace at which rollouts happen is a lot slower than a mainstream artist. I am also a perfectionist, and so I am enjoying taking my time to focus on what I want to achieve with my music. I have a second single locked and loaded - something different to 4+4 but just as exciting, and I can't wait for it to be yours. More than anything, I'm excited to keep evolving as an artist and pushing creative boundaries while creating work that entertains, empowers, and leaves a lasting impression. The coming year is loaded with exciting performances and opportunities - namely, I am excited to be headlining and hosting Pretoria Pride this year and to continue my work within that organisation. I am excited to release more music and hopefully a full EP by 2027, and I am excited to keep growing as a human in and out of drag. In my personal life I am excited for my wedding to my incredible fiancé in 2027, my career outside of drag, and the ways that Fabio continues to influence and embolden Femme Aldehyde and vice versa.

g10 group looks back on its first eight months — and looks ahead to an exciting autumn and beyond It has already been a busy first eight months for g10 group — and there is plenty more to come. Since launching, g10 group has continued to grow its presence across digital media, entertainment, lifestyle, travel and beyond, with a growing range of content and new projects designed to give the LGBTQ+ community a digital home for news, lifestyle and more. Among the highlights of the first eight months has been the launch of g10 f1, bringing Formula 1 coverage and content to the g10 group audience, alongside the launch of g10 fitness, expanding the group’s offering into health, fitness and wellbeing. g10 group has also featured a number of exclusive g10 interviews, bringing audiences closer to a range of interesting and inspiring voices from across the LGBTQ+ community and beyond. Another major announcement came earlier this year when g10 group confirmed that it is backing Bangkok Pride’s bid to bring WorldPride to the Thai capital in 2030. With Bangkok bidding to host the global celebration, g10 group will be following the campaign closely, with further coverage and updates planned. But while the first eight months have seen g10 group establish itself, the next few months are set to take things to another level. A new autumn of podcasts and radio This autumn will see the launch of two brand-new podcasts, with 3 Gays and a Mic and g10 Talks both premiering on g10 radio and the g10 group YouTube channel. The autumn will also see the arrival of a brand-new weekday breakfast show on g10 radio. Breakfast with Brandon will broadcast Monday to Friday from 07:00–10:00, bringing listeners three hours of chat, music and entertainment to start the day with g10 radio. And there is more original content on the way. Look out for Queer History Files with Ben Chidley, coming soon to g10 group, as well as Beyond the Chequered Flag with Toby, a brand-new addition to the g10 f1 line-up. Fashion will also become part of the g10 group offering, with g10 fashion set to launch. Eurovision Asia and Tomorrowland Thailand g10 group will also be covering two major new events in Thailand this Autumn. On Saturday 14 November, g10 group will provide virtual coverage of the first-ever Eurovision Asia, taking place in Bangkok. Then, from 11–13 December, g10 group will bring audiences virtual coverage of the first-ever Tomorrowland Thailand. Both events will form part of g10 group’s growing coverage of major international entertainment and cultural events. Two big announcements in October October will bring two particularly exciting moments for g10 group. On 2 October, g10 group will announce its New Year's Eve plans, revealing what audiences can expect as the group prepares to see in the New Year. Then, just six days later on 8 October, there will be another major announcement. g10 films, the newest addition to the g10 group family, will reveal details of its first exciting project — and it is a project that everyone can be involved with. And then comes January… There is also a major date on the horizon for Bangkok. In January, the host city for WorldPride 2030 will be announced. g10 group is backing Bangkok's bid and will be hoping that the Thai capital is announced as the winner, bringing WorldPride to Bangkok in 2030. From new radio shows and podcasts to original programming, Formula 1, fashion, film, major international events and the continuing WorldPride campaign, the coming months promise to be some of the biggest yet for g10 group. The first eight months were just the beginning. The next chapter starts this autumn.

F1 2026: Halfway There, and the Championship Is Just Getting Started By Formula 1's new era has wasted little time delivering drama. With 11 rounds completed and the championship now on its summer break, the 2026 season has already given fans a new generation of stars, a rejuvenated seven-time World Champion, changing team fortunes and a title fight that is far from settled. For LGBTQ+ fans who love the glamour, personalities, rivalries and sheer spectacle of F1 as much as the racing itself, there is plenty to get excited about as the championship heads into its second half. And if the first 11 races are anything to go by, the remaining 12 could be spectacular. Antonelli: the man everyone is chasing The biggest story of the first half has undoubtedly been Kimi Antonelli. The Mercedes youngster has gone from promising teenager to genuine championship favourite in remarkably little time. After finishing second at the season-opening Australian Grand Prix, Antonelli claimed his maiden F1 victory in China before winning again in Japan. His run continued in Miami, Canada and Monaco, making him the dominant force of the opening part of the season. He also became Formula 1's youngest-ever championship leader. At the summer break, Antonelli sits at the top of the Drivers' Championship with 219 points, 50 points clear of Lewis Hamilton. That is an impressive advantage — but it is not yet a comfortable one. Antonelli's challenge now is arguably more difficult than his first-half breakthrough: maintaining his composure while everyone around him works out how to beat him. Hamilton is back in the conversation If Antonelli has been the revelation, Lewis Hamilton's Ferrari revival has been one of the feel-good stories of 2026. After a difficult first season with Ferrari in 2025, there were questions about whether Hamilton could still fight consistently at the front. The answer, so far, has been emphatically yes. Hamilton took his first Ferrari podium in China, added further podiums in Canada and Monaco, and then finally achieved the moment Ferrari fans had been waiting for: victory in Barcelona. It was Hamilton's first win for Ferrari and put him firmly back into championship contention. He currently sits second with 169 points, 50 behind Antonelli. Hamilton himself has been rather less enthusiastic about his season, rating his first half as only "slightly above average". That might be classic Hamilton understatement — or a warning to everyone else. If Ferrari can continue closing the performance gap to Mercedes, the second half could see one of the sport's biggest stars mount a serious title challenge. Russell is still very much in the fight While Antonelli has grabbed most of the headlines at Mercedes, George Russell has quietly put together a very strong campaign. He won in Australia and Austria and has been a regular threat at the sharp end of the field. Russell currently occupies third place in the championship on 160 points, just nine behind Hamilton. That makes the battle inside Mercedes particularly fascinating. Antonelli has the momentum. Russell has experience and speed. And both know that every point matters when the championship enters its final stages Ferrari's double threat Ferrari could arguably have two drivers capable of challenging for major honours. Hamilton is second, while Charles Leclerc is fourth on 138 points. Leclerc's victory has so far come at the British Grand Prix, where he finished ahead of Russell and Hamilton in a remarkably close result. Ferrari therefore enters the second half with genuine momentum. The big question is whether the Scuderia can turn individual successes into sustained pressure on Mercedes. McLaren and Red Bull aren't finished yet Lando Norris and Oscar Piastri have not disappeared from the championship picture either. Norris has 128 points and Piastri 92, while Max Verstappen sits sixth on 109 points. Norris at least enters the summer break on a high after winning the Hungarian Grand Prix, while Verstappen finished second. For Red Bull, however, the first half has been more difficult than many would have expected. Verstappen is still capable of winning races, but the team currently sits fourth in the Constructors' Championship behind Mercedes, Ferrari and McLaren. A few strong weekends could change that quickly. The real winner? Competition Perhaps the most encouraging aspect of 2026 has been the way the competitive order has evolved. Mercedes appeared to have the advantage early in the year, but Ferrari, McLaren and Red Bull have steadily closed the gap. F1 itself notes that five different drivers from three different teams won the five races immediately before the summer break. That is exactly what supporters want from a championship. Rather than one team disappearing into the distance, the development race has become almost as important as the racing itself. The 2026 regulations were a major reset for F1, bringing smaller, lighter cars, active aerodynamics and a substantially revised power-unit philosophy. As teams understand those cars better, the competitive picture continues to change. And that could make the second half particularly unpredictable. The midfield deserves some love too Not everything in F1 is about the championship. Racing Bulls have emerged as the leading midfield team, while Alpine have slipped back after a stronger start. Williams have had a particularly frustrating campaign after finishing fifth in the 2025 Constructors' Championship. They currently sit ninth. Aston Martin have also endured a difficult season but showed signs of progress with updates in Hungary. Then there is Cadillac, the new team on the grid. The American outfit has made a respectable debut season, bringing Sergio Pérez and Valtteri Bottas back together as its experienced driver pairing. The team has yet to score a point, but its ability to run with the midfield at times has provided plenty of encouragement for F1's newest entrant. And, for fans who enjoy an underdog story, Cadillac is certainly one to watch. What can we expect from the second half? The summer break is almost over. The Dutch Grand Prix at Zandvoort takes place from 21–23 August, before the championship heads to Monza, Madrid and Baku. Then comes an increasingly hectic run towards the finale. The races to watch 🇳🇱 Netherlands — 21–23 August The championship returns at Zandvoort, where the pressure immediately returns to Antonelli. Can Mercedes re-establish its advantage? 🇮🇹 Italy — 4–6 September Monza is Ferrari territory in every sense. Expect Hamilton and Leclerc to arrive with enormous expectations — and plenty of attention on the red cars. 🇪🇸 Spain — 11–13 September The new Madrid race adds another intriguing chapter to the 2026 calendar. 🇦🇿 Azerbaijan — 24–26 September Baku's walls, long straights and unpredictable races make it one of the calendar's biggest wild cards. 🇸🇬 Singapore — 9–11 October A night race, intense heat and a spectacular city backdrop. Singapore could be crucial for the championship. 🇺🇸 United States — 23–25 October Austin brings another major F1 weekend before the championship heads into its final run. 🇲🇽 Mexico — 30 October–1 November Mexico City is always one of the most colourful and atmospheric weekends of the season. 🇧🇷 Brazil — 6–8 November São Paulo's Interlagos circuit can produce chaos — exactly what a close championship needs. 🇺🇸 Las Vegas — 19–21 November F1 returns to the neon-lit Strip for another glamorous night race. 🇶🇦 Qatar — 27–29 November By this point, the championship picture could be dramatically different. 🇦🇪 Abu Dhabi — 4–6 December And then it all comes down to Yas Marina. So, who will be champion? If you were forced to make the prediction today, Antonelli would have to be the obvious choice. A 50-point lead after 11 rounds is significant, particularly when the driver has already demonstrated that he can win repeatedly. But Formula 1 has a habit of making confident predictions look ridiculous. Hamilton has rediscovered his winning form. Russell remains within striking distance. Leclerc has demonstrated race-winning pace. Norris has shown he can capitalise when the opportunity arrives. And Verstappen is still Verstappen. The second half could therefore become a fascinating battle between the established champions and stars and a young driver who suddenly finds himself with the biggest target in Formula 1. The g10 F1 verdict Best driver so far: Kimi Antonelli Biggest comeback: Lewis Hamilton Most intriguing rivalry: Antonelli vs Hamilton Team to watch: Ferrari Dark horse: Max Verstappen Biggest surprise: Cadillac's debut Team with the most to prove: Red Bull Race we're most excited about: Las Vegas Predicted champion: Kimi Antonelli — but don't rule out Hamilton The first half of 2026 has already delivered plenty: new technology, new rivalries, old champions finding their form and a teenager taking control of the championship. But with 12 races still to come, the most exciting part may be waiting for us. For LGBTQ+ F1 fans, there is plenty of glamour, drama, personalities and racing still to enjoy. So polish the sunglasses, prepare the group chat and get ready for the second half. The lights are about to go out again This article was researched and updated on 13 August 2026. Championship standings and the race calendar are subject to change as the season progresses.

Gran Canaria: The Ultimate LGBTQ+ Travel Guide to Europe's Year-Round Sunshine Paradise Golden beaches, spectacular volcanic landscapes, luxury resorts and one of Europe's most welcoming LGBTQ+ communities make Gran Canaria a destination that deserves a place on every traveller's bucket list. Often referred to as the "Continent in Miniature", this Canary Island offers everything from vibrant nightlife and world-famous Pride celebrations to peaceful mountain villages and breathtaking coastal scenery. Whether you're looking for a romantic escape, an unforgettable party holiday or an active adventure in the sun, Gran Canaria delivers. Why Visit Gran Canaria? Located around 130 miles off the northwest coast of Africa, Gran Canaria enjoys a subtropical climate with more than 300 days of sunshine each year. Average temperatures range between 20°C in winter and 28°C in summer, making it one of Europe's best year-round holiday destinations. For LGBTQ+ travellers, Gran Canaria has long been regarded as one of the safest and most inclusive destinations in Europe. The island welcomes visitors from across the globe with open arms, and nowhere is this more evident than in the resort of Maspalomas. Maspalomas – Europe's LGBTQ+ Capital of the Sun If Gran Canaria has a heart, it's Maspalomas. The resort has spent decades building an international reputation as one of Europe's premier LGBTQ+ holiday destinations. Rainbow flags fly proudly throughout the area, and businesses actively welcome LGBTQ+ visitors. The centre of the scene is the famous Yumbo Centre, home to: More than 200 bars, restaurants and shops Drag shows every night Dance clubs Cocktail lounges Cabaret venues LGBTQ+ events throughout the year During the daytime, the atmosphere is relaxed. By night, the Yumbo transforms into one of Europe's biggest open-air LGBTQ+ nightlife venues. The Famous Maspalomas Dunes No visit is complete without experiencing the spectacular dunes. Stretching for over 400 hectares, the dunes resemble a slice of the Sahara transported to the Atlantic Ocean. Perfect for: Sunrise walks Photography Romantic sunsets Nature lovers The nearby beach is divided into several sections, including an internationally recognised LGBTQ+ area and a popular naturist section. It's one of the most famous gay beaches in Europe and remains friendly, welcoming and incredibly relaxed. Playa del Inglés Adjacent to Maspalomas, Playa del Inglés offers: Beautiful beaches Countless restaurants Hotels for every budget Shopping centres Water sports Beach bars Accommodation ranges from affordable apartments to luxurious adults-only resorts. Many hotels actively market themselves as LGBTQ+ friendly, making couples feel comfortable from check-in onwards. LGBTQ+ Nightlife Gran Canaria comes alive after sunset. The Yumbo Centre offers entertainment seven nights a week with something for everyone. Popular venues include: Drag cabaret bars Dance clubs Karaoke bars Cocktail lounges Leather and fetish venues Relaxed terraces for people watching The nightlife is friendly, diverse and remarkably international. You'll hear English, Spanish, German, Dutch, French and Italian all within a few minutes. Beyond the Beaches Although famous for nightlife, Gran Canaria has so much more to explore. Las Palmas de Gran Canaria, The island's capital combines history with cosmopolitan culture. Don't miss: Vegueta Old Town Santa Ana Cathedral Boutique shopping Museums Street cafés Las Canteras Beach It's perfect for a day trip away from the resorts. Discover the Mountains Hire a car and explore the island's interior. Highlights include: Roque Nublo Pico de las Nieves Tejeda village Pine forests Scenic viewpoints The dramatic volcanic scenery surprises many first-time visitors. Best Time to Visit January–March Perfect winter sunshine. April–June Warm weather and Maspalomas Pride. July–September Hot temperatures and lively beaches. October–November Excellent weather with Winter Pride. December Festive celebrations in the sunshine. Gran Canaria isn't simply LGBTQ+ friendly—it has become one of the world's great LGBTQ+ holiday destinations because inclusivity is woven into everyday life. Whether you're celebrating Pride, relaxing on the beach, enjoying dinner with your partner or dancing until sunrise, you'll find an atmosphere built on acceptance, diversity and freedom. Few destinations combine world-class beaches, spectacular scenery, fantastic weather and legendary nightlife quite like Gran Canaria. Gran Canaria continues to set the benchmark for LGBTQ+ travel in Europe. With year-round sunshine, a thriving queer community, exceptional hospitality and endless opportunities for adventure, it's easy to understand why so many visitors return year after year. Whether it's your first visit or your fifteenth, Gran Canaria promises memories that last long after your tan has faded. Perfect for: Couples • Solo travellers • Friends • Pride lovers • Beach holidays • Winter sun • Adventure seekers • Honeymoons

Guide to the first ever Trans Pride Kent event taking place in 2026 First Ever Trans Pride Kent to Take Place in Canterbury On Saturday 28 March 2026, Kent will host its first ever Trans Pride Kent, a landmark community event celebrating transgender, non-binary and gender-diverse people across the region. The historic gathering will take place at Westgate Hall in Canterbury, bringing together members of the LGBTQ+ community, allies, organisations, and activists for a day focused on visibility, celebration, and support. A Historic First for Kent Trans Pride Kent marks an important milestone for LGBTQ+ communities in the county. While Kent already hosts several Pride celebrations, including Pride Canterbury, this will be the first Pride event in the area dedicated specifically to transgender, non-binary, and gender-nonconforming people. The event is designed to celebrate and uplift trans communities while also creating a safe and inclusive space for connection, education, and empowerment. Organisers describe it as a grassroots pride that aims to bring together community services, performers, activists, and local organisations. What to Expect on the Day Running from 10:00am to 4:00pm, the event will feature a range of activities and community-focused opportunities. Attendees can expect: Community and support service stalls Guest speakers and panel discussions Live performances and entertainment LGBTQ+ organisations and advocacy groups Opportunities to network and connect with local support services The event aims to highlight the resources available to transgender and gender-diverse people across Kent while creating a vibrant atmosphere of celebration and solidarity. A Grassroots Community Pride Trans Pride Kent has been developed as a community-led initiative, rooted in grassroots organising. Beyond the main venue activities, the event also intends to create safe spaces across the city through a fringe-style programme supported by LGBTQ+-friendly venues and organisations. By building partnerships with community groups and activists, organisers hope to strengthen local networks that support trans and non-binary people throughout the region. Visibility and Community Support Events like Trans Pride Kent play an important role in increasing visibility and fostering acceptance. Across the UK, trans-focused Pride events have grown in size and influence in recent years as communities continue advocating for equality and representation. Trans Pride Kent aims to bring that same energy and solidarity to the South East, creating a space where people can celebrate identity, share experiences, and build community. A Pride for Everyone Although centred on transgender and non-binary voices, the event is open to the wider LGBTQ+ community and allies who want to show support and stand in solidarity. Tickets for the event are free, though registration is required due to limited capacity. For many attendees, the day will represent more than just a celebration — it will be a moment of recognition, belonging, and community building. Looking Ahead As the first event of its kind in the county, Trans Pride Kent has the potential to become a significant annual moment for LGBTQ+ people in the region. With increasing visibility and community support, organisers hope this inaugural celebration will lay the foundation for future events and continued advocacy. On 28 March 2026, Canterbury will become a place where pride, resilience, and community come together — marking the beginning of a new chapter for trans visibility in Kent.

Top 10 Places LGBTQ+ Travellers Should Visit in 2027 From the beaches of Thailand and Spain to the streets of Montréal and Taipei, these are ten destinations worth putting on your LGBTQ+ travel radar for 2027. Choosing where to travel is about far more than finding somewhere with good weather and a long list of attractions. For LGBTQ+ travellers, feeling comfortable, finding a visible queer community and knowing something about local laws and attitudes can be equally important. The global picture remains complicated. LGBTQ+ rights continue to advance in some countries while facing significant restrictions in others. ILGA World’s international data shows considerable differences in legal protection and recognition around the world, making research before travelling particularly important. With that in mind, g10 group looks at ten destinations to consider for your 2027 travels. 1. Bangkok, Thailand Bangkok has long had one of Asia’s most visible LGBTQ+ scenes, but Thailand has now entered a new chapter. Marriage equality became a reality in Thailand in 2025, making it the first country in Southeast Asia to introduce equal marriage. For visitors, Bangkok offers an extraordinary combination of modern city life, temples, rooftop bars, huge shopping centres, street food and nightlife. Silom remains one of the best-known areas for LGBTQ+ nightlife, while Bangkok Pride has helped make queer visibility increasingly prominent in the Thai capital. But Bangkok doesn't have to be all about nightlife. Visit Wat Arun beside the Chao Phraya River, explore the Grand Palace, discover the city's seemingly endless food scene or simply watch Bangkok go by from a rooftop as the sun sets across the city. And Bangkok can easily become the beginning of a much bigger Thai adventure, with Chiang Mai, Phuket, Krabi and Thailand's islands waiting beyond the capital. Best for: Nightlife, food, culture and combining a city break with a wider Thailand adventure. 2. Madrid, Spain Few European cities embrace LGBTQ+ life quite as visibly as Madrid. The neighbourhood of Chueca sits at the centre of the city's queer scene, filled with bars, cafés, restaurants and LGBTQ+-owned or LGBTQ+-focused businesses. Madrid Pride — commonly known as MADO — transforms the Spanish capital each summer and has become one of Europe's major LGBTQ+ celebrations. Spain also remains among the stronger countries internationally for LGBTQ+ travellers. The 2026 Spartacus Gay Travel Index placed Spain jointly among its highest-rated destinations. Away from Pride, Madrid offers magnificent museums, late-night dining, beautiful architecture and an infectious street culture. And if you want to turn the trip into something bigger, Barcelona, Sitges and the Spanish islands can easily be added to your itinerary. Best for: Pride, nightlife, culture and LGBTQ+ visibility. 3. Reykjavík, Iceland Small city. Big personality. Reykjavík provides something very different from the sprawling LGBTQ+ destinations of Bangkok, Madrid or Sydney. Iceland was placed at the top of the 2026 Spartacus Gay Travel Index, which assesses destinations using a range of LGBTQ+-related criteria. The capital itself is colourful, compact and easily explored on foot, while Reykjavík Pride brings a distinctly Icelandic character to the city's LGBTQ+ celebrations. But one of the biggest reasons to visit is what lies outside Reykjavík. Waterfalls, volcanoes, glaciers, geothermal lagoons and dramatic coastlines make Iceland one of those rare destinations where the journey beyond the city can be every bit as memorable as the city itself. Depending on when you travel, there is also the possibility of experiencing the midnight sun or searching for the Northern Lights. Best for: Nature, road trips, couples and travellers looking for something different. 4. Valletta and Malta Tiny Malta has developed an outsized reputation within LGBTQ+ travel. The Mediterranean island country was placed jointly second in the 2026 Spartacus Gay Travel Index alongside Spain. Its capital Valletta provides an atmospheric starting point, with historic streets, impressive architecture and spectacular harbour views. Beyond Valletta, visitors can explore Mdina, Malta's beaches and neighbouring Gozo. Malta Pride adds another reason for LGBTQ+ visitors to consider the islands, but Malta doesn't need to be visited during Pride to work as a queer-friendly Mediterranean escape. With history, sunshine and relatively short travelling distances, you can experience a surprising amount during even a short visit. Best for: Mediterranean sunshine, history, couples and shorter European breaks. 5. Sydney, Australia There aren't many LGBTQ+ events as instantly recognisable as Sydney Gay and Lesbian Mardi Gras. Each year, Sydney becomes a major international gathering point for LGBTQ+ visitors, with the famous parade forming only part of a much larger programme. Oxford Street and surrounding areas have historically been at the heart of Sydney's queer scene, but LGBTQ+ life stretches far beyond a single neighbourhood. Then there is Sydney itself. The Opera House, Harbour Bridge and Bondi Beach provide the postcard moments, while the city's beaches, restaurants and outdoor lifestyle make it easy to understand its international appeal. Allow enough time to experience the city beyond Mardi Gras — and consider turning your visit into a wider Australian adventure. Best for: Mardi Gras, beaches, nightlife and a major long-haul adventure. 6. Montréal, Canada Montréal manages to feel European and North American at the same time — and that is part of its appeal. Its LGBTQ+ Village is one of the best-known queer districts in North America, while the city's festivals, restaurants, bars and arts scene mean there is almost always something happening. Montréal Pride adds another major LGBTQ+ event to the calendar. Canada remains among the better-performing destinations in the 2026 Spartacus index, although the report also notes changes in measures of social acceptance — a useful reminder that national legal rights and individual experiences are not always identical. Beyond LGBTQ+ nightlife, explore Old Montréal, experience the city's celebrated food scene and climb Mount Royal for views across the city. Best for: Festivals, food, nightlife and LGBTQ+ neighbourhood culture. 7. Taipei, Taiwan Taipei deserves a place on the radar of anyone interested in LGBTQ+ travel in Asia. Taiwan became the first jurisdiction in Asia to introduce marriage equality, and ILGA World continues to record Taiwan among jurisdictions recognising same-sex marriage. Taipei also hosts one of Asia's most prominent Pride celebrations. The city's Ximending area is particularly associated with LGBTQ+ nightlife, including the well-known cluster of queer venues around the Red House. But Taipei offers much more. Night markets, temples, hot springs and an outstanding food culture provide plenty to explore, while Taiwan's excellent transport links make it relatively easy to travel beyond the capital. For travellers who have already experienced destinations such as Bangkok, Taipei provides another fascinating perspective on LGBTQ+ life in Asia. Best for: Pride, food, Asian city breaks and LGBTQ+ culture. 8. Lisbon, Portugal Colourful streets, historic trams, viewpoints, nightlife and easy access to the coast have helped turn Lisbon into one of Europe's most popular city-break destinations. For LGBTQ+ travellers there is another attraction: Portugal was among the countries sharing fourth position in the 2026 Spartacus Gay Travel Index. Lisbon's LGBTQ+ nightlife is spread around areas including Príncipe Real and Bairro Alto, while Pride celebrations bring additional queer visibility to the Portuguese capital. Lisbon's LGBTQ+ nightlife is spread around areas including Príncipe Real and Bairro Alto, while Pride celebrations bring additional queer visibility to the Portuguese capital. And one of Lisbon's greatest advantages is what you can combine with it. Sintra makes an easy excursion, while Portugal's beaches provide the opportunity to turn a city break into a longer holiday. Best for: City breaks, food, nightlife and combining culture with the coast. 9. Cape Town, South Africa Cape Town provides one of the most spectacular city backdrops anywhere in the world. Table Mountain towers above a city surrounded by ocean, beaches and some of South Africa's most famous landscapes. Cape Town also has a visible LGBTQ+ community, with De Waterkant particularly associated with queer venues and nightlife. South Africa's constitutional and legal framework provides significant LGBTQ+ protections, including marriage equality, although travellers should remember that experiences and social attitudes can differ substantially across the country. Cape Town Pride provides an obvious time for LGBTQ+ visitors to experience the city, but its appeal extends throughout the year. Take the cableway up Table Mountain, explore the Cape Peninsula, visit nearby wine regions or simply spend time beside the Atlantic. Best for: Scenery, wine, beaches and adventure. 10. Rio de Janeiro, Brazil Rio is difficult to mistake for anywhere else. The combination of mountains, beaches and city creates one of the world's most recognisable destinations. Copacabana and Ipanema are internationally famous, while Ipanema in particular has a long association with Rio's LGBTQ+ community. The city also hosts major LGBTQ+ celebrations and has a huge queer community. Yet travellers should approach Brazil with the same awareness they would any enormous country: legal recognition does not mean discrimination or violence has disappeared. Researching neighbourhoods, transport and current local advice before travelling remains sensible. For those who do visit, Rio offers something extraordinary — mornings beside the Atlantic, afternoons exploring the city and evenings discovering Brazilian nightlife. Best for: Beaches, nightlife, big celebrations and unforgettable scenery. A World Worth Exploring There is no single definition of the perfect LGBTQ+ destination. Some travellers want Pride parades and clubs. Others want beaches, food, history or somewhere to spend a quiet week with their partner. That is why our 2027 selection stretches from Reykjavík's extraordinary landscapes to Bangkok's frenetic streets, Taipei's night markets, Madrid's Chueca neighbourhood and Sydney's beaches. What connects them is the opportunity to discover somewhere new while also finding LGBTQ+ communities and spaces along the way. Travellers should nevertheless remember that LGBTQ+ laws and local conditions can change. ILGA World's continually updated database tracks legislation affecting LGBTQ+ people internationally, and checking current travel advice before departure — particularly for trans and gender-diverse travellers — should always be part of planning an overseas trip. Where will 2027 take you?

Brighton Dyke Pride: Creating Space for Community, Queer Joy and the Dyke Community Brighton Dyke Pride is putting community at the heart of Pride — and its co-founder Jen Benyovits tells g10 group why creating dedicated spaces for dykes and the wider queer community matters more than ever. Brighton has long been recognised as one of the UK's LGBTQ+ capitals, with a rich history of activism, community and queer culture. But despite that history, dedicated spaces for the dyke community have become increasingly difficult to find. That is one of the reasons Brighton Dyke Pride was created. Taking place on 5 September, Brighton Dyke Pride is a dyke-centred, not-for-profit DIY event created by and for the local community — while welcoming allies who want to celebrate alongside them. For co-founder Jen Benyovits, the event grew from a simple desire to create something different. "It was born out of a love for the dykes of our city and a feeling that corporate Pride doesn't serve our community," Jen explains. Rather than focusing on commercialisation, Brighton Dyke Pride aims to put people, community and queer joy first. The organisers want the event to be financially, physically and emotionally accessible, while creating an environment where people can come together without the pressure often associated with traditional Pride celebrations. Putting community before corporate Pride For Jen and the organising team, Brighton Dyke Pride is about creating an event that feels genuinely connected to the people it represents. "We wanted to create an event that is accessible to everyone, and centres joy rather than capitalism and drinking culture," she says. That approach has already struck a chord within Brighton's LGBTQ+ community, with organisers receiving messages from people excited that the city is getting an event specifically centred around dykes and community. And the need for those spaces is particularly significant in Brighton. As a native Brightonian, Jen says she feels proud that Brighton Dyke Pride has found its home in the city. "Brighton has such a rich LGBTQ+ history, politically and socially," she says. But that history exists alongside a changing LGBTQ+ landscape. Jen points to the closure of every lesbian bar in Brighton & Hove over the past decade as an example of why new spaces for the community are needed. "We crave spaces to come together," she says. Why a Dyke-centred Pride still matters While Pride has become a major part of the LGBTQ+ calendar, events specifically celebrating the dyke community remain important. For Jen, that importance goes far beyond simply having another event in the city's calendar. "We are living through some extremely turbulent political times and acknowledge that it's our community that keeps us safe," she says. Brighton Dyke Pride is also deliberately inclusive of trans people, with Jen making clear that supporting and celebrating the trans community is central to the organisers' approach. The event comes at a time when LGBTQ+ rights and particularly the rights of trans people remain subjects of intense political debate in the UK. "We want to show up for all of our trans friends and loved ones, and in our organising platform create spaces for them," Jen says. For Brighton Dyke Pride, inclusion isn't simply about who is invited through the gates. It is about how the event is organised and the kind of community it aims to build. A day of music, performance and queer joy So, what can people expect when they arrive at St Ann's Well Gardens on 5 September? Quite a lot. The programme will feature community stalls, DJs, cabaret, speeches, food, live music, line dancing and activities, all taking place in the surroundings of the beautiful gardens. Jen is particularly excited about the range of performers involved and the opportunity to bring their work to the event's audience. The daytime, outdoor format also forms an important part of the organisers' vision for accessibility. "It is a sober space in a park in the daytime with plenty of fun activities," Jen explains. The organisers hope that this will make Brighton Dyke Pride particularly welcoming to younger LGBTQ+ people, as well as those who may not feel comfortable in traditional nightlife or alcohol-focused environments. Come alone, find community One of the strongest messages from Jen is that you don't necessarily need to arrive with a group of friends. In fact, she actively encourages people who might be nervous about attending alone to come along. "Come solo!" she says. The organisers want Brighton Dyke Pride to be a place where people can meet others, make connections and find community — regardless of whether they already know people attending. That sense of collective ownership has already been one of the most rewarding aspects of putting the event together. "We are amazed to have had such a huge response from the city's wider queer community," Jen says. "Seeing the event take shape thanks to so many people in this city, not just dykes, has been a tiny bit magic." Looking towards the future Although this year's event is the immediate focus, the organisers are already thinking about what Brighton Dyke Pride could become. For Jen, the dream is simple: for it to become an annual fixture. "I think it would be a dream of ours to have this be an annual event," she says. With the closure of dedicated lesbian venues and an ongoing desire for community-led LGBTQ+ spaces, she believes Brighton needs more events that are created for the community rather than built around corporate interest Whether Brighton Dyke Pride becomes an annual event remains to be seen, but its first edition is already demonstrating that there is an appetite for something different. For one day in September, St Ann's Well Gardens will become a space for dykes, queer people and allies to come together, celebrate, connect and create a little more queer joy. And perhaps, as Jen puts it, "watch this space." Brighton Dyke Pride takes place on 5 September at St Ann's Well Gardens, Brighton.

You've achieved success across fitness, pageantry, and LGBTQ+ advocacy. What has been the most transformative moment in your journey from athlete to international ambassador? The most transformative moment in my journey was realizing that my greatest purpose was not winning titles or achieving personal success, but using those achievements to create meaningful impact for others. Competing in fitness and pageantry taught me discipline, resilience, and confidence. However, stepping onto the international stage as an ambassador for the LGBTQIA+ community showed me that visibility carries responsibility. Meeting people from different countries, hearing their stories, and understanding the challenges many still face transformed my perspective from personal achievement to community service. That shift changed everything. I no longer saw titles as a destination, but as a platform to advocate for inclusion, create safe spaces, raise awareness around LGBTQIA+ rights and gender-based violence, and inspire others to live authentically. That realization has been the defining moment of my journey and continues to guide the legacy I hope to leave behind As the 2024 champion of Mr Gay Nation SA, what responsibilities came with the title that surprised you the most? One of the biggest surprises that came with being the 2024 champion of Mr Gay Nation SA was realizing just how many people look to a titleholder for guidance, representation, and hope. The crown carries far more responsibility than recognition. I quickly learned that the role extends beyond appearances and events. It requires being a consistent advocate, a mentor, and a voice for those who may not yet feel seen or heard. People share their personal stories, struggles, and aspirations, and that trust is both humbling and motivating. What surprised me most was the impact that simple actions, listening, encouraging, showing up, and being authentic, could have on someone's life. The title taught me that true leadership is not about standing in the spotlight; it is about using that spotlight to illuminate opportunities for others and create lasting positive change within the LGBTQIA+ community. You earned a Top 3 placing in IFBB Athletic Physique competition. How has competitive bodybuilding shaped your mindset, confidence, and approach to leadership? Achieving a Top 3 placing in an IFBB Athletic Physique competition taught me lessons that extend far beyond the stage. Competitive bodybuilding instilled discipline, consistency, and mental resilience. It showed me that success is built through countless small decisions made every day, even when no one is watching. The sport also strengthened my confidence, not because of physical appearance, but because it taught me to trust the process, overcome setbacks, and push beyond perceived limits. Preparing for competition requires focus, sacrifice, and the ability to remain committed to a goal despite challenges. As a leader, those same principles guide me today. I believe in leading by example, staying accountable, and encouraging others to reach their full potential. Bodybuilding taught me that growth happens outside of your comfort zone, and that true strength is not just physical, but also mental, emotional, and rooted in perseverance. Those lessons continue to shape how I approach advocacy, mentorship, and leadership within the LGBTQIA+ community and beyond Representation in fitness spaces is still evolving. What challenges have you faced as an openly LGBTQ+ athlete, and how have those experiences influenced your advocacy work? As an openly LGBTQ+ athlete, one of the challenges I've faced has been navigating spaces where representation was limited and where assumptions or stereotypes still existed. There were moments when I felt the pressure to prove that my identity and my athletic ability were not mutually exclusive, but rather strengths that could coexist authentically. Those experiences taught me the importance of visibility. When LGBTQ+ individuals see people who are thriving in fitness, sport, and leadership while being unapologetically themselves, it helps break down barriers and challenge outdated perceptions. These challenges have directly influenced my advocacy work. They reinforced my commitment to creating inclusive environments where everyone feels welcomed, respected, and empowered to pursue their goals without fear of judgment. They also strengthened my belief that representation matters, not for recognition alone, but because it creates pathways for others to see what is possible. Today, I use my platform to encourage authenticity, promote diversity, and advocate for spaces where people are valued for their character, talent, and dedication rather than being defined by stereotypes. True inclusion happens when everyone has the opportunity to participate, succeed, and belong. Winning international recognition as Mr Gay World Tourism 2025 placed you on a global stage. What message did you most want to share about South Africa's LGBTQ+ community with the world? Winning the title of Mr Gay World Tourism 2025 gave me an incredible opportunity to showcase not only who I am, but also the resilience, diversity, and spirit of South Africa's LGBTQIA+ community. My message to the world was that South Africa is home to a vibrant LGBTQIA+ community that continues to break barriers, create change, and inspire others despite ongoing challenges. While our country has some of the most progressive constitutional protections for LGBTQIA+ rights, many individuals still face discrimination, violence, and exclusion. It is therefore essential that we continue advocating for equality, visibility, and safe spaces for all. I wanted people across the globe to see that South Africa's LGBTQIA+ community is not defined by struggle alone. We are leaders, entrepreneurs, activists, artists, athletes, and changemakers. We contribute meaningfully to our society and deserve to live authentically, safely, and proudly. As an advocate, GBV activist, and representative on the international stage, I aimed to highlight the importance of unity, inclusion, and human dignity. My goal was to remind people that when we embrace diversity, we create stronger communities and a better future for everyone. Most importantly, I wanted every LGBTQIA+ person, especially young people, to know that their identity is their strength. Their voice matters, their story matters, and they belong Many young LGBTQ+ people struggle with self-acceptance and body image. What advice would you give to someone who is just beginning their journey toward confidence and authenticity? Many young LGBTQ+ people grow up feeling pressure to fit into boxes that were never designed for them. My advice is simple: your worth is not determined by how closely you match someone else's idea of beauty, masculinity, femininity, or success. Confidence does not appear overnight. It is built through small daily choices: choosing self-kindness over self-criticism, celebrating your progress instead of comparing yourself to others, and surrounding yourself with people who see and value the real you. Research shows that LGBTQ+ youth often face greater pressure around appearance and body image, making self-acceptance an especially important journey. I encourage people to focus less on how their body looks and more on what it allows them to do. Your body carries you through life. Most importantly, authenticity is a superpower. The moment you stop trying to be who others expect and start embracing who you truly are, you begin to build a confidence that no one can take away. Be patient with yourself. Growth is not a straight road. Every step toward self-acceptance is a victory worth celebrating. You've spoken about creating spaces where LGBTQIA+ individuals can thrive authentically. What does meaningful community empowerment look like to you in 2026? Meaningful community empowerment in 2026 goes beyond visibility. It is about creating environments where LGBTQIA+ individuals are not only accepted, but celebrated, protected, and given equal opportunities to succeed. For me, empowerment means ensuring that every person, regardless of their sexual orientation or gender identity, has access to safe spaces, quality education, healthcare, employment opportunities, and strong support networks. It means amplifying voices that have historically been marginalized and creating platforms where people can share their stories without fear. Empowerment also requires action. It is found in mentorship programs that help young people discover their potential, advocacy efforts that challenge discrimination, and community initiatives that address issues such as gender-based violence, mental health, homelessness, and social exclusion. In 2026, meaningful empowerment is about building sustainable communities where authenticity is a strength rather than a risk. It is about fostering leadership, encouraging allyship, and ensuring that the next generation grows up knowing they belong exactly as they are. As someone committed to advocacy and creating safe spaces, I believe our greatest success will be measured not by how many people we reach, but by how many lives we help transform. When individuals are empowered to live openly, confidently, and authentically, entire communities become stronger, more resilient, and more inclusive. Social media often showcases the highlights of success. What is a challenge, setback, or personal lesson that your followers rarely get to see behind the scenes? One of the biggest lessons my followers rarely see is that confidence is not something you achieve once and keep forever. Even as a titleholder, advocate, and public figure, there are moments of self-doubt, exhaustion, and uncertainty behind the scenes. Social media often captures the achievements, the events, the photoshoots, and the victories. What it doesn't always show are the long hours of preparation, the sacrifices, the difficult conversations, and the responsibility that comes with representing a community. There are times when balancing advocacy, leadership roles, professional commitments, and personal well-being can be incredibly challenging. A personal lesson I have learned is that resilience is not about never struggling. It is about continuing to move forward despite the challenges. Some of my greatest growth has come from setbacks, criticism, and moments when things did not go according to plan. Those experiences have taught me patience, humility, and the importance of staying grounded in my purpose. I have also learned that asking for support is a sign of strength, not weakness. None of us succeed alone. The encouragement of friends, family, mentors, and the LGBTQIA+ community has helped me navigate difficult moments and remain focused on creating positive change. If there is one message I hope people take away, it is that authenticity includes both the triumphs and the struggles. Growth happens in the moments nobody sees, and often the strongest people are the ones who have learned to keep going when the spotlight is off. As someone involved in mentoring and leadership within the LGBTQ+ pageant space, what qualities do you believe define the next generation of queer leaders? The next generation of queer leaders will be defined by authenticity, resilience, empathy, and courage. They will lead with purpose, embrace diversity, and use their platforms to create meaningful change. Most importantly, they will uplift others, build inclusive communities, and inspire people to live proudly and unapologetically as themselves. Looking ahead, what legacy would you like Gert Claassen-Smit to leave—not only in pageantry and fitness, but within the broader LGBTQ+ community both in South Africa and internationally? I would like my legacy to be one of impact, inclusion, and empowerment. Not simply as a pageant titleholder or fitness enthusiast, but as someone who helped create safer spaces where LGBTQIA+ people could live authentically and without fear. I hope to be remembered as a leader who used his platform to uplift others, champion diversity, and inspire people to embrace who they are with pride and confidence. Whether in South Africa or on the global stage, my goal is to leave behind stronger communities, future leaders, and a message that everyone deserves dignity, respect, and the opportunity to thrive. If my journey encourages even one person to stand taller, dream bigger, and live more authentically, then I will consider that a legacy worth leaving.

Manchester Village Pride 2026: Pride Comes Home to the Village Manchester is getting ready for a very different kind of Pride this August Bank Holiday – and for the LGBTQ+ community, it could be one of the most significant weekends in the city for years. From Friday 28 August to Monday 31 August 2026, Manchester's famous Gay Village will once again become the beating heart of Pride as Manchester Village Pride makes its debut under a new, community-led organisation. While Pride has a long and proud history in Manchester, 2026 represents a fresh start. Following the collapse of the previous Manchester Pride organisation in 2025, businesses, residents and community stakeholders came together to establish Manchester Village Pride CIC, a not-for-profit Community Interest Company. And its message for this year's event couldn't be more appropriate: "No Place Like Home." A Pride built around the Village For decades, Manchester's Gay Village has been at the centre of LGBTQ+ life in the city. This year, organisers are putting that history firmly back in the spotlight. Manchester Village Pride describes itself as a Pride that is "run by the community, for the community", with the Village at its heart. The new organisation is run by unpaid volunteers, while local Village venues provided £120,000 in start-up loans to help get the event off the ground. The new model also places a strong emphasis on supporting the LGBTQ+ community. Organisers say surplus funds will be reinvested into grassroots queer organisations and community initiatives rather than distributed as private profit. For Manchester, it is much more than simply changing the name on the Pride banner. It is an attempt to rebuild trust and reconnect the city's biggest LGBTQ+ celebration with its roots. Four days of Pride The weekend gets underway on Friday 28 August, with the Village opening its doors and live stages getting the celebrations started. Saturday is set to be the big day, with the Manchester Village Pride Parade taking place on 29 August. This year's theme, "No Place Like Home," reflects the decision to bring Pride back to the Gay Village and celebrate the community that has helped make Manchester one of the UK's most important LGBTQ+ cities. The parade will provide the colourful spectacle Manchester Pride is famous for, with community groups, charities, businesses and organisations marching through the city centre. But organisers are also keen to put community before commercial interests. LGBTQ+ charities and grassroots groups are not charged to take part in the parade, while commercial floats contribute towards supporting community participation. Music, drag and the Village party Once the parade is over, the party continues across the Gay Village. The main stage will showcase queer talent from Manchester and across the UK, while the Dance Arena will celebrate the city's legendary LGBTQ+ nightlife with house, techno and disco. The programme is expected to provide the usual mix of live music, DJs, drag, cabaret and plenty of opportunities to dance into the night. Acts announced for the 2026 celebrations include names such as Cascada and DJ Sammy, adding some serious pop nostalgia to the Bank Holiday party. One of the organisers' key commitments is that artists performing at Manchester Village Pride will be paid fairly, with the event working with Equity on professional standards and fair pay. That commitment is particularly significant given the financial difficulties surrounding the previous Pride organisation. Pride beyond Canal Street Although the Gay Village is very much the headquarters, Manchester Village Pride isn't limiting itself to Canal Street. A new Pride Fringe will bring LGBTQ+ arts, culture, film, comedy, exhibitions, club nights and other events to venues across the city. The programme includes the return of SCENE: Manchester LGBTQ+ Film & TV Festival, alongside events at cultural venues and celebrations hosted by businesses and community organisations. It means that even if you're not heading into the Village for the main party, there should be plenty happening elsewhere in Manchester. Monday: community, family and remembrance One of the most interesting changes comes on the Monday. 31 August will be dedicated to community, families and remembrance, with a Lifestyle & Community Expo in the Village. There will be activities including drag story time, face painting, bouncy castles and youth workshops, making Monday a more relaxed and family-focused part of the weekend. Importantly, Monday entry is free, reflecting the organisers' belief that the community and remembrance elements of Pride should be accessible to everyone. The weekend will conclude with the George House Trust Vigil at Sackville Gardens, providing an opportunity to remember those lost to HIV/AIDS and reflect on the history and continuing importance of the LGBTQ+ community. A new beginning for Manchester Pride There is inevitably going to be a sense of change hanging over this year's celebrations. Manchester has hosted Pride for decades, with the first event taking place in the Village in 1985. The new Manchester Village Pride CIC is therefore not starting from scratch – it is attempting to reconnect with a history that stretches back more than 40 years. That makes the first Manchester Village Pride of 2026 particularly interesting. It is a test of whether Pride can be rebuilt around community, transparency and the LGBTQ+ venues, organisations and people who have kept Manchester's queer scene alive. And judging by the plans, the answer is going to be celebrated with plenty of colour, music, glitter and dancing. The g10 group verdict Manchester Village Pride 2026 looks set to be less about simply putting on another huge party and more about asking what Pride actually means to the people who live, work and socialise in Manchester's LGBTQ+ community. With the Gay Village firmly back at the centre, a city-wide Fringe programme, the return of the parade, four days of events and a renewed emphasis on community and fair treatment of performers, this year's celebration feels like both a homecoming and a new beginning. So, whether you're a Manchester local or planning a Bank Holiday weekend visit, 28–31 August is one to put in the diary. Because this year, Pride isn't just coming to Manchester. Pride is coming home. Manchester Village Pride takes place from Friday 28 August to Monday 31 August 2026. The parade takes place on Saturday 29 August. Monday's Community & Family Day and Vigil are free to attend. Event information and ticket details are subject to change, so check the official Manchester Village Pride programme before travelling.

Your music blends industrial, electronic, and experimental sounds. What inspires you to create such a unique sonic world? It's important for me to be progressive. The futurism of sound is so exciting to me and I love exploring its possibilities. How far can you push a frequency? How distorted can a kick drum become before it turns into something completely new? A lot of my music comes from experimentation and accidents. There are all these unwritten rules about how songs are "supposed" to be made but I've never been interested in following them. I don't think there are any rules in art. My philosophy with making music feeds into the sonic world I create. I'm drawn to futurism, subversion, and this digital, almost synthetic feeling but it has to have an organic backbone. I'd describe my music as post-genre because I'm influenced by so many different sounds, although deep down I love hardcore electronic music. Glitch, noise, chaos and distortion feel incredibly cathartic to me. Ultimately, I think I'm just expressing what's going on in my brain. Making music is therapeutic, and the sound reflects that. Your stage name, Baby Tap, is memorable and intriguing. What's the story behind it, and what does it represent to you today? Baby Tap is pretty self-descriptive when you think about it. It's about tapping into the baby within: embracing that childlike part of yourself that's instinctive, playful, carefree and silly. I've always loved heavier music scenes like industrial, punk, digital hardcore and noise, but the name "Baby Tap" was my reaction to how serious, pretentious and masculine a lot of those spaces could feel. I love the juxtaposition of having this really playful name attached to such intense music. It still makes me laugh. More than anything, it's a reminder not to take myself too seriously. We all have an inner child, and I don't think becoming an adult means we have to lose that part of ourselves. Life is hard enough as it is. I actually think it's really important to stay silly. How has being part of the LGBTQ+ community shaped your music, performance style, or artistic journey? Where do I begin? Being queer is a huge part of my artistry. It's probably the biggest part of it, actually. As a queer man making rap and hardcore music, I naturally challenge a lot of the expectations those genres have carried for years. There are traditions within those scenes that have often centred masculinity in a very narrow way, so of course I'm going to flip that on its head. That's part of who I am. To me, being queer and being punk as fuck are completely intertwined. Both are about ripping up the script you've been handed and creating your own. Finding the freedom to be whoever I want to be goes hand in hand with the freedom I feel as an artist. They're impossible for me to separate. None of that would have been possible without the queer community. I can't begin to express how much the people around me have influenced me or how much love, hope and strength they've given me. I'm incredibly lucky to know the people I do, and I'm grateful for them every single day. Your visual aesthetic is just as striking as your music. How important is fashion and self-expression to your identity as an artist? Oh, thanks! Music always comes first, but it's all about identity, isn't it? Self-expression is incredibly important to me. Of course, from a branding perspective an image matters but I think it's boring and a bit soul-destroying if that's the only way you look at it. For me, it's much more personal. It's expression. It's drag. It's fantasy. People decorate their cars and their homes so why shouldn't they decorate themselves? I'm an artist, but I'm also a piece of art. The paint on my face, the shoes I wear, whatever I choose to put on my body — it can all express a feeling or make a statement. It's powerful. I remember when I was a kid, an adult criticised me for looking "like a cartoon." I rejected that idea immediately even though I was probably 8 years old. I remember looking at myself in the mirror and thinking, why wouldn't I want to be a cartoon? Cartoons are fucking joyful and the most fun! Why wouldn't I want to be a colourful character? How oppressive to think otherwise! My life experiences have created a character that is me, so I'm going to let myself be it, whatever it is. Sorry, but you're probably never going to catch me in boot-cut blue Levi's and a plain T-shirt. Not because there's anything wrong with that — I just wouldn't feel like myself. What message do you hope queer fans take away when they experience your music or see you perform live? That it's okay to be yourself unapologetically. Growing up queer, you're taught to make yourself smaller or quieter, to fit into whatever version of yourself makes other people comfortable. I want my music and my live shows to do the opposite. I want people to feel like they can take up space, be loud, be weird, be vulnerable, be joyful — whatever feels true to them. You've spoken about the importance of queer spaces and community. What changes would you like to see for LGBTQ+ artists in the UK music scene? I mean... I actually love it. I come across new queer artists and performers all the time, and they're incredible. They make me so happy. The changes I want to see for LGBTQ+ people are from the government and they boil down to basic human rights. As for the UK music scene? I think it fucking slaps. The biggest problems I see within music aren't exclusive to queer artists — they affect all musicians. Streaming has fundamentally changed how artists are discovered and paid, and so many of the platforms and opportunities musicians rely on have become increasingly monetised. It can feel like you have to pay just to be seen. I think we hit a bit of a sweet spot maybe fifteen years ago and it's been a tougher landscape ever since. I'm still optimistic though! There are so many brilliant artists making exciting, boundary-pushing work. That creativity hasn't gone anywhere. Your latest music feels deeply personal while remaining experimental. How do you balance vulnerability with creative freedom? I'm glad you said that! My new album is probably the most personal record I've written to date. Without sounding egotistical... well, I guess the album is about the ego. I wanted to talk about myself — to explore how I feel, how I'm doing, and who I am. Why not? It's so easy to overthink what you're making, but I've been trying to shut those voices up and trust myself more. I've been working on my imposter syndrome, and I know that if I love the music I'm making and it feels truthful to me, that's enough. I'll be as vulnerable or as vapid as I want — that's my business. It's my art, and it's going to be whatever I want it to be. Ultimately, I don't think about it. Full stop. I don't think creativity works like that. For me, it's instinct. It's intuition. I just follow where it wants to go and I have to trust whatever it is. Social media has become an essential tool for artists. How do you stay authentic while navigating the pressures of being online? Ugh, social media sucks sometimes. I genuinely find it bad for my mental health, so I'm learning not to take it too seriously or spend too much time on it. It's great that we have these platforms where we can express ourselves, be cute, and share our work, but they're also tools for building a career. I've only recently started thinking about it that way, and it's actually been quite fun. I have a product, which is my music, and I have a brand, which is me. I'm going to use these platforms to get my music in front of the people who'll connect with it. Do I have time or patience for all of them? No, I don't, but I'll do the best I can without stressing myself out. It can be arduous and tedious. You have to step back and ask yourself: How am I going to use this? How am I going to get my music to the right audience? I'm still figuring that part out but I know the music deserves the chance. It's important you don't take other people too seriously either. Comparison is the thief of joy. We're all presenting idealised versions of ourselves online. That's not necessarily a bad thing but there is a lot of fantasy and editing involved. Saying all of that, though, there's an amazing sense of community that transcends oceans. I've met the most amazing people through it and they inspire me every day. If you could collaborate with any LGBTQ+ artist—past or present—who would it be, and what kind of track would you create together? Honestly? I want to make music with my friends. All of them. I want to go round to their houses, press record and see what happens. I want to make the most absurd fucking cacophonies imaginable. Secretly though... I've always wanted to make a thrash metal album with a band. Just one. I think it'd be so much fun. If we're talking dream collaborations, then Arca and SOPHIE are the absolute pinnacle of queer artistry for me. They've completely redefined what's possible in music. If Cobrah or Ashnikko ever wanted to do a song with me though... that song would be pure sex. Looking ahead, what's next for Baby Tap, and what can your fans expect from you over the next year? I've spent the last three years writing, producing and stressing over my new album. It's pretty much finished, and now I'm at that point where it's time to think about the next steps. I was shit-scared to start releasing this music but I've finally overcome the fear and started the process! I think my first single, Siberian Snowtrip, will actually be out by the time this interview is published, and that's absolutely wild to me. The new era has officially begun. Every album release feels like completely uncharted territory but I'm working harder than ever and I hope people can feel that. The rollout has started and I genuinely can't wait for people to hear my new music. I want to surprise people. I can't say too much yet, but you'll see. Once the album's out, I want to tour it. I want to take a month off from my day job and perform the house down to the biggest beats I've ever made. After all of that, I want to fuck off to Thailand by myself for two weeks, eat incredible food and forget about everything for a little while.

Interview with Tim Kusters Mr. Gay Europe 2023- 2024 Tell us about Voices of Strength voices of pride? “Voices of Strength, Faces of Pride” is a global platform that celebrates the strength, diversity, and resilience of the LGBTQIA+ community. By giving ambassadors and organizations greater visibility, we highlight the positive impact they are making around the world. In addition, we foster a community of like-minded individuals who come together to create meaningful change. What made you come up with the idea? I have been advocating for equality and acceptance for many years, with a strong focus on mental health and suicide prevention, LGBTQIA+ parenting, sexual health, and overall representation. Through my experience as an ambassador and being openly out for the past 15 years, I have come to feel that we sometimes focus too much on the negative aspects, rather than on the incredible work being done around the world to fight inequality, discrimination and building safe spaces. In August 2025, I had the pleasure of organizing Mr. Gay Europe 2025 in Amsterdam together with a dear friend. There, I was reminded by all the finalists of the powerful initiatives they were leading and the motivation they had to drive real change. This experience marked the beginning of Voices of Strength, Faces of Pride. I wanted to showcase their stories, as well as those of other ambassadors, and highlight these inspiring initiatives, hoping to encourage others to do the same. What do you hope to achieve from the project? By giving visibility to ambassadors and organizations that are actively driving change, I aim to highlight the positive impact already happening within the LGBTQIA+ community worldwide. Ultimately, the goal is to build a supportive, like-minded community that inspires others to take action, strengthens existing initiatives, and contributes to greater equality, acceptance, and well-being for all. How can people get involved? People can get involved by supporting and amplifying the voices of ambassadors and organizations featured on the platform, sharing their stories within their own networks, and actively engaging with the community. Individuals and organizations are also encouraged to submit their own initiatives, collaborate on projects, and contribute ideas that help drive positive change. By working together, we can strengthen existing efforts and inspire others to take action for equality and acceptance. If you are involved in meaningful advocacy and would like to be featured on our platform, please visit https://www.voicesofstrengthfacesofpride.com/ and fill out the contact form. Be sure to also follow our new Instagram account, @voicesofstrengthfacesofpride.